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Overview of The Publications of Joannes Richter in Academia and Scribd
Overview of The Publications of Joannes Richter in Academia and Scribd
Abstract
Most studies of the alphabets concentrate on the 1-dimensional structured lists.
• Usually the European alphabets are ABeCeDaRia, in which the letters may be interpreted as
“unsorted” in the 1-dimensional displays. Places of articulation (for example: lingual, labial,
guttural, dental, palatal). This concept is clearly described in the Sefer Yetzirah.
• Other sorting methods are found in the Indian (Sanskrit and its derived) signaries, which
usually are sorted according the letters' categories (segmented as vowels, consonants and
conjuncts). In India medieval serpentine charts on pillars contain 5x5-patterns, in which the
structures are ordered according to the Places of articulation. The consonants are sorted
following the points of articulation - from the back to the front-side in the vocal traject:
Gutturals, Palatals, Cerebrals, Dentals and Labials.
• A third concept is found in the Old Persian cuneiform signary, which is structured in triads,
which have been sorted, as follows: the Vowels (( Ā), Ī, Ū), Velar/Guttural (K, X, G), Palatal
(C, Ç, J), Alveolar (T, Θ, D) , Labial (P, F, B), Nasals (N & M), Semi-vowels (Y, V, R), L ,
Sibilants (S, Z, Ś) and a Glottal (H ).
These three categories of signaries are based on 5-categorized 2-dimensional structures. The Places
of articulation are the sources of the human phonemes. The 5 categories seem to have been
standards, in which important 5-letter words originally had to represent each one of the 5 Places of
articulation. These 5-letter words are studied, analyzed and listed in the following circa 60 essays.
Introduction
Numbers 1 2 3 4 5 6 7 8 9 10 11 12 13 13 14 15 16 17 18 19 20 21 22 23
Hebrew 22
ג ב א כ י טח ז ו הד מל נ שרק צ פ ע ס ת
Alphabēton
ἀλφάβητον
23 A B Γ Δ Ε F Ζ ΗΘ Ι Κ ΛΜ Ν ΞΟΠ S K Ρ Σ Τ Y
Old-Greek 21 A B Γ Δ Ε Υ Ζ ΗΘ Ι Κ ΛΜ Ν ΟΠ s q Ρ Σ Τ
Classic
21 A B Γ Δ Ε Ζ ΗΘ Ι Κ ΛΜ Ν ΟΠ Ρ Σ Τ YXΩ
Greek
1 2 3 4 5 6 7 8 9 11 12 13 14 15 16 17 18 19 20 21-26
C Ϝ I V,U,W,
Latin 26 A B DE Z H Þ K LM N O P s QR S T
G V J X,Y, Z
Table 2 Ugaritic abecedaria (1) of the "Northern Semitic order" (27-30 letters)
(categorized according to the comments of Rabbi Saadia Gaon's commentary)
Index 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
Elder ᚠ ᚢ ᚦ ᚨ ᚱ ᚲ ᚷ ᚹ ᚺ ᚾ ᛁ ᛃ ᛇ ᛈ ᛉ ᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛜ ᛟ ᛞ
Futhark F U Þ A R K G W HN I J Æ P Z S T B E M L Ŋ O D
ætts "Freyr's ætt" "Hagal's ætt" Tyr's ('Mars') ætt
Table 4 The categorization and sequence of the Elder Futhark signary (24 symbols)
The runic alphabet may be transformed to the following 2-dimensional table:
# lingual palatal labial guttural dental
6 D M
5 Ŋ (Ng) B O
4 L J P E
3 T I [W] Ï or Æ S
2 N G U H Z
1 Þ K [F] A R
Table 5 2-Dimensional table of the runic alphabet on the Kylver Stone
(on the third row the alphabet displays the theonyms TĪW and TĪWÆS)
2 U
1 Þ A K F R
Table 7 Filling the first row of the Futhark 2-dimensional table with the letters F, U, Þ, A, R, K
The complete triad of the pentagrams TÆIWS, WITÆS and TIWÆS displays the names of the sky
god and the virtues in the 3rd row of the Futhark 2-dimensional table (filled with 24 letters).
4 In de 12e eeuw hadden zich uit de Noordse runen de gepuncteerde runen (met puntjes) ontwikkeld. Deze waren
beter bruikbaar, want 16 tekens bleek onvoldoende te zijn.
5 The Staveless runes were the climax of the simplification process in the evolution of runic alphabets that had started
when the Elder Futhark was superseded by the Younger Futhark.[1] (Source (Wikipedia): Hälsinge runes)
6 Digamma (ϝ) - an archaic letter of the Greek alphabet , may be exchanged by /W/, /F/, /U/, /V/
The 2-dimensional pattern of the Younger ϝYÞAR-signary
The Younger ϝYÞAR(k) signary is an abbreviated version of the elder Futhark. In contrast to the
standard Futhark signaries the Younger ϝYÞAR(k) display the theonym (ϝYÞAR) at the first row of the
2-dimensional table. This feature allows the alphabetical designers to modify the signary from the
6th character. From the 6th letter all letters may be removed or replaced at lib. We may compare the
following 4 runic signaries:
1. Elder Futhark (24 Runes, 2e century AD)
2. Younger Futhark (16 Runes, 7e century AD)
3. Staveless Runes or Hälsinger Runes (15 Runes, 7e – 9e century AD)7
4. the dotted symbols in the nordic Runes.
5. The Anglo-Saxon runes (34 Runes, 5th through 11th centuries AD)
In the Staveless Runes (15 letters) we may identify the missing of the letter A, which disturbs the
theonym's pattern.
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
1 Symbol ᚠᚢ ᚦ ᚨ ᚱ ᚲ ᚷ ᚹ ᚺ ᚾ ᛁ ᛃ ᛈ ᛇ ᛉ ᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛜ ᛞ ᛟ
2 Elder Futhark F U ÞARKGWH N I J P Ï Z S T B E M L Ŋ D O
3 Younger Futhark F U ÞARK H N I Æ S T B M L R
4 Staveless Runes F U Þ RK H N I A S T B M L R
5 Younger ϝYÞAR(k) F Y ÞARK H N I Æ S T B M L R
Table 10 The Futhark Signaries
The abbreviation of the Elder (24 symbols) to the Younger ϝYÞAR(k) signary (16 symbols) does
not disturb the theonym ϝYÞAR. The distribution of the 16 symbols over the categories is optimal
in the Younger ϝYÞAR(k) signary. Four of the 5 categories are equipped with 3 symbols. Only the
principal lingual category is filled with 4 symbols. The tongue is the most important Place of
articulation.
In the Younger ϝYÞAR(k) signary the last symbol ᛦ {R} is the terminal Yr-rune (Algiz).8
7 The Staveless runes were the climax of the simplification process in the evolution of runic alphabets that had started
when the Elder Futhark was superseded by the Younger Futhark.[1] (bron (Wikipedia): Hälsinge runes)
8 The Yr rune ᛦ is a rune of the Younger Futhark. Its common transliteration is a small capital ʀ. The shape of the Yr
rune in the Younger Futhark is the inverted shape of the Elder Futhark rune (ᛉ). Its name yr ("yew") is taken from
the name of the Elder Futhark Eihwaz rune.
The integrated words for Father & Mother
In a reordered Younger ϝYÞAR(k) signary we may display two words for ϝAÞYR (“Father”) and
MÆTIR (“Mother”).
• The first row displays ϝAÞYR, which may represent the Old-Irish “ϝAÞIR” or old-Nordic
FAÐIR (Father)9.
• The third row displays MÆTIR, which may represent the Old-Irish “MAÞIR” or old-Nordic
MOÐIR (Mother)10.
The symmetry for “father” & “mother” is a impressive. Both ϝAÞYR (“Father”) and MÆTIR
(“Mother”) seem to be integrated in the 2-dimensional table of the Younger Futhark
signary/alphabet!
9 https://www.etymonline.com/de/word/father
10 https://www.etymonline.com/de/word/mother
The 2-dimensional pattern of the Anglo-Saxon ϝYÞOR(c)-signary
The Futhorc (sometimes written "fuþorc") are an extended alphabet, consisting of 29, and later 33
characters. The only stabil section is found in the first 5 or 6 characters ϝYÞOR(c).
Anglo-Saxon runes (Old English: rūna ᚱᚢᚾᚪ) are runes used by the early Anglo-Saxons
as an alphabet in their writing system. The characters are known collectively as the
futhorc (ᚠᚢᚦᚩᚱᚳ FUÞORC) (→ ϝYÞOR(c)) from the Old English sound values of the
first six runes. The futhorc was a development from the 24-character Elder Futhark.
Since the futhorc runes are thought to have first been used in Frisia before the Anglo-
Saxon settlement of Britain, they have also been called Anglo-Frisian runes.[2] They
were likely to have been used from the 5th century onward, recording Old English and
Old Frisian11.
The letter sequence and letter inventory of futhorc, along with the actual sounds
indicated by those letters, could vary depending on location and time. That being so, an
authentic and unified list of runes is not possible. 12
In the ϜYÞOR the first two characters may both interpret Digammas, in which the first one may be a
labial consonant (F or V) and the other a palatal vowel (I or Y).
• The shape of the first rune (Fehu) is likely based on Etruscan v, like Greek Digamma Ϝ and
Latin F ultimately from Phoenician waw (Y).
• The reconstructed u rune ᚢ is *Ūruz meaning "wild ox"[1] or *Ūrą "water".
One of the Anglo-Saxon's rune poem gives the following characters and names in the row 1...6.
Extra runes are listed in row 7 outside of the rune poem. In the first row the 5 categories are
identified. The other symbols in row 2...7 seem to have been distributed ad lib without traces of any
order of the characterization.
section 1 2 3 4 5
7 KkkGcƿst k kk G cƿ st
6 ÆYeaia ᚫ æsc (ash) ᚣ yr (ȳr) ᛡ ior ᛠ Ear (ea, æa)
5 LŊŒDA ᛚ lagu ᛝ ing ᛟ (œ) oedil ᛞ dæg ᚪ ac (āc)
4 STBEM ᛋ sygil ᛏ ti (Tīw) ᛒ berc ᛖ eh ᛗ mon
3 IJeoPX ᛁ is (īs) ᛄ gær ᛇ eoh ih (īw) (ï) ᛈ peord ᛉ ilcs (eolh?)
2 CȜǷHN ᚳ cen ᚷ gyfu (G) ᚹ wyn (W) ᚻ hægil ᚾ næd
1 ϝYÞOR ᚠ feoh ᚢ ur ᚦ thorn (Th) ᚩ Ōs ᚱ Rad
11 Source: Runes
12 Source: Anglo-Saxon runes
The Ogham alphabet
The Ogham alphabet displays the name of the sky-god TIΕU at the forth row of the 2-dimensional
table of the alphabet13.
The incomplete pentagram “TIEU” of the Gaulish language may have been imported as the sky-god
“DII ĒU” to the French language. Therefore the name “TIEU” and the Gaulish alphabet may be
inherited from the Gaulish territory.
Geoffroy Tory (1480-1533) describes the inventor of the Ogham alphabet as a Gaulish Hercules14.
In this case the Ogham alphabet might be dated around the year 51 B.C.
Another importer may be the bishop Palladius, the first bishop of the Christians in Ireland,
preceding Saint Patrick. Palladius was a deacon and member of one of the prominent families in
Gaul. Pope Celestine I consecrated him a bishop and sent him in AD 431 to Ireland "to the Scotti
believing in Christ"15. The second origin of the Ogham may be dated around AD 431.
The motivation of the druids may be identified in their own god (“TIEU” ?).
Also the Gauls knew the Roman sky-god Jupiter, which had been derived from the original “father”
god (DJOUS PITER), which matches “DII ĒU”, but had been deteriorated to “II U”.
The druid, who personified the Gaulish Hercules, guessed the name “II U” would not be accepted as
a sky-god. Probably the Ogham alphabet had to display the French “TIEU” in their new alphabet,
which had to be interpreted as a “bundle of furrows”:
13 The Arrays (and the Presumed Theonym TIEU) of the Ogham Signary
14 Champfleury (1529), Geoffroy Tory.
15 Palladius
The symbols of the Ogham-alphabet
The Ogham alphabet is a lined scripture which originally had been composed as follows:
B,L,F,S,N – H,D,T,C,Q – M,G,Ng,Z,R – A,O,U,E,I
The row is composed as four lines, each of which contains five letters. Later a fifth trailer line with
5 letters was to be added to the end of the alphabet.
The following straight line orders the 20 (respectively 25) letters of the Ogham alphabet in one line:
The following expression "beth luis nion", is the name of the Ogham alphabet. These 3 symbols
form the first letter (B), the second letter (L) and the fifth letter (N) in the Aicme Beithe (notice: the
letter-symbols have to be read "upside down")16.
Fig. 4 Beith – Luis – Nion (the “BLN”-name of the Ogham alphabet – source: Ogham-steen)
•
Ogham letters (Source: Wikipedia)
Aicme Beithe (5 letters) Aicme Muine /5 letters)
ᚁ [b] Beith ᚋ [m] Muin
ᚂ [l] Luis ᚌ [ɡ] Gort
ᚃ [w] Fearn ᚍ [ɡʷ] nGéadal
ᚄ [s] Sail ᚎ [st], [ts], [sw] Straif
ᚅ [n] Nion ᚏ [r] Ruis
Aicme hÚatha (5 letters) Aicme Ailme (5 letters)
ᚆ [j] Uath ᚐ [a] Ailm
ᚇ [d] Dair ᚑ [o] Onn
ᚈ [t] Tinne ᚒ [u] Úr
ᚉ [k] Coll ᚓ [e] Eadhadh
ᚊ [kʷ] Ceirt ᚔ [i] Iodhadh
Forfeda (special symbols)
ᚕ [k], [x], [eo] Éabhadh
ᚖ [oi] Ór
ᚗ [ui] Uilleann
ᚘ [p], [io] Ifín ᚚ [p] Peith
ᚙ [x], [ai] Eamhancholl vte
Table 16 Ogham letters (Source: Ogham)
16 Notice: "BETH" may also be spelled (possibly more correct): "BEITH." (source: Ogham-steen)
The Link between Greek and Germanic Languages17
Between Greek and Germanic Languages we may identify a link, which is based on the words for
the virtues “wisdom” and “justice”.
In Greek language the early words for “wisdom” and “justice” are represented by the earliest names
of the consorts of the sky-god Zeus. The first consort of Zeus (ΘΙΕΥS) is Metis - METIS, which is
spelled as a genuine 5-letter word. The second consortof Zeus is Themis – ΘEMIS, which is
spelled as a slightly resorted word of similar letters.
In Germanic languages the early words for “wisdom” and “justice” are represented by the earliest
names of the consorts of the sky-god TÆIWS. In the days of the week the sky-god was devoted to
the Thursday. The virtue for “wisdom” was represented by the god WITÆS (“wisdom” or “WIT”).
The virtue for “justice” was represented by the god TIWÆS (“Tiwaz” or “TIW”).
These Germanic names TÆIWS, WITÆS, TIWÆS correlate with the Greek names Zeus (ΘΙΕΥS),
METIS, ΘEMIS.
• TÆIWS, or TEIWS, is the word “god” in the Gothic language,
• WITÆS, WIT or WITES is the word for wisdom,
• TIWÆS, TIW or TIWES is the word for justice.
The relations between the sky-gods and the two cardinal virtues (wisdom and justice) belonged to
the earliest stages of the Greek “Zeus”-religion, the Latin (Iu-piter or “Dious”-PITER and the
Germanic “Teiws”-religion.
These triads may be identified in different religions:
Virtues
The virtues wisdom and justice may have played an important role in the early Germanic and Greek
philosophies. Later the impact of wisdom and justice was to be integrated in the sky-god Zeus' in
the Greek mythology. The goddesses Metis and Themis lost their duty and transformed to the traces
of their matrimonial authority. Metis already had been a goddess before Zeus was born. She helped
the child to grow up as a baby.
In Latin Jupiter never needed a governess or baby-sitter. From the beginning he was the God-Father
of the pantheon.
Powerful concepts
Other source for the pentagrammatons may also be found in numerous words such as the planets,
stars, powerful human beings (such as the “parents” 18 PITAR & MATIR and the “WIZARD”19),
powerful animals (“WISEN(t)”, “BISON”, ZIBOR, ZOBIR), rivers (especially the rivers of the
paradise: FIRAT, Ava MEZIN, PISON, PASIN 20).
Animals
The words for the animals may belong to the earliest word-giving concepts 21. For each population
the most important animals may have honored with pentagrammatons. For the Mongol tribes the
name of the horse is MORIN, which is still related to the female horse “mare”.
A few lists of the domesticated and undomesticated animals suggest the remains of the words for
the animals have been conserved in the name-giving of the pentagrammatons22.
Man
Of course the most powerful animals are distributed over the world and the name-giving of the most
prominent animals had to be chosen for the kings and other leaders. Of course Man himself was a
pentagrammaton MENSCh (a man, as a person, from MENNISKO ('person')23.
25 'Wrath!' was the first Word -Hidden symbols, which we never unveiled
26 Vanaf de stichting van de stad Thebe tot de afdanking van koning Louis XIX
The Concentrations of Pentagrammatons
In a few books we may identify concentrations of pentagrammatons. Often the concentrations of
pentagrammatons belong to specified chapters such as the rivers in the Garden of Eden and The
cosmic Tree and the Mill of the Gods.
Both rivers Ava MEZIN (Tigris, (1900km) and FIRAT (Euphrates, 2800km) may have been
comparable, relatively long waterways. The Sumerian term of the Ava MEZIN (Tigris), which can
be interpreted as "the swift river", contrasts the to its neighbor, the FIRAT (Euphrates), whose
leisurely pace caused it to deposit more silt and build up a higher bed than the Tigris.
27 This paper is a chapter in the essay An Archaic Core in a Modern Linguistic Concept
The Timestamps of Hesiod's Theogony28
The Theogony (Greek: Θεογονία, Theogonía, Attic Greek: [tʰeoɡoníaː], i.e. "the
genealogy or birth of the gods"[1]) is a poem by Hesiod (8th–7th century BC)
describing the origins and genealogies of the Greek gods, composed c. 730–700 BC.[2]
29
Some of the gods and deities are pentagrams, which in the Theogony are mentioned in their
sequence and environment.
Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions
concerning the gods, organized as a narrative that tells how they came to be and how
they established permanent control over the cosmos. It is the first known Greek
mythical cosmogony.
The pentagrams in this overview indicate the introduction of the alphabet, in which the most
relevant names are composed as the pentagrams: Zeus (DiÉUS PITER), Metis (the nymph METIS
(ΜΗΗΤΙΣ), Themis (ThEMIS (ΘEMIΣ), Aphrodite (VENUS), Minos (MINOS), Cadmus
(ΚΆΔΜΟΣ) and Jason (ἸΆΣΩΝ).
In Hesiod's Theogony we may identify Jason as the last entry of an pentagram.
Flinders Petrie's Periodic Table in the Greek alphabet (1912) also follows the alphabetical order,
which contains some empty locations. Just like in Ganesha Vidya (1968) Flinders Petrie (1912)
classified the vowels in the first columns, named “vowels”.
Unfortunately Flinders Petrie missed the solution in a Rabbi Saadia Gaon's Judeo-Arabic
commentary on “Sefer Yetzirah”, which describes the phonetic sounds of the 22 characters of the
Hebrew alphabet and classifies them in 5 groups linguals, palatals, labials, gutturals, dentals.
According to the Sefer Yetzirah the tongue is the most important point of articulation.
As symbolisms the alphabetic letters do not represent only pictures, but also are carrying the
attribute, which indicate the Place of articulation (lingual, labial, guttural, dental, palatal). We may
name these important words pentagrammatons, in analogy to the Tetragrammaton.
The special, most prominent words seemed to be 5-letter words, in which all 5 categories had to be
represented. Another even higher ranked category contains the 10-letter words, which contains two
pentagrammatons. Samples of the decagrammatons are DIOUS-PITER, DYAUS–PITAR35 and the
semi-decagrammatons DĪVES-PATER and LIBER-PATER.
The pentagrammatons and decagrammatons refer to the more prominent words, which in contrast to
the common metaphors, had been composed from 5 special letters.
The letters of the Basque word for “God” ( URTIA) may have been (in reverse) ordered according to
the order of the places of articulation: labial-dental–lingual-palatal–guttural (lips-teeth-tip of the
tongue-palate-throat).
1. U
UR(t)CIA ...et Deus uocant UR(t)CIA glossed as 'God' by Urtzi Basque
URTIA Picaud (see Urtzi) (Codex Calixtinus)
Table 20 The entry and spelling of the Basque word “God” (URTIA)
34 Dennett, Daniel (29 March 1999). "Ludwig Wittgenstein: Philosopher". Time. Archived from the original on 16
October 2007.
35 The PIE-Decagrammatons
Noam Chomsky's Theory
Based on Noam Chomsky's interview on Language and Knowledge (1977)36 the impact of the
genetic structures of the brain must have been heavier at the introduction of the alphabets than
today.
Early alphabets did not restrict their impact on children to 26 simple characters, which are used to
compose words as a large store of arbitrary strings of pure graphics. The origin of the letters had
categorized the words according to their representations of the letters' sources, which were defined
as their points of articulation. Words, which represented all 5 points of articulation, must have been
easily recognized and identified as special, important points of pentagrammatons by the adults.
Of course the pentagrammatons and the categorization according to the points of articulation had to
be learned by pupils in the schooling of writers. Probably the teachers used 2-dimensional tables,
which in The formation of the alphabet (Petrie, W. M. Flinders) (1912) had been named “the horn-
book”. Back in the sixteenth century, English monks began to make hornbooks to help their pupils
learn to read37.
A hornbook (horn-book) is a single-sided alphabet tablet, which served from medieval
times as a primer for study,[1] and sometimes included vowel combinations, numerals
or short verse.[2] The hornbook was in common use in England around 1450,[3] but
may originate from more than a century earlier.[4] 38
Fig. 7 Ivory hornbook, 18th century, English, Gift of Leonard Kebler, 1959.
Library of Congress Control Number 2007700155 (https://lccn.loc.gov/2007700155)
Shakespeare makes reference to the practice of schooling in his works, and we find one such
example in Love’s Labours Lost39:
‘Moth: Yes, yes, he teaches boys the horn-book. What is ‘a, b’ spelt backward, with the
horn on his head?’ (5. 1. 42 – 43)
This knowledge of the 2-dimensional tables and the points of articulation must have been lost.
36 Linguist and political activist Noam Chomsky of the Massachusetts Institute of Technology transformed the nature
of linguistics before he was 40. In this program with world-renowned author and professor Bryan Magee, the
outspoken Chomsky challenges accepted notions of the way in which language is learned, examines the relationship
of language to experience, and discusses the philosophical nature of knowledge.
37 Why is it called "The Horn Book"?
38 Hornbook (Wikipedia)
39 Shakespeare in 100 Objects: Hornbook
The role of the pentagrammatons for royalties
In the 25th chapter of Herman Melville's Moby Dick the author describes the salt and oil, which is
required to anoint the royals. Of course the ceremony is a sacred secret. Nobody of the lower
classes are told how it works.
The application of ceremonies is needed to select the leaders of the population. In ancient times the
Merovingian leaders had to protect their long hair, which was defined as the most impressive sign
for the royalty. Childeric III (c. 717 – c. 754) was the last FRANKish king from the Merovingian
dynasty. Once Childeric was deposed, Pepin became king, initiating the Carolingian dynasty.[2]
In 751, Childeric III was dethroned and tonsured.[5] His long hair was the symbol of his
dynasty, and thus of the royal powers he enjoyed; by cutting it, they divested him of all
royal prerogatives. Once dethroned, he was confined to the Benedictine monastery of
Saint-Bertin[6] in Saint-Omer40.
The coronation regalia at King Charles and Camilla's ceremony include the crowns, the Sovereign’s
Orb, the Sovereign’s Scepter with Cross, the Ampulla and Coronation Spoon, the Stone of Scone,
the Coronation Chair, the Sovereign’s Ring, the Queen Consort’s Coronation Ring, the Sword of
State, the Sword of Offering, the Spurs and the Armills.
At the coronation of the King and Queen, they are anointed with holy oil that was consecrated in
Jerusalem — and the oil will be delivered by two very special objects.
Of course all medieval royals such as the Merovingian and Carolingian dynasty had their salt and
oil to anoint their kings. Probably they also had special names such as the pentagrammatons
FRANK, BASIN, LOUIS, LEWIS, ... for their people.
#
Pentagram P Information Definitions Language
1. B
P BESIN P king Bisinus ( BESIN in Frankish) Thuringian Dutch
B
B PISΕN P PISΕN in Lombard king/queen FRANKish
BASIN(A) P Basina, the queen of Thuringia (5th century). Basin(a) of Lombard
BAZIN P woman in charge Thuringia
2. F
FRANC P Frank free Dutch
FRANK P
3. V
VRIJEN P (1): “VRIJEN”: to make love (1240). Originally: 1: vrijen Dutch
“to love” (from: friend in Etymology-bank). 2: free people Frankish (?)
(2): “VRIJEN”: the “free people” (FRANKen)
4. L
LEWIS P Lewis (Louis, Clovis) (royal) Louis (name) English
5. L
LOUIS P Clovis (Chlodovechus) (Ch)LOUIS (king) Clovis- name French
6. L
LOUIS P Louis (Chlodowig) – LOUIS (king) Louis (name) French
7. L
LOVIS P Alternative spelling for e.g. Lovisa/Louise Lovis (name) Swedish (f.)
(female / male) German (m.)
40 Childeric III
Oppositions
Internal checks
There is a remarkable silence in the oppositions against the theory of the pentagrammatons. Internal
arguments may have been found in the 4-letter words and 6-letter words as alternatives to the 5-
letter words (pentagrammatons). The strong evidence for the pentagrammatons are the
decagrammatons DIOUS-PITER, DYAUS–PITAR41, which are dual pentagrammatons.
The alternative in the form of the 4-letter (and <4) words is the Tetragrammaton (IHVH), which
may be interpreted as a dual (IhVh). Dual words are found in the linear-B42:
• Zeus - God of the sky (Linear B: Di-We, Di-Wo)[14][72][73]
The alternative in the form of the 6-letter (and >6) words is the name DARIUS43.
Internal Academia
Regularly several remarks, suggestions and contradictions are exchanged with Dmitry Okolnikov,
who had his own essays: ABCD v.2.8, ABCD v.2.5, ა ბ გ დ and Runes are mistransliterated
Alphabet. and Ogham is the origin of it. We know there are synchronized ideas and some antipodal
thoughts. It is difficult to adapt concepts without losses.
Students
Some readers are interested. The follow because the articles important for them. The research the
words' etymology.
41 The PIE-Decagrammatons
42 List of Mycenaean deities
43 A new Etymology for the Name DARIUS
Summary
45 The Arrays (and the Presumed Theonym TIEU) of the Ogham Signary
46 Champfleury (1529), Geoffroy Tory.
47 Palladius
Statistics
The daily statistics for JWR's essays in Academia (for 60 days from November-December 2023).
The top number of views (15) is registered at 22 December. The views and downloads are
distributed in all locations over the world.
The most popular title I documented describes the analysis of the runic signaries: The Origin of the
Futhark, Ogham and Gothic Runes registered 64 views in 60 days..
all-
60 day
Title / Link to Academia time
V U D V D
01 The Origin of the Futhark, Ogham and Gothic Runes 11 10 5 64 18
2 The Secret Codes in the Scripture and the Alphabets 6 6 0 33 9
3 Another Approach to the Voynich Manuscript 2 2 0 24 4
4 Notes to the Sefer Yetzirah 13 7 1 21 2
5 The brilliant Architecture of the Elder and Younger Futhark Runes 11 10 3 20 4
6 An Alternative History for the Alphabet 0 0 0 18 4
7 The Voynich Manuscript as a Manual for the Habsburgs 3 3 2 16 5
8 The Symbolism of Hair Braids and Bonnets in Magical Powers 6 4 1 16 4
9 A new Etymology for the Pentagrams (PITAR & MATIR) 3 2 0 16 4
10 An Overview of the Linguistic Pentagrams 1 1 1 16 6
1 The Etymology of Man and the Etymology of Animals 3 3 1 13 3
2 The Common YHV-Root in the Ugaritic Alphabets 0 0 0 13 5
Project: Theut
1. A Vocabulary of ~250 Selected 5-Letter Words
2. The Synchronization of the Germanic and Greek Pantheons
3. Herinneringen aan de Godsdienstles 1954-1955 in Eindhoven
4. Optimizing Designs by Reducing the Redundancies
5. The "speaking" Elephant who chose the Name Batyr
6. Notes to the Runa ABC of Johannes Bureus (Date: 04/26/2024)
7. The Dialogue between Dmitry and Joannes
8. The Thrice-Greated Thot and its Alphabet
9. The Birth of the Egyptian Alphabet - The Etymology of Plato's word Theuth
10. The Thrice Great Theonym Theut (ṬYḪWŠ) in the Ugaritic Alphabet
11. Keywords in the Alphabets
12. The Fundamentals of Language are Not Based on Metaphors
13. The Transit from the ABG- to the ABC-Alphabet (05.03.2024)
14. Notes to the Variants of the Ugaritic Alphabets
15. Comparing the Concepts of Ugaritic, Hebrew, Greek and Latin Alphabets
16. Notes to the Sky-gods' Earliest Consorts (Diwia, Metis, Themis, Minerva)
17. The Concept of the Voynich Manuscript as a Thesaurus
18. Notes to Noam Chomsky's Concept of Language
19. Alphabets, which were Blown away with the Wind