Professional Documents
Culture Documents
Sample 2 Paper
Sample 2 Paper
Table of Contents
Law and the Luxury Environment...................................................................................................1
Introduction......................................................................................................................................3
Environmental impact......................................................................................................................4
Water use.....................................................................................................................................5
Carbon footprint...........................................................................................................................6
Chemical use................................................................................................................................7
Critical analysis...............................................................................................................................9
Gucci..............................................................................................................................................10
Leather.......................................................................................................................................10
Organic fibre..............................................................................................................................11
Conclusion.....................................................................................................................................12
References......................................................................................................................................13
Introduction
The fashion business is one of the world's biggest and oldest industries. According to the
United Nations Environmental Program, the fashions industry, which includes textile and
garment design and production, is the world's second largest trading sector. In the last few
decades the impact of the ever growing fashion industry on the environment are multifold,
widespread and substantial. For instance, it is estimated that fashion industry release about 10%
of the global carbon dioxide emissions. In addition to that, fashion industry is the world’s 2 nd
biggest water consumer i.e. 1.5 trillion liters of water each year. That accounts for approximately
20 percent of the industrial water pollution resulting from dyeing and textile treatment textile
treatment, generates 35 percent of oceanic primary microplastic pollution (190,000 tonnes per
year) and produces massive amounts of textile waste most of which ends up in landfills or is
increase of apparel consumption and hence the textile production. Similarly, global textile
consumption has increased to approximately 62 million tonnes each year, with 102 million
tonnes expected by 2030. Therefore, fashion houses are currently generating nearly twice as
much apparel as they were before the year 2000. The rise of fast fashion, a marketing plan built
on providing consumers with regular innovation as low-cost, trend-driven products, reflects the
dramatic increase in textile manufacturing and fashion consumption. Fast fashion encourages
repeat purchases and spontaneous purchases by creating a sense of urgency. (Heuer and Becker,
2018)
As a result of increased demand and efficiency in the creation of fashion products,
products claimed, normal per individual clothing and footwear consumption in the EU and UK
has declined from 30 percent in the 1950s to only 12 percent in 2009 and only 5 percent in 2020.
The UK's fashion business alone is now worth £26 billion and employs 800,000
people, making it the country's largest creative industry. Apparel has always been an important
industry in the United Kingdom. Wool was formerly responsible for 80% of all exports from the
UK.
Given the global spread of fashion and the bulk of products produced (and discarded), the
fashion industry is a major environmental concern. With the rising awareness among general
population towards climate crisis efforts are made by manufacturers, retailers in ever growing
fashion industry to limits its carbon emissions, carbon footprint, conservation and consumption
of renewable energy sources, water usage, chemical pollution and fashion related waste. Also
how it can become more environmentally friendly, including reducing garment manufacturing
and waste while increasing garment use and lifespan. (Kozlowski, Bardecki and Searcy, 2012)
Environmental impact
As products are manufactured, consumed and disposed in large quantities the fashion
industry environmentally impact all spheres of life from air quality to growing water
contamination.
international standards, as stated in its “Corporate Sustainability & Responsibility Policy”. Gucci
commercial and, local community and institutions, in accordance with its mission. This
the company.
agenda ensuring that its business reduces the carbon footprint and work towards making world a
better place to live, making planet green and save. (Niinimäki, 2011)
The globalisation of the textile and fashion industries has accounted for an unequal
ciculation of these environmental implications, with developing nations (which manufacture the
majority of textiles and clothes) suffering the brunt of the load (who largely consume the
products). When buying apparel, western nations import the effects (for instance, water via
Water use
The water footprint of clothes consumed in the UK was estimated to be 8 billion cubic
meters by WRAP in 2016. The usage of most of water in fashion industry is linked with the
cultivation of cotton and the wet processes in manufacturing of products such as dyeing,
bleaching, printing, washing and finishing. And on average 200tonnes of water is consumed in
production of 1tonne of textile. Approximately 44 trillion liters of water is consumed per annum
for irrigation out of which 95% percent is used in cotton production. Cotton farming accounts for
88 percent and 92 percent of the entire water footprint in the manufacturing of a Tshirt and a pair
of jeans40–42, respectively. Cotton does, in fact, have the greatest water footprint of any fashion
material. The fashion industry is responsible for 7 percent of global groundwater and potable
water losses due to water use, particularly in China and India's water-stressed industrial regions.
The fashion sector has an impact on local water resources by creating waste water, in addition to
worsening water scarcity. Because some of the chemicals used in production are harmful,
untreated waste water that penetrates local groundwater could degrade the environment as a
whole. For example, in Cambodia, the apparel industry, which accounts for 88 percent of all
chemical pollution.
Gucci commits to ensure that its actions are conducted out in compliance with all relevant
environmental laws. Promote water management, safeguard water sources, reduce water
consumption, and maintain water quality; ensure that Trash management should be optimised,
Carbon footprint
responsible for 10 percent of global greenhouse gases (GHG) emission. The UK textile business
emits 3.1 million tonnes of CO2 equivalent each year, accounting for around 0.4 percent of
overall UK emissions. The amount of emissions is determined by the fabric type and processing
technology. The polyester/cotton blend, which is commonly used for corporate clothes, is
thought to have the greatest GHG impact in the steaming procedure, with CO2 accounting for
nearly all of the emissions. Wool, on the other hand, has a higher GHG impact early in the
production process due to methane emitted by sheep before production begins. (Zamani, 2015)
Majorly carbon footprint due to textile industry is due to energy use also thje kind of
energy used. For instance, fashion industry in China is coal based thus releasing 40 percent more
carbon footprint as compared to that in Europe and Turkey. Initial fibre extraction uses the most
energy and emits the most CO2 in the clothing life cycle, notably for synthetic fibres like
acrylics, which come from fossil fuels. Polyester as well as other synthetic fabrics are made in an
energy-intensive process that uses a lot of crude oil and produces a lot of pollutants like volatile
organic compounds, particulate matter, and gaseous pollutants like hydrogen chloride, which can
However, because natural fibres has smaller carbon footprint that of synthetic fibres,
substituting natural fibres for polyester would be the most effective strategy to reduce CO2
emissions related with fibre production. Furthermore, plant-based fibres operate as a carbon sink
by sequestering atmospheric carbon. To lessen the impact of textile industry efforts need to be
taken to decreasing use of non-renewable energy sources and production volumes. (Kissinger,
2013)
For instance, Gucci is committed in the reduction and gradual phase out of all hazardous
material, which is responsible for carbon emissions as well as land and water pollution, by 2020.
Gucci has created a “Manufacturing Restricted Substances List (MRSL)” to help with this. The
MRSL is a document designed to provide guidelines on hazardous substances that may be used
and released to the environment during production and related processes, and those that may be
Chemical use
During the production process, the textile sector uses about 15,000 distinct chemicals,
starting with fibre production. Cotton crops are estimated to account for 6 percent of global
pesticide consumption in terms of economic value. Agrochemical use can cause nausea,
diarrhoea, malignancies, and respiratory ailments, and acute pesticide exposure kills about 1,000
people per day and causes neurological and reproductive issues. Agrochemicals leak into the soil
and reduce soil fertility and biodiversity, disrupt biological processes, and kill microbes, plants,
Much of the chemical used in the textile industry are related to spinning and weaving
(solvents and lubricants), as well as wet processing (surfactants, dyes, bleaches, water repellents
and antifoaming agents, among others). One European textile finishing industry, for example,
information of material safety on data sheets is typically just one source of information when
chemicals are used in textile manufacturing, raising environmental concerns from improper use
or disposal. As per Swedish research, the harmful qualities of 2,450 chemicals used in textile
manufacture were evaluated. 10 percent of these compounds, including scent, were found to be
of potentially high risk for human health. (Parvathi, Maruthavanan and Prakash, 2009)
For instance, the chemical used in the manufacturing of waterproof textile products, such
as fluoropolymers – a chemical stable substance, are even found in remote artic location as well
as in the bodies of seals thus illustrating the global impact proliferation of hazardous materials.
Only around 80% of direct dye synthetic dyes are absorbed by the cloth; the rest is washed out of
the garment. Every year, the worldwide textile industry dumps 40000 to50000 tonnes of dye into
streams and rivers, and 1000000 tonnes of salt (used for the dying process) is dumped in Europe
alone.
Textile industry waste
The unprecedented increase and adoption of fast fashion has resulted dramatic rise in
textile waste.
Pre-consumer textile industry waste – Pre-consumer disposal in the fashion industry, also
known as manufacturing waste, is generated during the creation of textiles and clothing and
includes yarn, fibre and fibre waste, the latter of which is the most resource-intensive. According
clothing, accounting for about 60% of the 150 billion clothes produced worldwide in 2012 which
were disposed within a few years of manufacturing. Shorter garment lives, along with greater
consumption, resulted in a 40 percent rise in landfilled textile industry waste in the United States
between 1999 to 2009, also fashion waste makeup for up to 22 percent of mixed globally. Both
the US and the UK wastage a normal of 30 kg of materials every individual consistently. Despite
of the rising production and consumption of textile waste the recycling of garments is lagging
and only 15% of it was collected items were recycled in 2015. (Sandin, Roos and Johansson,
2019)
As per the reports UK produces approximately of 206 tonnes of textile waste annully. Out of
which only 0.3 kg is recycled, 0.4kg reused. Furthermore, 0.8kg per person is incinerated,
Critical analysis
The Environment Act is crucial because the UK will require environmental regulations
after Brexit. Unfortunately, the Act that has already become law falls way short of the govt's
original ambitions, particularly in terms of climate policy, forest conservation, and air pollution.
Particulate matter exposure, due to textile industry, can induce heart attacks and strokes, raise the
chance of asthma attacks, promote lung cancer, and hinder children's lung growth. The
government's proposed timetable for meeting new PM2.5 pollution reduction goals of 2040 is
very unsatisfactory. As a result, individuals will have to endure further 18 years before breathe
cleaner air.
Gucci
The company works in compliance to with the sustainable principles ensures that throughout the
supply chain i.e. procurement of the raw materials, packaging are in accordance with the social
and environmental impact. Hence it is ensured that there is no child labor or force labor the
working conditions are fair and sound for the population. (Dahlbo, 2017)
ensure proper soil protection and conservation (raw materials from agriculture);
adhere to the animal care standards outlined in these principles, and ensure minimal
degradation of natural ecosystem. And highest animal welfare standards are observed.
Gucci is likewise concerned about the environmental impact of its leather production.
methods. Overall, it is a more environmentally friendly solution since it reduces chemical and
water usage, reduces waste and by-products in tanning and manufacturing, and saves energy and
carbon gas emissions. In 2015, the company began using metal-free leather. Since then, they
have increased metal-free leather production from 0.2 percent to 26 percent of total leather
manufacturing in 2020, with the goal of reaching 100 percent metal-free tanning by 2025.
Organic fibre
The company ensures that organic fibre is produced and consumed. From the beginning
of the supply chain to the finish, Gucci has been looking for ways to lessen its environmental
impact. The company support production systems which do not degrade natural ecosystems or
local biodiversity, but rather improve soil health rehabilitation and boost water and biodiversity
preservation overall, by carefully selecting cotton, wool, and silk. The company's core principles
for organic materials are that no pesticides, insecticides, or dangerous chemicals are used in the
cultivation and production of the fibres, and that the quality standards of workplace conditions
The company had made announcement of going fur free in 2017 and states that no fur
will be used in making any of it collections. And its implementation started since spring 2018
and has stopping using of kangaroo fur inside its loafer collection in compliance with the global
rules and regulations which ensures no poaching of animals for recreational or in manufacturing
of fashion products. The decision was supported by LAV and “Humane Society of United
Nations”. Moreover, the company joined “Fur Free Alliance’s Fur Free Retailer Program”.
Conclusion
done by the government authorities, the involved companies and regulatory bodies that are
reduces carbon footprint and enhancing air quality. The ultimate obligation in reduction of textile
pollution lies with the companies and how active, concerned and efficiently it is working in
Claudio, L., 2007. Waste couture: Environmental impact of the clothing industry.
Dahlbo, H., Aalto, K., Eskelinen, H. and Salmenperä, H., 2017. Increasing textile circulation—
Heuer, M. and Becker-Leifhold, C. eds., 2018. Eco-friendly and fair: fast fashion and consumer
behaviour. Routledge.
Karaosman, H., Perry, P., Brun, A. and Morales-Alonso, G., 2020. Behind the runway:
Research, 117, pp.652-663.
Kissinger, M., Sussmann, C., Moore, J. and Rees, W.E., 2013. Accounting for greenhouse gas
emissions of materials at the urban scale-relating existing process life cycle assessment
Kozlowski, A., Bardecki, M. and Searcy, C., 2012. Environmental impacts in the fashion
pp.17-36.
Mukherjee, S., 2015. Environmental and social impact of fashion: Towards an eco-friendly,
Studies, 2(3), pp.22-35.
Niinimäki, K., 2011. From disposable to sustainable: the complex interplay between design and
Sandin, G., Roos, S. and Johansson, M., 2019. Environmental impact of textile fibers–what we
Tüfekci, N., Sivri, N. and Toroz, İ., 2007. Pollutants of textile industry wastewater and
Zamani, B., Svanström, M., Peters, G. and Rydberg, T., 2015. A carbon footprint of textile