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    La Sangre de Cristo 2

    Uploaded by

    Mario Noé Méndez Morales
    This musical composition is titled "La Sangre de Cristo" or "The Blood of Christ". It contains musical notation across 36 lines with markings for tempo, volume, and expression. The piece seems to be religious in nature based on its title and inclusion of musical symbols like quarter notes, half notes, and whole notes.

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    © All Rights Reserved
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    La Sangre de Cristo 2

    Uploaded by

    Mario Noé Méndez Morales
    26 views2 pages
    This musical composition is titled "La Sangre de Cristo" or "The Blood of Christ". It contains musical notation across 36 lines with markings for tempo, volume, and expression. The piece seems to be religious in nature based on its title and inclusion of musical symbols like quarter notes, half notes, and whole notes.

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    This musical composition is titled "La Sangre de Cristo" or "The Blood of Christ". It contains musical notation across 36 lines with markings for tempo, volume, and expression. The piece seems to be religious in nature based on its title and inclusion of musical symbols like quarter notes, half notes, and whole notes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    26 views2 pages

    La Sangre de Cristo 2

    Uploaded by

    Mario Noé Méndez Morales
    This musical composition is titled "La Sangre de Cristo" or "The Blood of Christ". It contains musical notation across 36 lines with markings for tempo, volume, and expression. The piece seems to be religious in nature based on its title and inclusion of musical symbols like quarter notes, half notes, and whole notes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    La

    Sangre de Cristo
    Composer

         

                   

           

            
              
    5


                          
       

    9

                                
         
    13

                          
                 

    17
                                  
    2


    21

                                         
       
    25

        
       
       
                           

    30

                                   
                    
    36
    1.

          
     
    42
    2.

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