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    Adagio Et Fugue

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    小栗 佑奈
    The document is a musical score containing the adagio and fugue movements of a piece. The adagio movement is written using musical notation symbols and contains multiple melodic phrases with variations in tempo, dynamics, and instrumentation. It transitions to the fugue movement which continues the musical composition.

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    Adagio Et Fugue

    Uploaded by

    小栗 佑奈
    10 views1 page
    The document is a musical score containing the adagio and fugue movements of a piece. The adagio movement is written using musical notation symbols and contains multiple melodic phrases with variations in tempo, dynamics, and instrumentation. It transitions to the fugue movement which continues the musical composition.

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    The document is a musical score containing the adagio and fugue movements of a piece. The adagio movement is written using musical notation symbols and contains multiple melodic phrases with variations in tempo, dynamics, and instrumentation. It transitions to the fugue movement which continues the musical composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    10 views1 page

    Adagio Et Fugue

    Uploaded by

    小栗 佑奈
    The document is a musical score containing the adagio and fugue movements of a piece. The adagio movement is written using musical notation symbols and contains multiple melodic phrases with variations in tempo, dynamics, and instrumentation. It transitions to the fugue movement which continues the musical composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 1

    Adagio et Fugue

    Adagio

      
      
                       
                  

     Staccato

             
                        
            
    8


       

                                   
    15

         

      
                                          
       

    21

     Staccato  


                  
                              
    28


        
        
                             
    37

                                           
    43


                    
    49

    attacca

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