Professional Documents
Culture Documents
Anglo Saxon Alliterative Poetry.
Anglo Saxon Alliterative Poetry.
Anglo Saxon Alliterative Poetry.
Thus, the term ‘alliterative revival’ is commonly used to denote a body of unrhymed
alliterative verse surviving from the period beginning about 1350 and ending in the earlier
part of the 15th century. There appeared a number of poems in a metre which had clearly
evolved in an unbroken development from the old alliterative measures of “Beowulf” and
“Cynewulf”. Among them “Pearl”, “Patience”, “Purity” and “Sir Gawain and the Green
Knight” come at once to the mind. These works breathed new life into the traditional native
English form inherited from the Anglo-Saxons.
“Pearl” is an alliterative cum dream poem of the Middle English Period. The poem
consists of 12000 lines. According to the story, the poet has lost his two years old daughter.
He imagines to have lost his pearl in a garden. In course of his search, he falls asleep, and
has a glorious vision of his little daughter’s paradisal bliss. “pearl” is a successful allegory
and may well be claimed as a just pioneer of Spenser’s “Faerie Queene”.
“Sir Gawain and the Green Knight” is, in fact, the richest of all the alliterative poems. The
poems by introducing Arthur as the greatest of the line of British kings descended from
Brutus. In this Arthurian romance, knightly courage is exposed to something like the full
strength of those forces which turn most people into cowards. There is no doubt about its
enduring popularity. This poem is marvellous for its scenic beauty of nature in Middle Age.
Beside the Gawain-poet’s work, the alliterative revival includes such works as William
Langland’s “Piers the Ploughman”, John Clerk Whaley’s “Destruction of Troy”, the
anonymous political satire “Winner and Wester” etc. The poems of the alliterative revival
were all written by well-educated and possibly clerical poets, share themes of high moral
seriousness and use Northern and Western English Dialect.
=======xxx=======