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At hr

usts t
age( al
so
AUDI
TORI
UM DATA COLLECTI
ON
Audi
tor
ium spacetypesarear easforl
ar gemeetings,pr esent ati
ons,andper formances.Audi t
orium space
knownasapl atf
orms t
ageoropens tage)
isonet hatextendsi ntotheaudienceont hrees
ides typefaci
li
tiesmayi ncludeassemblyhal ls,exhibi thalls,auditori
ums,andt heater s.Auditorium
andisconnect edt othebacks t
agear eabyi tupstage spacetypesdonot includesuchf eat uresassoundr einfor
cementsyst ems,audi ovisual
ts
hrus
At age
t systemsandpr oj
ectionscr eens, f
oodser vi
cef acil
iti
es,proscenium st ageswi t
h
end. Athrusthast hebenef i
tofgreaterintimacy
betweenper formersandt heaudiencet hana heightsgreaterthan50' –0"orf l
ygal l
ery,orchestrapits,r evol
vingor

t y pes o f a u d it o r iu m
proscenium,whi l
er etai
ningtheut i
l
ityofabacks t
age general hydr aulicstageplat f
orms,flyingbalconi es,movabl e
area. pri
nciplesofdesi gn seating,orbillboar dsystems

Arenat
heat
res i
st el
es i
ect ng
anni
onandpl

Arenatheatresarelarge >>Thec hoc


ieofsitefra
o na t
udiorum i
i scovee
rdbyse r
vea a
lfco
trswhihma
c ybe s
izeands
hape
scal
eaudi t
oriaandhav eacent ralstageareawith mutualyc
l o l
nfc
itngbutac
i o o
mprmiseha obes
st tuc
r kbewe
t ent r
hevaious
audiencesonallsides, si
mi l
arttheatresi
n-the-
round. co i
nsdea
rto
ini l
nvoved. >>Thes i
zeshoul
dbefi
xedi
nrel
ati
ont
othenumbe
rof
Thes tageareaisus uallyr
ect angular,moreli
kea theprbl
o emofnoiseisa mpo
ni rtntc
a ns
o idert
aion. audi
enc
erequir
edtobese
ate
d.
spor t
sarena,withtiereds eati
ng.
Pros
ceni
um nf
>>i
pe
Ofs
a
c
e
c hegr
tt
hdoe
a
e
sno
e
t
ts
stpo
ufe
f
s
s
ra
i ec
bl
nde
o
ns
ve
t
ndi
f
o
inss
o
tpas
sa
ul
ho
gso
e
o
dbepr
fmus
de
vi
co
i
ot
ds
a
rher
ha
d.
nt
ti l
ei
lgbl
i t
iy >>t
t
hef
hes
tag
l
o
es
ora
ho
r
ul
eaoft
dbeca
heha
lc
ula
l
li
t
e
nc
do
ludi
nt
ngc
a
heba
s
ngwa
is
vese
xcl
udi
ng

Theproscenium ofatheaters
tageisastr
ucturein of0.
6to0.9sq.
m perpers
on.
fr
ontoft
hes tagethatfr
amest heacti
onoftheplay.I
t >>whe na rc
i o t
ndiioningisprovidedspeca
ilcaes
r ul
ho dbetakentoate
tntnuatethe
canbesquar eorarched,andthestagecurt
ainis plntno
a s
ieandthegr l
ilnos
ief
. ort spur
hi poseplantsho dbes
ul uia
tbl s
yioa
l e
tda nd >>theheighto
ft hehalli
sdeter
minedbysuc
h
gener
all
ydirectl
ybehindit ductsaswela
l stheplenum sho uldbesodesig dt
ne hatnos
i e
egtsadequae
tlyreduced co
nside
rati
onsasventi
lati
onpres
ence(f
ora
bsenc
e)o
f
soastobewithinthepe rmis
siblelmi
i ts. bal
conyandthetypeofpe rf
ormanc
e.
Fl
exi
bles
tage servi
cesi
naudi
tori
um fi
reprotecti
on >>theaver
agehei
ghtmayva
ryf
rom 6m f
ors
mal
lha
llst
o
Flexi
blest
aget heatresar ethosethatdonotes tabl
ish 7
.5m f
orlo
nglarg
ehall
s
stagelighting
af i
xedrel
ations hipbet weenthes tageandt hehouse. stagefi reprotecti
on
lightcontrol >>Cei
li
ngmaybefl
atbuti
tispre
fera
bletopr
ovideas
li
de
Alsoknownasbl ackboxt heatres,laborator
y sprinklers
theatr
es,modul art heatres,multi
formt heatr
es
curtai
,f
ree
nsystem-motori
sed i
ncr
eas
eint
heheig
htnearthece
ntreofthehal
l
andverticalsystem fireandli fesafetyproper
f
or mtheatres,orenv ironment alt
heat r
es ,
theycanbe
cycloromascreen raisedfloor >>thevol
umepe
rper
sonrequi
redtobepr
ovi
deds
houl
d
reconfi
guredf oreachper for
mance.
dimmers stageventi lati
on no
rmall
yrang
ebet
wee
n3 .
5t o5
.5cu.m
escapeandexi troute
Lobby
componentsofan audi
tori
um parking >>s ui
tablevo
lumefordi
ffe
renttypesofaudi
tor
iumsor
hous
e gi
venbelowbutiti
srecomme nde
dt hathi
gherval
uesbe
Stage gang
ways
(11
00 mm) circulati
on
adopte
do nlyi
nspec
ialcas
es
Backstage aisl
e (
>=4 5)
ControlRoom dro pstage backstage ubi
c t
c merspe
e r
rpesn
o
Catwalks torme ntor >>theare
aofathea
trenotop
entopub
lic
,
Tensi
onGr i
ds bal
co ny whe
retheper
for
manceispr
epar
ed. a)publ
icl
ect
urehall
s :3.
0to4.
5
Scenari
o wi ng b)ci
nemasorthea
tre :4
.0to5
.0
Backstage boxo ff
ice >>itismainl
yincl
udesgre
enro
om wi
th c)musi
calha
llorconc
ertha
lls :4.
0to5.
5
Curtai
n fi
r ecurtain at
tachedt
o i
let
s,r
ehear
salr
ooms
,
Dressi
ngrooms gre enroom workshopsandasto
reroom.
Doo r
s proscenium
>>it
sasi
zeonthesc
aleo
fsta
gea ndhow
manype
rfo
rmancehav
etoneacc
omo da
ted.
typesofseati
ngconfigurati
onsforauditorium:
soundi nsulati on
Soundi ul
ns ato
i sak
ni ndo
i fmeaur
s etoprv
ee hes
ntt oundwavesfrmp
o ermeai
tng.t
I
Mul t
ipl
eAisl
e St
raightRow Continental dbythesoundta
rnsmisi
so o
nlsswhihi
c sexprs
esedbythedif
fr
eenceof
isdemo t
nsrate
Seat
ing Seati
ng decb
iesb
l etwee hei
nt ncde
i ntsunda
o ndpeme
r atds
e ound.Thehighe henume
rt rli
a ,
s
heb
t t
etrt
e o
hes ns
undi a
ultngp
i o
rpr
et s
yi.
TypesofSoundpr
oofInsul
ati
o nMater
ial
Fi
bergl
assFibe
rgl
ass,
Ce ll
ulo
s eCe
ll
ulose
,Mi ne
ralWo
olf
oundi
nba
tti
nsul
ati
on,
Po
lyure
thaneFoam,Poly
s t
yreneFoam,Soundproo
fDrywal
l

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