This document discusses exploring identity through the works of artists like Arca and others. It explores how Arca's audiovisual piece "Now You Know" depicts identity as something that cannot be contained through imagery of erupting embers. The document also discusses how Arca's music complements Jesse Kanda's artwork depicting dislocated body parts as representing the metaphysical symbolism of self-mutilation for exploring identity. Finally, it discusses how the work of SOPHIE and the music collective PC Music presents a new perspective of exploring identity in the digital realm and internet.
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Exploring identity through the works of Arca and other contemporaries
This document discusses exploring identity through the works of artists like Arca and others. It explores how Arca's audiovisual piece "Now You Know" depicts identity as something that cannot be contained through imagery of erupting embers. The document also discusses how Arca's music complements Jesse Kanda's artwork depicting dislocated body parts as representing the metaphysical symbolism of self-mutilation for exploring identity. Finally, it discusses how the work of SOPHIE and the music collective PC Music presents a new perspective of exploring identity in the digital realm and internet.
This document discusses exploring identity through the works of artists like Arca and others. It explores how Arca's audiovisual piece "Now You Know" depicts identity as something that cannot be contained through imagery of erupting embers. The document also discusses how Arca's music complements Jesse Kanda's artwork depicting dislocated body parts as representing the metaphysical symbolism of self-mutilation for exploring identity. Finally, it discusses how the work of SOPHIE and the music collective PC Music presents a new perspective of exploring identity in the digital realm and internet.
contemporaries It is a pattern of nature for things to evolve, and with time as we unlock newer perspectives of intellect, we also update the media we utilise to communicate such abstract ideas. As artist Sam Gilliam says, abstract art is political because it exists as an omnipotent force conveying complex concoctions of feelings and sentiments. And from its inherently ontological sense, it's almost clear that abstract art has a symbiotic connection to identity. I like to think identity is explosive and to explore this idea I shall take the example of the audiovisual piece “Now You Know” by Arca and her long-time fellow collaborator, japan- born Jesse Kanda. In the music video created by Kanda, we see embers erupting from what seems to be us, in first person. A likening of ourselves to a firework. Identity cannot be contained. Schopenhauer, by contrast, thinks that the concept of the individual is itself illusory, and that, while under this illusion, we cannot be happy, because life consists of suffering; the Will has no interest in our happiness, merely in the continuation of existence. In its extrapolation, I believe the self-illusory nature of identity is what makes it all the more important for us to meticulously craft our identity according to our metaphysical demands, and hence an explosion. Taking Arca and Kanda’s works further, the idea that the expression of identity is a self- mutilating act can be traversed. Whether through music or art or the marriage between the two, it is only when you cut yourself open that you can discover what you are made of, of course in a dialectical sense. The fleshly and cerebral nature of kanda's work is what makes it all the more impactful- the dislocated joints, the blended organs in their most visceral states, the unnaturally oriented bodies are all a nod to the metaphysical symbolism of self- mutilation for identity and a channel for vulnerability. Arca’s sounds complement this sentiment through broken sopranos, falsettos and staccatos. The recurring theme of metal versus flesh in Arca's work is again a representation of this mutilation. In her music video for her track, nonbinary, Arca explores the concept of self- states, an ecosystem of personalities we grow. This idea of integration and inclusion is intimidating and exciting like the surgeries we perform. Her work floats in the realm of joyous celebration and defiant transgression of identity through abstract tools with powerful impact. SOPHIE, the eternal goddess of contemporary pop, and the collective of creatives she was associated with - PC music - present us with another intriguing perspective of identity exploration. One in the digital age. Their dissection of identity in the digital realm is a new perspective of life itself. Like how special relativity in physics says that when we approach the speed of light or vice versa, we perceive things to become shorter but in reality we see the things rotate in an aberrant sense, PC music proves that the way we discern the internet as vacuous and superfluous is just one side of the coin. The exploration of self through the internet unlocks new views on political phenomena as well - capitalism, psychopolitics and such.