Fun & Easy Pinwheels: Crochet

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APR/MAY 2023

your heart in your hands


a u s t r a l i a n

NEW
SEASON
FUN & EASY YARNS'S
PINWHEELS
Dimensional folded
pinwheels quilt!

Crochet
A ONE-OF-A-KIND BEANIE
TEA COSY & MUG RUGS

KNIT
A snuggly
MAKE cardi for a
toddler
A Bear's Paw
Scrappy Quilt
SEW
No. 213 (Vol. 24.02)
AU $9.95* NZ $12.20*
(Both incl. GST)
A handy
project
satchel
PATCHWORK • APPLIQUÉ • EMBROIDERY • CROCHET • KNITTING • TOYMAKING
Owl & Hare Hoow
Finished Size 194 x 159cm (76½x 62½in)
Available now for $295 + free postage

Homespun’s new Block of the Month available now!


Contact us for more information.

26 Fairway Close, Howlong NSW 2643


p. 02 6026 5489 | m. 0428 577 957
e. info@whateverwhereever.com.au
www.whateverwhereever.com.au
Swt
Gingham
Lavender
Kit Price $160.00
(including free postage).
Kit includes all fabric to complete
quilt top, binding and pattern.

Jungle
Friends
Kit Price $230.00
(including free postage).
Quilt available as a full kit.
Includes all fabric for quilt
top, binding and pattern.

FREE
POSTAGE
ON ORDERS
OVER $150
AUSTRALIA O
NLY
OUR PROJECTS
THIS ISSUE

24 32
Folded Pinwheels Happy Birthday
Cake

38 48
Painting Eggs Vintage Project
Satchel

4 Homespun
62 70
Playing with Prisms Bear’s Paw
Scrappy Quilt

86 94
Autumn Woods Swirl Tea Cosy
Beanie and Mug Rugs

100 104
Snuggle Cardi Owl & Hare Hollow
BOM – Part 2

Homespun 5
omespun
your heart in your hands

a u s t r a l i a n
Managing Editor Deborah Segaert
Technical Editors Megan Fisher,
Summer is behind us for another Michael O'Neile
year, and in the issue we turn our Art Director Martha Rubazewicz
Photographer Ken Brass
thoughts to the new season’s
Stylist Sandra Hinton
yarns that will influence your
Advertising
winter makes. Rob Jordan (NSW and Qld) ph: (02) 9887 0359,
You can crochet a one-of-a- fax: (02) 9805 0714, mob: 0411 424 196
Angelos Tzovlas (Vic, WA, SA, Tas and NT) mob: 0433 567 071
kind beanie by Joni Sullivan of Advertising Production Stephanie Brais
Ruby Webbs Crochet; knit a Advertising Art Director Martha Rubazewicz
Associate Publisher Emma Perera
sweet cardigan for a toddler Subscriptions & Mail Orders 1300 303 414 or +61 2 9887 0317
using a simple pattern easy enough for beginners; and/or Editorial Enquiries homespun@umco.com.au
Advertising Enquiries rjordan@umco.com.au
crochet a tea cosy and matching mug rugs for lovely afternoon atzovlas.@umco.com.au
tea times! Subscription enquiries
We reached out to talented English stitchery designer, Kate www.universalshop.com.au or 1300 303 414
of Lilipopo Designs, and she has designed a delightful stitchery Printed by KHL Printing Co Pte Ltd, Singapore
Distributed by Gordon & Gotch, Australia
inspired by Easter. NZ Distributors
What do paws, prisms and pinwheels have in common? They Gordon & Gotch New Zealand – ph: +64 9 979 3018
Needlecraft Distributors Ltd – ph: 0800 909 600, www.needlecraft.co.nz
are all patchwork projects in this issue! Stitch a Scrappy Bear’s UK Distributor
Manor House Magazines – ph: +44 167 251 4288
Paw quilt with Cat Connolly, make Playing with Prisms, a bright USA Distributor
Brewer Quilting & Sewing Supplies – ph: toll free 1 800 676 6543
quilt with bold colours, or try your hand at Folded Pinwheels Singapore Distributor
Car Kit Pte – ph: +65 6 282 1960, fax: +65 6 382 3021
with Robyn Evans of Patchwork on Pittwater. Circulation enquiries to our Sydney head office (02) 9805 0399
You can also sew and embroider a vintage-style project
While every effort has been made to ensure that the projects featured in Homespun are the
satchel to tote your on-the-go projects in style. As you know, original work/s of the respective artist/s, no responsibility is taken by the publisher in the
event that originality is disputed, and all proof of original design, or otherwise, lies with the
you can't have your cake and eat it too – but you sure can enjoy artisan/s. Inspiration from other sources and the reworking of traditional patterns and
designs in new and unique ways is, however, regarded as constituting ‘originality’ as
sewing a cake, slice by slice. The finished result makes a acknowledged by the artisan/s and the publisher. No patterns may be reproduced (except
for personal use). If a project is taught in a class or workshop, each attendee is required to
delightful decoration at special birthdays. Inside you will find have their own copy of the appropriate Homespun issue/s. Projects may not be produced
for commercial gain without the written permission of the designer.
the instructions by talented fabric artist Ramune Jauniskis.
And, you will find part 2 of the 2023 block of the month, Owl
& Hare Hollow – you can start sewing Dresden Plate and Penny
Circle blocks, hand stitching the Tea Garden and Queen Bee
blocks and appliquéing the Hare and Hexie block. Chairman/CEO
Prema Perera
Publisher
Until next issue, stay safe Janice Williams
Chief Financial Officer
Vicky Mahadeva
Associate Publisher
Emma Perera
Circulation Business Development Manager
Mark McTaggart
Creative Director
Kate Podger
Homespun is published by Universal Media Co, Unit 5, 6-8 Byfield Street, North Ryde

YOU’RE INVITED
NSW 2113. Phone: (02) 9805 0399, Fax: (02) 9805 0714. Melbourne office, Level 1, 150
Albert Street, South Melbourne Vic 3205. Phone: (03) 9694 6444, Fax: (03) 9699 7890.
This book is copyright. Apart from any fair dealing for the purpose of private study,
Become part of the Homespun family by: research, criticism or review as permitted under the Copyright Act, no part may be
reproduced by any process without written permission. Enquiries should be addressed
SUBSCRIBING to our bi-monthly to the publishers. The publishers believe all the information supplied in this book to be
correct at the time of printing. They are not, however, in a position to make a guarantee
magazine (see page 16) to this effect and accept no liability in the event of any information proving inaccurate.
Prices, addresses and phone numbers were, after investigation, and to the best of our
PATTERN SHOPPING at www.cosyproject.com knowledge and belief, up to date at the time of printing, but circumstances may have
since changed. It is not possible for the publishers to ensure that advertisements
CHECKING OUT OUR WEBSITE appearing in this publication comply with the Competition and Consumer Act 2010
(Cth) and the Australian Consumer Law. The responsibility must, therefore, be on the
at www.homespun.net.au person, company or advertising agency submitting the advertisements for publication.
While every endeavour has been made to ensure complete accuracy, the publishers
FOLLOWING US ON FACEBOOK cannot be held responsible for any errors or omissions. This magazine may have some
content that is advertorial or promotional in nature.
www.facebook.com/homespunmag DIGITAL Please pass on or recycle this magazine.
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Copyright © Universal Magazines
ACN 003 026 944
www.umco.com.au
through Zinio,
TAPPING INTO INSTAGRAM
@homespunmagazine
www.zinio.com
(Single issues and
back copies available)

6 Homespun
CONTENTS
April - May 2023
Making
24 PATCHWORK
Folded Pinwheels
Robyn Evans
32 SEWING
Happy Birthday Cake
Ramune Jauniskis
38 EMBROIDERY
Painting Eggs
Kate Popovski
48 SEWING &
EMBROIDERY
Vintage Project Satchel
Lesley McConnell
62 PATCHWORK
Playing with Prisms
Megan Fisher
70 PATCHWORK
Bear’s Paw Scrappy Quilt
Cat Connolly
88 CROCHET
Autumn Woods Crochet
Beanie
Joni Sullivan
94 CROCHET
Swirl Tea Cosy your heart in your hands
APR/MAY 2023
au s t r a l i a n

and Mug Rugs


Kylie Moleta NEW
SEASON
FUN & EASY YARNS'S
100 KNITTING PINWHEELS
Dimensional folded
Snuggle Cardi pinwheels quilt!

Kathy Ramunni Crochet


A ONE-OF-A-KIND BEANIE
TEA COSY & MUG RUGS

104 BLOCK OF
THE MONTH
Owl & Hare Hollow KNIT
A snuggly
– Part 2 MAKE
A Bear's Paw
cardi for a
toddler
Scrappy Quilt
Natalie Bird No. 213 (Vol. 24.02)
AU $9.95* NZ $12.20*
(Both incl. GST)
SEW
A handy
project
satchel
PATCHWORK s APPLIQUÉ s EMBROIDERY s CROCHET s KNITTING s TOYMAKING

Special features
44 SWEET IDEA
80 NEW SEASON’S SUBSCRIBING
YARNS DON’T MISS
82 YARN WORTHY THIS MONTH’S
SPECIAL OFFER
Regular features
10 PIN INTEREST
18 SELVEDGE
76
118
BOOK REVIEWS
MARKET PLACE
16
125 ON THE ROAD
130 STOCKISTS
130 NEXT ISSUE

8 Homespun
DRAGONFLY FABRICS P&H
addition
al

MADAGASCAR SCI-FI
Includes one double panel $18, FROM JASON YENTER FOR IN THE BEGINNING FABRICS
10 focal and 3 coordinate prints Panel is 54" x WOF

CREATIVE PLAYSETS PATTERNS BY TWO BROWN BIRDS

Dragonfly Fabrics DARWIN’S EXCLUSIVE PATCHWORK & QUILTING SHOP www.dragonfabric.com.au ONLY AT

Shops 2 & 3, 53 Alawa Cres. ALAWA NT 0810 p. (08) 8948 0691 e. dragonfabric@bigpond.com
Best of the best from
Here are our favourite dandelion crafts
on Pinterest this month.

Best tote bag


Designer: Indigo Pig
Contact: www.indigopig.co.uk, www.etsy.com/uk/shop/IndigoPig,
@indigopig (Instagram)

COUNT YOUR
CHICKENS
What a sweet idea this is. Erica Chan Coffman shows how
to add the most adorable chick embroidery to a child’s
clothing using just a single length of white ricrac and some

Best necklace
embroidery floss. Find her instructions and close-up photos
at honestlywtf.com/diy/diy-embroidered-rickrack-chicks
Designer: Jennifer Walker, Poppy Stitch Studio
Contact: www.etsy.com/shop/PoppyStitchStudio, @poppystitch (Instagram)

Best apparel
Designer: Sean, DesignTeaShirt
Contact: www.etsy.com/shop/DesignTeaShirt

10 Homespun
PIN INTEREST
Bright ideas, fabulous products, clever tips & quick reads

MAKE A BLANKET
STATEMENT
It’s the time of the year when cuddling up in a cocoon
cardigan is just the thing. You could crochet or knit one,
of course … but if you’re short on time, why not whip one
up using a cot blanket? Sounds peculiar, doesn’t it — but
just have a look at it! Jessi Wohlwend
shows you how it’s done; it is super
easy and takes only 10 minutes! Go to
www.practicallyfunctional.com/turn-
a-blanket-into-a-diy-cocoon-cardigan
Jessi used a cable knit baby blanket
for her cardigan. We’ve found some
gorgeous cashmere ones in Australia
at Heirloom Cashmere, available in a
variety of colours. Find them at
www.heirloomcashmere.com.au/
collections/all/products/cashmere-
cable-knit-baby-blanket-ash

A political yarn
The National Archives of Australia in Canberra is holding
an exhibition entitled Disrupt, Persist, Invent: Australians
in an ever-changing world, which profiles the many
different and sometimes unexpected ways people have
pushed for change in Australia.
The exhibition, which is open until June 12, is arranged
not by the cause or campaign, but by how the change
was effected, for example through noisy protests or by
quiet persistence. Themes such as women’s rights,
environmental campaigns, First Nations rights and
equality run as undercurrents, however the focus is on
how the change was achieved.
One of the exhibits is the Love Wheels rainbow-
coloured crocheted bicycle that was left outside then-
Prime Minister Malcolm Turnbull’s home during the Eloise echoed the ‘Yes’ campaign’s rainbow theme in
marriage equality debate. The bicycle, which featured on her crocheted design along with YES embroidery on the
Malcolm and Lucy Turnbull’s social media channels, was seat, sequined hearts, photographs of the Turnbulls and
made by a Sydney-based yarn bomber, Eloise Murphy, quotes about their marriage. It was subsequently
who is also known as known as the ‘Treble Maker’. donated to the National Museum of Australia’s collection.

Homespun 11
PIN INTEREST

diary dates
Let us know about your events – email details to dsegaert@umco.com.au or
send them to Homespun Diary Dates, Locked Bag 154, North Ryde, NSW 1670.
Please notify us at least four months before the event.

Western Australia Queensland Victoria


June 4 April 28–30 April 1–30
Toodyay Maleny Clunes
Toodyay Fibre Festival Maleny Arts & Crafts Textile Palette Exhibition
Stirling Terrace, Toodyay Autumn Fair The Esmond Gallery
More information: Maleny Community Centre, The Warehouse Clunes
info@toodyayfibrefestival.com Maple Street, Maleny Collins Place,
More information: Fraser Street
malenyartsandcraftsgroup@gmail.com Clunes
New South Wales More information:
April 15–16 July 1–3 www.textilepaletteexhibition.org/2023-exhibition
Lavington Maleny
A Textile Journey Knitfest Yarn & Fibre Arts Fair
Mirambeena Community Centre
July 14–16
Main street of Maleny Bendigo
19 Martha Mews, Lavington More information: Australian Sheep & Wool Show
More information: knitfest@hotmail.com Prince of Wales Showground
Marg 0402 097 565, Sue 0417 021 209
42–72 Holmes Road
August 4–6 Bendigo
September 15–17 Bundaberg More information:
Rosehill Quilt Expo www.sheepshow.com
QuiltNSW Exhibition Multiplex Building
Grand Pavilion, Rosehill Gardens Civic Avenue, Bundaberg
Racecourse, Sydney More information:
More information: bqi.quiltexpo@gmail.com
quiltnsw.com/exhibitions/quiltshow

A REAL
BLOCKBUSTER
Do you have a budding Lego
master in your household?
Why not ask them to make you
your own Lego sewing machine.
Carrie Bloomston provides
the complete materials list
and instructions on her blog at
www.carriebloomston.com/
lego-sewing-machine-tutorial

12 Homespun
www.designerstitches.net

Irises & Lilies (31 x 25cm design) Orchids in the Rain Flight of the Dragonfly (29 x 13.5cm design)
(26cm square design)

Hearts & Bows Butterflies in the Heart (36cm design) Almost Lacy (28cm design)
(38cm square design) French beige or French blue

Timeless Trapunto
This lovely selection of designs will take any needle worker to their happy Each kit comes complete with all necessary notions, design and
place with this easy form of yarn-filled stitching known as Trapunto. Shown easy to follow illustrated instructions. A long Trapunto Needle is available
are designs ranging from simple for beginners to more detailed for the to fill the long, narrow channels in the French Trapunto (Boutis) designs.
accomplished needleworker. The softly embossed designs may be hand A practice block may also be purchased with any kit. This is helpful for
washed and made into many things from framed pieces, pieced into quilts first timer’s to practice the technique prior to working the kit. Extra yarn
or cushion covers, in fact the application is up to you. and thread come with this.

YES! I would like to order: ORCHIDS IN THE RAIN METHOD OF PAYMENT DELIVERY ADDRESS
French Trapunto (Boutis)
IRISES & LILIES For orders outside Australia the 10% GST will be deducted Name .........................................................................
Shadow Trapunto
… KIT (ivory fabric) $55
… KIT for $85 … KIT (white fabric) $55 Address .........................................................................
Charge my … Mastercard … Visa … Amex
BUTTERFLIES ALMOST LACY ......................................................................................
Trapunto Card No. ............ /............ /............ /............
IN THE HEART State ....................... Postcode ...................................
… KIT (French blue) $53
Shadow Trapunto
… KIT (French beige) $53 Expiry Date ............ /............
… KIT for $85 Country ............................. Phone ( )..........................
Signature ........................................................
FLIGHT OF THE TRAPUNTO NEEDLE
DRAGONFLY … $10 each Name on Card ........................................................ POST COUPON TO DESIGNER STITCHES
Shadow Trapunto PRACTICE BLOCK Email Address ........................................................ 5-7 Redwood Dr, Notting Hill, VIC Australia 3168
… KIT for $53 $5 EACH
Mobile: 0415 413 895
… to go with ordered kit/kits OR pay by cheque/money order … Aust. only
HEARTS & BOWS Email: annielondon99@yahoo.com
French Trapunto (Boutis) Includes postage & handling within
… KIT (ivory fabric) $60 Australia. Freight for overseas
… KIT (white fabric) $60 orders may be slightly more.
Join expert teachers on these wonderful
cruise/tours with a like-minded group.

Join Michelle Marvig on a

Quilting tour to

Japan

We will see the fall colours stayinging


Kanazawa
3 nights Tokyo, 2 nights Kawaguchi, 3 nights
Takayama, 2 nights Kanazawa and 5 nights Takayama
Kawaguchiko
Kyoto, with visits to wonderful fabric shops
and a project by Michelle Marvig. JAPAN Tokyo

Kyoto
15 November to 3 December 2023

Join Gaille Smith for the

Scotland
Yarn Tour 2023
7 to 25 September 2023

Outer
Including the Hebrides
Inverness Yarn Tour
Isle of Skye Aberdeen
SCOTLAND
with Gaille Smith to visit the

Perth Yarn
Fort William
Perth Australian Sheep
Festival Glasgow
Edinburgh and Wool Show Horsham
Bendigo
Bendigo 6 nights for the Wool Show,
2 days at the Perth Yarn Fair, 2 nights Inverness, 3 nights Skye, Horsham 2 nights for the painted silo’s. VICTORIA
Melbourne
1 night Uist, 2 nights Glasgow and 4 nights Edinburgh.
Join an extension tour with a visit to Yarndale Festival in 13 - 21 July 2023
Skipton and a stay in Manchester 23 to 27 September 2023.

Travelrite International
E: balwyn@travelrite.com.au www.travelrite.com.au
Hand Stitching
at Sea

New Zealand
Sydney to Sydney Cruise

From and returning


Aboard Ovation of the Seas to Sydney
to New Zealand with Napier
workshops with Natalie Bird Picton
Wellington
Visiting Picton, Napier,
Wellington and Dunedin.
Fiordland NP

12 - 22 March 2024 Dunedin

Join Michelle Marvig on the


Join Linda Collins for the
Murray River Quilting Tour

USA
Quilting Tour 2023
Visiting New York City, Lancaster,
Washington DC and Houston for Travelling on the Murray Princess for 4 nights.
the International Quilt Festival. During this time the group will work on a quilting
project under
20 Oct to 7 Nov 2023 Michelle Marvig’s 6 to 16 Jan 2024
tutoring.

New York Adelaide


Lancaster Visiting Victor Mannum

Washington Habor, including Murrray


Bridge
travelling on the
USA Goolwa
Cockle Train,
Kangaroo Island KANGAROO Victor Harbor
Houston ISLAND
and Adelaide.

Please call for a brochure


Toll
Free 1800 630 343
Tours only available through Travelrite International

ATAS accreditation #A10538


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Selvedge
DESIGNER EDGE

IL SUMSER
JUSTICE MCNE

As Justice McNeil Sumser and her husband Ray hike up landscape and think, “Oh! That would be a good dress!”
mountain peaks in California and drive through canyons in Watching the sunset while on the salt flats in Utah inspired
Colorado, her creative mind is ticking away, drawing up one such dress. “It’s a really unique landscape that is kind
patterns and pulling together colour palettes, turning the of desert-like but the ground is covered in about five feet of
stunning landscapes before her into fresh and modern salt and creates this kind of spacey feeling. The sunset that
clothing designs. night was full of greens and teal colours rather than pinks
From long bike rides to relaxing beach days, her love of and oranges — it was so cool. So that inspired a dress that
the outdoors shines through in her playful and happy goes from dark blue to limey green to yellow and then a
clothing designs, her signature being her line of ‘Nature black strip at the bottom,” says Justice.
Photography: Justice McNeil Sumser

Tops/Dresses/Pillowcases’. These designs feature curved, Justice first started her business because she wanted to
organic colour blocking, with the addition of cute appliqué wear rainbow clothing made of linen and couldn’t find
toadstools and other details on occasion. The result is anyone who made anything like that, so she decided to
beautiful rolling hills, ocean layers and desert dunes, all make it herself. “I also wanted to figure out how to use the
created with fabric and stitches, and each design inspired smaller pieces of fabric I had rather than trying to find
by a different landscape and adventure. fabric that had multiple colours,” she says. “I figured out
While on a California to Colorado driving trip with Ray, that I could sew together the solid colour linen I had
almost every hour Justice would see a new aspect of the already and make my own colourful rainbow pieces.”

18 Homespun
SPECIAL
CLOSE-U
P
DETAIL

Homespun 19
20 Homespun
Now Justice has her own studio space to create her For Justice, creating offers a sense of peace and
gorgeous dresses, tops, wall quilts and fabric art pieces. ‘rightness’. “I feel most comfortable when I am sewing and
The studio is part of an art collective with 17 other artists. working on my art — things make sense to me, I feel at
“We each have our own studio with walls and a door but ease and the chatter that is in my brain 90 per cent of the
have a shared area where we get to have a sense of time just kind of goes away.”
community while working,” Justice explains. Her space is
filled with sewing machines, cutting tables and fabric and To find out more about Justice, visit her Thread + Sprout
the walls are covered with colourful pieces that bring her store (www.threadandsprout.com), where you can purchase
joy — including artworks, poems and photos of her family. her online tutorials and see more of her beautiful designs.
“It’s a very inspiring space for me and is a great area for You can also follow her on Instagram, @threadandsprout
letting my creativity go wild and making a mess when I

– Janai Velez
want to. Plus, it’s big enough for mid-day dance breaks and
has a little cosy corner for taking time out when I need to.”

Homespun 21
Faeries in My Garden
Beautiful Designs ~ Exquisite Fabrics

“Springtime Sweethearts”
Single Bed Scrap Quilt 521υ2” x 73” (133.5cm x 185.5cm). Features simple embroidery, appliqué and piecing

Just two Baker’s Dozen Packs, Background & Binding needed to make this quilt top

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Embroidery Threads $8 extra
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Faeries in My Garden
Beautiful Designs ~ Exquisite Fabrics

“Meadow Rose Collection”


All set for a sunny Sunday spent browsing the markets with your best mate, followed by coffee afterwards
Large “Market Bag”, Medium “Morning Coffee Bag”
and three bonus small accessories: Water Bottle Pouch, Sunny’s or Glasses Case & Little Pouch

“Market Bag” (15” high x 18” across x 6” deep) “Morning Coffee Bag” (12½” high x 13½” across x 3½” deep)
Pattern $25 + $3 P&H; Kit: $69 + $15 P&H; Pattern $25 + $3 P&H; Kit: $59 + $15 P&H;
Embellishments $18 Embellishments $15
Full Collection (two bags and three accessories) Special Price: Pattern $29 + $5 P&H; Kit $120 + $20 P&H
Embellishment Kits: Market Bag $18 Morning Coffee Bag $15; Both Bags $30
(no extra postage if ordered with any of the kits)
™™™Ǥˆƒ‡”‹‡•‹›‰ƒ”†‡Ǥ…‘Ǥƒ—Ȉ͹Ͳƒ”ƒ”ƒ†‡Š‘”…Ž‹ˆˆ‡Ž†ͶͲͳ͹—•–”ƒŽ‹ƒȈȋͲ͹Ȍ͵ͺ͸ͻͲͺͲͺȈ•Š‘’ƒ–ˆƒ‡”‹‡•̷„‹‰’‘†Ǥ…‘
T
JEC
PRO

01

FOLDED
PINWHEELS
There is only one thing better than fun
pinwheels, and that is dimensional folded ones!
Robyn Evans, Patchwork on Pittwater — Website: www.patchworkonpittwater.com.au;
Phone: (02) 9999 6159

24 Homespun
Homespun 25
T
JEC
PRO

01

MATERIALS Q 15cm (1⁄4yd) yellow print Q Rotary cutter, ruler and mat Note: Read all the instructions
Q 10 fat quarters of assorted fabric (cornerstones) Q Sewing machine with 1⁄4in foot before starting the project. It
print fabrics Q 40cm (1⁄2yd) red and white Q General sewing supplies is recommended that fabrics
Q 1.8m (2yd) light red print stripe print fabric (binding) be 100% cotton, pre-washed
fabric (block backgrounds Q 2.3m (21⁄2yd) backing fabric Finished size: and well ironed. Requirements
and border) Q Batting at least 160 x 141 x 122cm (551⁄2 x 48in) are based on fabrics 107cm
Q 75cm (7⁄8yd) dark red print 140cm (62 x 52in) Finished block size: (42in) wide. Seam allowances
fabric (sashings) Q Perle No 8 cotton in red 6in square of 1⁄4in are used throughout.

26 Homespun
Diagram 1

CUTTING

1 From each of the 10 fat quarters


of assorted print fabrics, cut:
9 Place a 31⁄2in light red square, face
down, on the pinned triangles and
first light red square. Sew the right
• Four strips, 31⁄2in across the (21in) edge, as shown in Diagram 3. Turn
width of the fabric. Crosscut them the light red square over so that it is
to yield 19 squares, 31⁄2in. right side facing up. Press the second

2 From the light red print fabric, cut:


• 10 strips, 31⁄2in across the width
of the fabric. Crosscut them to yield
triangle – now caught in the seam
– towards the second light red square
and the seam allowance towards the
120 squares, 31⁄2in first light red square.
• 10 strips, 21⁄2in across the width
of the fabric (border). 10 Repeat Steps 8 and 9 to make
another unit exactly the same. Diagram 2

3 From the dark red print fabric, cut:


• Four strips, 61⁄2in across the
width of the fabric. Crosscut them to
It is important that you always pin
the folded triangles to the top and
right edges of the light red squares.
yield 71 rectangles, 2 x 61⁄2in (sashing).

4 From the yellow print fabric, cut:


• Two strips, 2in across the width
11 Now sew the two units
together, matching the centre
seam. See Diagram 4. Your block
of the fabric. Crosscut them to yield should measure 61⁄2in square from
42 squares, 2in. raw edge to raw edge.

5 From the red and white stripe


print fabric, cut:
• Six strips, 2in across the width of
12 Repeat Steps 6–11 to make a
total of 30 blocks. (You will
have a lot of 31⁄2in coloured squares
the fabric (binding). left over at this stage.)

FOLDED PINWHEEL BLOCKS ASSEMBLY

6 To make one block, you will need:


• four 31⁄2in squares all cut from
the same print fabric
13 Lay out the blocks in six rows
of five blocks each. Leave
space between the blocks in each
• four 31⁄2in squares of light red row and between the rows. Swap the
print fabric. blocks around until you have an array Diagram 3

7 Fold each of the coloured squares


in half diagonally, wrong sides
together. Press well. Then fold them in
of colours and prints that you like.

14 Add a 2 x 61⁄2in dark red


vertical sashing strip between
half on the diagonal again, as shown the blocks in each row and at the
in Diagram 1. Check that all the raw beginning and end of the row. Sew
edges are matching, then press. the sashing strips and blocks in each

8 Pin a folded coloured triangle to


the top edge of a 31⁄2in light red
row together. Press seams towards
the sashing strips.
square with the raw edges of the
triangle matching the raw edge of the
square. Then pin another folded
15 To make a sashing row, lay out
six 2in yellow print squares
and five horizontal dark red sashing
coloured triangle to the right edge of strips. Join the squares and sashing
the square in the same manner. See strips together. Press seams towards
Diagram 2. The double-folded edges the squares.
of the two triangles should fit snugly
alongside each other. 16 Repeat Step 15 to make a total
of seven sashing rows exactly Diagram 4

Homespun 27
T
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PRO

01
the same. Add them to the layout, making the blocks. Fold each of them FINISHING
between the block rows and at the
top and bottom of the layout.
in half twice, as you did for the
blocks, and press well. 28 Cut a 62in length from the
backing fabric, remove the

17 Sew the sashing rows and


block rows together, carefully
matching seams. Press seams
24 Lay 15 folded triangles along
the top and bottom borders.
Their raw edges should match the
selvedges and cut it in half down the
length to make two rectangles about
21 x 62in. From the remainder, cut
towards the sashing rows. long raw edge of the border and you two strips, 12in across the width of
should leave a 1⁄4in at each end the fabric. Join them on their short
BORDER of the borders free for the seam edges with a 1⁄2in seam and press it

18 Join five of the 21⁄2in strips


of light red print fabric cut for
allowance. Adjust the folded triangles
to fit evenly by nesting one just
open. Trim the joined strip to
measure 62 x 12in.
the border together, end to end, to
make one long strip.
inside the other. See Diagram 5.
Pin, then baste them in place using 29 Referring to Diagram 6, sew a
62 x 21in strip to either side of

19 Measure your quilt top


horizontally through the centre.
Cut two strips this long from the long
a 1⁄8in seam allowance.

25 Repeat the process described


in Step 24 to pin 17 folded
the joined strip using 1⁄2in seams and
press them open to make a backing
about 62 x 52in.
strip. Sew them to the top and bottom
edges of the quilt top. Press seams
triangles along each of the left and
right borders. 30 The quilt top, backing and
batting are ready for a long-arm
outwards.

20 Measure your quilt top


vertically through the centre.
26 Now match the border strips
you cut in Step 22 with the top
and bottom raw edges of the quilt top,
quilting machine as they are. If you’re
doing the quilting by hand or on a
domestic machine, refer to Step 12 on
Cut two strips this long from the right sides together. The folded page 66 to layer and baste the quilt.
remainder of the long strip. Sew them
to the left and right edges of the quilt
top. Press seams outwards.
triangles will be sandwiched between
the quilt top and these border strips.
Sew the strips to the top and bottom
31 Quilt as desired. Robyn hand
quilted her quilt using red Perle
8 cotton. She worked diagonal lines

21 Join the remaining five 21⁄2in


strips of light red print fabric
edges of the quilt top. Press the seams
inwards and press the triangles away
across the blocks and sashing and
added a curved pattern in the border.
cut for the border together, end to
end, to make one long strip.
from the centre of the quilt.

27 Measure your quilt top 32 Refer to Steps 14–16 on page


66 to trim and bind the quilt

22 Measure your quilt top


horizontally through the centre.
Cut two strips this long from the long
vertically through the centre.
Cut two strips this length from the
remainder of the long strip. Repeat
with the six 2in strips of red and
white stripe print fabric.

strip. Put them aside for now. the process described in Step 26 to

23 Choose 64 coloured squares


from those left over after
sew them to the left and right
edges of the quilt top.

Diagram 5 Diagram 6

28 Homespun
Homespun 29
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32 Homespun
PRO
JECT

02

HAPPY
BIRTHDAY
CAKE
While you cannot eat this
cake, it is still a sweet addition
to a birthday celebration as
a candle-lit centrepiece.
Ramune Jauniskis – Blog: Addictedtomermaids.blogspot.com,
Instagram: @ ramunejauniskis

Homespun 33
T
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PRO

02

MATERIALS Q 40 x 45cm (15 x 18in) Q Glue gun and glue project. It is recommended
Q 8 x 11in rectangle of brown heavyweight double-sided Q Embellishments such as that fabrics be 100%
mottled print fabric (inner fusible stabiliser. Ramune glitter, beads, rosettes, cotton, pre-washed and
cake) recommends fast2fuse and cake toppers and well ironed. Requirements
Q Fat quarter light-value solid Q Machine-sewing thread decorations are based on fabrics 107cm
fabric (backing for inner in purple and white or to Q Sewing machine (42in) wide. Instructions
sides of the cake slice and match the fabrics Q General sewing supplies are given for using the
cake top and base) Q Very small safety pins printed Pattern Sheet in
Q 8 x 11in rectangle of purple Q Template plastic and Finished size: 12.5 x 12.5 x the magazine, but you
mottled print fabric (cake permanent-marking pen 14cm (5 x 5 x 51⁄2in) can also download the
top, base and filling) Q Cardboard egg carton digital patterns from
Q 7 x 8in rectangle of novelty Q 20cm (8in) LED candle Note: Read all the instructions www.homespun.net.au
print fabric (side of cake) with remote control before commencing the and print them out.

34 Homespun
• One rectangle, 7 x 8in (side of the cake).
Trim a ‘smidgen’ off each edge of
these rectangles – no more than 1⁄8in
(by eye). This will reduce the risk that
the glue on the stabiliser will fuse to
the base of your iron.

CONSTRUCTION
5 Make a fabric ‘sandwich’ using
the 8 x 11in rectangles of brown
fabric, light-value fabric and
stabiliser. To do this, lay the light- Step 11
value rectangle right side facing
down. Lay the stabiliser on top of it.
Lay the brown fabric on top of the
We are delighted to include one of the stabiliser, right side facing up. Fuse
projects from the recently released the three layers together, following
book, Tiny Worlds in Fabric: Sew the manufacturer’s instructions.
Enchanting Fairy Houses & Miniature
Masterpieces by Ramune Jauniskis.
Fibre artist Ramune Jauniskis
6 Repeat the process described in
Step 5 to make a fabric sandwich
with the remaining purple fabric and
guides you to the enchanting world of
miniature 3D pieces of art! You can the 6 x 10in rectangles of light-value
Step 13
create treasured works by learning fabric and stabiliser.
how to paint fabric, use fabric fusing
with fast2fuse, and incorporate
scraps and pre-loved fabrics.
7 Then repeat the process to make
a fabric sandwich with the 7 x 8in
rectangles of novelty print fabric,
Make 16 irresistible pieces with full
light-value fabric and stabiliser.
instructions and step-by-step photos,
or create unique one-of-a-kind pieces
using Ramune's techniques. Her light-
hearted humour and passion for the
8 Trace around the templates on the
light-value fabric of each fabric
sandwich: trace the inner cake side
creative process reach past the page, shape on the sandwich from Step 5.
making her a strong guide for readers Draw the internal lines on this shape.
who want to ignite their creativity and
make intricate 3D pieces. Enchanting
fabric projects feature trendy motifs
9 Trace the cake top and base shape
twice on the sandwich from Step 6.
Step 15

such as fairies, mermaids, and more!


Draw a circle just large enough to
accommodate the candle you’re using
on the light-value fabric on each of
12 Centre a purple tube over each of
the broken lines marked on the
inner cake shape and pin them in place.
these shapes. Take care to draw the Topstitch close to each long edge of
PREPARATION AND CUTTING circles so that they are in the exactly each strip to secure them in place

1 Trace the three shapes for this


project from the Pattern Sheet onto
template plastic using a fine permanent-
the same position on each shape.

10 Trace the cake side on the


sandwich from Step 7. Cut all
using purple thread to match the fabric.
Trim the ends even with the edges of
the inner cake shape if necessary.
marking pen; include the internal lines.
Label the shapes, then cut them out
the shapes out of the sandwiches
on the outer traced lines. 13 Cut the inner cake side shape
in half vertically. Then cut the
accurately on the outer lines.

2 From the light-value solid fabric, cut:


• One rectangle, 8 x 11in (inner
11 Fold each of the 1 x 10in strips
of purple fabric in half, right
sides together and long edges
‘tabs’ at the top and bottom of each
shape off on the internal horizontal
unbroken lines.
sides of the cake)
• One rectangle, 6 x 10in (top and
base of the cake)
matching. Sew the long raw edges
together using a 1⁄8in seam. To turn
these strips right side out, attach a
14 Lay two tabs and the shape
you’ve just cut them from next
to each, with the light-value fabric
• One rectangle, 7 x 8in (side of the cake). small safety pin to one end of a strip, facing up. Butt the cut edges up

3 From the purple mottled print


fabric, cut:
• Two strips, 1 x 10in.
through only one layer of fabric. Gently
push the pin through the tube of fabric
until it comes out the other end. Pull
against each other, with no space in
between. You are going to reattach
the tabs to the centre part of the

4 From the fusible stabiliser, cut:


• One rectangle, 8 x 11in (inner
sides of the cake)
the whole tube right side out. Roll the
fabric between your fingers to move
the seam to the centre of the back of
shape. To do this, set your sewing
machine to work a wide, dense
zigzag stitch. Ramune suggests a
• One rectangle, 6 x 10in (top and the tube. Press. Repeat the process setting of 4 to 5 for stitch width and 1
base of the cake) with the other tube. for stitch length. Position the centre

Homespun 35
shape and the first tab to be the outer edge and through both
JE CT reattached on your sewing machine thicknesses on the inner edge.
PRO

02 21
so that the zigzag stitch will catch Reshape the cake so that
the edges of both shapes as the it looks like the photo.
sewing needle goes back and forth.
Use either white thread or a thread to
match the brown fabric. Sew the first
22 Fold the brown tabs at the
bottom edge of the cake up
into the cake a little. Glue or hand
tab to the centre shape. Then repeat sew the base triangle to the bottom
to sew the second tab, and then the tabs – check that these tabs don’t
two tabs to the other centre shape. show once you’ve done this.
(Sewing these joins will allow you to
fold the tabs inside the cake later on.) 23 Add embellishment to the top
triangle, before pushing the

15 Using the same technique, join


an inner cake shape to the left
tabs into the cake and glueing or
hand sewing the top triangle to them.
and right edges of the shape you’ve cut
for the outer side of the cake. When you
turn the joined fabrics over, your project
24 Slide the candle through the
hole in the top of the cake and
push it down to sit in the egg ‘pouch’
should look like the photo on page 35. glued inside the base.
Step 16
16 Cut out the circle on one of the
shapes for the cake base and
top. This will be the top of the cake.
25 If you’d like to make a
complete cake, repeat all the
steps to make a total of six slices.
Check that the base of your candle fits
through the hole snugly. Zigzag stitch
around the outer edges of both shapes
and around the raw edges of the hole.

17 Join the curved edge of the cake


base and top to the top and
bottom edges of the outer side of the
cake using the techniques described
Step 18 in Step 14. As the base and top have
a curved edge and the outer side of
the cake has a straight edge, you will
need to gently press and hold the
edges together as you zigzag
stitch them.

18 Cut one ‘dimple’ from


the egg carton – that
is, a pocket that holds just
one egg. Centre its base over
the circle you drew on the
Step 21
cake base and use a glue
gun to secure it in place.

19 If you are going to


embellish the outer
side of the cake – with
beads for example – attach
them now.

ASSEMBLY
20 Fold the cake panel
so the long edges of
the two brown inner side
shapes are matching, with the
brown fabric facing out and the
strips of purple filling aligned. Zigzag
stitch down the long edge to join the
shapes together: the needle should
Step 23 (without embellishments) land just off the edge of the shapes on

36 Homespun
38 Homespun
PRO
JECT

03

Painting Eggs
Gather a little bit of time and patience and a
few simple tools and you too can stitch this
gorgeous Easter-themed embroidered hoop.
Kate Popovski, Lilipopo Embroidery — Email: lilipoposketches@gmail.com;
Website: www.lilipopo.com; Instagram @lilipoposketches

Homespun 39
T
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PRO

03

MATERIALS Very Light Fern Green Q Lightbox (optional) Note: Read all the instructions
Q 18cm (7in) square of natural (524), Light Peach (754), Q General sewing supplies before commencing the project.
linen. Kate used Robert Light Salmon (761), Medium Two strands of embroidery
Kaufman Essex linen Green Grey (3052), Medium Stitches used: cotton are used throughout.
Q 18cm (7in) square of felt Salmon (3712) and Light Backstitch, cross stitch, Instructions are given for using
in a pale colour – white, Straw (3822) detached chain (lazy daisy) the printed Pattern Sheet in
cream or pale pink Q Size 7 crewel needle stitch, fern stitch, French knot, the magazine, but you can also
Q DMC Stranded Embroidery Q 13cm (5in) embroidery hoop satin stitch, straight stitch download the digital pattern
Cottons in Light Coral Q Pencil or fine fabric- Finished size: from www.homespun.net.au
(352), Dark Shell Grey (451), marking pen 13cm (5in) diameter and print it out.

40 Homespun
PREPARATION pencil or fabric pen with a fine EMBROIDERY

1 Wash, dry and iron the linen fabric.


Lay the outer hoop on the square
of felt and trace around its inner
tip, trace the stitchery design onto
the fabric. Trace neatly using thin
lines as the stitching needs to cover
4 Referring to the Stitchery
Guide below for the colours
and stitches to use for each area,
edge. Cut the felt on the traced line the markings. embroider the various design
– it will be used on the back of the
finished work. 3 Place your work in the embroidery
hoop to keep it flat and prevent it
elements using two strands of
embroidery cotton. Before threading

2 Locate the design on the Pattern


Sheet and place it on a lightbox
or against a brightly lit window.
puckering. Release the tension on the
hoop when you are not working on
your project to avoid creating creases
the needle each time, separate the
strands and bring them together
again. This allows the floss to lie
Centre the square of linen over it, in the fabric that will be difficult to flatter, covering the background
right side facing up. Using a sharp remove later on. more smoothly.

STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Girl
Hair, face, neck,
Dark Shell Grey (451) Backstitch
eyes and hands

Detached chain
Flowers in hair Light Coral (352)
(lazy daisy) stitch

Blouse, collar and stripes Medium Salmon (3712) Backstitch

Backstitch a stripe between


each pair of Medium Salmon
Extra stripes Light Coral (352)
stripes (these extra stripes have
not been drawn on the pattern)

Detached chain
Flower on blouse Light Peach (754)
(lazy daisy) stitch

Painting Brush outline Medium Green Grey (3052) Backstitch

Base of brush bristles Medium Green Grey (3052) Satin stitch

Tip of brush bristles Light Salmon (761) Satin stitch

Egg outline Dark Shell Grey (451) Backstitch

Egg base – top and


Medium Green Grey (3052) Satin stitch
bottom stripes

Egg base – middle stripe Very Light Fern Green (524) Satin stitch

Homespun 41
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Painting cont ... Fern on the egg Very Light Fern Green (524) Fern stitch

Flower petals on the egg Light Salmon (761) Straight stitches

Light Peach (754) or


Flower centres on the egg French knot
Light Salmon (761)

Paintbox outline Dark Shell Grey (451) Backstitch

Paints a variety of colours Satin stitch

Water jar outline and stripes Light Coral (352) Backstitch

Backstitch a stripe between


the Light Coral stripes (this
Extra stripe Light Peach (754)
extra stripe has not been
drawn on the pattern)

Vase of flowers Vase outline and stripes Light Coral (352) Backstitch

Backstitch a stripe between


each pair of Light Coral stripes
Extra stripes Light Peach (754)
(these extra stripes have not
been drawn on the pattern)

Star on vase Light Peach (754) Overlapping straight stitches

Flower stems Medium Green Grey (3052) Backstitch

Leaves Very Light Fern Green (524) Backstitch

Daisy centre Light Straw (3822) Satin stitch

Daisy petal outline Light Coral (352) Backstitch

Daisy petal fill Light Peach (754) Satin stitch

Tall tulip outer petals Light Peach (754) Satin stitch

Tall tulip inner petal Light Coral (352) Satin stitch

Short tulip outline Light Salmon (761) Backstitch

Short tulip fill Light Salmon (761) Satin stitch

42 Homespun
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Mug
Outline and stripes Medium Salmon (3712) Backstitch

Backstitch a stripe below each


pair of Medium Salmon stripes
Extra stripes Light Salmon (761)
(these extra stripes have not
been drawn on the pattern)

Edge of table Dark Shell Grey (451) Backstitch

Bunting
String Light Straw (3822) Backstitch

Light Straw (3822),


Pennant outlines Light Peach (754) and Backstitch
Light Salmon (761)

Light Straw (3822),


Pennant centres Light Peach (754) and Cross stitch
Light Salmon (761)

FINISHING

5 Once the stitching is complete,


remove the fabric from the hoop.
Centre the felt circle on top of it and
trim the linen 20mm (3⁄4in) by eye
outside the edge of the felt.

6 Re-stretch the embroidered linen in


the middle of the hoop with the screw
fitting positioned at the centre top.

7 Thread a needle with a long length


of four strands of embroidery thread
and sew a line of large running stitches
near the edge of the fabric at the back
of the hoop. When you get back to the
start, pull up the thread to gather the
edges firmly over to the back. Fasten
the end of the thread securely.

8 Centre the circle of felt over the back


of the embroidery and, using a long
length of thread, slip stitch its edge
to the excess embroidered linen just
where it emerges from the hoop.

Photographs supplied by Kate Popovski


of Lilipopo Embroidery

Homespun 43
Sweet Idea!
LIBERTY + LINEN BUNNY
The Strawberry Thief’s Liberty & Linen
Bunnies make the perfect gift for little loved
ones – and are also a fun and simple project to
get them involved in sewing. This project is
fantastic for scrap busting – you can have a
whole fluffle of Liberty bunnies stitched in an
afternoon! (Yes, a fluffle is the collective noun
for a group of rabbits – how adorable is that?).
Go to the website to download the pattern:
www.thestrawberrythief.com.au/product/
liberty-linen-bunny-pdf-pattern

44 Homespun
St Etienne
Introducing St Etienne, the gorgeous new range by Kim Hurley of l’uccello for Devonstone
Collection. A celebration of French vintage style, St Etienne features a wonderfully eclectic blend
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card print. Find it in stores April 2023!

For stockists contact Two Green Zebras Pty Ltd


T. 07 3132 8990 E. sales@twogreenzebras.com
www.twogreenzebras.com
LARGE GREEN
TRACTOR
PANEL $25

FARM MACHINES

GREEN TRACTOR
GREEN HEADER
PANEL $20

PANELS TO BEGIN YOUR NEXT BEAUTIFUL PROJECT. SEE MORE ON OUR WEBSITE.
P: 03 5199 2777 E: jennifer@lilylane.com.au
26-28 Prince St, Rosedale VIC 3847
WWW.LILYLANE.COM.AU

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fine needlework

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telephone +61 2 9958 6038

stitchshop.com.au
48 Homespun
PRO
JECT

04

VINTAGE
PROJECT
SATCHEL
This large bi-fold satchel is perfect for toting
your latest projects, with its pretty cover
outside and lots of handy storage inside.
Lesley McConnell, Faeries in my Garden — Website: www.faeriesinmygarden.com.au,
Email: lesley@faeriesinmygarden.com.au; Phone: (07) 3869 0808

Homespun 49
T
JEC
PRO

04 MATERIALS
Q Assorted print fabrics to
total about 80cm (7⁄8yd).
Q Machine sewing thread
to match the lace zipper
and print fabrics
Lesley used a fat eighth of Q Rotary cutter, ruler and mat
seven different print fabrics Q Sewing machine with 1⁄4in
Q Fat quarter solid white and zipper feet
fabric (embroidery Q General sewing supplies
background)
Q 55cm (5⁄8yd) solid light pink If you wish to purchase
fabric (lining) materials and supplies to make
Q 15cm (1⁄4yd) solid bright this satchel, contact Lesley by
pink fabric (binding) phone: (07) 3869 0808.
Q 70cm (7⁄8yd) thick fusible
batting Finished size:
Q Cottage Gardens Threads 32 x 64cm (121⁄2 x 25in) open
stranded embroidery floss
in Larkspur (602) Stitches used:
Q Olympus Stranded Backstitch, blanket stitch,
Embroidery Threads in Light bullion stitch, colonial knot,
Pink (123), Medium Pink detached chain (lazy daisy)
(125), Dark Pink (127), Apple stitch, fly stitch, French knot,
Green (229), Aqua (384) herringbone stitch, open
and Canary Yellow (553) pinwheel blanket stitch,
Q Fusible web pinwheel blanket stitch, running
Q 40cm (1⁄2yd) lightweight stitch, stem stitch, twisted chain
fusible interfacing/stabiliser stitch, whipped stem stitch
such as Vlieseline G700
Q 30cm (12in) lace zipper Note: Read all the instructions
Q One 6mm (1⁄4in) press stud before starting the project. It
Satchel front Q Two 20mm (3⁄4in) flat white is recommended that fabrics
buttons be 100% cotton, pre-washed
Q 35cm (14in) printed blue and well ironed. Requirements
ribbon, 25mm (1in) wide are based on fabrics 107cm
Q 25cm (10in) white cotton (42in) wide. Seam allowances
lace, 25mm (1in) wide of 1⁄4in are used throughout
Q 9 x 7cm (31⁄2 x 23⁄4in) cream except where otherwise stated.
wool blanketing, felt or Instructions are given for using
batting (inner needlecase) the printed Pattern Sheet in
Q Embroidery hoop and the magazine, but you can also
needle download the digital patterns
Q Sharp pencil or fine from www.homespun.net.au
marking pen and print them out.

Satchel back Satchel interior

50 Homespun
CUTTING

1 From one of the assorted pretty


print fabrics, cut:
• One rectangle, 3 x 9in (embroidered

12½ x 4½in
band on satchel back). 12½ x 11¼in 12½ square 12½ square

• Two rectangles, 13⁄4 x 121⁄2in (spine)


• Two rectangles, 11⁄2 x 12in (ties).
Lesley used a small pink gingham
in her project.

2 From the remaining six assorted


pretty print fabrics, cut a total of:
• 48 squares, 21⁄2in (patchwork)
12½ x 6½in 3½in 3½in 4½ x 7in

• Two rectangles, 5 x 121⁄2in (top


and flap of slim internal pocket)
• One rectangle, 3 x 121⁄2in (band
above zipper on satchel back) Light Pink Fabric Cutting Diagram
• One rectangle, 11⁄4 x 121⁄2in (band
below zipper on satchel back)
• One rectangle, 31⁄2 x 41⁄2in (lining
of needlebook)
5 From the solid bright pink fabric, cut:
• Two strips, 21⁄4in across the width
of the fabric (binding).
• Two squares, 31⁄2in (small internal
pockets)
• Two rectangles, 21⁄2 x 31⁄2in (top
6 From the thick fusible batting, cut:
• Two squares, 121⁄2in (satchel covers)
• One rectangle, 121⁄2 x 111⁄4in ⅛in
band of small internal pockets) (zippered pocket on satchel back)
• One rectangle, 41⁄2 x 7in (medium • One rectangle, 11⁄2 x 121⁄2in (band
internal pocket) above zipper on satchel back)
• One rectangle, 21⁄2 x 81⁄2in (internal • Two rectangles, 21⁄2 x 121⁄2in (slim
patchwork pocket) internal pocket and flap)
• Six rectangles, 21⁄2 x 41⁄2in (internal • One rectangle, 41⁄2 x 7in (medium
patchwork pocket) internal pocket)
• One rectangle, 21⁄2 x 121⁄2in (top • Two squares, 31⁄2in (small internal
band of internal patchwork pocket) pockets) Diagram 1
• One rectangle, 41⁄2 x 121⁄2in (large • One rectangle, 121⁄2 x 61⁄2in (internal
internal pocket)
• One rectangle, 11⁄2 x 121⁄2in (top
band of large internal pocket).
patchwork pocket)
• One rectangle, 41⁄2 x 121⁄2in (large
internal pocket)
9 Fold the 9in square of white
fabric in half on each diagonal and
finger press light creases in it. Lay

3 From the solid white fabric, cut:


• One square, 9in (front cover)
• One rectangle, 11⁄4 x 121⁄2in (band on
internal patchwork pocket).
the four fabric hearts on the fabric,
centring them over these creases.
• One rectangle, 4 x 5in (needlebook
cover)
• One rectangle, 11⁄2 x 8in (Handmade
7 From the stabiliser/interfacing, cut:
• One square, 9in (front cover)
• One rectangle, 4 x 5in (needlebook)
Their points should be about 1⁄8in from
the centre of the square where the
two creases cross, as shown in
panel). • One rectangle, 11⁄2 x 8in (Handmade Diagram 1. Fuse them in place.
These three shapes have been cut
oversize and will be trimmed back once
the embroidery has been completed.
panel)
• One rectangle 3 x 9in (embroidered
panel on satchel back)
10 Centre the square of white
fabric on the Satchel Front
embroidery design printed on the

4 Refer to the Light Pink Fabric


Cutting Diagram as you cut the
solid light pink fabric to yield:
• One rectangle, 11⁄2 x 121⁄2in (band on
top of large internal pocket)
• Two rectangles, 13⁄4 x 121⁄2in (spine).
Pattern Sheet and trace the lines
using a sharp pencil or fine marking
pen. Fuse the 9in square of stabiliser
• One rectangle, 121⁄2 x 111⁄4in (lining to the wrong side of the fabric.
of zippered pocket on satchel back) APPLIQUÉ AND EMBROIDERY (Stitching through a stabiliser
• One rectangle, 121⁄2 x 61⁄2in (lining of
internal patchwork pocket)
• Two squares, 121⁄2in (satchel lining)
8 Trace four hearts from the Pattern
Sheet on to the paper side of the
fusible web, leaving about 1⁄2in between
allows for knots and small jumps
between stitches to be hidden.)
Place your work in the embroidery
• One rectangle, 121⁄2 x 41⁄2in (lining them. Cut the shapes out about 1⁄4in hoop to keep it flat and prevent it
of large internal pocket) outside the traced lines. Fuse them to puckering. Release the tension on
• One rectangle, 41⁄2 x 7in (lining of the wrong side of the leftover print the hoop when you are not working
medium internal pocket) fabrics using a hot dry iron. Once on your project to avoid creating
• Two squares, 31⁄2in (lining of small they have cooled, cut the shapes out creases in the fabric that will be
internal pockets). of fabric on the traced lines. difficult to remove later on.

Homespun 51
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

FRONT PANEL

Hearts
Thread to match the fabric Blanket stitch around the
Appliqué
– 1 strand raw edges of each shape

Threads to match the fabric Running stitch just


Appliquéd hearts
– 2 strands outside each shape

Wording Larkspur (602) – 3 strands Backstitch and colonial knot

Needle and thread

Two rows of stem stitch


whipped together along
Needle Canary Yellow (553) – 1 strand
the shaft and whipped
separately around the eye

Backstitch. Work over one


side of the eye of the needle
Trailing thread Larkspur (602) – 3 strands and under the other side,
to create the illusion that
the needle is threaded

Pincushion Teacup Medium Pink (125) – 2 strands Stem stitch

Rose centre petals Dark Pink (127) – 2 stands Two 9-wrap bullion stitches

Rose inner petals Medium Pink (125) – 2 strands Four 12–15-wrap bullion stitches

Rose outer petals Light Pink (123) – 2 strands Six 12-wrap bullion stitches

Leaves Apple Green – 2 strands Fly stitch

Buds Canary Yellow – 2 strands Double wrap French knots

Pincushion top Aqua (384) – 2 strands Stem stitch

Pin shafts Canary Yellow – 1 strand Stem stitch

Pinheads Larkspur (602) – 2 strands Colonial knots

52 Homespun
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Buttons Outline of largest button Aqua (384) – 2 strands 2 adjacent rows of stem stitch

Middle ring of largest button Medium Pink (125) – 2 strands 2 adjacent rows of stem stitch

Inner ring of largest button Aqua (384) – 2 strands 1 row of stem stitch

Holes in largest button Aqua (384) – 2 strands Colonial knot

Yellow button Canary Yellow (553) – 2 strands Backstitch and colonial knot

Pink button Dark Pink (127) – 2 strands Open pinwheel blanket stitch

Reels of cotton Reel outline Canary Yellow (553) – 2 strands Stem stitch

Holes in top of reels Canary Yellow (553) – 1 strand Pinwheel blanket stitch

Outer edges of thread


Medium Pink (125) – 2 strands Stem stitch
on left reel

Thread wound on left reel Medium Pink (125) – 2 strands Backstitch

Outer edge of thread


Aqua (384) – 2 strands Stem stitch
on right reel

Thread wound on right reel Aqua (384) – 2 strands Backstitch

Thread trailing from right reel Aqua (384) – 3 strands Backstitch

Scissors Canary Yellow (553) – 1 strand Stem stitch and colonial knot

INNER SATCHEL

Needlebook cover Wording Larkspur (602) – 3 strands Backstitch

Detached chain (lazy daisy)


Daisies Canary Yellow – 1 strand
stitch and colonial knot

Two rows of stem stitch


whipped together along
Needle Canary Yellow (553) – 1 strand
the shaft and whipped
separately around the eye

Thread Aqua (384) – 3 strands Backstitch

Pincushion base outline Dark Pink (127) – 1 strand Stem stitch

Pincushion base fill Dark Pink (127) – 1 strand Herringbone stitch

Pincushion top Aqua (384) – 1 strand Stem stitch

Pins Canary Yellow (553) – 1 strand Stem stitch with French knot

Border Medium Pink (125) – 2 strands Running stitch

Homespun 53
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Label

Wording Larkspur (602) – 3 strands Backstitch and French knot

Hearts Aqua (384) – 1 strand Twisted chain stitch

SATCHEL BACK

Label Larkspur (602) – Backstitch


Wording Stem stitch
and French knot

Detached chain (lazy daisy)


Flowers Canary Yellow (553) – 1 strand stitch and double-wrap
French knot

11 Referring to the Stitchery Guide


for the colours and stitches to
use for each area, embroider the
various design elements of the front
cover using embroidery cotton.

12 Repeat the preparatory steps


from Step 10 to prepare the 4 x
5in rectangle of white fabric for the
needlebook cover, the 11⁄2 x 8in
rectangle of white fabric for the
Handmade panel and 3 x 9in
rectangle of print fabric for the
embroidered band on the satchel
back. Then stitch each design,
referring to the Stitchery Guide.

13 After the embroidery has been


completed, trim each of the
panels. Take care to keep the
embroidered design centred. The
satchel front should be trimmed to
81⁄2in square, the needlebook cover to
41⁄2 x 31⁄2in and the label for the back
of the satchel to 21⁄2 x 81⁄2in. Before
trimming the Handmade label, cut
a 11⁄2 x 8in rectangle of fusible web.
Fuse it to the back of the Handmade
label using a hot dry iron. Then trim
Satchel Front Layout Diagram the label to 1 x 71⁄4in.

54 Homespun
SATCHEL FRONT ASSEMBLY 1
⁄8in seam. This stitching secures the

14
1
Choose 20 squares, 2 ⁄2in of pocket lining to the satchel back.
assorted print fabrics. Lay
them out around the edges of the
embroidered satchel front design,
24 Fold the 3 x 121⁄2in rectangle
of print fabric cut for the band
above the zipper in half, wrong sides
as shown in the Satchel Front Layout together and long edges matching.
Diagram. Swap them around until Press. Unfold it. Place the 11⁄2 x 121⁄2in
you have an array of colours and strip of batting on one half of the fabric
prints that you like. with one of its long edges adjacent to

15 Join the four squares on the left


and right edges of the layout
together to make two rows. Press.
the crease. Fuse it in place. Refold the
fabric, then stitch the long raw edges
together using a 1⁄8in seam.
Satchel Back Layout Diagram
Sew these rows of squares to the left
and right edges of the embroidered
panel. Press seams outwards.
25 Thread your sewing machine
with thread to match the colour
of the lace zipper. Attach a zipper foot

16 Join the six squares on the


top and bottom edges together
to make two rows. Press. Sew them
to the machine. Pin the zipper, face
up, to the right side of the folded
fabric from Step 24: the zipper teeth
to the top and bottom edges of the should just overhang the folded edge
embroidered panel. Press seams of the fabric strip. Stitch it in place
outwards. The front of your satchel close to the folded edge of the fabric.
should now measure 121⁄2in square
from raw edge to raw edge. 26 Butt the fabric strip+zipper
from Step 25 close to the top

17 Fuse a 121⁄2in square of


batting to the wrong side
of the satchel front.
edge of the patchwork panel from
Step 23 – leaving just enough space
between them to ensure that the
zipper teeth don’t become caught in
SATCHEL BACK ASSEMBLY the fabric. Pin the zipper in place, then

18 Lay out 26 squares, 21⁄2in of


assorted print fabrics and the
embroidered label for the back of the
stitch close to the folded top edge of
the patchwork panel. See Diagram 2.
Diagram 2

satchel, referring to the Satchel Back POCKETS FOR THE pocket in half, long edges matching
Layout Diagram as a guide. Swap the INNER SATCHEL and wrong sides together. Press.
squares around until you have an array MEDIUM POCKET Unfold. Fold under 1⁄4in on one long
of colours and prints that you like.

19 Sew the squares/label in each


row together. Press seams in
27 Fuse the 41⁄2 x 7in rectangle
of batting to the wrong side
of the print fabric rectangle cut the
raw edge and press. Fold under 1⁄4in
on each short edge and press. See
Diagram 3.
the top, middle and bottom rows in
one direction and in the other two
rows in the opposite direction.
same size.

28 Match the light pink 41⁄2 x 7in


lining rectangle, right sides
32 Match the long raw edge of the
band with the top edge of the
pocket and sew it in place. Fold the

20 Sew the rows together,


carefully matching seams.
together, with the pocket fabric
rectangle and pin the layers together.
band on the centre crease so that it
wraps over the top edge of the pocket.

21 Sew the 11⁄4 x 121⁄2in rectangle


of print fabric cut for the band
below the zipper to the top edge of
Stitch around all four edges, leaving
an opening about 2in wide in the
bottom edge.
Slip stitch the horizontal turned-under
edge to the lining by hand, working
the stitches through the fabric and
the patchwork panel. Press.

22 The satchel back should now 29 Clip the corners. Turn the
pocket right side out. Turn the
batting only so that they don’t show
on the front of the pocket.
measure 111⁄4 x 121⁄2in from raw
edge to raw edge. Fuse the piece of
raw edges of the opening in and press.
TWO SMALL POCKETS 33 Repeat Steps 30–32 to make
a second small pocket.
NEEDLEBOOK
batting cut to this size to the wrong
side of the satchel back. 30 Repeat Step 27 using a 31⁄2in
square of batting and print
34 Match the embroidered front of

23 Match the 111⁄4 x 121⁄2in


rectangle of light pink lining
fabric with the satchel back, right
fabric. Match a light pink 31⁄2in lining
square, right sides together, with the
pocket fabric square and pin the layers
1
the needlebook with the 41⁄2 x
3 ⁄2in rectangle of print fabric cut for its
lining right sides together. Sew around
sides together. Sew across the top together. Stitch around the left, bottom all four edges, leaving a 1in opening in
edge. Turn the light pink fabric over and right edges. Clip the corners and the left edge. Clip the corners and turn
to the back of the satchel panel. Pin turn the pocket right side out. Press. the cover right side out through the
the layers together, then stitch the
left, bottom and right edges using a 31 Fold a 21⁄2 x 31⁄2in strip of print
fabric for the top band of the
opening. Turn the raw edges of the
opening in and press.

Homespun 55
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04

56 Homespun
Homespun 57
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38 Fold the flap in half, long edges
matching and right sides
together. (The batting will now be on
43 Match the wrong side of the
61⁄2 x 121⁄2in rectangle of light
pink lining fabric with the batting,
PRO

04
the outside.) Sew the two short edges. matching raw edges. Pin the layers
Turn the flap right side out and press. together. Stitch around all four edges
Stitch the long raw edges together. to secure them using a 1⁄8in seam.

39 Repeat Steps 36 and 37 with


the 5 x 121⁄2in rectangle of print
fabric cut for the pocket. Fold the
44 Fold the 21⁄2 x 121⁄2in rectangle
of print fabric cut for the band
of this pocket in half, long edges

35 Work blanket stitch in two


strands of Larkspur (602) on one
pocket in half again, wrong sides
together. Sew the two short edges
matching and wrong sides together.
Press. Unfold.
long edge and two short edges of the
rectangle of cream wool blanketing,
felt or batting. You will end up using
and the long raw edge.

40 Trim the ribbon to the same


length as the pocket. Pin the
45 Lay the 11⁄4 x 121⁄2in rectangle of
batting on the wrong side of the
band fabric with one of its long edges
two lengths of thread, so Lesley ribbon on the pocket, with one of its adjacent to the crease in the fabric.
recommends that when you end the long edges matching the long raw edge Fuse it in place. Turn under a 1⁄4in hem
first length, you carefully weave its end of the pocket. Topstitch it in place close on the long raw edge of the fabric that
back through the last three stitches on to both of its long edges. (The ribbon is further away from the batting.
the ‘back’ of the rectangle, make a
very tiny knot, then clip the thread.
To start the new thread, leave a small
will cover the seam you sewed on the
long edge of the pocket in Step 39.)
PATCHWORK POCKET
46 Pin the long raw edge of the band
to the top edge of the patchwork
panel from Step 43. Sew this seam. Fold
tail at the beginning and enclose it
as you work the first few stitches.
SLIM POCKET
41 Join the six 41⁄2 x 21⁄2in rectangles
of print fabric together on their
long edges to make a panel 41⁄2 x 121⁄2in
the band on the centre crease so that it
wraps over the top edge of the pocket.
Slip stitch the horizontal turned-under

36 Fold the 5 x 121⁄2in rectangle of


print fabric cut for the flap of
the slim pocket in half, long edges
from raw edge to raw edge.

42 Join a 21⁄2in square of print fabric


to each end of the 21⁄2 x 81⁄2in
edge to the lining by hand, working the
stitches through the fabric and batting
only so that they don’t show on the front
matching and wrong sides together. rectangle of print fabric cut for this of the pocket.
Press. Unfold. pocket. Sew this strip to the top edge LARGE INTERNAL POCKET

37 Lay the 21⁄2 x 121⁄2in rectangle


of batting on the wrong side
of the flap fabric with one of its long
of the panel you made in Step 41. Your
patchwork panel should now measure
61⁄2 x 121⁄2in from raw edge to raw edge.
47 Fuse the 41⁄2 x 121⁄2in rectangle
of batting to the wrong side of
the print fabric cut the same size. Pin
edges adjacent to the crease in the Fuse the rectangle of batting cut to this the 41⁄2 x 121⁄2in rectangle of light pink
fabric. Fuse it in place. size to the wrong side of the panel. lining fabric to the print fabric, right
sides together. Sew the seam along
the long bottom edge.

48 Turn the pink lining rectangle


over so that its wrong side is
against the batting on the back of
the print rectangle. Press. Stitch the
side and top edges together using
a 1⁄8in seam.

49 Fuse the 11⁄2 x 121⁄2in rectangle


of interfacing/stabiliser to the
wrong side of the print fabric cut the
same size. Fold the fabric in half, long
edges matching and wrong sides
together. Press. Unfold.

fold on the crease 50 Turn under 1⁄4in on one long


edge of the band. Repeat Step
46 to sew the long raw edge to the
top edge of the panel from Step 48,
fold it over to the lining and hand
stitch it in place.

ASSEMBLY
INSIDE FRONT

Diagram 3 51 Lay a 121⁄2in square of light pink


lining fabric on your work

58 Homespun
surface. Pin the medium pocket to it so
¾in
that its bottom edge is 1in up from the
bottom raw edge of the lining square Slim Pocket Flap
and 13⁄8in in from the right edge. See
the Inside Front Layout Diagram.

52 Pin one of the small pockets


next to it – again with its
bottom edge 1in up from the bottom
Ribbon strip along the bottom edge of the slim pocket

edge of the lining square. Small Pocket Band

53 Position the needlebook cover


1in up from the bottom edge
of the lining and 3⁄4in in from the left
edge. Slip the embroidered wool Small Pocket
rectangle from Step 35 under the Lace Strips
cover, with its long unstitched left
edge matching the long left edge of
the cover. Pin the cover and wool in
place on the lining square.
Small Pocket Band

54 Pin the second small pocket


immediately above the
needlebook. Cut two 4in lengths
Needlebook
Medium Pocket

of lace and pin them horizontally ¾in 1⅜in

with their raw ends lying underneath Small Pocket

the second small pocket and the


medium pocket.

55 Audition the position of the


Handmade with Love label, but
don’t remove the paper from the back of
1in 1in

the fusible web as yet. The top edge of


Inside Front Layout Diagram
the label should be no higher than the
top edge of the second small pocket.

56 Pin the slim pocket so that its


short edges match the left and
right edges of the lining square and
lengths of Larkspur (602) together.
Loop the knotted end over the spool
on your sewing machine, and plait
fits neatly over it and the closure
can be opened readily. Stitch the
button in place.
its top edge is 3⁄4in down from the top
edge of the lining square.
the three lengths together. Tie a knot
at the other end to secure the plait. 64 Stitch one half of the press
stud inside the edge of the

57 Once you’re satisfied with the


arrangement of pockets, stitch
them in place. Start by topstitching
61 Tie a knot about 3in from the
knot at one end of the plait. Tie
another knot a further 1in along. Cut
needlebook cover. Determine where
the other half needs to be on the
lining to hold the cover closed neatly,
the left, bottom and right edges of the the plait in the middle of the 1in and stitch it in place.
medium pocket and then the first between these knots. Trim and fray INSIDE BACK
small pocket. Topstitch down the left
edge of the needlebook cover,
catching the left edge of the wool
both ends of the 3in length of plaiting.
(Put the remainder aside.) Bring the
frayed ends together and work
65 Use the remaining 121⁄2in
square of light pink lining
fabric for the inside back of the
insert in this seam. Then topstitch stitches to hold the thread in a loop. satchel. Position the patchwork
the left, bottom and right edges of the
second small pocket. 62 Match the top raw edge of the
flap for the slim pocket with
pocket in place so that its left, right
and bottom edges match those of

58 Peel the paper from the back of


the embroidered label. Fuse it
in place. Work blanket stitch around
the top raw edge of the lining square
and centre the flap between the left
and right edges of the lining square.
the lining. Stitch these edges.

66 Pin the large pocket a little


above the patchwork pocket,
its raw edges using two strands of Stitch the top edge to the lining using matching its left and right edges with
Medium Pink (125). a 1⁄8in seam. Find the centre of the the lining square. Stitch the left, right

59 Stitch the left and right edges


of the slim pocket to the lining
using a 1⁄8in seam. Topstitch along its
flap. Hand stitch the frayed ends of
the loop from Step 58 to the flap
about 1⁄4in up from the bottom edge of
and bottom edges. Then work two
vertical stitches down the length of this
pocket to divide it into three sections.
bottom edge.

60 To make the loops for the


the flap – work these stitches into the
top fabric and batting only. 67 Stitch a button in the centre of
the bottom edge of this pocket
button closures on two of the
internal pockets, tie one end of three 63 Determine the correct position
for the button so that the loop
so that the button sits just above its
bottom edge. Use the remainder of the

Homespun 59
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04
plaited thread from Step 58 to make
another loop. Stitch it to the band of
the patchwork pocket as a closure.

FINISHING

68 Match the front cover and


inside front panel of the
satchel, wrong sides together. Double
check that both panels are the correct
way up. Pin the layers together, then
stitch around all four edges using a
1
⁄8in seam. Repeat to sew the back
cover and inside back panel together.

69 Fuse stabiliser/interfacing to
the wrong side of each of the
13⁄4 x 121⁄2in strips of print fabric cut
for the satchel spine. Fold each strip
in half, long edges matching and
wrong sides together. Press.

70 Pin a folded strip to the left


edge of the satchel front cover,
raw edges matching. Sew this seam.
75 Fold each of the 11⁄2 x 12in
strips of print fabric that you
cut for the satchel ties in half, long

71 Turn the satchel front over so


that you’re now looking at the
internal side with the pockets. Pin
edges matching and wrong sides
together. Press. Unfold. Now fold the
long raw edges in to meet the centre
the second folded spine strip to the crease. Press. Then fold the strips in
right edge of the internal side, again half again. Press. Topstitch to hold
matching raw edges. Sew this seam. each tie closed. See Diagram 4.

72 Lay the satchel front and back


next to each other – with the
covers facing up and the internal
76 Tie a knot in one end of each
tie. Lay the satchel out flat
with the internal panel facing up.
panels facing down. The satchel front Pin the other end of a tie half way
should be on the right of the satchel down the left and right edges of the
back. Butt the two panels up against satchel, raw edges matching. Stitch
each other (but not overlapping). Work them in place.
some basting stitches by hand to hold
the panels together in this manner. 77 Join the two 21⁄2in strips of
solid bright pink fabric

73 Pin the folded edge of the


spine strip that you sewed in
Step 70 over on to the satchel back.
together, end to end. Fold the strip in
half, long edges matching and wrong
sides together. Press. With raw edges
Topstitch it in place. together and starting on the bottom

74 Turn the satchel over so that


the internal panels are now
facing up. Pin the folded edge of the
edge, stitch the binding strip to the
edge of the satchel outer covers with
a 1⁄4in seam, mitring the corners as
spine strip that you sewed in Step 71 you go and referring to the diagrams
over on to the internal satchel back on page 66 for details.

Diagram 4
panel. Slip stitch it in place – just as
you would hand stitch a binding to
the back of a quilt.
78 Turn the binding over to the
internal panels and stitch it
in place by hand.

60 Homespun
Fabrics are
$10 per metre

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CORE!
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62 Homespun
Playing With Prisms
Make this super-simple project using fabric in every colour you have.
Add a touch of whimsy with extra patches scattered on the border.
Megan Fisher

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MATERIALS Q 30cm (3⁄8yd) yellow tone-on- Finished size: recommended that fabrics
Q 1.6m (1 ⁄4yd) white tone-on-
3
tone print fabric (binding) 90 x 77cm (351⁄2in x 301⁄4in) be 100% cotton, pre-washed
tone print fabric Q Batting at least 105 x 92cm and well ironed. Requirements
Q Assorted scraps to total (41 x 36in) Finished block size: 13⁄4in are based on fabric 107cm
1.1m (11⁄4yd). Megan used Q Judy Hopkins ScrapSaver (42in) wide. Because of
one triangle each of 214 ruler or similar (optional) Note: Read all instructions the relatively small size
different coloured tone-on- Q Rotary cutter, ruler and mat before starting the quilt. of the triangles, Megan
tone print fabrics Q Sewing machine with 1⁄4in foot A seam allowance of 1⁄4in prefers to press all the
Q 1m (11⁄8yd) backing fabric Q General sewing supplies is used throughout. It is seams open.

64 Homespun
CUTTING • Four strips, 21⁄4in across

1 From the white tone-on-


tone print fabric, cut:
• Seven strips, 25⁄8in across
the width of the fabric
(binding). GUIDE TO CUTTING
HALF-SQUARE TRIANGLES
the width of the fabric. ASSEMBLY There is a variety of ways to cut your assorted scraps
of coloured fabric into triangles.
Crosscut the strips to yield
104 squares, 25⁄8in. Cut
each square once on the
4 Match a coloured half-
square triangle with a
white one, right sides
• Use a specialist ruler. Megan used a ruler that she’s
owned for many years, the Judy Hopkins ScrapSaver,
diagonal to yield a total of together, and sew the long that has markings for cutting triangles used to make
pieced squares in a range of standard sizes. Although
208 half-square triangles edges together. Press. Check
this ruler is no longer widely available, others that work
• Two strips, 8in across that the pieced square
in a similar fashion are.
the width of the fabric. measures 21⁄4in square from
Crosscut them to yield a raw edge to raw edge. Repeat
total of 18 rectangles, 4 x to make 208 pieced squares
8in (border) – you’ll have six coloured
• Five strips, 4in across the half-square triangles left
width of the fabric (border). over for the border.

2 From the assorted


scraps, cut:
• 214 half-square triangles
5 Lay out the blocks in
16 rows of 13 squares.
Take time to play with the
that have two edges 25⁄8in. colour arrangement until • Make your own specialist ruler: use masking tape on
a standard quilter’s ruler to mark triangles with short
See Guide to cutting half- you’re satisfied.
sides of 25⁄8in, as shown in Diagram 1.
square triangles at right.

3 From the yellow tone-


on-tone print fabric, cut:
6 Sew the squares in each
row together, then sew
the rows together, carefully
2⅝in

in
2⅝
2⅝

2⅝in
matching seams. in

BORDER

7 To add some whimsy to


the quilt, Megan pieced
six coloured triangles into
Diagram 1

• Cut 25⁄8in squares of coloured fabrics and cut each


the border so that they
square once on the diagonal, giving you two triangles
appear to have been of each fabric. You could use them to make a second
casually tossed onto the quilt – perfect for twins!
quilt. To create similar
borders, sew a white 4 x
8in rectangle to each edge
of a coloured triangle. Use
a quilter’s ruler and rotary
cutter to cut the fabric into
a 4in square. Your cuts TIPS FOR CHOOSING FABRICS
should be at least 1⁄4in from • To gather sufficient fabrics for this charm quilt, raid
any part of the triangle. your stash, snap up sets of charm squares from your
See Diagram 2. Change the local patchwork shop and trade with friends.
angle of your cuts for each • Megan included all the colours of the rainbow but
4in square to create the didn’t use a formula to ensure an equal number of blue
‘casually tossed’ effect. triangles, green triangles and so on. Instead, she chose
scraps from every bin in her stash, made her pieced

8 Lay your 4in squares


around the edges of
your quilt top to determine
squares and then played with their arrangement on
a design wall. She adopted a colourwash approach,
although you might prefer to scatter your colours
where you’d like them to be. randomly or start with the darkest triangles at the

9 Piece strips for the left


and right borders of the
quilt by cutting the 4in
bottom of the quilt and fade to lighter ones at the top.
• You could make a very striking two-colour quilt by
showcasing a wide variety of blue, red or green prints
strips of white tone-on-tone set with a white tone-on-tone print fabric.
print fabric and stitching • If you have lots of ‘conversation prints’ with small
them to the top and bottom motifs, you could even make an I Spy quilt.
edges of your squares. See
Diagram 2 Diagram 3 as general guide.

Homespun 65
10 Measure your quilt
vertically through the
centre and trim the border
strips to this length. Sew
them to the left and right
edges of your quilt.

11 Repeat Steps 9 and


10 to piece borders
for the top and bottom
edges of your quilt,
measuring your quilt
horizontally through the
centre to determine the
length to trim them to.

FINISHING
12 Smooth the backing
fabric on a table, right
side down, and secure it
with masking tape. Lay the
batting on top, ensuring it is
smooth. After pressing the
quilt top, lay it on top of the
batting and baste the three
layers together with thread
or safety pins.

13 Quilt as desired.
Megan’s quilt was
professionally machine Diagram 3
quilted by Joanne Nicholls
of Thirroul Custom seams open. Fold the strip
Quilting. She worked a in half, wrong sides together
curved edge-to-edge and long edges matching, CHANGE THE SIZE OF THE QUILT
design across the entire and press. With raw edges It’s very easy to change the size of this quilt.
surface of the quilt. together, stitch the binding • Just add more triangles. Clear out your scraps –

14 Trim the excess


batting and backing
fabric 1⁄4in outside the raw
strip to the edge of the quilt
with a 1⁄4in seam, mitring
the corners as you go and
just keep cutting triangles and sewing them to create
squares. The sky’s the limit!
• Make the triangles larger. How about cutting them
edges of the quilt. referring to the diagrams with 4in sides? 6in sides? Cut them with 8in sides and
set them in 16 rows of 13 like Megan’s quilt, and enlarge
15 Cut the ends of the
21⁄4in binding strips at
a 45-degree angle. Join the
below for details.

16 Turn the binding over


and stitch it by hand
the borders to, say, 8in and you have a huge king-size
bed quilt, 130 x 108in.
strips end to end to make to the back of the quilt.
one length and press the Label and date your quilt.

Binding diagrams

40cm (16in)

Rule a line along the


45-degree fold

Mitring corners Join the ends by matching the fold line and the drawn line and sewing them together.
Trim the seam, press it open and refold the binding, then finish sewing it to the quilt.

66 Homespun
ISTS
S TO C K H E
FOR T
3 H o m e spun
New 202 f the Month
Block o
H a re
Owl & ow
Holl A L N
S & A DDITIO BLE
KIT A VA I L A
R I C S
FA B

18 Alford Street, Kingaroy Qld 4610 Telephone: (07) 4162 2040 Open Monday to Saturday (occasional Sundays)

www.somethingscountry.com.au Somethings Country - My Quilting Shop


Tranquility
CRAFTS ‘N SUPPLIES
37 Holmes Rd, Moonee Ponds 3039
Telephone: 03 9375 3575
Email: tranquilitycrafts@bigpond.com.au

BUGS IN BOXES
The perfect ‘young man’s’ quilt.

This quilt measures 42” x 52” and is


all rotary cut. Fabric kit contains pattern,
all fabrics for quilt top and binding for
$85-00 (plus p & p). Suitable for an
advanced beginner.

Bug panel can be purchased separately.


Creation Inspiration
100% AUSTRALIAN WOOL FELT
SOFT, VIBRANT, PURE AND NATURAL

0428 122 639 | www.myfeltlady.com /myfeltlady


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70 Homespun
Bear’s Paw
SCRAPPY QUILT
The classic, traditional Bear’s Paw block takes
on a modern look with fresh scrappy fabrics!
Cat Connolly, Sew Darn Over It — Instagram: @sewdarnoverit; Facebook: @Sewdarnoverit

Homespun 71
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MATERIALS Q 1.5m (15⁄8yd) black and Q Sewing machine with 1⁄4in Note: Read all the instructions
Q Assorted low-volume white print fabric (border) foot before starting the project. It
print fabrics to total about Q 55cm (5⁄8yd) peach print Q General sewing supplies is recommended that fabrics
1.8m (2yd) fabric (binding) be 100% cotton, pre-washed
Q Assorted bright print Q 4m (43⁄8yd) backing fabric Finished size: and well ironed. Requirements
fabrics to total about 2m Q Batting at least 200cm 179cm (701⁄2in) square are based on fabrics 107cm
(21⁄4yd). See Step 2 (78in) square Finished block size: (42in) wide. Seam allowances
Q 10cm (1⁄8yd) solid black fabric Q Rotary cutter, ruler and mat 121⁄2in square of 1⁄4in are used throughout.

72 Homespun
45˚

45˚
2in

Diagram 1

CUTTING • Seven strips, 73⁄4in across the width


X

1 From the assorted low-volume


print fabrics, cut:
• 192 squares, 21⁄2in
of the fabric (border).

5 From the peach print fabric, cut:


• Seven strips, 21⁄2in across the
• 64 squares, 2in width of the fabric (binding).
• 64 rectangles, 11⁄2 x 61⁄4in
• 12 rectangles, 21⁄4 x 13in (A) BEAR’S PAW BLOCKS
• Two rectangles, 21⁄4 x 271⁄2in (B)
• Four rectangles, 21⁄2 x 13in (C)
• Two rectangles, 21⁄2 x 271⁄4in (D).
6 To make a quarter block, you
will need:
• three 21⁄2in squares and one 2in
To make your quilt even more square all cut from different low-
scrappy and to allow you to use up volume print fabrics
bits and pieces from your stash, join • three 21⁄2in squares all cut from
X
strips of low-volume fabrics together the same bright print fabric
to make the lengths needed for the • one 43⁄4in square of a bright
longer strips. print fabric.

2 From the assorted bright print


fabrics, cut:
• 192 squares, 21⁄2in. If you wish to
7 Draw a diagonal pencil line from
corner to corner on the wrong side
of the three 21⁄2in low-volume squares.
mimic Cat’s quilt, you will need to cut Match each of them with a bright
sets of three squares from each of 64 print square, right sides together.
different fabrics Pin the layers together.
• 64 squares, 43⁄4in.

3 From the solid black fabric, cut:


• One strip, 11⁄2in across the width
8 Sew a seam a scant 1⁄4in on either
side of both diagonal lines, as
shown in Diagram 1. Cut the fabrics
of the fabric. Crosscut it to yield 16 on the drawn lines. Open the units
squares, 11⁄2in out and press the seam away from
• Four squares, 21⁄4in the low-volume fabrics. Trim each
• One square, 21⁄2in. pieced square to measure 2in square,

4 From the black and white print


fabric, cut:
keeping the diagonal seam centred
on each unit. Diagram 2

Homespun 73
each sashing row together. Press
seams towards the sashing strips.

A C A 21 Join the block rows and


sashing rows together,
carefully matching seams. Press.

A B A
BORDER

22 Join the strips of black and


white print fabric together,
end to end, to make one long strip.
A C A
23 Measure your quilt top
horizontally through the
centre. Cut two strips this length
from the long strip. Sew them to the
D D top and bottom edges of the quilt top.
Press seams outwards.

A C A 24 Measure your quilt top


vertically through the centre.
Cut two strips this length from the
remainder of the long strip. Sew them
to the left and right edges of the quilt
A B A top. Press seams outwards.

FINISHING
A C A
25 Remove the selvedges from the
backing fabric and cut it into
two equal lengths. Sew the pieces
together side by side with a 1⁄2in seam
and press the seam open.
Quilt Layout Diagram

26 The quilt top, backing and


batting are ready for a long-arm

9 Lay out the pieced squares on two


adjacent sides of the 43⁄4in square
of bright print fabric, as shown in
15 Lay out the units as shown in
the Bear’s Paw Block Layout
Diagram. Join them together in three
quilting machine as they are. If you’re
doing the quilting by hand or on a
domestic machine, refer to Step 12 on
Diagram 2. Double check that they rows. Press seams towards the low- page 66 to layer and baste the quilt.
are oriented correctly. Add the 2in
low-volume print square in the corner
volume rectangles. Then join the
rows, carefully matching seams. Your 27 Quilt as desired. This quilt was
custom machine quilted in

10 Sew each row of three pieced


squares together. Press these
block should measure 13in square
from raw edge to raw edge.
various curved designs worked in
cream thread.
seams opens. Trim each row to measure
43⁄4in long, trimming the end of each row
that will overhang the centre square –
16 Repeat Steps 14 and 15 to make
a total of 16 Bear’s Paw blocks. 28 Refer to Steps 14–16 on page
66 to trim and bind the quilt
with the seven 21⁄2in strips of peach
marked X in Diagram 2. ASSEMBLY print fabric.

11 Sew a row to the top edge of


the 43⁄4in square. Press the
seam inwards.
17 Lay out the blocks in four rows
of four blocks each. Leave
space between the blocks and the

12 Join the 2in low-volume square


to the untrimmed end of the
other row, then sew it to the right edge
rows. Swap blocks around until you
have an array of colours and prints
that you like.
of the block. Press seams inwards. Your
block should measure 61⁄4in square from
raw edge to raw edge.
18 Add the A, B, C and D low-
volume print sashing strips
and the black squares to the layout,

13 Repeat Steps 6–12 to make


a total of 64 quarter blocks.
referring to the Quilt Layout Diagram.

19 Join the vertical sashing strips

14 To make a Bear’s Paw block,


you will need:
• four quarter blocks
and blocks in each block row
together. Press seams towards the
sashing strips.
• four low-volume 11⁄2 x 61⁄4in rectangles
• one solid black 11⁄2in square. 20 Join the horizontal sashing
strips and black squares in Bear’s Paw Block Layout Diagram

74 Homespun
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Homespun 75
Book
REVIEWS
Our selection of new-release books to inspire
and guide you on your stitching journey.

FELT FLOWER WORKSHOP: A MODERN


GUIDE TO CRAFTING GORGEOUS
PLANTS & FLOWERS FROM FABRIC
By Bryanne Rajamannar
Learn to make felt plants and flowers so rich with detail
they look freshly picked! Aimed at beginners, the book
MACRAME SUPER EASY
starts with an overview of basic techniques and progresses By Josephine Kirsch
on to simple lessons for making flowers such as magnolias, This beginner's book includes stylish knotting
poppies, ranunculus, roses and sunflowers; trendy felt projects for everyone who finally wants to try
houseplants such as air plants and succulents; and macramé. With this book, even completely
gorgeous felt greenery including eucalyptus leaves, ferns inexperienced beginners can achieve magical
and an olive branch. Then progress to a series of beautifully results thanks to the easy-to-understand
designed projects including a floral garland, decorative chapter on the basics and fully illustrated
pillow, potted plant, Bohemian crown, terrarium and more! step-by-step instructions for each project.
Creating with felt is a new craft that offers endless Twenty on-trend macramé projects are shown
creativity and is easy, inexpensive and on-trend. that can be made with just six basic knots.
Published by C&T Publishing Published by Tuva Publishing

76 Homespun
SEWING
STASHBUSTERS:
25 GREAT WAYS
TO USE UP
YOUR FABRIC
LEFTOVERS
By Kate Haxell
RETRO GIRL EMBROIDERY: 20 VINTAGE This book is the eco-friendly answer to leftover fabrics. Twenty-five
PATTERNS INSPIRED BY THE 1970S projects have been specially designed to use up the odd metre or less of
By Erin Essiambre fabric, so you'll have a clear stash drawer and a clear conscience. To keep
From fringes and bell-bottoms to funky patterns and florals, fill your you organised while you craft, there are pincushions, knitting bags, and a
embroidery hoop with the iconic style of the 1970s! The author knitting needle roll. For when you are out and about, you might want to
combines her love of the disco decade with her passion for stitching make yourself some garden bunting or a patchwork coat for your dog. For
in these 20 unique embroidery projects inspired by the folksy vogue your wardrobe, make a pretty, tie-on collar with buttons from your store,
of the '70s era. Complete with warm desert shades, celestial scenes or sew-on patches for your denim. And at home you can make a
and peaceful affirmations, these magical designs will instantly add a cat-shaped doorstop or a Dachshund draft excluder.
pop of vintage flair to your walls. Erin even shares her never-before- Published by CICO
told secrets for creating fluffy clouds, twinkling stars and iridescent
moons. And thanks to her detailed stitch guide, it's easy to get
started even if you're a total beginner! Each project is laid out with
step-by-step instructions, pairing a photo with each stitch so you
can follow along with ease and get perfect results.
Published by St Martins Press

NEW in Quilting
PRECUT All the Basics to Get You Started

PARADE:
More
QUILTS TO
HANDY POCKET GUIDE KATHY SEAMAN SHAW

Stunning Stitches
CRAZY QUILTING
for crazy quilts

MAKE FROM FOR BEGINNERS


350 Embroidered Seam Designs

STRIPS,
33 SHAPE-TEMPLATE DESIGNS FOR PERFECT PLACEMENT
Sharon Boggon

SQUARES,
AND FAT
QUARTERS Fat Quarter quilts of
Sara Nephew

By Jessica LOVE QUILTS PRAISE


9 Projects Featuring 3-D Cross

Dayon and Church Blocks

One of the many


benefits of precut
bundles is that you get 20 Delightful Precut Projects
for All Skill Levels

at least one of every


print from an entire Available from Search Press Australia.
Please go to searchpress.com.au for details.
fabric collection. Bundles take the guesswork out of selecting fabrics email: sales@searchpress.com.au or call at Tel: 02 47228323
for your next project. Sure, they look pretty sitting on the shelf in
your sewing room, but you can put them to good use in the nine quilt
projects that will help you make the most of your precuts. Grab 21⁄2in
ctpub.com
strips, 10in squares and fat quarters, and start stitching!
Published by Martingale

Homespun 77
ÓŸǘȘȷȕ˟bȫňțɃ˟ĪǎȩȟȿȼųƥȣȾ˟
ÓŸǘ
ÓŸǘȘĈșȽƋȫēĪȢȾ ÓŸǘȘąȑȿȶŸƚȕžȹȗŖȼǎ ĪƚȔȷȁ ĪȞȮșŎȫȣĪȽųȟȠ̅Ƚ
Īǎ
ĪǎȩȟȿȼǘǠȤȟȼ ĪǎȩȟȿȼǘǠȤȟȼ ǘŖȑȝȹȰĪƘȑȪȳȸūȜĪȮșȯǎˡ

ǠșƎȤɁȹDžȨ0ɂǂŖȢșȯȸňŖșȞ ›ĪȥƎȳȞŖžȟȱȯDžȣʖʔʖʗ ĪƎșĈȤȫȸŎĪȢȮžȕǘȢȯĪȾ


ĪƎșȧȳȾų§ŸȣȵȑùȫDžȤ qȁȣȾŖDžȩȥȳȶǘĉƥȥȢ §ŖǂȤȕȷŇȯȢʖʔʖʗ
qƥƚȔȑɃ˟ʛǠūȥȣȾʖʔʖʗ qƥƚȔȑɃ˟ʖʘbǠƎȩʖʔʖʗ qƥƚȔȑɃ˟ʕʕ§ŖǂȤȕȷŇȯȢʖʔʖʗ
DDžŸȔȑɃ˟ʕʜǠūȥȣȾʖʔʖʗ DDžŸȔȑɃ˟ʘǠūȥȣȾʖʔʖʗ ÓŖŎȞȕȽŎȫȩ˟ʖʔ§ŖǂȤȕȷŇȯȢʖʔʖʗ

We Will Remember Them Quilt Kit


Designed by Janet Collins
‘From The First Stitch to the Last’.
Includes:
• Pattern printed and packaged in clear sleeve
• Cutting & Sewing Instructions
• Fabrics required to sew the front of this quilt

Please note: We have been unable to acquire the words


(7117H) fabric, but have supplied enough of the sandbags
(7117G) fabric to use instead.

We know many people already have black fabric in


their stash, so this kit does not include the black sashing/
binding. If you would like us to provide the black, just let
us know. (1.9mts required)

Quilt Size: 65” x 51” (165cm x 129.5cm)


Kit Price: $135.00
Kit does not include backing

The kit can be purchased instore at Craft


Crafty Frog, Shop 4/107 Marconi Crescent,
Kambah ACT or online at https://www.craftyfrog.com.au/we-will-remember-them-quilt-kit
Phone: 02 6296 6240 | www.craftyfrog.com.au
NOW UNDER NEW MANAGEMENT!

We have all your patchwork, sewing and


stitchery items you need to keep your
hands busy. We carry a huge range of
patchwork and quilting patterns, fabric
and notions to suit any sewing enthusiast.

We are always ready to help with colour


choices and design suggestions. We love
to visit local groups and share the passion
we have for Patchwork, quilting, sewing
and stitchery. Patchwork is no longer just
quilts, but also, lovely cotton fabric for
clothing, bags, softies and more. We cater
to all lovers of stitching and sewing.

Check Out Our New Website


patchworkangel.com.au WE OFFER THE BEST DESIGNER
PRODUCTS ON THE SUNSHINE COAST
Call us on 5477 08700 or
info@patchworkangel.com.au
Patchwork Groups and Buses welcome

Come and see us for all


your Patchwork fabrics
and supplies.

Check out our website


for a full list of classes
and new projects. Proud
Stockist of
Shop Opening Hours: the new 2023
Monday to Friday Homespun
9:00am–4:30pm BOM
Saturday
9:00am–1:00pm
NEW SEASON'S
YARNS FOR 2023

Cleckheaton Verve 12 ply creates a mesmerising colour


burst of intensely radiant hues on a base of 70% wool and
30% acrylic. Cleckheaton Verve 12 ply will entice wool lovers
and colour aficionados alike. Includes seven exotic shades.
Distributed by The Australian Yarn Company

Cleckheaton Midlands Merino 8 ply


and 12 ply are made from a superbly
soft 19.5 micron fleece that comes from
a single pure merino flock in southern
Tasmania with Responsible Wool
Standard certification. The farm is
renowned for its progressive approach
to protecting the environment, caring for
their sheep, and producing some of the
finest grades of Merino wool. This
You can't help but snuggle into each and every ball of stunning 100% Merino wool is
Patons Baby Alpaca Air. This dreamy quality is made Australian grown and made, responsibly
from incredibly soft baby alpaca, Merino wool and nylon sourced and non mulsed. Includes 15
in a chunky chainette construction. Make sure you squish shades in delicate melange effects.
a ball in store today! Twelve sophisticated shades. Distributed by The Australian Yarn Company
Distributed by The Australian Yarn Company

80 Homespun
A 100% natural yarn, Plassard
Neptune is made up of a cotton
chain (43%), from which soft and
warm alpaca (40%) and mohair
(17%) yarns unfurl. Its double
dyeing brings to the range
contrasting two-tone shades for
both dense and deep renderings.
Available in four shades.
Distributed by Calor Yarns & Design

As its name suggests, Plassard


Innocence is pure, starting with
its noble and eco-responsible
composition. Its 34% superfine alpaca
gives it a touch that is both soft and
voluptuous. Blended with 49% wool
and 17% recycled silk, this yarn
promises soft warmth, delicate and
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appearance combines comfort
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Includes five shades.
Distributed by Calor Yarns & Design

Patons Fairhaven is a
wonderful Australian made
blend with an incredibly
soft touch. A beautiful
chunky weight that comes
in a big 100g ball. Available
in 10 shades with five
including a beautiful fleck.
Distributed by The Australian
Yarn Company

Homespun 81
whole family to enjoy. Best of all, you’ll
get a chance to discover new talents
and meet other people who specialise
in creative works using fibre, such as
knitting, crochet, spinning, weaving,
felting and much more. The theme for
the 2023 Knitfest is Wild Women.
July 1–3, main street of Maleny. For more
information, email knitfest@hotmail.com

VICTORIA
Australian Sheep & Wool Show
The Victorian regional centre of Bendigo
is considered a geographical mid-point
for farmers across the main sheep-
producing areas and has been the home
of The Australian Sheep & Wool Show
MODERN
(The Sheep Show) since 1999. CROCHET
July 14–16, Prince of Wales Showground, Modern Crochet Sweaters: 20 Chic
42–72 Holmes Road, Bendigo. Designs for Everyday Wear shares a
More information can be found at collection of classic pieces that are
WINTER FIBRE www.sheepshow.com effortlessly stylish. Janine Myska, the
designer behind Knits ‘N Knots, has
FESTIVALS WESTERN AUSTRALIA created 20 gorgeous, brand-new
sweater patterns that focus on style,
Winter is the perfect time to celebrate Toodyay Fibre Festival
all things yarn and fibre! Around Held in the historic and picturesque fit and comfort, including helpful
the country, through the months of town of Toodyay, the annual Toodyay customisation tips so you can tailor
June, July and August, you will find Fibre Festival is a free family-friendly each garment to your unique
wonderful events to visit. celebration of fibre arts and crafts proportions. With Janine’s keen eye
featuring an artisan market, workshops, for detail, strong commitment to size
QUEENSLAND exhibitions, activities for kids, a fashion diversity and clear, concise instruction,
Knitfest Yarn & Fibre Arts Fair showcase, sheep shearing crocheters of every skill level and body
Every winter, for three days, the main demonstrations and much more. type can craft the timeless sweaters
street of Maleny is filled with art, yarn, June 4, Stirling Terrace, Toodyay. they’ve always longed for.
music, craft markets, workshops, trade For more information email info@ Published by Page Street Publishing,
stalls and many other activities for the toodyayfibrefestival.com

They hang from the ceilings and pile


27 YEARS up on the tables. All beanies are for

OF BEANIES
This year is the 27th year that the Alice
sale. And designs range from the ‘boring
bloke’s beanie’ and children’s beanies to
glamorous embroidered or felted
Springs Beanie Festival has been staged. sculptural pieces.
The 2021 theme is A Traveller’s Tale. The event is held in the grounds
As well as the annual competition, of the Araluen Arts Centre, 61 Larapinta
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more than 6500 handmade beanies For more information, contact Jo Nixon
coming together in one outrageous Last year's winning beanie
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informal display in Beanie Central. beaniefestival@gmail.com by Pat Robshaw.

82 Homespun
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journey, a colour wheel and instructions. shop.crafty.frog@gmail.com enquiries@wondoflex.com.au
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NEW SOUTH WALES Woolsy Trading Post
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Ph/Fax. 03 6278 1800
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J ECT
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07

Autumn
Woods
CROCHET BEANIE
Keep cosy in this one-of-a-kind crochet beanie,
that can be made in six sizes from baby to adult!
Joni Sullivan, Ruby Webbs Crochet — Email: rubywebbs@gmail.com;
Instagram: @rubywebbscrochet; Facebook: rubywebbs

Thank you to Ruby, our lovely model, and thank you to


Joni for the gorgeous photographs.

86 Homespun
Homespun 87
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MATERIALS
Q We Are Knitters: The
Meriwool* 100g/136m balls
– Spotted Grey (50–120m
[541⁄2 –131yd] per beanie)
Q 5.5 mm (UK 5/US I/9)
crochet hook
Q Stitch marker
Q Tape measure
Q Yarn needle
Q 10–16.5cm (161⁄2in)
diameter faux fur pom-
pom (optional) – Joni
used one from www.
lifeslittlethingsco.com
Q Faux leather label (optional)
– Joni used one from www.
birchandcider.etsy.com

*We Are Knitters The Meriwool


yarn is 100% merino and is
machine-wash friendly due
to a superwash treatment
applied to every skein.

Note: This is an intermediate


skill-level crochet project.
Australian/UK terminology is
used; North American readers
should consult a crochet manual
to ensure they interpret the
instructions correctly. There
HAT MEASUREMENTS AND SIZING
is a conversion chart.
This textured beanie can be APPROXIMATE HEAD APPROXIMATE FINISHED
made in six sizes: newborn, baby, SIZE CIRCUMFERENCE TO FIT HAT LENGTH
toddler, child, tween and adult.
The beanie is made in the Newborn
33–35.5cm (13–14in) 13cm (5in)
(0–3 Months)
round, beginning at the crown
and working down to the brim. Baby
38–43cm (15–17in) 15cm (6in)
The crown and brim are (3–12 Months)
made in a continuous round.
Toddler
Place a stitch marker in the 44.5–47cm (171⁄2–181⁄2in) 16.5cm (61⁄2in)
(1–2 Years)
first stitch of each round to
keep track of where the round Child
48–52cm (19–201⁄2in) 18–19cm (7–71⁄2in)
begins and ends. (6–10 Years)
DO NOT join with a slst at
the end of each round when Tween 53–54.5cm (21–211⁄2in) 19.5cm (71⁄2in)
making the crown and brim.
When making the hat body, Adult 56–58.5cm (22–23in) 20cm (8in)
the chain 1 at the beginning of

88 Homespun
Double Crochet (dc): loops on hook), {yo and pull
AUSTRALIAN/UK TO US CROCHET insert hook into the next through 2 loops} 2 times
CONVERSION CHART stitch, yo and pull through
work (2 loops on hook), yo TENSION
AUSTRALIA/UK US and pull through 2 loops At the end of Round 5,
Double Crochet in the the hat should measure
Double crochet (dc) Single crochet (sc) Back Loop Only (dcblo): approximately 10cm (4in)
follow instructions above for across.
the Double Crochet stitch,
Half-treble (htr) Half-double crochet (hdc)
but working only in the PATTERN
back loop. MAKING THE HAT CROWN
Front post treble (fptr) Front post double crochet (fpdc) Half Treble Crochet Round 1: chain 4, slst in
(htr): yo, insert hook into the first chain to form a
the next stitch, yo and pull ring, chain 1, work 8 dc in
each round DOES NOT count as ABBREVIATIONS through work, yo and pull the ring (8, 8, 8, 8, 8, 8 sts)
a stitch. When making the hat yo = yarn over; slst = slip through all 3 loops Round 2: work 2 htr in
body, slst in the first stitch to stitch; dc = double crochet; Half Treble Crochet each stitch around (16, 16,
join at the end of each round. htr = half treble crochet; in the Back Loop 16, 16, 16, 16 sts)
When making the crown, the htrblo = half treble crochet Only (htrblo): follow Round 3: {htrblo in next
first five rounds are the same in the back loop only; fptr instructions above for the stitch, 2 htrblo in next
instructions for all sizes, then the = front post treble crochet Half Treble Crochet stitch, stitch} repeat around (24,
final rounds are different for each stitch but working only in the 24, 24, 24, 24, 24 sts)
size, with stitch count shown at back loop Round 4: {htrblo in each of
the end of each round. SPECIAL STITCHES Front Post Treble the next 2 stitches, 2 htrblo
When making the hat body Yarn Over (yo): wrap the Crochet Stitch (fptr): yo, in next stitch} repeat around
and the brim, the pattern is yarn over the hook insert hook from front to (32, 32, 32, 32, 32, 32 sts)
written for all sizes with the Slip Stitch (slst): insert back to front around the Round 5: {htrblo in each of
stitch count for each size shown hook into the next stitch, post of the next stitch, yo the next 3 stitches, 2 htrblo
at the end of each round. yo, pull through work and pull through work (3 in next stitch} repeat around

Homespun 89
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07
(40, 40, 40, 40, 40, 40 sts)
At the end of Round 5, the
beanie should measure
approximately 10cm (4in)
across.
Refer to specific
instructions for each size,
before moving on to the
Hat Body instructions.

NEWBORN
Go to the instructions for
making the Hat Body of
the beanie.

BABY TWEEN MAKING THE HAT BODY (40, 48, 52, 56, 60, 64 sts)
Round 6: {htrblo in each Round 6: {htrblo in You are now done Repeat Rounds 1–4 until
of the next 4 stitches, 2 each of the next 4 stitches, increasing. Remove the the piece measures (10, 13,
htrblo in next stitch} repeat 2 htrblo in next stitch} stitch marker and set aside. 14.5, 15, 16.5, 18 cm) [4, 5,
around (48 sts) repeat around (48 sts) Place a dcblo in each of the 53⁄4, 6, 61⁄2, 7 in] long.
Go to the instructions for Round 7: {htrblo in next 2 stitches and then a
making the Hat Body of each of the next 5 stitches, slst in the next stitch. MAKING THE BRIM
the beanie. 2 htrblo in next stitch} Round 1: chain 1, {fptr The brim is made in a
repeat around (56 sts) in next stitch, htrblo in continuous round. DO NOT
TODDLER Round 8: {htrblo in each of the next 3 stitches} begin with a chain 1 at the
Round 6: {htrblo in each each of the next 13 repeat around, join (40, 48, beginning of each round.
of the next 4 stitches, 2 stitches, 2 htrblo in 52, 56, 60, 64 sts) DO NOT join at the end of
htrblo in next stitch} repeat next stitch} repeat Round 2: chain 1, {htrblo each round. Place a stitch
around (48 sts) around (60 sts) in each of the next 3 marker in the first stitch
Round 7: {htrblo in each Go to the instructions for stitches, fptr in next stitch} of each round. Move the
of the next 11 stitches, 2 making the Hat Body of repeat around, join (40, 48, stitch marker up to the
htrblo in next stitch} repeat the beanie. 52, 56, 60, 64 sts) next round as you work.
around (52 sts) Round 3: chain 1, htrblo in Round 1: dcblo in each
Go to the instructions for ADULT each of the next 2 stitches, stitch around (40, 48, 52,
making the Hat Body of Round 6: {htrblo in each fptr in next stitch, {htrblo in 56, 60, 64 sts)
the beanie. of the next 4 stitches, 2 each of the next 3 stitches, Repeat Round 1 until the
htrblo in next stitch} repeat fptr in next stitch} repeat hat measures approximately
CHILD around (48 sts) around until 2 stitches (13, 15, 16.5, 18–19, 19.5,
Round 6: {htrblo in each Round 7: {htrblo in each remain, fptr in next stitch, 20 cm) [5, 6, 61⁄2, 7–71⁄2,
of the next 4 stitches, 2 of the next 5 stitches, 2 htrblo in last stitch, join 73⁄4, 8 in] long. Remove the
htrblo in next stitch} repeat htrblo in next stitch} repeat (40, 48, 52, 56, 60, 64 sts) stitch marker and slst in
around (48 sts) around (56 sts) Round 4: chain 1, htrblo each of the next 2 stitches.
Round 7: {htrblo in each Round 8: {htrblo in each in next stitch, fptr in next Fasten off leaving a 15cm
of the next 5 stitches, 2 of the next 6 stitches, 2 stitch, {htrblo in each of the (6in) tail for weaving in.
htrblo in next stitch} repeat htrblo in next stitch} repeat next 3 stitches, fptr in next Attach a pompom and a
around (56 sts) around (64 sts) stitch} repeat around until leather label to the beanie
Go to the instructions for Go to the instructions for 3 stitches remain, fptr in (optional).
making the Hat Body of making the Hat Body of next stitch, htrblo in each Photographs supplied by
the beanie. the beanie. of the last 2 stitches, join Joni Sullivan

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T
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PRO

08

SWIRL
TEA COSY
Crocheted in a swirling design, this tea pot cosy and
mug warmers will leave you feeling all warm inside.
Kylie Moleta, Stitched Up Craft – Email: stitchedupcraft@gmail.com, Instagram: @Stitchedupcraft

94 Homespun
Homespun 95
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08

MATERIALS Note: Read all the instructions ABBREVIATIONS the hook from the front to
Q Heirloom Easy Care 12ply before starting the project. ch = chain, st = stitch, dc the back to the front again.
100% wool, 50g balls: Col Australian/UK terminology = double crochet, htr = half
6791 (MC – Main Colour) is used; North American treble, BLO = Back loop PATTERN NOTES
three, Col 6768 (CC – readers should consult a only, RtrF = Raised treble This pattern provides sizing
Contrasting Colour) one crochet manual to ensure Front, dc2tog = double for standard 4 cup/1l teapot.
Q 6mm crochet hook they interpret the instructions crochet 2st together You can adjust this pattern
Q 2 buttons correctly. to fit your own teapot if it
SPECIAL STITCH is not the size provided.
Finished size: TENSION Raised treble Front: To make it taller/shorter – add
To fit 4 cup/1L teapot and 12 sts x 15 rows = 10cm Work the treble around the /remove rows of the pattern
9cm (31⁄2in) diameter mugs (4cm) measured over dc post of the stitch inserting before the decrease in Row

96 Homespun
24 to reach the right height, 1 RtrF around each of the Row 18: As Row 4.
then continue following the post sts 2 rows below, 2 dc. Row 19: As Row 7.
pattern from Row 24. Turn. (25 sts) Row 20: As Row 4.
To make it wider/slimmer – Row 10: As Row 4. Row 21: As Row 9.
add/remove starting chains, Row 11: 1 ch, *4 dc, 1 RtrF Row 22: As Row 4.
then add or reduce the around each of the post sts Row 23: As Row 11.
pattern repeat (2 RtrF, 4 dc) 2 rows below; rep from * 4 Row 24: 1 ch, 1 dc2tog, 19
to get the right width at times, 1 dc. Turn. (25 sts) dc, 1 dc2tog. Turn. (21 sts)
the base when you begin. Row 12: As Row 4. Row 25: 1 ch, 3 dc, *1 RtrF
Starting ch does not count Row 13: 1 ch, 5 dc, *1 RtrF around each of post sts 2
as a st throughout. around each of post sts 2 rows below, 4 dc; rep from
Your pieces will slant to rows below, 4 dc; rep from * 3 times. Turn. (21 sts)
the side as your work * 3 times, 1 RtrF around Row 26: 1 ch, 21 dc. Turn.
grows, but they can be post st 2 rows below, 1 dc. (21 sts)
straightened by blocking Turn. (25 sts) Row 27: 1 ch, *4 dc, 1 RtrF
the pieces before joining. Row 14: As Row 4. around each of post sts 2
Row 15: 1 ch, 1 dc, 1 RtrF rows below; rep from * 3
TEA COSY around 1st dc of row 13, *4 times, 3dc. Turn. (21 sts)
– MAKE 2 dc, 1 RtrF around each of Row 28: 1 ch, [1 dc2tog, 1
To begin: Chain 26 the post sts 2 rows below; dc] 7 times. Turn. (14 sts)
Row 1–2: (CC) Starting in rep from * 3 times, 5 dc. Row 29: 1 ch, 1 dc2tog, 1
2nd ch from the hook, 25 Turn. (25 sts) dc, [1 RtrF around each of
dc. Fasten off CC, leaving Row 16: As Row 4. post sts 2 rows below, 2 dc]
a small tail to sew the one Row 17: 1 ch, 1 dc, 1 RtrF 2 times, 1 RtrF around each
row to the second piece. around 1st dc of row 15, 1 of post sts 2 rows below, 1 RtrF around post st 2 rows
Turn. (25 sts) RtrF around post st, *4 dc, dc. Turn. (13 sts) below, 1 dc2tog. Fasten off
Row 3: (MC – leave a tail 1 RtrF around each of the Row 30: 1 ch, [1 dc2tog, MC. (4 sts)
for sewing before attaching post sts 2 rows below; rep 1 dc] 4 times, 1 dc. Turn.
MC) 1 ch, working in the from * 3 times, 4 dc. Turn. (9 sts) ASSEMBLY
BLO 25 dc. Turn. (25 sts) (25 sts) Row 31: 1 ch, 1 dc2Tog, Place the two finished tea
Row 4: 1 ch, 25 dc, Turn. 1 RtrF around each of post cosy pieces RS together. Try
(25 sts) sts 2 rows below, 1 dc, it on the teapot and pin to
Row 5: 1 ch, 1 dc, *1 RtrF 1 RtrF around each fit. Sew the pieces together,
around base of dc 2 rows of post sts 2 rows starting from above the
below and 1 st to the right below, 2 dc. Turn. spout to above the handle.
(the 1st RtrF is in the 1st (8 sts) Use the starting ends at
dc of Row 3), 1 RtrF around Row 32: 1 ch, the base to sew the pieces
base of dc 2 rows below 1 dc2tog, 4 dc, 1 together up: use the CC to
and 1 st to the right, 4 dc; dc2tog. Turn. (6 sts) sew Row 1 and the MC to
rep from * 4 Row 33: 1 ch, 1 sew the other rows up to
times. Turn. dc2tog, 1 dc 1 the spout and handle. Finish
(25 sts) your tea cosy by adding a
Row 6: large pom pom in the centre
As Row 4. on the top of the tea cosy.
Row 7: 1 ch, 2
dc, *1 RtrF around
each of the post sts
2 rows below, 4 dc;
rep from * 3 times,
1 RtrF around each
of the post sts 2
rows below, 3 dc.
Turn. (25 sts)
Row 8: As Row 4.
Row 9: 1 ch, 3 dc, *1
RtrF around each of the
post sts 2 rows below,
4 dc; rep from * 3 times,

Homespun 97
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MUG WARMER below and 1 st to the right Row 7: As Row 3. around each of post sts 2
– MAKE 2 (the 1st RtrF is in the 1st Row 8: 1 ch, 3 dc, *1 RtrF rows below, 4 dc; rep from
To Begin: Chain 32 dc of Row 2), 1 RtrF around around each of the post *3 times, 1 RtrF around
Row 1: (CC) Starting in base of dc 2 rows below sts 2 rows below, 4 dc; post st 2 rows below, 1 dc.
2nd ch from the hook, 31 and 1 st to the right, 4 dc; rep from * 4 times, 1 RtrF Turn. (31 sts)
dc. Do not turn. Fasten off rep from * 5 times. Turn. around each of the post sts Row 13: (CC) As Row 2.
CC. (31 sts) (31 sts) 2 rows below, 2 dc. Turn.
Row 2: (Attach MC to Row 5: As Row 3. (31 sts) ASSEMBLY
the 1st dc of Row 1) 1 ch, Row 6: 1 ch, 2 dc, *1 RtrF Row 9: As Row 3. Ch15 with MC and attach
working in the BLO 31 dc. around each of the post Row 10: 1 ch, *4 dc, 1 RtrF both ends to the middle of
Turn. (31 sts) sts 2 rows below, 4 dc; around each of the post sts the mug warmer edge to
Row 3: 1 ch, 31 dc. Turn. rep from * 4 times, 1 RtrF 2 rows below; rep from * 4 create a buttonhole.
(31 sts) around each of the post sts times, 1 dc. Turn. (31 sts). Add a button to the middle
Row 4: 1 ch, 1 dc, *1 RtrF 2 rows below, 3 dc. Turn. Row 11: As Row 3. of the opposite edge of the
around base of dc 2 rows (31 sts) Row 12: 1 ch, 5 dc, *1 RtrF mug warmer.

98 Homespun
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Snuggle
Cardi
This blended-mixture yarn knits up quickly
and is fluffy, thick, warm and snuggly!
Kathy Ramunni, Calor Yarns & Designs — Facebook: Calor Yarns;
Instagram: @calor_yarns; Website: www.caloryarns.com.au

100 Homespun
Homespun 101
102 Homespun
MATERIALS 40 (45-50-53-55) cm This is an intermediate
Q Plassard Primo 12 ply* [153⁄4 (18-191⁄2-21-211⁄2) in] skill-level knitting project. PROJ
ECT
50g: 3 (3-3-4-4) balls
Q One pair knitting needles:
5mm (UK 6/US 8) knitting
To measure (approx):
50 (54-56-60-60) cm
[191⁄2 (213⁄4-22-231⁄2-231⁄2) in]
Quantities are approximate
as they can vary between
knitters. Check the ball bands
09
needles and one spare Length when worn: (approx): to ensure all yarn is from the
5mm (UK 6/US 8) 25 (27-29-31-31) cm same dye lot.
Q 2 buttons [10 (101⁄2- 111⁄2, 121⁄2-121⁄2) in]
Q Wool needle Sleeve length (approx): *Plassard Primo yarn is
14 (16-17-19-19) cm blended 80% acrylic, 10%
Finished sizes: [51⁄2 (61⁄2-63⁄4-71⁄2-71⁄2) in] wool, 5% alpaca and 5%
Months: 3 (6-12-18-24) Note: Read all instructions viscose.
To fit underarm: before starting the project.

ABBREVIATIONS Cont until work measures


alt = alternate; approx 7.5 (8-8.5-9-9) cm from cast
= approximate; beg = on for Back and Left Front,
beginning; cm = centimetres; working last row on WS.
cont = continue; foll = Divide for Neck
following; garter st = every Opening
row knit; K = knit; rem = Next row: K31 (36-40-44-
remain/ing; rep = repeat; RS 44), cast off next 8 (8-8-10-
= right side; st/s = stitch/es; 10) sts, K25 (30-34-38-38).
tog = together; WS = wrong Cont on last 25 (30-34-38)
side; yfwd = yarn forward sts for rem of Left Front until
to make a stitch. neck opening measures 10
(11-11-12-12) cm, working
TENSION last row on WS.
14 sts and 29 rows to 10cm Cast off these 25 (30-34-38-
(4in) over garter st, using 38) sts of Left Front.
5mm needles. Right Front
To work a 13 x 13cm (5 x Using 5mm needles, cast
5in) tension square, use on 25 (30-34-38-38) sts.
5mm needles, cast on 18 Knit 3 rows (1st row is WS).
sts. Work 38 rows garter st. Next row: (RS) K3, yfwd,
Cast off loosely. K2tog (buttonhole), knit
If less sts use smaller to end.
needles, if more sts use Cont in garter st until Right
larger needles. Front measures 8.5 (9.5-
9.5-10.5-10.5) cm, working
CARDIGAN last row on WS. Next row: K31 (36-40-44- Right Sleeve
(worked in one piece) Next row: (RS) K3, yfwd, 44) sts for Back, turn, cast Cont in garter st until sleeve
Left Sleeve K2tog (buttonhole), knit to on 8 (8-8-10-10) sts, turn, measures 14 (16-17-19-19)
Using 5mm needles, cast end. knit across 25 (30-34-38-38) cm, working last row on WS.
on 28 (30-34-36-36) sts. Knit 3 rows garter st. Break sts on spare needle for Cast off.
Knit in garter st (1st row is off yarn. Right Front = 64 (74-82-92-
WS) until work measures 14 Leave sts on a spare 92) sts. FINISHING
(16-17-19-19) cm from beg, needle. Cont in garter st for 7.5 (8- Using mattress st, join the
working last row on WS, Back 8.5-9-9) cm, working last side and sleeve seams.
thus completing Left Sleeve. With WS facing, rejoin yarn row on WS. Sew in all ends. Sew on the
Back and Left Front to rem 31 (36-40-44-44) sts Cast off 18 (22-24-28-28) buttons to correspond with
Cont in garter st and cast for Back. sts at beg of next 2 rows = buttonholes.
on 18 (22-24-28-28) sts at Cont in garter st for 10 (11- 28 (30-34-36-36) sts,
beg of next 2 rows = 64 11-12-12) cm, working last thus completing Back and Photographs supplied by
(74-82-92-92) sts. row on WS. Right Front. Calor Yarns & Designs.

Homespun 103
CK
BLOTHE
OF NTH
MO

PART 2
Dresden Plate and Penny Circle blocks,
Tea Garden and Queen Bee blocks and
the Hare and Hexie block.
We hope you have enjoyed making your first blocks
over the past eight weeks! In this issue you will be
busy sewing Dresden Plate and Penny Circle blocks,
hand stitching the Tea Garden and Queen Bee blocks
and appliquéing the Hare and Hexie block.
Designed and stitched by Natalie Bird, The Birdhouse Patchwork —
Email: thebirdhouse@bigpond.com; Website: www.thebirdhouse.com.au

Machine quilted by Fiona Bell, Quilting Fairy — Phone: 0419 713 644;
Instagram: fbell1_quiltingfairy

Proudly brought to you by

104 Homespun
Stitch along
with us on
our specia
Facebook gr l
Ho
oup
mespun Block
the Month 2 of
023 –
Owl & Hare
Hollow

Homespun 105
Finished size:
CK 194 x 159cm (761⁄2 x 621⁄2in)
BLOTHE
OF NTH Stitches used: Backstitch, cross stitch,
MO detached chain (lazy daisy) stitch, French
knot, running stitch, satin stitch, stem
stitch, straight stitch

Note: Materials required for the entire


project were listed in Part 1, published in
Homespun 24.1 (February/March 2023
issue). They are from the Owl & Hare
Hollow, Blume and Grow and Birdhouse
Basics ranges designed by Natalie herself.
Requirements are based on fabric 107cm
(42in) wide, except for the backing
fabric, which is 147cm (58in) wide and the
Devonstone cream cotton/linen blend fabric,
which is 137cm (54in) wide. To make your
quilt unique and to achieve a scrappy look,
select fabrics from your assorted prints at
random to sew each block. Use the photos
of Natalie’s quilt as a guide or just pick and
choose as you like. The appliqué method
used is needleturn, but you can adapt the
instructions to your preferred method. Seam
allowances of 1⁄4in are used throughout for
the piecing. Two strands of embroidery
thread are used throughout, unless
otherwise stated. Instructions are given for
working from the printed Pattern Sheet in
the magazines, but you can download the
digital patterns from www.homespun.net.au
and print them out instead.

NATALIE’S NEEDLETURN lightbox and lightly trace some • Bring the needle up so it just
APPLIQUÉ TIPS outlines for key shapes with the blue catches the folded edge of the
There are many ways to work needleturn marker. Areas marked with a dashed fabric. Pull it through, go down
appliqué but I like to strip it back to line are overlapped by other shapes, again immediately below the fold
the bare basics. I use a very fine straw so they need to be appliquéd first and bring the needle up on the fold
needle, 100% cotton thread in colours to – you don’t need to stitch the edges a few millimetres (about 1⁄16–1⁄8in)
match the appliqué fabrics, a lightbox that are covered. For example, in the along – the stitches should be
and a blue water-erasable marker. Hare and Hexies block, the hare’s tail virtually invisible.
is sewn first and then the body. • Continue around the shape, folding
• Put the pattern and coloured appliqué • Position the first shape on the the edge under with the needle and
fabric, right side up, on top of a background and hold it in place with holding it with your thumbnail. For
lightbox (or a sunny window). Trace a couple of dots of basting glue or inside curves, make small snips in the
the exact shape on the fabric with appliqué pins. Knot the end of the allowance towards the traced line.
the marker. thread. Use the point of the needle When you come to an outside point,
• Cut it out a scant 1⁄4in by eye outside to turn the raw edge of a section of tuck the raw edges under as you
the traced line. the shape under to the traced line stitch around it.
• Lay the background fabric you’ve and hold it in place with your • Finally, remove the blue marker with
chosen over the pattern on the non-dominant thumbnail. water and a small paintbrush.

106 Homespun
Diagram 1

edge of the fabrics and don’t


penetrate the papers. See Diagram 1.

8 Natalie likes to make her hexie


flowers by sewing the shapes into
three rows: of two hexies, three
hexies and two hexies. She then
sews the rows together, bending and
folding the shapes so that she can
match the edges to be joined. Once
the flower has been sewn together,
press it flat. Remove the papers from
behind the hexies, then press again.
Hare and Hexies block

PREPARATION AND CUTTING

1 Choose a fabric for the appliquéd


hare. Lay the Pattern Sheet with
5 If you’re not using pre-cut 3⁄8in
hexagon papers or 7in circle arc
segment papers, trace the shapes
Six Homespun Issues
This Block of the Month project is being
published over six issues of Homespun, from
February/March 2023 to December 2023/
the hare appliqué shapes on it on a from the Pattern Sheet on to template
January 2024. The materials required to make
lightbox or sunny window. Using a plastic with a fine-point permanent- the complete quilt were published in Part 1
blue water-erasable fabric marker, marking pen and cut them out on the in Homespun 24.1 (the February/March 2023
trace the appliqué shapes onto the inside edge of the traced lines. To issue). If you join us mid-way through the
BOM, or have missed an issue that you need to
right side of your chosen fabric, make papers for English paper complete it, you can pick up past issues at: www.
leaving at least 1⁄2in between them. piecing, trace around the templates universalshop.com.au/collections/homespun
Cut the shapes out by eye a scant 1⁄4in on stiff paper and cut the shapes out Alternatively, you contact our subscriptions
outside the traced lines. on the traced lines. department to order a subscription or back
issues: asmith@umco.com.au

2 Retrieve the 7in Mylar circle


template that you made in Part 1
(or make another one if you’ve
6 Cut three hexies from each of two
of the fabrics you’ve chosen and
one hexie from the third fabric.
mislaid it). Choose a 91⁄2in square of Prepare them for stitchery, referring
light-value fabric for the background to Natalie’s English Paper Piecing OUR FABRICS
of this block. Centre the circle Tips published in Part 1 of the This quilt uses a large variety
template on the block and use an instructions for this project. of print and solid fabrics designed
by Natalie from her Owl & Hare
erasable fabric-marking pen to trace
the circle onto the fabric. 7 Sew the hexies together. Start by
matching two adjacent hexagons,
Hollow, Blume and Grow and
Birdhouse Basics ranges,

3 Referring to Natalie’s Needleturn


Appliqué Tips, arrange the two
appliqué shapes on the background
right sides together and edges
aligned. Knot one end of a length
of neutral coloured sewing thread.
distributed in Australia by Two
Green Zebras. Although we will be
publishing all the patterns for the
stitcheries so that you can trace
fabric and stitch them in place. Use two Insert the needle behind the seam them onto linen yourself, you can
strands of Garden Gate (718) thread to allowance, then whip stitch the also purchase all the designs
work a French knot for the hare’s eye. two hexagons together along one pre-printed on linen.

4 Choose three fabrics to use for


the hexie flower.
matching edge with small, fine
stitches that catch only the very

Homespun 107
CK
BLOTHE
OF NTH
MO

9 Use appliqué pins or basting glue


to position the flower on the
background block, underneath the
hare, centred between the left and
right edges. Refer to the photo of
Natalie’s block as a guide. Appliqué
the outer edges of the flower to
secure it to the background fabric.

10 Choose 10 print fabrics to use


for the circle. Cut an arc
segment from each one and prepare
them for stitchery, referring to
Natalie’s English Paper Piecing Tips
published in Part 1 of the instructions
for this project. For these shapes,
Natalie recommends snipping into
the seam allowance on the inner
curves before basting over the paper.

11 Arrange the prepared arcs in a


circle, swapping them around
Tea Garden block

until you have an array of colours and


prints that you like. Whip stitch them 14 If you’re using interfacing/
stabiliser, fuse a square of it to
Tips published in Part 1 of the
instructions for this project.
together on their short ends. Press.
Remove the paper behind each arc
and press again.
the wrong side of the linen squares.

15 Place the fabric in the


embroidery hoop if you’re
18 Arrange the hexagons in a circle,
swapping them around until you
have an array of colours and prints that

12 Centre the pieced circle on the


square of background fabric
and use appliqué pins or basting glue
using one. The hoop will keep the
fabric flat and prevent it puckering.
Release the tension on the hoop when
you like. To join them into a circle,
match two adjacent hexagons right
sides together. Thread a needle and knot
to hold it in place. Use small appliqué you are not working on your project the end of the thread. Make a stitch in
stitches around the inner and outer to avoid creating creases that will be just one corner/point of the hexies, right
edges of the circle to secure it to the difficult to remove later on. at the tip. Make another stitch by
background square. Press.

STITCHERIES
16 Referring to the Stitchery
Guide below for the colours
and stitches to use for each area,
looping the thread through the first
stitch and then tie off the thread
securely. Continue in this manner to join

13 If you’re using the pre-printed


stitchery panel, cut out the Tea
Garden and Queen Bee stitcheries on
embroider the various design
elements using two strands of
embroidery cotton. Before threading
all the hexagons in a row. Then join the
first and last hexagons to create the
circle. Press. Remove the paper from
the dashed lines. If you’re not using the the needle each time, separate all behind each hexagon. Press again.
pre-printed stitchery panel, locate the
designs on the Pattern Sheet. Place the
Pattern Sheet on a lightbox or against a
the strands and bring them together
again. This allows the floss to lie
flatter, covering the background
19 Centre the 7in circle template
on the block and use an
erasable fabric-marking pen to trace
brightly lit window. Centre a 91⁄2in more smoothly. the circle onto the fabric.
square of cream linen over each design
in turn, right side facing up. Using a
fine permanent-marking pen, trace the
17 To make the rings of hexagons
that surround the stitcheries,
choose 20 different print fabrics
20 Lay the circle of hexagons on the
block – the outer edges of the
hexagons should just touch the circle.
design onto the fabric. Trace neatly from your assortment. Cut out and Rotate it until you are happy with the
using thin lines as the stitching needs prepare 20 hexagons, 1⁄2in, referring position of the colours and fabrics. Use
to cover the markings. to Natalie’s English Paper Piecing appliqué pins or basting glue to hold

108 Homespun
the hexagons in place. Appliqué around
the edge of each hexagon to secure
them to the background fabric.

21 Dab the traced circle with a wet


paintbrush to erase it, following
the manufacturer’s instructions. Once
all the circle markings have been
removed, press the block.

DRESDEN PLATE BLOCKS

22 If you’re not using pre-cut 2in


pointed Dresden papers, trace
the shape from the Pattern Sheet on
to template plastic with a fine-point
permanent-marking pen and cut it
out on the inside edge of the traced
lines. To make papers for English
paper piecing, trace around the
template on stiff paper and cut the
shapes out on the traced lines.

23 To make one block, choose 12


fabrics from your assortment
of coordinating prints. Cut wedge
shapes from the fabrics you’ve
chosen and prepare them for
stitchery, referring to Natalie’s
English Paper Piecing Tips.

24 Lay the covered shapes out in a


ring, referring to the photos of
Natalie’s blocks as a guide. Once you’ve
Queen Bee block

decided where each shape will go,


match two adjacent shapes, right sides
together and one edge aligned. Knot
one end of a length of neutral coloured
sewing thread. Insert the needle behind
the seam allowance, then whip stitch
the two shapes together along their
matching edge with small, fine stitches
that catch only the very edge of the
fabrics and don’t penetrate the papers.

25 Repeat this process to join all


the shapes together in a circle.
Press. Remove the paper from behind
each shape. Press.

26 Choose a 91⁄2in square of light-


value fabric. Fold it in half
horizontally and vertically and press
lightly to crease it. Unfold. Centre the
Dresden Plate, then pin or glue it in
place. Use appliqué stitches around
the outer edge to secure it to the
background square. Press.

27 If you’re not using pre-cut 1in


circle papers, trace the circle
from the Pattern Sheet onto Mylar and
cut it out on the line. Cut a circle from
the 13th fabric you’ve chosen for the
block, ¼in outside the edge of the
paper or template. Row 1, Column 2

Homespun 109
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

TEA GARDEN

Teapot Backstitch and


Teapot Misty Rose (652)
satin stitch

Teapot flowers Iceberg Green (982) Backstitch

Teapot flower centres Wheat (2573) French knot

Leaves and stems Olive Branch (684) Backstitch

Bottle

Bottle Aqua Grey (981A) Backstitch

Backstitch and
Bottle flower Sandstone (462)
satin stitch

Leaves and stems Olive Branch (684) Backstitch

Tea Cups
Tea cups Amber Brown (464) Backstitch

Leaves and stems Olive Branch (684) Backstitch

Backstitch and
Circle flowers Withered Rose (654)
French knot

Backstitch and
Cosmos flowers Misty Rose (652)
satin stitch

Hearts Amber Brown (464) Satin stitch

110 Homespun
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Flowerpot
Flowerpot Iceberg Green (982) Backstitch

Star flower Wheat (2573) Backstitch

Dashed circle Sandstone (462) Running stitch

Scallops Piquant Green (535) Backstitch

Stems and leaves Olive Branch (684) Backstitch

Bee Bee body Garden Gate (718)


Backstitch and tiny
running stitch

Backstitch and tiny


Bee wings Stone Grey (715)
running stitch

Bee stripes Wheat (2573) Satin stitch

QUEEN BEE

Queen bee
Bee body and antennae Garden Gate (718) Backstitch

Backstitch, running stitch


Bee wings Stone Grey (715)
and cross stitch

Bee stripes Wheat (2573) Satin stitch

Backstitch and
Bee crown Wheat (2573)
cross stitch

Bee skep
Bee skep outline Backstitch and
Golden Brown (308)
and horizontal lines running stitch

Light Teak Grey


Bee skep base Backstitch
Brown (384)

Crosses Sandstone (462) Cross stitch

Homespun 111
STITCHERY GUIDE

DESIGN AREA THREAD STITCH

Crown Large crown Wheat (2573) Backstitch

Large jewels Deep Water (2019) Satin stitch

Medium jewels Withered Rose (654) Satin stitch

Small jewels Deep Water (2019) French knot

Flowers and lines Flower outline Aqua Grey (981A) Backstitch

Flower centre Wheat (2573) Backstitch

Stem and leaves Olive Branch (684) Backstitch

Central cross lines Amber Brown (464) Backstitch

28
1
Sew a line of running stitch
around the fabric circle about
⁄8in from the edge, leaving long thread
tails at the beginning and end. Place
the template in the centre of the fabric
circle on the wrong side and pull up
the thread to gather the seam
allowance over to the back evenly
and firmly, as shown in Diagram 2.

29 Press the shape well on both


sides. Carefully remove the
stitches and the template and press.

30 Pin or glue baste the circle


in the centre of the Dresden
Plate, checking that it covers all the
raw edges of the plate wedges.
Appliqué it in place.

31 Centre the 7in circle template


on the block and use an
erasable fabric-marking pen to trace
the circle onto the fabric.

32 Work running stitch using three


strands of Withered Rose (654), or a
thread to complement the fabrics you've
used, on the traced circle. Dab the traced
circle with a wet paintbrush to erase it,
following the manufacturer’s instructions.

Row 3, Column 6 33 Once all the circle markings have


been removed, press the block.

112 Homespun
Diagram 2

Row 6, Column 2

Diagram 3

34 Repeat Steps 23–33 to make


four Dresden Plate blocks
using a variety of print fabrics and
background squares.

PENNY CIRCLE BLOCKS

35 Choose two prints for the


pieced circle in the centre of
the block. From each of them, cut
two squares, 3in.

36 Join the squares together in pairs,


then join the pairs to make a four-
patch unit, as shown in Diagram 3. Row 7, Column 5

Homespun 113
Step 37

37 Use a compass to draw a circle


with a radius of 2in (diameter of
4in) onto Mylar or, alternatively, trace
the 4in circle from the Pattern Sheet.
Cut it out on the line. Position the
template in the centre of the four-patch
and trace around it using an erasable
fabric-marking pen. Cut the fabric out
1
⁄4in by eye outside the traced line.

Row 3, Column 2
38 Repeat the process described
in Steps 28 and 29 to prepare
the shape for appliqué.

39 Choose eight print fabrics for


the small circles. Then repeat
the processes described in Steps 27–
29 to prepare them for appliqué.

40 Choose a 91⁄2in square of light-


value fabric. Fold it in half
horizontally, vertically and diagonally
and press lightly to crease it – or
alternatively, use an erasable fabric-
marking pen to draw lines.

41 Centre the 7in circle template


on the block and use an
erasable fabric-marking pen to trace
the circle onto the fabric.

42 Pin or glue baste the large


pieced circle in the centre of
the block, aligning the seams with
the horizontal and vertical creases/
lines. (Note the block shown to the
left, however: Natalie rotated the
pieced circle so the seam lines were
aligned with the diagonal creases.)
Pin or glue baste the small circles so
that their outer edge just touches the
7in circle and they are centred over
one of the creases/lines.

43 Appliqué each circle to the


background fabric. Turn the
block over and cut the background
Row 5, Column 1 fabric 1⁄4in by eye inside the stitching

114 Homespun
Row 8, Column 5
Step 42

on the large circle. Take care to only


cut the background fabric, not the
pieced circle. Trimming in this manner
reduces the weight and stiffness of the
finished quilt. Cut neatly so that the
fabric that you cut out can be used in
another block later on.

44 Dab the background fabric


with a wet paintbrush to
erase the pen marks, following the
manufacturer’s instructions. Once
all the circle markings have been
removed, press the block.

45 Repeat Steps 35–44 to make


three Penny Circle blocks
using a variety of print fabrics and
background squares.

In Part 3 of this Block of the Month


project, to be published in June in
Homespun 24.3, you will be busy making
Chequerboard Circle and Six Hexie
Flowers blocks, stitching the Foxy Beaus
and Barrow of Blooms blocks and
appliquéing the Owl block. Step 43

Homespun 115
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Homespun 119
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Website: thestrawberrythief.com.au Website: www.foxscottage.co.nz Website: www.stitchesbythesea.net

QUALITY ALWAYS WINTERWOOD FELT AND CRAFT SUPPLIES


AUSTRALIAN WOOL WADDING WOOL FELT
MiniJumbuk Nu-Wool wadding is made to high and
exacting standards in Adelaide, South Australia. Buying
Nu-Wool supports Australian jobs and Australian farmers. Wool felt specialists with a wide range of 100% wool felt colours both hand-dyed and
This wool batting is simply the best there is and provides commercially dyed felt, perfect for any project. Winterwood also has a wide range of craft
great drape as well as providing natural temperature supplies including wooden doll bases, hand-dyed yarn and Waldorf-inspired crafts.
regulation. Available from all good craft stores.
Phone: (08) 8349 0200
Email: reception@qualityalways.com Phone: (03) 9876 7868 Email: sales@winterwoodtoys.com.au Website: www.winterwoodtoys.com.au
Website: www.minijumbuk.com.au/wadding

KORNACRAFT
FABRIC PIXIE STITCH SEWING CENTRE
GREAT SOUTHERN YARN CROSS STITCHED BUNNY CUSHION TILDA CLUB SUBSCRIPTION
When looking for a high-quality yarn for your special projects, It is the Year of the Rabbit so celebrate by making our We are thrilled to bring you the fabulous Tilda Club
you can't go past Great Southern Yarn. This 100% Australian gorgeous cross stitched bunny cushion, available in subscription... sign up today to secure your spot! The Tilda
grown SRS Merino DK-weight yarn is processed in Australia two sizes. The large cushion features nine charming Club is a bi-monthly club giving you 6 projects a year. Each
and hand-dyed by the team at Great Southern Yarn, making bunnies while the smaller cushion/pincushion has one club pack contains gorgeous Tilda fabrics and a pattern
each skein, and every project, unique. Shop the range of cute rabbit – a quick stitch for your Easter decorating. designed exclusively for the Tilda Club with a newsletter that
colours available in store and online today! Available as a chart or a kit, exclusive to Stitch. featuring special offers and competitions! Additional supplies
may also be required to complete the included pattern.
Phone: 0427 401 792 Phone: (02) 9958 6038 Phone: (08) 8522 3246
Email: yarnbytheriver@gmail.com Email: hello@stitchshop.com.au Email: sales@kornacraft.com.au
Website: www.yarnbytheriver.com Website: stitchshop.com.au Website: www.kornacraft.com

120 Homespun
SOMETHINGS
COUNTRY COSY PROJECT
PATTERNS & TUTORIALS DELIVERED
PACK OF TEN STRAIGHT TO YOUR INBOX

A pack of 10 — yes 10 blades, all in Cosy Project offers patterns, patterns and more patterns
from some of the world’s most exciting designers.
one convenient plastic storage case. That is Browse our selection from traditional and modern quilts,
10 blades for less than the price of four! to wallhangings, homewares and accessories, crochet,
embroidery, appliqué, softies and dolls and children’s
fashion. It’s your go-to online source for the most
Phone: (07) 4162 2040 imaginative and creative stitching ideas.
Email: somethingscountry@bigpond.com
Website: www.somethingscountry.com.au Visit cosyproject.com
CRAFTY FROG
SULKY STICKY FABRI-SOLVY

Sulky® Sticky Fabri-Solvy combines


the convenience of pressure-sensitive
adhesive with the flexibility of a water-
soluble stabiliser. It is a printable,
temporary self-adhesive, fabric-like
stabiliser that is ideal for transferring your
hand embroidery, punch needle, cross
stitch, quilting, or other patterns onto your
project fabric. Sticky Fabri-Solvy can also
be used as a topper or backing, which
WHATEVER MY FELT LADY
looks, feels, and behaves like fabric, during
WHERE-EVER CRAFT embroidery – or when used as a design
pattern. Perfect for any reversible project,
OWL & HARE HOLLOW BOM WOODEN PEG DOLL CLOTHING as when it's rinsed away, no stabiliser
remains on either side! All Sulky stabilisers
The pattern comes with instructions and pattern are acid- and lead-free.
Priced at $295 (free postage) shapes to make gnome-like dolls, as well as
versions with lady's hair and different cape
options. Suitable for all skill levels.
Download the PDF pattern – $5.50 Phone: (02) 6296 6240
Phone: (02) 6026 5489 Email: shop.crafty.frog@gmail.com
Email: info@whateverwhereever.com.au Website: www.craftyfrog.com.au
Website: www.whateverwhereever.com.au Website: www.myfeltlady.com

DRAGONFLY
FABRICS WACKY JACKY'S TEXTILES
BAG MAKING NEEDS WACKY JACKY’S RETREATS

For all your bag making needs, by Our retreats are unlike any others; we curate the most unique Bali experience for like-
Annie zips. 30in, 40in and by the yard; minded ladies who are textile, quilting, and travel fans. You will have an opportunity to
elastics and mesh to match. explore the island's history and culture while also experiencing its natural beauty, with
Jacky from Wacky Jacky's Textiles as your host, and a friendly team of Balinese ladies!
Phone: (08) 8948 0691
Email: dragonfabric@bigpond.com
Website: www.dragonfabric.com.au Phone: 0408 995 440 Email: jacky@wackyjackys.com.au Website: www.wackyjackys.com/bali-retreats

Homespun 121
Unit 18, 14 Acacia Ave WE DELIVER TO YOUR DOOR AUSTRALIA WIDE
Port Macquarie, NSW 2444
02 6581 3338
stitchednframed.com.au

NE
ONLIN
STO E
R
FEATURING
e,
Tilda, Riley Blak Twoo Handi Quilter
Quilt
ilter
er
,
Robert Kaufman Computerised Longarm
Batik Au st ra lia Machines. Edge to
& many moore edge and custom
quilting available.
Find fabrics online and in store. 100’s of patterns to
Michelle, Lark, Kylie and Kathy choose from starting at
specialise in modern, batiks the low price of $3.50
and reproduction fabrics. per square foot.
T
They are the Port Macquarie Dealership Free return shipping
for Bernina, Janome, Pfaff, Baby Lock Australia wide.
and Handy Quilter. Machines are serviced
a
and repaired locally by Adam at Prosew.
Quality Matildas
Own wadding and
T
The shop has two workshop areas where backings available
soc
social sewing groups meet and classes are NOW or use your own.
held by local and well-known visiting tutors. WITH TWO
COMPU
CO TERISED Very fast turnaround,
Under the one roof is Sue of SuziQ Quilting MACHINES see website for details.
with her long-arm quilting machine
to complete your masterpiece.

Their mission is to promote and develop


www.stitchesbythesea.net
patchwork, quilting and textile E. infostitchesbythesea@gmail.com | P. 0412 355 438
art in a fun environment.

yarn
THAT

PLACE

A QUALITY FILLING MAKES A QUALITY QUILT


Nu-Wool wadding is soft and thick with an even texture, making it
a great pleasure to work with.

A unique blend of 60% wool and 40% man-made fibre, specially


treated with Hi-Loft process which increases loft and resilience,
improves washability and reduces the possibility of any loose
fibres. Nu-Wool has effective dust mites control and lasting
freshness.

Natural wool - Naturally safe & non-allergenic.


Made in Australia for over 30 years.

For further enquiries THE HOME OF AUSTRALIAN


08 8349 0200 QUALITY WOOL BEDDING
reception@qualityalways.com minijumbuk.com.au/wadding
Wool Felt Specialists
100% wool,
hand-dyed and titimelelss, minindful crcaf
a tts
commercially dyed

Winterwood gorgeous yarns


accessories ~ patterns ~ buttons ~ craft
f s ~ gift
fs
Felt and Craft Supplies
93 East Street, Narrandera, NSW
3 Colman Road, Warranwood, VIC 3134
~ www.yarnbytheriver.com ~
ph: 0398767868
www.winterwoodtoys.com.au

lyn’s fine needlework


PATCHWORK Q
QUILTING E
EMBROIDERY

PATCHWORK &
NEEDLECRAFT

The newest collection from 3 Sisters is utter joy and happiness.

It is a collection of small and medium floral prints that include butterflies, roses, and
an assortment of foliage and vines in rose, pink, aqua, cream and, soft taupe.

Edyta Sitar from Laundry Basket Quilts continues to inspire quilters with
Oh! the joys of springtime!! her designs in books and patterns. Her range of fabrics, “The Seamstress”,
Check out our NEW online store to see and BUY the entire range or contact us for more information. features a beautiful floral that would lend itself to fussy cutting or Broderie Perse.
Many designs feature both piecing and appliqué. Why not start a new quilt today?
www.lynsfineneedlework.com.au
Unit 2, No. 9 Seven Hills Rd Baulkham Hills NSW 2153 For further information contact: Cath and Pat Guilfoyle,
(Next to the Bull & Bush Hotel) Onpoint Patchwork & Needlecraft, 61a Station St, Waratah NSW 2298
EMAIL: sales@lynsfineneedlework.com.au PHONE: 02 9686 2325 Telephone: 02 4968 0094 Email: onpatch61@yahoo.com
FACEBOOK/INSTAGRAM: @lynsfineneedlework
Onpoint Patchwork and Needlecraft
On the road
GUIDE TO CRAFT, SEWING
AND PATCHWORK SHOPS

Next time you are on the road, make plans to stop at some of the
businesses listed on these pages – they would love to welcome you.

Homespun 125
SOUTH WEST NSW
Open: Tue–Fri 9am–5pm, Country Pickin’s
Sat 9am–4pm Sewing Centre Yarn by the River
NSW 93 East Street ,
Unit 2, 1A Blackbutt Road
Port Macquarie 2444 Narrandera, 2700
SYDNEY BLUE MTNS & BEYOND
Ph: 0448 306 589 Ph: 0427 401 792
Banksia Yarns Hobbysew Orange info@countrypickins.com.au yarnbytheriver@gmail.com
3c East Market Street , 221 Peisley Street , www.countrypickins.com.au www.yarnbytheriver.com
Richmond 2753 Orange 2800 Open: Mon–Fri 9.30am–5pm, Open: Thu–Fri 9am–4pm,
Ph: (02) 4505 1615 Ph: (02) 6361 7420 Sat 9.30am–2pm Sat 9am–12 noon
shop@banksiayarns.com.au patriciajcole@gmail.com Other times by Appointment
Country Pickin’s
www.banksiayarns.com.au www.facebook.com/
Sewing Centre
Open: Mon–Fri 9.30am–5pm, hobbyseworange CENT RAL WEST
29 Pulteney Street ,
Sat 9.30am–1pm Open: Mon–Fri 9.30am–5pm,
Taree 2430 Cowra Patchwork
Sat 10am–2pm
Fortunes & Fairies Ph: (02) 6552 2092 Shop 2/119 Kendal Street ,
Shop 8, Magnolia Mall Picklemouse Corner info@countrypickins.com.au Cowra 2794
285 Windsor Street , 1/152 Megalong Street , www.countrypickins.com.au Ph: (02) 6342 3854
Richmond 2753 Leura 2780 Open: Mon–Fri 9.30am–5pm, cowra-patchwork.business.site
Ph: (02) 4578 1650 Ph: 0488 470 684 Sat 9.30am–2pm Open: Mon–Fri 8.30am–5pm,
fortun esand fairies @outl ook.co m pam@picklemousecorner.com Sat 8.30am–12.30pm
Hanging by
www.fortunesandfairies.com www.picklemousecorner.com
a Thread The Crafters Cottage
Open: Tue 9.30am–4pm, Open: Mon–Sat 10am–5pm,
Wallace Street, 62 Dalgarno Street ,
Wed–Thu 9.30am–5.30pm, Sun 11am–4pm
Macksville 2447 Coonabarabran 2357
Fri 9.30a m–3p m, Sat 9am– 2pm Post Office Ph: 0407 940 792
Ph: (02) 5509 1664
Lyn’s Fine Needlework Patchwork admin@hangingbyathread. info@thecrafterscottage.net
2/9 Seven Hills Road, 33 Ross Street , com.au www.thecrafterscottage.net
Baulkham Hills 2153 Glenbrook 2773 www.hangingbyathread.com.au Open: Tue–Fri 9am–4.30pm,
Ph: (02) 9686 2325 Ph: (02) 4739 9555 Open: Mon–Fri 9.30am–5pm, Sat 9am–12 noon
lynsneedlework@aol.com pop@postofficepatchwork.net.au Sat 9am–1pm
www.lynsfineneedlework.com.au www.postofficepatchwork.com.au
Nesting Needles NORTHERN NSW
Open: Mon–Fri 9am–5pm, Open: Mon–Fri 10am–5pm,
23 Gale Street , Handa Crafts
Sat 9am–4pm Sat 10am–3pm
Coramba 2450 and Curtains
Skein Sisters The Stitching Post Ph: 0400 055 989 149 Canterbury Street ,
721 New Canterbury Road, 100 Lurline Street , lpeterson68@optusnet .com.au Casino 2470
Dulwich Hill 2203 Katoomba 2780 www.nestingneedles.com.au Ph: 0484 899 472
Ph: (02) 9554 7444 Ph: (02) 4782 5809 Open: Mon–Fri 10am-3pm hello@handcraftsandcurtains.
info@skeinsisters.com.au chris@thestitchingpost.com.au Sat 10am–2pm com.au, www.handacraftsand-
www.skeinsisters.com.au www.thestitchingpost.com.au
Stitched ‘n curtains.com.au
Open: Mon–Sat 10am–5pm, Open: Tue–Sun 10am–4pm
Framed Open: Mon–Fri 9am–5pm,
Sun 11am–4pm, 24/7 Online Thread the Needle 14 Acacia Avenue, Sat 9am–12 noon
with 4 Fat Ladies Port Macquarie 2444 Rainbow Patchwork
SOUTH WEST SYDNEY 50 McNamara Street , Ph: (02) 6581 3338 75 Union Street ,
Orange 2800 info@stitchednframed.com.au
Sew Can I South Lismore 2480
Ph: 0481 770 479 www.stitchednframed.com.au
Shop 3, 21 Lavin Crescent, Ph: 0432 417 228
admin@threadtheneedle.com.au Open: Mon–Thu 9.30am–
Werrington County 2747 www.rainbowpatchwork .com.au
www.threadtheneedle.com.au 4.30pm, Fri 9.30am–4pm,
Ph: (02) 9623 4570 Open: Tue–Fri 10am–5pm,
Open: Mon–Fri 9.30am–5pm, Sat 9.30am–2pm
sewcani@yahoo.com.au Sat 9am–12 noon
Sat 10am–2pm
www.sewcani.com.au Stitches by
Open: Mon 9am–4.30pm, the Sea NORTH WEST
MID NORTH COAST
Tue 9am–9pm, Wed–Sat 10 Gundagai Street , Ursh’s Sewing
9am–4.30pm, Sat 9am Connie’s Fabrics Coffs Harbour, 2450 1 Cunningham Close,
1 Verge Street , Ph: 0412 355 438
Sew Many Stitches Narrabri 2390
Kempsey 2440 infostitchesbythesea@gmail.com
Shop 4, Level 2, Ph: 0419 492 370
Ph: (02) 6562 7792 www.stitchesbythesea.net
147 Queen Street , www.facebook.com/
conniesfabrics@outlook.com Open: Tue–Fri 9.30am–4.30pm,
Campbelltown 2560 Urshs-Sewing
Facebook - Connie’s Fabrics
Ph: (02) 4628 4437 Sat 10am–1pm Open: Mon, Wed, Fri 9am–5pm,
Open: Mon–Fri 9am–5pm,
somanystitches@outlook.com Sat 11am–1pm
Sat 9am–12.30pm
www.sewmanystitches.com.au

126 Homespun
CENTRAL TABLELANDS VIC Open: Mon–Fri 9am–4pm, My Little Patch
The Crafty Peacock Sat 9am–1pm Shop 1, Rear 49 Reid Street,
17 Bradwardine Road, MELBOURNE Jennifer Bee Wangaratta 3677
Bathurst 2795 Embroidery Ph: (03) 5722 4991
Lilly Patches
Ph: (02) 6331 6975 14 Back Maffra Road, Sale 3850 mylittlepatch@bigpond.com
10/159 Boronia Road,
info@thecraftypeacock.com.au Ph: (03) 5143 2899 www.mylittlepatch.com.au
Boronia 3155
www.thecraftypeacock .com.au jenniferbee@bigpond.com Open: Mon–Fri 9am–
Ph: (03) 9761 2088
Open: Tue–Fri 9.30am–5pm, www.jenniferbee.net 5.30pm, Sat 9am–1pm,
info@lillypatches.com.au
Sat 9.30am–3.30pm Open: Tue 1pm–5pm, or by appointment
www.lillypatches.com.au
Open: Tue–Wed 9.30am– Wed–Thu 9am–5pm,
RIVERINA 5pm, Thu 9.30am–7.30pm, Fri 9am–12 noon GRAMPIANS
Coleambally Fri 9.30am–5pm, Lily Lane Something Magical
Stitch in Time Sat 9.30am–5pm 26 Prince Street, Begins
13 Brolga Place, Tranquility Crafts Rosedale 3847 7314 Glenelg Highway,
Coleambally 2707 ‘N’ Supplies Ph: (03) 5199 2777 Dunkeld 3294
Ph: (02) 6954 4242 37 Holmes Road, jennifer@lilylane.com.au Ph: 0400 048 284
coleamballystitchintime@ Moonee Ponds 3039 www.lilylane.com.au margiedore@icloud.com
allthingsquilting.com.au Ph: (03) 9375 3575 Open: Mon, Wed, Thu, Fri www.somethingmagical
www.coleamballystitchintime. tranquilitycrafts@bigpond. 9.30am–4pm, Sat 10am–2pm begins.com
allthingsquilting.com.au com.au Patchwork Maze Open: by appointment
Open: Mon–Fri 9am–5pm, www.tranquilitycrafts.allthings 470 Glen Alvie Road,
Sat 9am–12 noon quilting.com.au Glen Alvie 3979 SOUTH WEST
Nel’s Fabric Place Open: Tue–Fri 10am–5.30pm, Ph: (03) 5674 9292 Molly Bear Designs
188 Hoskins Street, Sat 9.30am–1pm ptchmaze@bigpond.com 208 Diproses Road,
Temora 2666 Yarra Valley Quilt, www.patchworkmaze.com.au Bulart 3314
Ph: (02) 6977 1760 Yarn and Sew Open: Wed–Sat 10am–3pm Ph: 0488 136 961
nelstoyandbookhaven 382 Warburton Highway, or by appointment mollybeardesigns@hotmail.com
@bigpond.com, Wandin North 3139 Spool of Thread www.etsy.com/au/shop/
www.188nelsfabrics.wixsite. Ph: (03) 5964 3592 Patchwork Mollybeardesigns
com/temora sales@quiltyarnsew.com.au 61B Tyers Street, Port Fairy Textiles
Open: Mon–Fri 9am–5pm, www.quiltyarnsew.com.au Stratford 3862 Shop 1/54 Sackville Street,
Sat 9am–12 noon Open: Mon–Fri 9am–5pm, Ph: 0417 130 851 Port Fairy 3284
The Cotton Sat 9am–4pm Facebook: Spool of Thread Ph: 0493 289 375
Merchants Winterwood Felt Patchwork hello@portfairytextiles.com.au
48 Wynyard Street, and Craft Supplies Open: Wed–Fri 9am–5pm, www.portfairytextiles.com.au
Tumut 2720 3 Colman Road, Sat 9am–1pm Open: Mon–Sat 10am–4pm,
Ph: (02) 6947 2800 Warranwood 3134 Sun 11am–3pm
thecottonmerchants@gmail.com Ph: (03) 9876 7868 NORTH EAST
www.thecottonmerchants.com.au sales@winterwoodtoys.com.au Catherina’s Vintage MACEDON RANGES
Open: Mon–Fri 9.30am– www.winterwoodtoys.com.au Stitches Alice in Fabricland
4.30pm, Sat 9.30am–1 pm Open: Mon–Sat 10am–4pm 195 Allan Street. 14 High Street,
The Fabric Farm Kyabram 3620 Kyneton 3444
17 Pine Avenue, EAST Ph: (03) 5860 6710 Ph: (03) 5422 6031
Leeton 2705 A Little Patch catharinas48@gmail.com aliceinfabricland@gmail.com
Ph: (02) 6953 7718 of Country www.catharinasvintagestitches. www.aliceinfabricland.com
www.thefabricfarm.com.au 63 Princes Highway, com.au Open: Mon–Fri 10am–4.30pm,
Open: Wed–Fri 10am–5pm Trafalgar 3824 Open: Mon–Fri 9am–5.30pm, Sat 10am–3pm
Sat 10am–1pm Ph: (03) 5633 2311 Sat 9am–12 noon
Whatever Where-ever www.littlepatch.com.au Fabric Playground WEST
Crafts sales@littlepatch.com.au 58 High Street,
26 Fairway Close, Open: Mon–Fri 9am–5pm
Heights Sewing Centre
Beechworth 3747
Howlong 2643 176 Pakington Street,
Craft Quarters Ph: 0407 808 127
Geelong West 3218
Ph: (02) 6026 5489 140–146 Station Street, heatherwells307@gmail.com
info@whateverwhereever.com.au Ph: (03) 5229 3558
Koo Wee Rup 3981 www.facebook.com/Fabric-
www.whateverwhereever.com.au heightsewing@bigpond.com
Ph: (03) 5997 1779 Playground-Beechworth
Open: Wed–Fri 10am–5pm, www.heightsewing.com.au
sales@craftquarters.com.au Open: Hours vary, refer
Sat 9am–1pm Open: Mon–Fri 9am–5.30pm,
www.craftquarters.com.au to Facebook
Sat 9am–1pm

Homespun 127
Just Country Widebacks
Little Desert Quilts Whispers of the
Crafts Australia
2204 Kaniva–Edenhope Valley Fabric
72 Perroux Street , 22 Farrow Circuit,
Road, Kaniva 3419 198 Grantham Winwill Road,
Gulliver 4814 Seaford 5169
Ph: (03) 5392 2234 Winwill 4347
Ph: (07) 4795 7414 Ph: (08) 8370 7546
littledesertquilts@skymesh. Ph: 0410 669 976
justcountrycrafts@gmail.com brenda@widebacks.com.au
com.au info@whispersofthevalley.com.au
Facebook: justcountrycrafts www.widebacks.com.au
FB: Little Desert Quilts whispersofthevalleyfabric.com.au
Open: Mon–Fri 9am–3pm, Open: Mon–Fri 9.30am–3pm,
Open: Fri–Mon 9am–5pm,
Michelle’s Sat 8.30pm–1.30pm Sat 9.30am–12.30pm
other times by appointment
Patchwork
Somethings
230 Moffats Road, YORKE PENINSULA
CENT RAL Country
Dereel 3352 Heart ‘n Soul
HIGHLANDS 80 Kingaroy Street ,
Ph: (03) 5345 1364 Patchwork
Kingaroy 4610
mde17978@hotmail.com Emerald Fabric 1/59 Main Street ,
Ph: (07) 4162 2040,
www.michellespatchwork .com Boutique Minlaton 5575
somethingscountry@
Open: Mon–Fri 9am–5pm, Shop 3, 107 Clermont Street , Ph: (08) 8813 9710
bigpond.com
Sat 10am–4pm Emerald 4720 heartnsoulpatchwork@
www.somethingscountry.com
Palm Beach Ph: (07) 4982 4286 gmail.com
Open: Mon–Fri 9am–5pm,
Quilting websales@emfab.com.au gostitch.com.au/business/
Sat 9.30am–12.30pm
7/2 Industry Boulevard, www.emfab.com.au heart-n-soul-patchwork
Carrum Downs 3201 Open: Mon–Fri 9am–5pm, Open: Tue-Fri 10am–4pm,
Sat 9am–12 noon
NT
Ph: (03) 9775 1601 Sat 10am–12 noon
sales@palmbeachquilting.com.au Dragonfly The Patchy Affair
www.palmbeachquilting.com.au BUNDABERG Fabrics 1972 Maitland Road,
Open: Mon–Fri 10am–4pm, Shops 2 and 3, Cunningham 5571
Teacup Quilts
Sat 9am–12 noon 53 Alawa Crescent, Ph: 0418 891 601
& Niceties
Shop 1/58 Woongarra Street , Alawa 0810 thepatchyaffair@bigpond.com
MOR NINGTON Bundaberg 4670 Ph: (08) 8948 0691 www.thepatchyaffair.com.au
PENINSULA Ph: (07) 4153 6953 dragonfabric@bigpond Open: By Appointment Only,
The Sewing teacupquilts@gmail.com www.dragonfabric.com.au 7 days a week 10am–4pm
Bee Cafe www.facebook.com/ Open: Mon–Fri 9am–5pm, YP Quilting
80 Baxter–Tooradin Road, teacupquilts Sat 9am–4pm Fabrics
Baxter 3911 Open: Mon-Fri 8am–4pm, 26 George Street ,
Ph: (03) 5971 5737 Sat 9am–12 noon SA Moonta 5558
thesewingbeecafe@gmail.com The Quilter’s Ph: 0488 948 223
www.sewingbeecafe.com.au Shack ADELAIDE tlhents@hotmail.com
Open: Mon–Fri 9.30am–4pm, 77 Boundary Street Kornacraft www.ypquiltingfabrics.com.au
Sat 9am–12 noon Walkervale 4670 Sewing Centre Open: Mon–Fri 9am–4pm,
Ph: (07) 41 54 4486 108 Murray Street , Sat 10am–2pm
QLD thequiltersshack@ Gawler 5118
patchworkandcupcakes.com Ph: (08) 8522 3246 SOUTH EAST
BRISBANE www.bundabergpatchwork.com sales@kornacraft.com.au Arts on
My Felt Lady Open: Mon–Fri 9am–4pm, www.kornacraft.com.au Ormerod
Ph: 0428 122 639 Sat 9am–12.30pm Open: Mon–Fri 9am–5pm, 13 Ormerod Street ,
sales@myfeltlady.com Thu 9am–7.30pm, Naracoorte 5271
www.myfeltlady.com NORTH EASTERN Sat 9am–4pm Ph: (08) 8762 2804
Open: Online 24/7 Janome Townsville The Quilting timroweart@gmail.com
Olive Branch Quilts Room Open: Tue–Fri 9.30am–5pm,
Shop A/263 Charters Towers 21 Doulton Crescent, Sat 9am–1pm
TOOWOOMBA
Road, Mysterton 4812 Modbury Heights 5092 Creatively Sewn
The Sewing Room Ph: 0411 417 087
Ph: (07) 4755 2336 1 Anthony Street ,
16b Prescott Street , www.thequiltingroom.com.au
shop@janometsv.com.au Mount Gambier 5290
Toowoomba City 4350 thequiltingroom@aapt.net.au
www.olivebranchquilts.com.au Ph: (08) 8725 4933
Ph: (07) 4638 8288 Open: Mon–Wed 1pm–4pm,
Open: Mon–Wed 9am–5pm, kerry@ringwood-designs.com
info@thesewingroom.net.au Thu 4pm–7pm. Sat–Sun by
Thu 9am–4.30pm, Fri www.creativelysewn.com.au
www.thesewingroom.net .au Appointment only
8.30am–4.30pm, Sat Open: Mon–Fri 9.30am–
Open: Mon–Fri 9am–3.30pm,
9am–1pm 4.30pm, Sat 9.30am–12.30pm
Sat 9am–1pm

128 Homespun
Habit Patch WA TAS Handzon
31b George Street,
1 Alfred Street,
Millicent 5280
PERTH NORTH Rangiora
Ph: (08) 8733 1155
Ph: +64 3 423 3544
info@habitpatch.com.au Kraft Daze Cranberry Crafts
helpinghand@handzon.co.nz
www.habitpatch.com.au SewingWorld 71 Reibey Street,
www.handzon.co.nz
Open: Mon–Fri 9am–4.30pm 1/91 McCoy Street, Ulverstone 7315
Open: Mon–Sat 9.30am–
Booragoon 6154 Ph: (03) 6425 1077
5.30pm, Sun 10am–3pm
EYRE PENINSULA Ph: (08) 6180 5224 info@cranberrycrafts.com.au
kraftdaze@gmail.com cranberrycrafts.com.au The Quilter’s Barn
ruby & kate Open: Tue–Fri 9.30am–3pm, The Vines Village,
www.kraftdaze.com.au
42 Liverpool Street, 193 Rapaura Road,
Open: Mon–Fri 9am–4pm, Sat 10am–12.30pm
Port Lincoln 5606 Blenheim
Sat 9am–2pm Patchwork Plus
Ph: (08) 8682 3636 Ph: +64 03 572 7240
rubyandkate@me.com Ocean Keys Sewing Centre 14 Anne Street,
info@thequiltersbarn.co.nz
www.rubyandkate.com.au 2/1868 Marmion Avenue, George Town 7253.
www.thequiltersbarn.co.nz
Open: Mon–Fri 9am-5pm, Clarkson 6030 Ph: (03) 6382 3999
Open: 7 days a week 9am–5pm
Sat 9am-12.30pm Ph: (08) 9407 7285 www.patchworksplus.com.au
oceankeyssewing@bigpond.com Open: Tue–Fri 9.30am–4.30pm,
www.oceankeyssewing.com.au Sat 9.30am–12 .30pm NORTH ISLAND
MID NORTH
Open: Mon–Fri 9am–5pm, Wattlebird Yarn Aroha Quilts
Brook Fabrics Sat 10am–2pm Ph: 0409 213 486 155 Whitaker Street,
33 Bowman Street, Te Aroha
Southlands Fabric wattlebirdyarn@gmail.com
Crystal Brook 5523 Ph: +64 7 884 4590
& Sewing Centre www.wattlebirdyarn.com.au
Ph: (08) 8636 2685 arohaquilts@gmail.com
26 Yampi Way, Open: 24/7 Online store
www.facebook.com/ www.arohaquilts.com
Willetton 6155 or by appointment
Brook-Fabrics Open: Mon–Fri 10am–4pm,
Open: Mon–Fri
Ph: (08) 9259 4844 SOUTH EAST
helen@sewingperth.com.au Sat 10am–1pm
9.30am–4.30pm The Quilted
www.sewingperth.com.au Fox’s Cottage
Charlene’s Teapot
Open: Mon–Fri 9am–4.30pm, Quilting and Wool
80 Ayr Street, 6 Bathurst Street,
Sat 9am–3pm, Sun 10am–3pm Shop 5, Southern Cross
Jamestown 5491 New Norfolk 7140
The Country Complex, Corner Purcell Street
Ph: (08) 8664 1511 Ph: 0415 119 322
Quilt Store and State Highway One,
alan.flower@bigpond.com thequiltedteapot@gmail.com
251 Eighty Road, Foxton 4814
Open: Mon–Fri 10am–5pm, www.thequiltedteapot .com
Baldivis 6171 Ph: +64 6 363 5880
Sat 10am–11.30am Open: Mon–Fri 9am–4pm,
Ph: 0404 188 284 shop@foxscottage.co.nz
Sat 9am–3pm
cherylambler@gmail.com www.foxscottage.co.nz
BAROSSA Open: Mon–Fri 9am–5pm,
FB: Thecountryquiltstore NEW ZEALAND Sat–Sun 9am–3pm
Cynthia’s Ark Open: by appointment only
7 Wasleys Road, House of Patchwork
Mallala 5502 SOUTH ISLAND 16 Porter Crescent,
SOUTH WEST
Ph: (08) 8527 2120 Ashford Helensville, Auckland 0800
Craft Collections 427 West Street,
cyn@cynthiasark.com.au Ph: +64 09 420 6355
1/13 Mummery Crescent, Ashburton 7700
www.cynthiasark.com.au houseofpatchworkltd@
Bunbury 6230 Ph: +64 3 308 9085,
Open: Thu 12.30pm–3pm, gmail.com
Ph: 0419 616 714 NZ Freephone: 0800 274 3673
Fri–Sat 9.30am–3pm, www.facebook.com/House-
stuffnbears@westnet.com.au store@ashford.co.nz
Sun 10am–3pm of-Patchwork
craftcollections.com.au www.ashfordstore.co.nz Open: Tue–Sat 10am–4pm
Open: Mon–Fri 9am–4.30pm, Open: Mon–Fri 9am–4pm,
LIMESTONE Sat 9am–12 noon
COAST Sat–Sun 10am–3pm
The Rural Stitch Co Cushla’s Village
MID WEST Fabrics
40 Bool Lagoon West Road,
Bool Lagoon 5271 The Empty Bobbin 136 Aranui Road,
Ph: 0417 408 796 16/242 Point Leander Drive, Mapua, Nelson 7010
sales@theruralstitchco.com.au Port Denison 6525 Ph: +64 3 540 2011
www.theruralstitchco.com.au Ph: 0437 888 030 cushla.fabrics@xtra.co.nz
Open: Sat–Sun 10am–4pm, theemptybobbin@outlook.com cushlasvillagefabrics.co.nz
Weekdays by appointment www.theemptybobbin.com.au Open: Mon–Fri 10am–4pm,
Open: Mon–Sat 9am–4pm Sat 10am–1pm

Homespun 129
STOCKISTS
A lice Springs
Beanie Festival
Ph: (08) 8951 1122
D esigner Stitches
Ph: (03) 9543 9411,
website: www.designerstitches.net
O npoint Patchwork
& Needlecraft
Ph: (02) 4968 0094, Facebook:
The Quilter's Shack
Ph: (07) 4154 4486, website:
www.bundabergpatchwork.com
Website: www.beaniefest.org Dragonfly Fabrics Onpoint Patchwork Needlecraft The Quilting Patch
Aroha Quilts
Ph: +64 3 540 2011
Ph: (08) 3889 6024,
website: www.dragonfabric.com.au Q uality Always
Ph: (08) 8349 0200, website:
Ph: (07) 4128, web 0629, website:
www.everythingfabric.com.au/
Website: www.arohaquilts.com
Ashford Wheels & Looms
Website: www.ashford.co.nz
F aeries in my
Garden
Ph: (07) 3869 0808, website:
www.qualityalways.com.au

S ew Can I Ph: (02) 9623 4570,


website: www. sewcani.com.au
brand/the-quilting-patch
The Strawberry Thief
Ph: (08) 6114 9653
Australian Yarn Company www.faeriesinmygarden.com.au Sew Many Stitches www.thestrawberrythief.com.au
Ph: (03) 5442 4673, Fox's Cottage Ph: (02) 4628 4432, website: Tranquility Crafts
website: www.ausyarnco.com.au Ph: +64 6 363 5880 www. sewmanystitches.com.au ‘N Supplies

B anksia Yarns
Ph: (02) 4505 1615, website:
www.banksiayarns.com.au
website: www.foxscottage.co.nz

I nspired Embroidery
and Sewing
Skein Sisters
Ph: (02) 9554 7444, website:
www.skeinsisters.com.au
Ph: (03) 9375 3575,
FB: Tranquility Crafts 'N Supplies
Travelrite
Bernina Australia Website: www.inspired Somethings Country International
Ph: 1800 237 646, website: embroideryandsewing.com Ph: (07) 4162 2040, website: Website: www.travelrite.com.au
wwwbernina.com/en-AU

C atharina's Vintage J anome


Website: www.janome.com.au
www.somethingscountry.com.au
Stitch Ph: (02) 9958 6038,
Two Green Zebras
Ph: (07) 3132 8990, website:
Stitches
Ph: 1300 308 261,
website: www.catharinasvintage
K ornacraft Sewing
Centre
Ph: (08) 8522 3246,
website: www.stitchshop.com.au
Stitched n Framed
Ph: (02) 6581 3338, website:
www.twogreenzebras.com

W acky Jacky’s
Ph: 0408 995 440,
stitches.com.au website: www.kornacraft.com.au www.stitchednframed.com.au website: www.wackyjackys.com.au
Craft 2 U
Ph: (02) 4402 3101,
website: www.craft2u.com.au
L ily Lane Quilting
Ph: (03) 5199 2777,
website: www.lilylane.com.au
Stitches by the Sea
Ph: 0412 355 438, website:
www.stitchesbythesea.net
Whatever Where-ever Craft
Ph: (02) 6026 5489, website:
www.whateverwhereever.com.au
Crafty Frog
Ph: (02) 6296 6240, website:
www. craftyfrog.com.au
Lyn's Fine Needlework
Ph: (02) 9686 2325, website:
www.lynsfineneedlework.com.au
T hat Yarn Place
Ph: 0438 058 695, website:
www.thatyarnplace.com.au
Winterwood Felt & Craft
Ph: (03) 9876 7868, website:
www.winterwoodtoys.com.au
Cynthia's Ark
Ph: (08) 8527 2120, website:
www. craftyfrog.com.au
M y Felt Lady
Ph: 0428 122 639
website: www.myfeltlady.com
The Patchwork Angel
Ph: (07) 5477 0700, website:
www.patchworkangel.com.au
Y arn by the River
Ph: 0427 401 792,
website: www.yarnbytheriver.com

NEXT ISSUE
WINTER
WARMERS
On sale June 2023
In this issue we get all warm and fuzzy with gorgeous yarns!
Knit a warm sweater, crochet a cute Amigurami doll or make an on-trend macrame bag.
Stitch a gorgeous appliqué and embroidery, 'A Quilter's Cottage' designed by Libby
Richardson, embroider a funky bird triptych or make a sweet felt unicorn.
Plus you can stitch some bright happy patchwork quilts to chase away the winter chills.

130 Homespun
SHOW YOUR
COLOURS!
AVAILABLE SOON
FROM YOUR BERNINA
DEALER

THE LIMITED PRODUCTION B 570 QE KAFFE EDITION


DESIGNED BY RENOWNED TEXTILE ARTIST KAFFE FASSETT
INCLUDING EXCLUSIVE KAFFE STITCHES AND EMBROIDERY DESIGNS

Find your authorised dealer at


www.bernina.com.au or call Toll Free 1800 237 646

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