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ARTS 9

Quarter 4 – MELC 1, 2, 3
1. Identifies selected theatrical forms from different art periods.
2. Researches on the history of the theatrical forms and their evolution
3. Identifies the elements and principles of arts as manifested in Western Classical plays
and opera.

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ARTS 9
Name of Learner: _________________________________ Grade Level: _____
Section: _________________________________________ Date: ____________

LEARNING ACTIVITY SHEET


Western Classical Plays/Opera

Background Information for Learners

Theater Arts of the Western countries produced and performed in different periods

and that have had great influence from Ancient Greek and roman theater art. Modern

theatrical plays and musicals are still influenced by their predecessors. The development and

evolution of Western classical plays/operas are specifically discussed in this learning activity

sheet.

Theatrical forms from the different art periods are as follows.

● Ancient Theater • Greek Theater – Ritual-theory, focused on god Dionysus,

performed in festivals – Sophocles and Euripides were the most popular playwrights

during Ancient period – “Oedipus Rex,” “Oedipus at Colonus” and “Antigone” were

famous plays – Theater genre was tragedy – Performed in Theatron-viewing place on

slope of a hill – Women were not allowed to perform • Roman Theater – Began in

Ancient Greek Theater – Theater genre- Comedy – Women began to perform –

Competitions of chariots, gladiators, and public executions as public theaters.

● Renaissance Theater • Focused on Classical Greek and Roman arts and culture •

Theater designs were developed • Backdrops for scenery • Queen Elizabeth supported

theater • Famous actor and playwright was William Shakespeare, who wrote “Romeo

and Juliet,” “Hamlet,” “Midsummer Night’s Dream,” “Cleopatra”

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● Romantic Period • The age of enlightenment • Focused on appreciation of the exotic

and primitive • Used fantastic mythical or nature-focused images • Melodrama was

the genre of theater • Famous Operatic composers were Georges Bizet “Carmen” and

Richard Wagner. • Protagonist was rebellious who often succeeded • Interest in the

common man and childhood • Technical innovations were introduced

The history of theater charts the development of theater over the past 2500 years. While

performative elements are present in every society, it is customary to acknowledge a

distinction between theater as an art form and entertainment and theatrical or performative

elements in other activities. Theater began from myth, ritual and ceremony. Early society

perceived connections between actions performed by groups of people or leaders to a certain

society and these actions moved from habit, to tradition, to ritual, to ceremony due to human

desire and need for entertainment.

Elements and principles of arts in western plays:

● Line, shape, form, value, space, color, texture

● Balance, emphasis, movement, proportion, rhythm, unity, variety

Learning Competency with code

1. Identifies selected theatrical forms from different art periods. (A9EL-IVa-1)


2. Researches on the history of the theatrical forms and their evolution. (A9EL-IVb-2)
3. Identifies the elements and principles of arts as manifested in Western Classical
Plays and Opera. (A9EL-IVc-3)

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ACTIVITY 1. Identify plays from the different art periods according to the following
theatrical forms. Identify at least 2.

Theatrical Form Plays/Opera

Ancient Theater

Renaissance Theater

Romantic Period

ACTIVITY 2. CHART COMPLETION AND ANALYSIS.


Instruction: Watch the plays, Oedipus Rex, Romeo and Juliet, and the Opera Carmen. While
watching analyze each theatrical form using the elements of arts. Write your answers on the
chart below.

Costumes
Theater/ Sounds/ Gestures/
/Makeup/ Spectacle
Opera Music Movements
Accessories

Oedipus Rex
Or
Romeo and
Juliet

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Carmen
Habanera

From the information you have written above, compare the two theatrical forms.

ACTIVITY 3. DIFFERENCE! What makes the following theatrical form differ from each
other? Describe each form.

1. Ancient Theater

2. Renaissance Theater

3. Romantic Period

ACTIVITY 4. Write a brief description of the history and the evolution of the different
theatrical forms. In the table below, identify the distinct elements, characteristics and
similarities of each form.

Forms Description Elements Characteristics Similarities

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ACTIVITY 5. KNOWLEDGE MAP. Express knowledge and concepts through relations
between the different theatrical form and their evolution.

Forms Evolutions

Different theater
periods

ACTIVITY 6. Name the picture and explain its historical background.

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________
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_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

_______________________________________

ACTIVITY 7. REMEMBER ME? Identify the following characters, plays to which period
belongs.

Character/Plays/Opera

Dionysus

Lysistrata

Satyr Play

Triumvir Pompey

Livy

The Mystery of Adam

Commedia dell’arte

Knight Masque

Ballet de la nuit

Ferrex and Porrex

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Pierre Cornielle

Victor Marie Hugo

ACTIVITY 8. TELL SOMETHING ABOUT ME. Fill in the table. Provide what is being
asked.

Playwright Period Play

Sophocles

William Shakespeare

Christopher Marlowe

Claudio Giovanni

Victor Hugo

ACTIVITY 9. ELEMENTS AND PRINCIPLES OF ARTS

1. Rate each theater form according to the elements of theater art using the 1-5 scale.

Five (5) is the highest and (1) is the lowest.

2. Add all the numbers on each row and write the total score at the last column.

3. Analyze the score.

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Reflection

I learn that __________________________________________________________________

___________________________________________________________________________

I want to learn more on ________________________________________________________

References

Learner’s Material for Music and Arts Grade 9, page 218 – 256

Answer Key

Note: Answers of the learners may vary

Prepared by:

REGIE T. BENIGNO
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Writer

ARTS 9
Quarter 4 – MELC 4 – 6
4. Defines what makes selected western classical plays and operas unique through visual
representation.
5. Designs the visual elements and components of the selected Western classical theater
play and opera through costumes, props, etc.
6. Analyzes the uniqueness of each group’s performance of its selected Western classical
theater play and opera.

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ARTS 9
Name of Learner: _________________________________ Grade Level: _____
Section: _________________________________________ Date: ____________

LEARNING ACTIVITY SHEET

Western Classical Plays/Opera

Background Information for Learners

Arts in various eras have their own uniqueness and style. Each period has a distinct

style in its arts.

Art is affected by important events that transpired through time. Art forms explain the

influence of history on the life of the artist in a particular culture, time and space. The

medium and style of the artist also show the development of the individual. In this activity,

you will learn how these western classical plays and operas are unique from each other. You

will experience the application of art elements of diverse styles in art forms through

designing. It also presents the emotional struggles of the playwright in their time and the

uniqueness of their performances.

This learning activity sheet will provide you skills development that will help you

practice and develop unique techniques from various periods in history.

Learning Competency with code

1. Defines what makes selected western classical plays and operas unique through

visual representation (A9PL-IVc-1)

2. Designs the visual elements and components of the selected Western classical

theater play and opera through costumes, props, etc. (A9PR-IVd-1)

3. Analyzes the uniqueness of each group’s performance of its selected Western

classical theater play and opera. (A9PR-IVh-2)

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ACTIVITY 1. SEE THE DIFFERENCE! Describe the uniqueness of the following famous

Opera/Theater Houses in the world.

____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________

____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________
____________________________________ _________________________________

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_________________________________
_________________________________
_________________________________
_________________________________
_________________________________
_________________________________
_________________________________

ACTIVITY 2. WATCH ME NEY NEY! Watch the plays, Oedipus Rex, Romeo and Juliet,
and the Opera Carmen. Through a POSTER MAKING, show the different styles and
uniqueness of these plays. The poster must convey the emotions and feelings of the viewer
just the same when watching the plays.

Carmen (Bizet) The Royal Opera


http://www.youtube.com/watch?v=djsuP0uta7s&feature=share&list=RD02Gd0FNpiBDyA

Sophocles Oedipus Rex


http://youtu.be/ZZUCgq8LfhY

Romeo and Juliet


https://www.youtube.com/channel/UCGBz

Criteria:

Relevance ………...……… 30%

Clarity of Ideas ………….. 25%

Balance ………………….. 20%

Uniqueness ……………… 15%

Combination of Colors …. 10%

ACTIVITY 3. COSTUME PARADE! Using the combination of recycled and Indigenous


materials, design a costume for a King and a Queen of a fantasy land. You will present your
work through a picture and a video clip. Document all your procedures from the beginning at
the end of your work.

Exceeds Meets Nearing Needs Not


Expectations Expectations Expectations Development Submitted

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Costumes are
Costumes are Costumes are Costumes
stylistically
Creativity unique and clearly submitted, but
engaging,
original, yet differentiated, require more
30 points original and
are clearly but could show time and
pleasing to the
from the play more originality thought
eye

Costumes
Costumes
utilize color to Costumes have
Color Costumes are integrate color,
create an color applied,
vibrant and though the
20 points emotional but choice and
detailed in their choices are
effect or to quality are
use of color sometimes
define questionable
nondescript
character

Costumes
Costumes are
Functionalit Costumes clearly clearly Costumes do
creative, but are
y make real the support the not seem to
somewhat out
character for the character and relate to the
15 points of place relative
audience help tell the script
to the script
story

Costume
Costume
Costume designs designs may Costume
designs
Technique demonstrate have used a designs
clearly use a
mastery of a technique, but finished, but do
25 points solid
rendering the people are not use a clear
rendering
technique disproportionat technique
technique
e

Designer
Designer
Number of submits 1 Designer
submits the
Designs complete and submits no
N/A required
some complete
10 points number of
incomplete designs
designs
designs

ACTIVITY 4. MATCHING TYPE. Match Column A to Column B.


Column A Column B

A. It is the acting style for the early


1. Heroic and Exaggerated
Elizabeth plays.
B. It is produced in Athens as early in
2. Murder of Passion
the 5th century BC.
C. It is based on the plays written by
3. Shakespearean Theater the great English playwright and
poet during the 16th century
D. It is colorful, ornate, and
4. Men’s Clothing
ornamented.
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E. It is the final scene of the opera,
5. Great Dramas
Carmen.

ACTIVITY 5. READING AND VIEWING. Watch the plays Carmen and Romeo and
Juliet. After watching, fill in the table below how unique these plays are.
Romeo and Juliet Carmen

Characters/Actors

Costumes

Gestures and Movements

Voice (The delivery)

Props and Costumes

Staging

Setting

Musicality

Facial expression

Genre

Reflection

I learn that __________________________________________________________________


___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________

I want to learn more on ________________________________________________________


___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
___________________________________________________________________________
References

Learner’s Material for Music and Arts Grade 9, page 218 – 256

Answer Key

Note: Answers of the learners may vary

Prepared by:

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REGIE T. BENIGNO
Writer

ARTS 9
Quarter 4 – MELC 7
Shows the influences of the selected Western Classical play or opera on the Philippine
theatrical performance in terms of form and content of story.

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ARTS 9
Name of Learner: _________________________________ Grade Level: _____
Section: _________________________________________ Date: ____________

LEARNING ACTIVITY SHEET


Western Classical Plays/Opera

Background Information for Learners

Performances we see today are mere products of the cultures that have influenced the

country through the years.

After several occupation, the Philippine theatre has evolved to become an

amalgamation of the various influences such as zarzuela, comedia, bodabil, and western

classics. Theater was largely performed in English during the time, as it became a large part

of classroom education.

By the 1950’s, theater had moved out of classrooms and the concept of paying for a

ticket to see a theatrical performance emerged. This “legitimate” theater was held in closed

theaters – these became events in themselves, not just mere parts of a celebration or religious

ritual.

During this time, playwrights such as Severino Montano, Wilfredo Ma. Guerrero, and

Alberto S. Florentino honed their crafts and contributed to the development of performing

arts in the Philippines.

Through the years, Philippine theater groups have staged numerous plays in both

English and Filipino, be it written by a Western or local playwright. Spanish culture and

traditions largely influence performing arts in the Philippines, but the contemporary style is

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borrowed from the Americans. Classic shows such as The Westside Story and Sound of

Music made waves in recent years when it took the local stage.

Some Philippine playwright who took the center stage are the following:

Francisco Balagtas y de la Cruz was born

on April 2, 1788 in Panginay, Bigaa,

Bulacan and died on February 20, 1862 of

pneumonia. He was also known as

Francisco Baltazar. His best known work

is the Florante at Laura.

Francisco Balagtas was the youngest of the four children of Juan Balagtas, a

blacksmith, and Juana de la Cruz. He studied in a parochial school in Bigaa and later

in Manila. During his childhood years. Francisco worked as houseboy in Tondo,

Manila.

Severino R. Reyes (A playwright) “Father of the Tagalog

Zarzuela”

The son of Rufino Reyes and Andrea Rivera, Reyes was born in

Sta. Cruz, Manila on February 11, 1861. He studied at San Juan de

Letran College and later at the University of Sto. Tomas, where he

studied philosophy.A Filipino writer, dramatist, and playwright,

Reyes was highly acclaimed as one of the giants of Tagalog literature.

Dr. Ricardo G. Abad (A Director) Born in Manila on August

10, 1946 of parents from Cavite and Camiguin. Graduated at the

Ateneo de Manila, after which he obtained a Fulbright grant to

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finish a doctorate in sociology at Fordham University in New York. Full-time Faculty,

Department of Sociology and Anthropology; Artistic Director, Tanghalang Ateneo

Metrobank Network of Outstanding Teachers Pathways/ANI, Ateneo de Manila University

Role Players, Theater for Life Social Weather Stations.

Salvador F. Bernal (Father of Theater Design in the

Philippines)

Born in 1945 to a family that ran a Terno shop. He was the first

to develop theater design as a profession and elevate it to an art

form. Studied at Ateneo de Manila and at Northwestern

University, Evanston, Illinois, USA, practiced, and handled

courses in the art and craft of theater design. Taught briefly at

Ateneo de Manila and University of the Philippines He had designed more than 250

productions in ballet, theater, and film. National Artist awardee.

Learning Competency with code

Shows the influences of the selected Western Classical play or opera on the Philippine
theatrical performance in terms of form and content of story. (A9PR-IVh-6)

ACTIVITY 1. TABLE COMPLETION. Complete the table below with the correct
information/s being asked.

Name of Filipino Playwright Birthday Awards Famous Works Handled Courses

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ACTIVITY 2. PICTURE ME! Have a research on the different famous operas in the

Philippines for you to identify and describe the following pictures.

1.__________________________________

2. ____________________________________

3. ____________________________________

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4. _______________________________

ACTIVITY 3. ONE ACT PLAY! The following plays (Florante at Laura and Walang
sugat) are written through the influence of western classical period to the Philippine plays
and opera. Your activity is to choose at least 3 scenes where love and hatred is being acted
and you will do it the same. Record your acting skills through a Video coverage. Your
product will be submitted to your teacher through his/her Facebook account.

Criteria
1. Acting Skills (includes Appropriateness of costumes and props, Makeup, Accessories,

Facial Expressions, Emphasis of the dialogues, Gestures and Movements)

……………………………………………………………………………………. 50%

2. Reflection (includes your total assessment of your skills and product)

……………………………………………………………………………………. 50%

ACTIVITY 4. COMPARE AND CONTRAST! Study and write a brief description of the
following pictures.

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ACTIVITY 5. VENN DIAGRAM. What similarities can be extracted from William
Shakespeare’s Romeo and Juliet and Francisco Balagtas Florante at Laura in terms of form
and content of story?

Romeo Similarities Florante

and of Forms and and

Juliet Content of Story Laura

ACTIVITY 6. COMPARISON AND DIFFERENTIATION INSTRUCTIONS.

1. List down some famous plays and operas in the Philippines that you think has Western

theater art influence.

2. Write some remarks on the given plays or operas.

3. Answer the questions below.

Theater Art Plays Remarks Opera Remarks

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From the given above, which of the following plays and operas in the Philippines has some
similarities or differences from the Western theater play and opera in performance, costumes,
props, etc? Support your answer.

Reflection

I learn that __________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

I want to learn more on ________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

References

Learner’s Material for Music and Arts Grade 9, page 218 – 256

Answer Key

Note: Answers of the learners may vary

Prepared by:

REGIE T. BENIGNO
Writer

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ARTS 9
Quarter 4 – MELC 8 & 9
Choreographs the movements and gestures needed in the effective delivery of
a selected piece from Western Classical plays and opera
Improvises accompanying sound and rhythm needed in the effective delivery
of a selected piece from Western Classical plays and operas.

ARTS 9
Name of Learner: _________________________________ Grade Level: _____
Section: _________________________________________ Date: ____________
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LEARNING ACTIVITY SHEET

Western Classical Plays/Opera

Background Information for Learners

Theater means “place of seeing” but it is more than the buildings where performance

take place. To produce theater, a playwright writes the scripts, the director rehearses the

performers, the designer and technical crew produce props to create the scenes, and actors

and actresses perform on stage. Then it will only be a true theater act when an audience

witnesses it.

In a theater, it is important to know that choreography is a part. Practice of designing

sequences of movements of physical bodies (or their depictions) in which motion, form or

both are specified. Choreography may also refer to the design itself. It is where you could

practice the movements and gestures effectively.

It is also understood that in a theater, musicality and instruments are aspects that

needs to be considered. Improvisation in music is creating and playing new music without

preparing it in advance. It involves creativity using the available resources at hand and your

listening skills to compose music spontaneously.

Throughout the eras of the Western art music tradition, including the Medieval,

Renaissance, Baroque, Classical and romantic periods, improvisation was a valued skill.

Hence, it is with great responsibility for a theater to established gestures and voice,

responsible not only for the performance of a show, but also for the language and

expressiveness. Theater should be the text of culture of choreographed movements and

gesture and improvised musical instrument.

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Learning Competency with code

Choreographs the movements and gestures needed in the effective delivery of a

selected piece from Western Classical plays and opera (A9PR-IVe-f-3)

Improvises accompanying sound and rhythm needed in the effective delivery of a

selected piece from Western Classical plays and operas (A9PR-IVe-f-3)

ACTIVITY 1. MUSIC AND VIDEOS. You may browse the internet and find the link
written below. Listen and observe carefully the music and movements of the opera. You may
also look for another video of Carmen in a different form of staging and performance.

Video Clips - Carmen (Bizet) The Royal Opera


http://www.youtube.com/watch?v=djsuP0uta7s&feature=share&list=RD02Gd0FNpiBDyA

http://www.youtube.com/watch?v=uV9iGv4sKNI&feature=share&list=RD02Gd0FNpiBDyA

The lyrics of the song Habanera:

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French Text of the Habanera English Translation of Habanera
L’amour est un oiseau rebelle Love is a rebellious bird that
nobody can tame, and you call
Que nul ne peut apprivoiser, Et c’est
him quite in vain if it suits him
bien in vain qu’on l’appelle S’il lui
not to come.
convient de refuser.
Rien n’y fait, menace ou prière.
Nothing helps, neither threat nor prayer.
L’un parle bien, l’autre se tait.
One man talks well, the other’s mum; it’s
Et c’est l’autre que je préfère. Il the other one that I prefer.
n’a rien dit mais il me plait.
He’s silent but I like his looks.
L’amour! L’amour! L’amour! L’amour! Love! Love! Love! Love!

L’amour est enfant de Bohême, Love is a gypsy’s child, it has never,


ever, known a law; love me not, then
Il n’a jamais jamais connu de loi. I love you; if I love you, you’d best
Si tou ne m’aimes pas, je t’aime. Si beware! etc.
je t’aime, prends garde à toi!
The bird you thought you had caught beat
Si tou ne m’aimes pas, si tou ne m’aimes its wings and flew away ...
pas, je t’aime, love stays away, you wait and wait; when
Mais si je t’aime, si je t’aime, prends garde least expected, there it is!
à toi!
All around you, swift, so swift, it
L’oiseau que tu croyais surprendere Battit comes, it goes, and then returns ...
d’aile et s’envola.
you think you hold it fast, it flees you
L’amour est loin, tu peux l’attendre. Tu think you’re free, it holds you fast.
ne l’attends pas, il est là.
Love! Love! Love! Love!
Tout atour de toi, vite vite, Il
vient, s’en va, puis il revient. Love is a gypsy’s child, it has
never, ever, known a law; love
Tu crois le tenir, il t’evite. me not, then I love you; if I love
you, you’d best beware!
Tu crois l’eviter, il te tient.
L’amour! L’amour! L’amour! L’amour!

L’amour est enfant de Bohême,


Il n’a jamais jamais connu de loi.
Si tou ne m’aimes pas, je t’aime. Si
je t’aime, prends garde à toi!

Si tou ne m’aimes pas, si tou ne m’aimes


pas, je t’aime,

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Mais si je t’aime, si je t’aime, prends garde
à toi!

ACTIVITY 2. Based from activity 1, watched many times the video to familiarize
yourselves with the gestures and movements of the characters in the play/opera. Make
yourself choreograph and practice the movements of the main character of the play, and
present yourself through a TIK TOK Mobile Application. (You are given 3 days to practice
before submitting and uploading your video)

Criteria
• ............................ 30%
Appropriateness of gestures/movements

• ............................. 30%
Make up/masks, costume and props, music

(the use of styles and techniques of Western

Musical and Popular Theater)

• Culturally-based (the use of appropriate music and visual ............................. 20%


design elements
• Creative (the use of theater elements and principles) …......................... 20%

ACTIVITY 3. Download the Mobile Application SMULE (Social Karaoke

Singing). After downloading the application, have a copy of the lyrics of the song Habanera

from the play Carmen, it could be a KARAOKE, Instrumental or an Acapela. Perform the

song through the SMULE Applications. . (You are given 3 days to practice before submitting

and uploading your video)

Criteria
• Appropriateness of gestures/movements .................... 30%
• Make up/masks, costume and props, music .................... 30%

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(the use of styles and techniques of Western
Musical and Popular Theater)
Culturally-based (the use of appropriate music and
• .................... 20%
visual design elements)
• Creative (the use of theater elements and principles) ...................... 20%

ACTIVITY 4. SOUNDS LIKE!

I. Identify musical instruments used in the Western Classical plays. Compile it with
pictures. Do this through a scrap book.
II. Identify musical instruments used in a Philippine Plays/Operas. Have it with
picture. Do this through a scrap book.
III. After completing the first two activities, improvise accompanying sound and
rhythm needed in the effective delivery of a selected piece from Western Classical
plays and operas. You may use indigenous and recycled materials for your
instruments. Submission of your instrument can be done by your parents through
the Barangay Office.
Criteria

1. Appropriateness of instruments (Durability, Variety, Sounds)

……………………………………………………………………………………. 50%

2. Reflection (includes your total assessment of your skills and product)

……………………………………………………………………………………. 50%

ACTIVITY 5. GROUPING, ROLE AND STAFF ORGANIZATION (Take note that you
will do the activity alone so therefore assume of the name of your characters.) Have a group
of 5. You are free to choose among the suggested group of working team in preparation for
your culminating activity; production team, technical team and casting team. Choose your
leader. When you have chosen your group you have to be responsible in doing your part.
Assume that you are working harmoniously with the other members of the group. In
culminating activities, you need to observe planning, brainstorming, sharing of ideas,
creativity, tactfulness, open in criticism, and patience in dealing with others. Submit the list
of the members of the group to your teacher for monitoring and recording. After grouping,
you now must choose your role in the play. It is necessary to understand your duties and
responsibilities in doing your part.

A. Production Team

Director Lead the group properly. Organize and designate


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members to their respective role. Prepare script of the
play. Initiate planning. Formulate timetable of the
rehearsals up to actual performance.
Stage Manager Look for a good venue of the play. Responsible for the
blockings of the performers. Assist the director. Check
the props, microphones, performers, etc. during the
rehearsals and actual performance.
Costumes/Makeup/Accessories Prepare, sketch, and make designs of the costumes,
accessories, and makeup. They are the make-up artists
(3-4 members)
during the play. (Your designs must follow the designs
of the costumes, accessories, and make-up of that era.)
Prepare, sketch, and make designs of the stage
Stage Décor & Props decoration and props. Arrange the stage décor and
props on stage. Must work hand in hand with the stage
manager and director. (You are challenged to make
(3-4 members) your stage decor and props spectacular; use your
imagination!)
Advertisement Prepare, post, and construct
announcements/advertisements and programs of the
Programs & Invitation performance. Give the invitation letters to teachers,
advisers, administrators, and parents.

(2 members)

B. Technical Team

Lights/Sounds Technicians
Prepare, secure appropriate lights in every scene.
Lights
Work and listen to the director’s instructions.
Prepare, secure appropriate music and sounds
Music & Sounds effects effects in every scene. Work and listen to the
director’s instructions.

Casting (Assume of the names, characters, and roles)

Roles Name of the Members

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ACTIVITY 6. Select a theme song of any Philippine plays and perform using your
improvised instruments. Have a video of your performance.

Criteria

1. Skill (includes Appropriateness of costumes, props, makeup, accessories, Gestures

and Movements, Musicality, and Harmony)

……………………………………………………………………………………. 50%

2. Reflection (includes your total assessment of your skills and product)

……………………………………………………………………………………. 50%

Reflection

I learn that __________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________
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NOTE: Practice Personal Hygiene protocols at all times.
___________________________________________________________________________

I want to learn more on ________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

References

Learner’s Material for Music and Arts Grade 9, page 218 – 256

Answer Key

Note: Answers of the learners may vary

Prepared by:

REGIE T. BENIGNO
Writer

ARTS 9
Quarter 4 – MELC 10

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PerformsHygiene protocols
in a group at alloftimes.
showcase the selected piece from Western
Classical plays and operas.
ARTS 9
Name of Learner: _________________________________ Grade Level: _____
Section: _________________________________________ Date: ____________

LEARNING ACTIVITY SHEET


Western Classical Plays/Opera

Background Information for Learners

Theater can be influential in all aspects of life. Participating in theater classes

can stimulate student’s creativity and thought process. The whole experience of

theater makes people more aware and sensitive towards various issues. It empowers

the meek and makes people do away their reservations. The main benefits of theater

arts include improving life skills and academic performance. It helps us to see a

different perspective from our own. Reminds us that we are not alone. Theater is

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immediate, evolving and always different. It helps to promote social discourse,

dialogue and potential social change. Theater promotes education and literacy.

Learning Competency with code

● Performs in a group showcase of the selected piece from Western Classical plays and

operas (A9PR-IVg-5)

ACTIVITY 1: REHEARSALS AND PRACTICES

TIMETABLE: Planning and Preparation of the Script, Rehearsals, Stage Décor and Props:

Since Music and Arts components have the same content in Unit 4 for the culminating

activity, you may coordinate with your two teachers (Music and Arts teachers on when the

rehearsal days be done in their respective classes. Show them your time-table so that your

teachers may know when to give you days for the group’s rehearsals. Plan with your group

on what to do on each day of preparation and submit it to your teacher.

Note: You may create your own time table.

Day 1 Day 2
Day 3 Day 4 Actual
(During Art (During Music
(Art Class) (Music class) Performance
Class) Class)

Preparations, Rehearsals of Mastering Mounting and Everything


sketching, the performers, blockings of the must be shown,
their roles,
drafting of the - Reading of the performers worn, and
scripts, actions,
script, stage scripts performed.
costumes worn
designs, props, movements
Making of the in the rehearsals Make-up
costumes etc.
actual designs, Polishing of
with actual artists must do
Music and props, costumes
the décor, props music and their part here.
sounds
with actual sounds
preparation costumes ready
music and
with lights and
preparation of sounds effects with actual visual effects
lights and visual music and
effects
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sounds and with
lights and visual
effects

Rubric (This is the rating of the teacher in your days of rehearsal.)

Very
Criteria 1-2 3 -4 5-6 7-8 9 High
10
Active participation of each member is
observable.
Dedication and doing their own tasks
properly are exercised.
Outputs/reports are submitted after
rehearsal.
Creativity in
artworks/movements/choreography is
visible.
Relates well with others and
communicates clearly with the other
members of the group.
Total /50

ACTIVITY 2. CULMINATING ACTIVITY/PERFORMANCE PROPER


This is the most awaited part of the module, the performance. The group will perform their
chosen play on stage. It is exciting too because you are going to apply all the knowledge and
skills you have learned about Western Classical Theater. Your group will be rated according
to the criteria given below. Read the criteria so that you are guided on what things to consider
in rating the group’s performance.

Criteria

• Appropriateness of gestures/movements ............................30%

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• Make up/masks, costume and props, music .............................30%

(the use of styles and techniques of Western

Musical and Popular Theater)

• Culturally-based .............................

20%

(The use of appropriate music and visual design elements)

• Creative (the use of theater elements and principles) ......................... 20%

Reminders:
Have each group summarize their evaluation. Ask each representative to present their
evaluation in the class. Open the floor for clarification, insights, and recommendations.
Remind the group to submit their respective production book. End the session with a group
ritual.
The presentation should be documented through photo taking or video for students and
teachers who failed to watch the show.

Reflection

I learn that __________________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

I want to learn more on ________________________________________________________

___________________________________________________________________________

___________________________________________________________________________

References

Learner’s Material for Music and Arts Grade 9, page 218 – 256

36
NOTE: Practice Personal Hygiene protocols at all times.
Answer Key

Note: Answers of the learners may vary

Prepared by:

REGIE T. BENIGNO
Writer

37
NOTE: Practice Personal Hygiene protocols at all times.

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