Professional Documents
Culture Documents
Autoethnography
Autoethnography
Autoethnography
Jackson Palafox
24 February 2023
An Extra Dimension
believe that it is very important that I first disclose something about myself: I am partly deaf in
my left ear. I do not know the exact decibels that my hearing is limited to, but I can say that it
has enough of an effect on me that I cannot tell where some sounds are coming from. However, I
have lived with this ear for many years, so I am somewhat used to it. The cause of this partial
deafness is caused by, at the expense of being slightly graphic, a section of my ear being filled
with some kind of fluid, which in turn compresses my ear canal, limiting the sounds that can
make it to my ear drum. In other words, this deafness could be surgically treated without any
drastic measures being taken; the fluid simply needs to be drained. For a large portion of my life
that is still underway, I have been partially deaf, and I was now about to commit to a full
immersion in the world of deafness, if only for a short period of time. If the medical model were
to be a bit more prevalent in my life, I would be going into this project with a different hearing
state, and maybe even a different perspective on, not just deafness, but the whole world.
This is what I was thinking before I put in the earplugs, along with the worry that the
plugs would somehow not work on me and I would not be able to do the assignment. Just to be
clear, the plugs did work. In retrospect, this was an odd worry to have, even on a conceptual
level. I was worried that I was going to be too hard-of-hearing to be even more so. Even if this
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could have been considered irrational, it reminds me of how audiograms are used to measure
deafness. As discussed in class, audiograms are only limited to the decibels mostly related to
human speech, while the decibels outside of that range are considered irrelevant. In a way, this
was how I felt my hearing would be interpreted in this project: that my preexisting condition
might somehow be considered an irrelevant part of the situation, despite being very real. Despite
these worries, I was able to reverse-pass and experience another dimension of human existence.
I first inserted the earplugs while in my room so that I could understand what was in store
for me. Being isolated to my room was a good start since I would be able to see what kind of
peculiarities being deaf would bring without any social interactions. I wanted to take one step at
a time so that each layer of the deaf experience could have time dedicated to it. For example,
even just putting away laundry while deaf is a different experience. The subtle sounds produced
by touching and interacting with everyday objects, as minute as they may be, still add another
facet of reality. The small wood-on-wood slam signaling that my dresser drawer has closed all
the way is not a vital part of my day, but the lack of that noise would normally let me know that
some clothes are probably preventing the drawer from closing all the way. Now, without sound, I
have to take extra care to make sure everything is where it needs to be. My deafness, when
combined with my anxiety, thoroughness, and distaste for being clumsy, makes me go through
my day at an incredibly slower rate. When I would enter and leave a room, I would basically
have to take stock of myself and my surroundings so that I would be aware of how likely I am to
cause some sort of accident. This worry is born more out of irrationality than any actual
precedence. Removing a way that I can perceive my surroundings fuels this need for awareness,
and increases how often I look over my shoulder to see if I’ll knock something off a table. In a
way, in order to make up for the absent audio, I am more aware of my surroundings, noticing
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more than I previously would have. Obviously, the human experience is more than just
interfacing with ordinary objects and doing chores, but this was still a big part of my time
reverse-passing as deaf.
Social interactions while reverse-passing was not what I expected. Initial conversations
between my family and myself did not go how I expected. My mother and father both
subconsciously chose to communicate through pantomime. Considering that the majority of what
they were communicating was the status of dinner and when I had to stop school work in order to
do some chores, this seemed an efficient enough means of communication. I was reminded of
how certain communities developed entire languages around the common denominator of
deafness. While my family would still communicate amongst each other using verbal means,
some messages are short enough to be understood by all when sent by visual means, such as the
sign for eating signifying when food is ready. Visual communication has been used in my
family’s household for a while. When my brother and I would have headphones or earbuds
blocking off our hearing, our parents would resort to some form of sign that something needed
our attention. In fact, during the infant and toddler phases, my little brother would use the sign
for “eat” to let us know that he was hungry. Basically, the seeds of a Deaf community are already
present in my home, and this is probably the case for many other homes. These interactions with
my family made me wonder how close other close-knit communities could be to relying solely
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on visual communication.
A Day of Reverse-Passing
12
10
0
Double Checks Hours spent working Visual Communication Volume of Movies
Deaf Hearing
Another big part of my daily routine that was changed by reverse-passing as deaf was
how I handle my workload from school. I usually work while listening to music or some kind of
YouTube video in the background. Taking away that background noise, I was not sure if my
because my mind’s work rhythm was off. What actually ended up happening was a mix of both
with a sprinkle of “no change at all.” However, after completing my schoolwork, I found that the
way I relax had been greatly altered. For example, I normally enjoy putting on an album and
trying to find any musical intricacies that I may have missed on previous listens. Music as a
whole is a big source of entertainment for me, so having it become inaccessible to me was
disorienting in a way. Even if the music was at a volume that I could hear it, I was still upset that
I was missing out on certain nuances that make music such a beautiful art form. Movies and
television shows, however, were still enjoyable for me. I sometimes use movies as background
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noise, similar to when I do schoolwork with music. Because of this, I would put on movies and
shows that I have already seen so as to not be distracted by any unexpected imagery or sounds.
This preference, combined with the year-long inclination for my shows and movies to have
experience. While I had felt like I was missing out on something vital when it came to my music,
movies provide enough visual storytelling, be it cinematography or the dialogue portrayed in the
The occasional feeling of missing out, along with the aforementioned increased
awareness, makes for a very unique sense of alienation that is only heightened even further when
I was interacting with strangers. While going to a Dollar General near my house with my little
brother, I had to rely greatly on my brother’s help. Even though I was paying for everything we
were buying, my brother had to uncomfortably handle all interactions with the cashier for me.
Even though the questions were innocuous, such as whether or not we would prefer a receipt, it
was still very odd for the two of us, especially my little brother who is a little over half my age.
The interaction was short and inoffensive, but I still found myself wanting to let the cashier
know that I was not going to be able to hear him very well, mostly so that the cashier would have
a concrete reason for any awkwardness that would arise during the transaction, but also for
another reason: I felt as though I was lying to the cashier. Disclosure, which can be a powerful
event validating the self, can also just be a matter of lies and truth. Brueggemann said that
disclosure is “an airing of the closeted self”, which, while clearly allowing the person to no
longer hide who they are, can also be about the simple matter of telling the truth (154).
At worst, the cashier might stubbornly try to make me hear by repeating the message
louder and louder until I heard. Some individuals just will not consider the possibility that the
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person they are talking with is deaf and may need a different form of communication until they
are explicitly told so. As the old gentleman in “Running a Thousand Miles for Freedom” said, “I
will make him hear” (Craft 44). While this may come off as cynicism, the cashier did not adhere
to this way of thinking. Instead, once my brother began answering whatever questions were
being asked, he seemed to subconsciously accept that it was my brother who was in charge of
our purchasing the products, even though I was clearly the one who was paying. He even gave
my brother the receipt despite me having provided the debit card. I may be looking too much into
the subtleties of this interaction, but I feel that there is still some meaning behind how things
played out.
My deaf experience was not what I expected. I had assumed that my preexisting
condition would somehow effect it, or even outright hinder it. I felt more aware of what was
around me, but only because I was missing another layer of reality. The world is an
amalgamation of stimuli, so having one of them be suppressed made it seems so different while
remaining the same. When I spoke, I knew that those around could understand what I was
saying, but knowing that the communication could only really go one way, as though I was on a
separate wavelength was incredibly odd. I know there are other ways to communicate, such as
ASL, but for me, someone who does not know ASL nor how to read lips, I was present, but
separate. I am reminded of how objects in the 4th dimension would appear to us, 3rd dimensional
beings; some of their movements make visual sense, but once they take advantage of that extra
axis, or extra dimension, even if we can tell that they are still there, visually, they are completely
confounding to us.
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Works Cited
Brueggemann, Brenda Jo. The Coming out of Deaf Culture. Taylor & Francis, Ltd., 1995.
Craft, Ellen, and William Craft. Running a Thousand Miles for Freedom. University of Georgia
Press, 1860.