Yon
Y
on is a stormy realm dotted by
mountains and filled with goblins,
korreds, brigganocks, cyclops, and
fearsome shadows. This download aims
to help DMs run Yon by providing the following:
• 4 Battlemaps. Full-color VTT-ready maps for
running encounters in Yon, including two Yon
Encounter Maps, Lockbury Henge, and the
Rivenwish Chasm.
• Running Yon. Overview and troubleshooting
of the locations and events in Yon.
• Running Motherhorn. An overview of
Motherhorn and a run-down of the events
that take place there, including an enhanced
statblock for Endelyn Moongrave.
• Encounter Sheets. Encounter sheets with
statistics for all monsters in the chapter
(doesn’t include statistics for monsters unique
to The Wild Beyond the Witchlight)!
• Magic Item Cards. Handouts for all non-
unique magic items featured in the chapter!
Arrival in Yon
Fey Beacons Lockbury Henge
Motherhorn
Guide to Palace of
Heart's Desire
Chapter 4 Overview
In contrast to Hither and Thither, there’s
no expectation that the characters visit the
locations in Yon in a linear fashion. That being
said, Yon does have a rough blueprint to follow:
• Arrival in Yon. Shortly after arriving in Yon,
the characters meet Amidor and Gleam who
give them the lay of the land and point them
toward Lockbury Henge and the Fey Beacons.
• Fey Beacons. At the Fey Beacons, the
characters can help Prince Alagarthas escape
Yon and discover a way to return Gleam and
Glister to the Witchlight Carnival after they
have been reunited.
• Lockbury Henge. At Lockbury Henge, the
characters can gain information from the
korreds and form an alliance with them, and
learn about a secret passage to Motherhorn in
the Brigganock Mine.
• Brigganock Mine. At the Brigganock Mine,
the characters can find a passage that leads
directly to Motherhorn and help resolve the
feud between the brigganocks and korreds.
• Motherhorn. At Motherhorn, the characters
can either strike a bargain with Endelyn
Moongrave, destroy the hag, or bypass her as
they free Glister and/or summon Endelyn’s
giant cranes (area M20) to take them to the
Palace of Heart’s Desire.
• From Yon to Palace of Heart’s Desire.
Whether guided by Amidor or flying on the
back of giant cranes, the characters can
eventually make their way to the Palace of
Heart’s Desire.
Brigganock Mine
CHAPTER 4 OVERVIEW | 3
 Running Yon
On the following pages, we take a look at
how you can handle the characters’ arrival in
Yon and discuss the lightning rods, random
encounters, and locations that are found in Yon.
Lightning Rods
The book describes the copper lightning rods
that Endelyn Moongrave uses to harness
electricity and “power the contraptions” in
her theater. While we’re told how they can be
climbed, toppled or destroyed, we aren’t given
a good description of what happens if the
characters interact with them.
Destroying the Lightning Rods
Though several NPCs (including the korreds)
throughout the chapter talk about the lightning
rods’ importance to Endelyn, we aren’t told what
happens if the lightning rods are destroyed. It’s
clear that the Orrery of Tragedies (area M14)
will cease to function, but it is also suggested
that without lightning “the show can’t go on”,
which indicates that without the visions from
her Orrery, Endelyn isn’t inspired to write new
plays and set up rehearsals.
Endelyn’s Response. If the characters take
the time to destroy one or more lighting rods,
what impact does that have on Endelyn and how
the chapter is run? As the book isn’t of much
aid, it is up to you to decide what happens. This
could include:
• Endelyn sends out the 25 darklings (area
M2) to repair the lighting rods, significantly
reducing Motherhorn’s defenses for a few days.
• Endelyn sulks in her shadow theater (area
M10) when she isn’t sleeping in her bedroom.
• Endelyn hasn’t foreseen the characters arrival
and won’t know that they’re coming.
Using the Lightning Rods
If you want to make the lighting rods a bit more
exciting and interactive for the characters, you
can decide that the lightning rod can be used
to charge metallic weapons with electricity. A
character with proficiency in Arcana will realize
this simply by looking at the lightning rod.
To charge their weapons, a character must
first climb to the top before making a DC 13
Dexterity saving throw as lightning strikes,
taking 14 (4d6) lightning damage on a failed
save, and half as much damage on a successful
one. Whether they succeed or not, any metallic
weapons they have brought with them become
lightning-charged weapons (see Appendix A in
this document) for 24 hours.
4 | RUNNING YON
A rrival in Yon
Per the book, the characters run into Amidor,
Pollenella, and Gleam shortly after they arrive
in Yon. During this encounter, they can learn
about Pollenella and her cyclops beekeeper,
Gleam and Glister’s tragic tale, Endelyn’s fear
of eclipses, as well as information about the
korreds, the elf prince Alagarthas, and Hurly.
That is a lot to dump on the characters, so you
may want to hold back on the less significant
pieces of information. The most important
information the characters should learn is:
• Amidor can guide them to the Palace of
Heart’s Desire (or elsewhere).
• Amidor wants to help Gleam and Glister first.
• The korreds may be able to help fight Endelyn.
• Alagarthas may know a way to leave Prismeer.
• Endelyn is afraid of eclipses.
Armed with this information, it is likely that the
characters will seek out the korreds at Lockbury
Henge or Alagarthas at the Fey Beacons.
Starting with Action
If you want to add some more drama to
this introduction, you can have the cyclops
beekeeper Mudlump show up shortly after the
characters find the trio of NPCs. Amidor rises to
Pollenella’s defense and the characters can help
as described under “Cyclops Beekeeper”.
A midor and the Other Guides
Since Motherhorn offers a direct way to reach
the Palace of Heart’s Desire – by using the
cranes summoned by the Hidden Belfry (area
M20) – the characters strictly don’t need
Amidor or any of the other guides. So, if you
would rather not have these NPCs following
the characters around for the remainder of the
adventure, you don’t have to.
Other Guides. You can have any NPC that
helped the characters get to Yon (likely Squirt
the Oilcan) say their goodbyes and leave shortly
after they have arrived.
Amidor and Pollenella. If you ran the
Cyclops Beekeeper encounter shortly after
the characters’ arrival, this may be the cue for
Amidor and Pollenella to say goodbye and leave
Gleam in the party’s capable hands. It may
be as simple as Amidor or Gleam telling the
characters about the belfry if they accept to help
free Glister. Gleam can then accompany the
characters while they’re in Yon, but is unlikely to
accompany them into Motherhorn (unless they
take the brigganocks’ hidden tunnel). In either
case, you will at most have one NPC to deal
with, instead of a whole company.
R andom Encounters
Below is a quick summary and discussion of
each of the eight random encounters in Yon.
A stronomer’s Throne
This is a fun scenario with a good reward.
Share the Fun. In order to make it a bit more
significant, you can ask a character that sits
on the throne to make a DC 15 Intelligence
saving throw. On a failure, the creature takes 10
(3d6) psychic damage and suffers one level of
exhaustion as their mind reels from absorbing
Mazikoth’s psyche. Whether they succeed or fail,
they gain proficiency in one of the skills listed in
the book. If you want to, you can also decide that
each character can sit on the throne in turn, so
that everyone gets to learn a new skill.
Awakened Giant G oats
This encounter is fun and provides some
foreshadowing for Endelyn and Motherhorn.
Map. You can use the Yon Encounter Maps
provided with this download when running an
encounter with the galeb duhr.
Cyclops Beekeeper
This is a fun encounter that it makes sense to
run if Pollenella is with the characters.
Honorable Duel. It isn’t described exactly
what an “honorable duel” means, but going toe-
to-toe with a CR 6 cyclops is extremely difficult
even for a 6th-level character. You can decide
that an honorable duel could mean a contest or
series of contests against the cyclops instead.
Perhaps characters need to wrestle Mudlump
using Strength (Athletics), outrun him using
Constitution (Athletics), perform poetry using
Charisma (Performance), and so on. Allow the
players to come up with their own fun ideas for
contests that could see Mudlump “defeated”
without having to fight him in single combat.
Map. You can use the Yon Encounter Maps
provided with this download when running an
encounter with the cyclops.
Evil K ite
In this encounter, the characters meet a goblin
child bound to a cursed kite.
Figuring it Out. Having the player characters
realize how the kite works with just an
Insight check seems a bit too convenient (or
inconvenient, if they fail the check). Instead,
you can describe to the characters how the
wind picks up as the goblin becomes agitated
and how it seems to mellow when she is calm.
Dropping a few subtle hints makes it more likely
that the characters realize what’s going on.
G oblin Procession
This encounter is flavorful and can provide some
foreshadowing for the characters. It is a great
way for the characters to get some answers, so
make sure you put it in front of them if you know
they have nagging questions about what’s going
on in Yon, Motherhorn, or Prismeer as a whole.
G oblin Shadows
In this encounter, the characters are trailed by
goblin shadows that try to spook and threaten
them with gestures.
Begone Shadows! Because of the way this
encounter is worded, there are really only two
solutions: ignore the shadows or destroy them.
Neither is particularly exciting. You may allow
for the characters to scare the shadows away
with bright light or magical sunlight.
A Shadowy Gift. You can decide that a
destroyed shadow leaves behind a ring of the
shade (see Appendix A in this document).
Alternatively, a shadow that is treated kindly can
also give the ring to a character.
Pageant Wagon
In this encounter, the characters see a puppet
play of themselves and get an invite to an
audience with Endelyn Moongrave.
Invitation. The performance bit is fun, but
the invitation makes it so that the characters
won’t have to enact their own play upon arrival
at Motherhorn, which is a pity. You can instead
have the note to the characters read: “You’re
invited to perform a play for Endelyn Moongrave
and earn a private audience – no strings
attached!” This way, the characters will realize
what is likely to happen at Motherhorn, but
won’t miss out on enacting their own play.
Tornado
In this encounter, the characters are picked up
by a tornado that may whisk them away.
Tornado Destinations. Before using this
encounter, you may want to consider whether or
not it will be fun for the characters – and good
for the adventure – to have them be transported
to another location in Prismeer. You run the
risk of either having the characters skip a lot
of fun content (such as if they’re whisked away
to Motherhorn or the Palace of Heart’s Desire
before visiting locations in Yon) or forcing the
characters to do a lot of boring backtracking (if
they’re brought back to Hither or Thither). If you
don’t think these options sound appealing, you
may want to skip this encounter. If you like an
element of crazy randomness, well, this is the
perfect opportunity for it!
RUNNING YON | 5
 Locations in Yon
Below we will briefly discuss Lockbury Henge,
the Fey Beacons, and the Brigganock Mine.
Lockbury Henge
At Lockbury Henge, the characters can meet
Princess Argantle and her korred kin, learn
more about Endelyn and Motherhorn, and
become entangled in the feud between the
korreds and the brigganocks.
Playing the Game. As written, the korreds
hide inside the megaliths when the characters
arrive and come out if they complete their board
game or attack if the characters ruin the game
or annoy the korreds. This narrows the options
down quite a bit, as the characters can only meet
the korreds on friendly terms if they choose to
study the game board, realize that one player
can win, and then make that move. If they don’t
do so, they either won’t meet the korreds at all
or will have to fight them. To make it a bit more
likely the characters actually get to speak with
the korreds, you can have the Fey emerge if the
characters call out to them (they have been told
that they’re here by Amidor) or study the game
board, but don’t make a move.
The Korreds’ Aid. The characters have
presumably come to Lockbury Henge to get
the korreds’ aid, but we’re not really told
how the korreds can help on their own (the
chapter later tells us how the korreds and the
brigganocks can help the characters if their
feud is ended). You can decide that the korreds
respond to any pleas for help that extends
further than information by saying that as long
as the brigganocks are around and working for
Endelyn, the korreds dare not leave Lockbury
Henge for fear that the brigganocks will destroy
their homes! Thus, to get substantial aid, the
characters must first deal with the brigganocks.
This has the added benefit of motivating the
characters to visit the Brigganock Mine.
Lockbury Henge Map. You can use the
Lockbury Henge Map provided with this
download when running this encounter.
6 | RUNNING YON
Fey Beacons
At the Fey Beacons, the characters can help
Prince Alagarthas return to his homeland by
contending with a pack of perytons.
Portal to the Material Plane. One thing to
consider when running this location is that it
provides the characters with a way to return to
the Material Plane. Now, if they are set on going
to the Palace of Heart’s Desire and liberate
Zybilna, this shouldn’t be an issue. If they have
already gathered their lost things and everything
else they need in Prismeer, however, they may
take this opportunity to return home – and
putting an abrupt end to the campaign. In either
case, you should make sure that Alagarthas
makes it clear that the portal is a one-way
portal, so the characters don’t think they can use
it to go back-and-forth between Prismeer and
the Material Plane at will.
Brigganock Mine
At the Brigganock Mine, the characters can
help resolve the feud between brigganocks and
korreds, and find a secret tunnel to Motherhorn.
Rivenwish Chasm. The book doesn’t say
explicitly, but we can assume that the three
flameskulls appear when the characters step
out onto the bridge and attack immediately. The
point of the encounter is for the characters to get
past the bridge’s midpoint before the flameskulls
incinerate them. A character that beats the
flameskulls’ Initiative roll can do so by simply
using the Dash action to move 50+ feet, if they
realize what they’re supposed to do. It should
be noted that even at 6th-level, three fireballs
can be quite lethal, so any characters that don’t
move fast enough may end up as piles of ashes.
To avoid the entire party getting incinerated,
you can decide that only one flameskull casts
fireball, while another uses flaming sphere, and
the last only uses its Fire Rays, vastly increasing
the characters’ chances.
Wish Stones. The characters receiving their
own wish stones is fun, but since there are
few opportunities for trade in Prismeer, the
characters will get more out of reward that
has some utility. If you prefer, you can replace
these gemstones with magical wish stones (see
Appendix A of this document). As in the book,
the strength of the wish stone depends upon the
originality of the wish.
Rivenwish Chasm Map. You can use the
Rivenwish Chasm Map provided with this
download when running this encounter.
Running Motherhorn
Motherhorn is a complex location with a lot
going on. There are a few key events that likely
happen while the characters are at Motherhorn:
• The characters may perform a play for
Endelyn at the amphitheater (area M2).
• The characters may free Glister (area M17).
• The characters may have an audience with
Endelyn in her audience chamber (area M18)
In what order these things happen depends in
large part on the characters actions – and the
directions they are provided by NPCs, which we
will discuss below.
A pproaching Motherhorn
There are two ways of approaching Motherhorn
that seem to be the most likely. Each method of
entry lends itself to a particular string of events,
both of which we’ll quickly discuss below.
Direct A pproach
If the characters approach Motherhorn directly,
they go through the main entrance (area M1)
to the amphitheater (area M2), where they are
asked to put on a play. Depending on their
performance, they are either led to Endelyn’s
audience chamber (area M18) or asked to leave
Motherhorn, which may result in a fight with
Endelyn Moongrave and her 25 darklings.
If the characters gain an audience with
Endelyn, they can get her to hand over an item
or creature (including Glister, presumably) by
either giving up their own shadow, finding her
cat Gloam, or delivering the unicorn horn to her.
The characters may also use the audience as an
opportunity to attack Endelyn while she is alone.
Sneaking In
The characters may also sneak in to
Motherhorn, most likely utilizing the tunnel that
leads from the Brigganock Mine to the storage
rooms underneath the amphitheater (area M12).
If the characters arrive in the storage room,
they are likely to have a fight with Skylla and
her 8 animated props (area M11) after which
they can either walk up to the stage (in which
case they will be asked to perform a play) or
take the lift to the stage left (area M3).
If they take the lift, the characters can head
into Motherhorn unnoticed. Skulking around,
they may find the bugbear Hurly (area M6) and
converse with some darkling elders (area M7),
but are unlikely to run into trouble before they
encounter Endelyn on her balcony (area M21),
the viewing gallery (area M19), or in her room
(area M22).
Pick Your Preference
These two approaches play out in very different
ways. One has the characters acting on stage
and bargaining with Endelyn, while the other
involves sneaking around and (most likely)
fighting Endelyn directly.
If you really want the characters to perform
in the play (which is quite fun), you may want to
steer them in that direction. This can be done by
making some or all of the following adjustments:
• Have the characters meet the pageant wagon
and be invited to perform a play (see “Pageant
Wagon” earlier in this document).
• Don’t let the characters know about the tunnel
from the Brigganock Mine to Motherhorn or
have the lift from the workshop (area M11) to
the stage left (area M3) be out of service, so
the characters have to get up unto the stage.
• If the characters have snuck into Motherhorn
and encounter Endelyn, the hag doesn’t attack
them but instead asks them to perform a play.
RUNNING MOTHERHORN | 7
 Fighting Endelyn Moongrave
It is fairly likely that the characters will end
up fighting Endelyn Moongrave. There are
essentially two ways this fight can unfold:
• The characters are attacked by Endelyn and
25 darklings in the amphitheater (area M2).
• The characters face Endelyn alone in her
audience chamber (area M18), viewing gallery
(area M19), or room (area M22).
Fight in the A mphitheater
The fight in the Amphitheater is tough. Endelyn
is mounted on her ornithopter of flying and has
25 darklings to help her. If the characters don’t
have spells that deals damage in an area to even
out the odds, they could be in a lot of trouble.
Fey to the Rescue. This is a good opportunity
for the characters to be aided by the korreds and
brigganocks, if they resolved the feud. The three
korreds alone are more than enough to handle
the darklings and with twelve brigganocks
to aid them, it is hardly a challenge at all. To
avoid having to control 40+ combatants, you
can decide that the korreds, brigganocks, and
darklings fight in the background, while the
characters deal with Endelyn. You can even have
the korreds suggest as much and shout for the
characters to chase Endelyn as she flees into
Motherhorn (see “Fighting Endelyn Alone”).
Fighting Endelyn A lone
On her own, Endelyn is barely a challenge for
the characters, who are likely around level 6–7.
Evening the Odds. To make the fight with
Endelyn more exciting, you can have her be
accompanied by the 11 shadows from the
shadow theater (area M10) or any of her hag
sisters that have fled to Motherhorn. This
ensures that the fight is at least somewhat
challenging for the characters.
Make it More Exciting. Endelyn’s statblock
doesn’t give us a lot to work with. She has a
Puppeteer’s Lash that can move targets, which
is only really relevant if there’s somewhere
fun to move them (in her bedroom or audience
chamber, this is completely irrelevant). Besides
her lash, her only combat spell is polymorph,
which just won’t cut it against a party of
determined heroes. To make the fight a bit
tougher and more dynamic, you can use the
Endelyn Moongrave (Enhanced) statblock
instead. If you have the option, you should also
try to have a fight with Endelyn take place in her
viewing gallery (area M19) or her, if you make
the changes to the mannequins suggested on
the following page, her room (area M22).
8 | RUNNING MOTHERHORN
Endelyn Moongrave (enhanced)
Medium Fey (Hag), Neutral Evil
Armor Class 17 (natural armor)
Hit Points 114 (12d8 + 60)
Speed 30 ft., climb 30 ft.
STR DEX CON INT WIS CHA
20 (+5) 13 (+1) 20 (+5) 13 (+1) 10 (+0) 17 (+3)
Saving Throws Con +8, Int +4, Wis +3, Cha +6
Skills Arcana +7, Deception +6, Perception +3,
Stealth +4
Senses truesight 60 ft., passive Perception 13
Languages Common, Elvish, Sylvan
Challenge 7 (2,900 XP) Proficiency Bonus +3
Boon of Immortality. Endelyn is immune to any
effect that would age her, and can’t die from old age.
Eclipsed Doom. Endelyn can be killed only if
she is reduced to 0 hit points during a solar
eclipse or while she is within 60 feet of a symbolic
representation of one. Otherwise, Endelyn
disappears in a cloud of inky smoke when she drops
to 0 hit points, along with anything she was wearing
or carrying, and reappears 24 hours later in the same
location or the nearest unoccupied space.
Uncanny Awareness. Endelyn can’t be surprised.
Actions
Multiattack. Endelyn makes two Puppeteer’s Lash
attacks.
Puppeteer’s Lash. Melee or Ranged Spell Attack: +6
to hit, reach 5 ft. or range 60 ft., one creature. Hit: 17
(4d6 + 3) psychic damage and the target suffers one
of the following effects (Endelyn’s choice):
• The target is moved telekinetically up to 10 feet in
any direction horizontally.
• The target must succeed on a DC 14 Strength
saving throw or be restrained by puppeteer’s
strings (escape DC 14) until the end of its next turn.
• The target must succeed on a DC 14 Charisma
saving throw or be charmed by Endelyn until the
end of its next turn. While charmed, the creature
takes only the actions Endelyn chooses, and
doesn’t do anything that she doesn’t allow it to do.
Spellcasting. Endelyn casts one of the following
spells, using Charisma as her spellcasting ability
(spell save DC 14):
At will: detect magic, mage hand
2/day each: augury, hypnotic pattern, polymorph
1/day each: otto’s irresistible dance, plane shift (self
only)
Bonus Actions
Doom Whispers. Endelyn whispers to a creature
within 60 feet that can hear her, describing the
details of its death. The target must make a DC 14
Wisdom saving throw. On a failed save, it takes 10
(3d6) psychic damage and must use its reaction, if
available, to move as far as its speed allows away
from her. On a successful save, the target takes half
as much damage and doesn’t have to move.
Locations in Motherhorn
Below is an overview of locations in Motherhorn
that can be difficult to run or you may want to
make adjustments to.
M9. Backdrop H allway
This hallways has a pit trap that has a character
falling in to see its own tombstone.
Tombstone of Dread. As written, nothing
really happens to a creature that falls into
this trap. If you want to make it a bit more
significant, you can decide that a character who
falls in and sees their own tombstone becomes
affected as by the spell bane for 24 hours
because of the dreadful experience.
M18. Audience Chamber
The characters can have an audience with
Endelyn here and learn how they might die.
Auguries. The book dictates that Endelyn
performs auguries if the characters request it. If
you think these are too fun to exclude, you can
have Endelyn suggest it herself: “Before we get
ahead of ourselves, I have something to show
you” and launch into her performances.
M22. Endelyn’s Room
Endelyn keeps any objects stolen from the
characters here.
Dangling Marionettes. These marionettes
serve as alarms that can wake up Endelyn,
essentially requiring a DC 12 Dexterity (Stealth)
check from anyone trying to sneak through the
room while Endelyn is sleeping in her wardrobe.
The book suggests they can be destroyed but
also seem to suggest that Endelyn will wake up
instantly if they sound the alarm. To make the
marionettes a bit more interactive – and serve a
purpose during a fight – you can decide that:
• Each 5-foot square in the room has 1
marionette dangling in it.
• When a creature moves into a space with
a marionette in it, it must make a DC 12
Dexterity (Acrobatics or Stealth) check.
• On a failure, the marionette wakes and begins
laughing maniacally, affecting the creature
that disturbed it with the spell tasha’s hideous
laughter (spell save DC 12).
• Once awakened, the marionette laughs for 1
minute or until silenced, affecting anyone who
moves into its space with its laughing spell.
• If either the marionette or the character are
still laughing at the end of the character’s next
turn, Endelyn awakes from her slumber.
• Missing an attack against a marionette also
wakes it up and sets it laughing.
This way, triggering a marionette doesn’t
mean that Endelyn wakes immediately, if the
characters are quick enough to shut it up, as
well as any character that has been affected
by its spell. In addition, these puppets now
serve a purpose in combat, as Endelyn can use
her Puppeteer’s Lash to move creatures into
squares with dolls and activate them, triggering
their magical laughing effect.
RUNNING MOTHERHORN | 9
 Appendix A:
Magic Items
Lightning Charged Weapon
Weapon (Any), Uncommon
When you hit with an attack using this magic
weapon, the target takes an extra 1d6 lightning
damage and it can’t take reactions until the start
of its next turn. R ing of
the S hade
R ing of the Shade
Ring, Rare (Requires Attunement)
This magic ring has 3 charges and regains all
expended charges daily at dawn. While wearing
it, you can expend 1 of its charges on your turn
to become shadowy until the end of your next
turn. For the duration, you gain the following
benefits:
• You have resistance to necrotic damage and
bludgeoning, piercing, and slashing damage
from nonmagical attacks.
• You can’t be grappled or restrained.
• While in dim light or darkness, you can take
the Hide action as a bonus action.
Wish
Wish Stone, Lesser
Wondrous Item, Common (Requires S tone
Attunement)
While carrying this magic stone, you can cast
any spell of 1st level or lower from it, requiring
no material components and using your own
spellcasting ability (or Constitution, if you have
no spellcasting ability). Once you do so, the
stone crumbles into dust and is destroyed.

Wish Stone
Wondrous Item, Uncommon (Requires
Attunement)
While carrying this magic stone, you can cast
any spell of 2nd level or lower from it, requiring
no material components and using your own
L ightning
spellcasting ability (or Constitution, if you have C harged Weapon
no spellcasting ability). Once you do so, the
stone crumbles into dust and is destroyed.

Wish Stone, Greater

Wondrous Item, Rare (Requires Attunement)
While carrying this magic stone, you can cast
any spell of 3rd level or lower from it, requiring
no material components and using your own
spellcasting ability (or Constitution, if you have
no spellcasting ability). Once you do so, the
stone crumbles into dust and is destroyed.

10 | RUNNING MOTHERHORN