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"Dear Tom,"

from the musical "Circles"


Music & Lyrics by Drew Gasparini

Moderate Pop/Ballad q=88


Am7 G F C Am7 G F C

     
          

           
                    

p delicately
     
        
  

5 C2 D/C Dm7/C
sung with liberties
                     


I just got your let - ter, and yes, I feel much bet - ter. Thanks for ask - ing.

               


   

9 Fm/C C D/C

  
              
   
 
to- day. 


Sor - ry I was - n't there to en - ter - tain you in math class Did

    
                  

   

Copyright © 2010

Prepared exclusively for Tim de Jong


2
12 Dm7/C Fm C

                      


Mis - ter Jen - kins do that thing where he staight - ens his tou - pe? L. O. L. An y - way...

    
                  

   

15 D/C Dm7/C Fm/C

         
              


can't be - lieve the words you had to say, 'cause late - ly I've been feel - ing that
I
           
            

   

                
18 Am7 G F C Am7 G

          


we've been friends for - ev - er so please un - der - stand my fear of screw - ing up some - thing spe - cial and get - ting scared

           
                        

    
      

            
21 F C Am7 G F C

             


with some - thing real. But I've been work - ing up the cour - age for the last four years totell you

                    
              
 
    
    

Prepared exclusively for Tim de Jong


3

             
24 Am7 G F C Am7 G

             


what I'm feel - ing and hope it's what you want to hear. I'd giv - en up on that some - thing I did - n't

                 
     
   
 
   

    
 
    

27 F C F F/G C D/C

                         


     
think it could be real. So, no need to sound po - et - ic. You're try - ing though,I get it. Just be

          
    
             
molto
    
   
31 Dm7/C Fm/C C D/C

                
            


you, 'cause you is who I grew to like... or what - e - ver... I could have said that bet - ter.

   

      

  
 
 
    
35 Dm7/C Fm/C C D/C

                     
      


You is who I grew to a - dore. So,no more, no more sor - ries a - bout the o - ther night. We were


                     

 

 
molto
    

Prepared exclusively for Tim de Jong


4
39 Dm7/C Fm/C C

                           


li - ving in the mo - ment and just do - ing what felt right. So,no more sor - ries, I won't have it. 'Cause the

 
    

  
             
   

42 D7 F Fm'2


                 
  
 
o - ther night was ma - gic. Af - ter all, there's a first time for ev - 'ry - thing.

            
           
slightly bigger
        
   

                   
45 Am7 G F C Am7 G

      


I've been work - ing up the cour - age for the last four years totell you what I'm feel - ing and hope it's

                 
         
      
f
    
 
    

48 F C Am7 G F C

                         


  
what you want to hear. 'Cause I've dreamed of you and me to ge - ther through hap pi - ness and tears. I'd giv - en up

                   
            

    
     
 

Prepared exclusively for Tim de Jong


5

              
51 Am7 G F C Am7 G

             


on that some - thing I did - n't think it could be real. I'd giv - en up on that some - thing I did - n't

                 
         
       
    
 
    

54 F C Csus4 C

           
             


  
think it couldbe real. It's non - stop, the thought of you and I. The talks... Ro

                    


  
mf with more drive
     
    

57 D/C F/C Fm/C

                                
33 3 3 3 3


bot - ic like a bro - ken re - cord. You have toshake me to get me to stop. My friends must hate me'cause I won't shut up, and well...

  

 
 




 
 









  

 
60 C D
  
                 


I think you're cute too. I'm feel - ing like I'm liv - ing in a dream come true, 'cause I

      








 

Prepared exclusively for Tim de Jong


6


62 F Fm

                          
3
can't feel the ground when I'm twent y feet a - bove it but to - mor - row is dif - frent be - cause I'm fal - ling in love.

  













 
 
  

                   
64 Am7 G F C Am7 G


      
I've been work - ing up the cour - age for the last four years totell you what I'm feel - ing and hope it's

                 
         
      

even bigger

    
 
    

67 F C Am7 G F C

                     
  


what you wantto hear. 'Cause I've dreamed of you and me to - ge - ther through hap pi - ness and tears. I'd giv - en up

                   
           
    
     
 

Prepared exclusively for Tim de Jong


7

              
70 Am7 G F C Am7 G

       


     
on that some - thing I did - n't think it could be real. I'd giv - en up on that some - thing I did - n't

         
            
        
 
   

    
 
    


                       
73 F C Am7 Gsus F F/G C


  
think it could be real. The an - swer's yes, Tom, I love you. I can't be - lieve that this is real.

      
           
    



dim. pp rubato
 
    
     
    

Prepared exclusively for Tim de Jong

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