The three-act structure of John Powell's score "The Test Drive" from How to Train Your Dragon is analyzed. Act 1 introduces themes of childlike wonder played on woodwinds. Act 2's focus is on trumpets and increasing tempo as the plot escalates. Act 3's tempo increases further then calms as Hiccup and Toothless successfully fly together. The four themes are distinct yet woven together to enhance the emotion of each scene through the dramatic arc of the story.
The three-act structure of John Powell's score "The Test Drive" from How to Train Your Dragon is analyzed. Act 1 introduces themes of childlike wonder played on woodwinds. Act 2's focus is on trumpets and increasing tempo as the plot escalates. Act 3's tempo increases further then calms as Hiccup and Toothless successfully fly together. The four themes are distinct yet woven together to enhance the emotion of each scene through the dramatic arc of the story.
The three-act structure of John Powell's score "The Test Drive" from How to Train Your Dragon is analyzed. Act 1 introduces themes of childlike wonder played on woodwinds. Act 2's focus is on trumpets and increasing tempo as the plot escalates. Act 3's tempo increases further then calms as Hiccup and Toothless successfully fly together. The four themes are distinct yet woven together to enhance the emotion of each scene through the dramatic arc of the story.
by John Powell from the movie "How To Train Your Dragon" Zuzanna Bolin & Zuzanna Kocięcka About How To Train Your Dragon Produced by DreamWorks in 2010, Directed by Dean Deblois and Chris Sanders, The film music is composed by John Powell, Main voice actors Jay Baruchel, Gerald Butler, Craig Ferguson and America Ferrara. About John Powell English composer born in 1963. Has composed the scores to over 70 films. Best known from: The Road to El Dorado (Droga do Eldorado), the second through fourth Ice Age films (od 2 do 4 części Epoki Lodowcowej), the Happy Feet films (filmy z serii Tupot Małych Stóp), Bolt (Piorun), the How to Train Your Dragon trilogy (trylogia Jak Wytresować Smoka), the Rio films (filmy z serii Rio) His work on Happy Feet, Ferdinand and Solo: A Star Wars Story has earned him three Grammy nominations. He was nominated for an Academy Award for How to Train Your Dragon. Music in movies helps the audience to feel the same emotions as the characters on the screen, "(...) [music] helps shape emotional responses, creates a rhythm to scenes and segments, and comments on the action." - Adam Grybowski, Film The role of Music Inside & Outside of Hollywood, In the case of How To Train Your Dragon, which is music in an animated movie, mainly targeted towards children, music is crucial to satisfy them and to feed movies their imagination. Composition made of short and repeating themes. In case of movies, perfect harmany of what we hear and what we can see,
How music Music announces things that are going to happen
what has an influence on how we react,
plays with our
Three act structure emotions? First act - introduction, exposition of the plot, Second act - escalation of the situation, inciting moment, Third act - climax THE THREE-ACT STURCTURE
Dramatic curve. (Rabiger 2004 p. 236)
C. Sanders, D. DeBlois, How to Train Your Dragon, (0:43:30 - 0:45;58), 2010, DreamWorks, USA. Three act structure in The Test Drive Act 1 Act 2 Act 3 We can hear: contrabass clarinet, We can hear how the tempo We can hear: almost the same 24 bassoons, horns, contrabassoon, increases even more, and then instruments but the focus is on trombones, tuba and timpani, calms down in harmony with what trumpets, horns and a tuba, the The climax of act one is when we can see. tempo increases in this act, The climax of act three in the story Hiccup and Toothless fly between The midpoint in the second act is the stone arch and we hear the is when Toothless’ prosthesis opens when Hiccup and Toothless fall seagulls above them. up and the pair starts to zigzag down towards the sea. between the rocks. The climax of the second act in the story is when Hiccup and Toothless do a hard break for them not to crash with the trees. Test Drive is built on four themes: three of the themes are recurring many times and one theme is played only once. Every act consist of 2 themes Act 1: Theme 1, Theme 2, Theme 3 Themes in “The Act 2 : Theme 3, Theme 2, Theme 4
Test Drive” Act 3 : Theme 1, Theme 3, Theme 1
Theme 4 doesn’t merge with Theme 2, but is in sync with recurring Theme 1 the flutes, piccolo, celesta, harps, violins violas, clarinets, glockenspiels, contrabass clarinet, bassoons, horns, contrabassoon, trombones, tuba and timpani Theme 1 The first thought and feeling that the opening
theme awakes is how the melody has a childlike
sound. The short and loud notes that the flutes play throughout the theme, elevates in this way
Sopilka whistle plays the main melody; violoncello
also plays the main melody but doesn’t stand out as Theme 2 much as whistle The main melody has much calmer pace and notes then it had in the first theme. Theme 3 melody is more powerful horns are the only ones to play the main melody
Theme 4 Theme 4 stands out the most
melody represent a complete chaos Thank you :) Bibliography M. Silin, The score Test Drive as a narrative element in the animation film How to train your dragon, 2018. The London Music Works, Sulva Screen Records, Test Drive - from the album "Music From The How To Train Your Dragon Trilogy", 18.07.19r. (dostęp - 28.11.22r.). RokujyuuyonShou, How To Train Your Dragon: Test Drive Scene 4K HD, 28.06.14r. (dostęp - 28.11.22r.). Adam Grybowski, Film Music Inside & Outside of Hollywood, Rider University, 14.10.04, https://www.rider.edu/about/news/2014/10/14/symposium-examines-role-music- film#:~:text=Music%20in%20film%20serves%20several,iconic%20as%20the%20movies%20themselves. (dostęp: 21.11.22).