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  • Nocturne Op.9 No.2: Andante

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    John
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    This document is a musical score for Frédéric Chopin's Nocturne Op. 9 No. 2. It contains musical notation including tempo markings, time signatures, dynamics, and other performance instructions to guide a pianist in playing the piece. The nocturne is in the key of E-flat major and is marked Andante, indicating a slow and flowing tempo.

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    This document is a musical score for Frédéric Chopin's Nocturne Op. 9 No. 2. It contains musical notation including tempo markings, time signatures, dynamics, and other performance instructions to guide a pianist in playing the piece. The nocturne is in the key of E-flat major and is marked Andante, indicating a slow and flowing tempo.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    31 views2 pages

    Nocturne Op.9 No.2: Andante

    Uploaded by

    John
    This document is a musical score for Frédéric Chopin's Nocturne Op. 9 No. 2. It contains musical notation including tempo markings, time signatures, dynamics, and other performance instructions to guide a pianist in playing the piece. The nocturne is in the key of E-flat major and is marked Andante, indicating a slow and flowing tempo.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 2

    Nocturne

    Op.9 No.2
    4 2
    Chopin

           
    Andante

          
        
    1 31

        
    2 2

     
    5 3 14


                               
    espress. dolce

     
                    
        
         
    2 Ped. simile

     
     
       
        
                
    4 3


    4 3

                    


            
             
     
    
          34
                   
               
    4 132

    
    4

      
    3 2 3


    6 3 3 5

    
      
                            
              
    cresc.

          
        

     3      5 
    poco rit. a tempo

                  
    4


    5

                        


    4

    
    2 1

       
    3 4 4


    3 5


    9
    4

            

        
    

                  

       
       
       

                           
    simile

        
    poco rallent.

               
     
    5
     
    

                                       
    a tempo

                   
    13 1 3


    
                         
    cresc.

        

    

        
          

          
     
    

               4 3 2 3
                    
    5 4 3 1

      
    2


    16 3 2 3

      

                

    3

          
          

     
          
    2

             
     
    18

         
        
    4

            

               
           

         
      
      
    a tempo

       
                 
         
    20

      
    

                          


     

    

             
    poco rallent.


        
                            

           
    5

      
    132

      
    1 4

       
    2 1 5
    22



                            
      
        
    3 3

        
      
            


     5 4 1    2 1
        
        
    4

     
              
    3
    4 5
    25 5


                       
    dolciss.

     
    

         
    poco rubato

                  

        
    3 
                      
    stretto

            
    3 3

               
    4 3

      
    3 3 3 3 1 2 3


    28 4

                  


                 


    8 con forza

        

           
         
    
      
    1   

     
      
    2

          
                                               
    1

                 
    3 2 4 1

     
    31


    

            
     
    

         
    
    8


    Senza tempo

       

                                    
               
       

     
    a tempo


          
    34

     
     
              
    rallent. smorz.
     

       

         
    2 

    ( )

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