Literary criticism involves analyzing and interpreting works of literature through comparison to themes, styles, contexts and other literary works. There are several approaches to literary criticism including formalism, deconstruction, historical, intertextual, reader-response, mimetic, archetypal, psychological, Marxist, feminist and other approaches. Effective public speaking requires knowing your purpose and audience, planning ahead of time, using techniques like eye contact and gestures, remaining calm through practice.
Literary criticism involves analyzing and interpreting works of literature through comparison to themes, styles, contexts and other literary works. There are several approaches to literary criticism including formalism, deconstruction, historical, intertextual, reader-response, mimetic, archetypal, psychological, Marxist, feminist and other approaches. Effective public speaking requires knowing your purpose and audience, planning ahead of time, using techniques like eye contact and gestures, remaining calm through practice.
Literary criticism involves analyzing and interpreting works of literature through comparison to themes, styles, contexts and other literary works. There are several approaches to literary criticism including formalism, deconstruction, historical, intertextual, reader-response, mimetic, archetypal, psychological, Marxist, feminist and other approaches. Effective public speaking requires knowing your purpose and audience, planning ahead of time, using techniques like eye contact and gestures, remaining calm through practice.
Literary Criticism Formalism & collection of symbols,
- Is the comparison, deconstruction are placed images, characters, &
analysis, interpretation, under it because they deal motifs that evoke basically &/or evaluation of works of primarily with the text & not the same response in all literature. It is essentially w/ any of the outside people which seem to bind an opinion, supported by considerations such as the them regardless of culture evidence, relating to the author, the real world, & race worldwide. theme, style, setting, or audience, or other historical, or political literature. Psychological criticism context. attempts to explain the Deconstructionists are also behavioral underpinnings Helps us in three ways: subject text to careful, of the characters within the 1.It helps us understand formal analysis; however, selection, analyzing the what is essential about the they reach an opposite actions & under any of the text. conclusion: there is no identifiable neuroses, 2.it allows us to see the meaning in language. whether a psychological relationship between disorder is evident among author, reader, and texts. Historical approach relies them. 3.It enhances the heavily on the author & his enjoyment of our reading world. In the historical view Marxist criticism concerns of literary work. it is important to the analysis of the clash of understand his intent & to opposing social classes in FUNCTIONS OF make sense of his work. society, namely; the ruling LITERARY CRITICISM: class (bourgeoisie) & the 1.To analyze, study, Inter-textual approach is working class (proletariat) evaluate works of concerned w/ comparing as it shaped the events literature. the work in question to that transpired in the story. 2.To form general other literature, to get a principles for the broader picture. Feminist criticism concerns examination of works of w/ the woman’s role in literature. Reader-response is society as portrayed concerned w/ how the through texts. It typically work is viewed by the analyzes the lights of audience. In this approach, women as depicted in the the reader creates story. meaning, not the author or the work. Pronouns -Personal Mimetic criticism seeks to -Possessive The Text is placed in the see how well a work -Reflexive center because all accords w/ the real world. -Relative approaches must deal with -Demonstrative it. Archetypal criticism assumes that there is a Personal Pronouns Indefinite Pronouns Cohesive Devices: -Take the place of nouns. -Take the place of 1.Repetition of a Key -I, me, us, we, you, he, unspecified nouns. term or Phrase. him, she, her, it, them, -Another, all, any, anybody, -This helps focus on your they. anyone, anything, both, ideas & keep your readers -Ex: Leanne would’ve each, either, enough, on track. been the perfect role for everybody, everyone, -Ex: The problem w/ Gaston, but she isn’t a everything, few, fewer, contemporary art is that it man. less, little, many, more, is not easily understood by most, much, neither, none, most people. Possessive Pronouns nothing, one, other, others, Contemporary art is -Take the place of several, some, somebody, deliberately abstract, & possessive nouns. someone, something such. that means it leaves the -My, mine, ours, your, -Ex: Leanne heard viewer wondering what yours, his ,her, hers, their, something from the other she is looking at. theirs, its. room… -Ex: Larah was great in her 2.Synonyms performance. Interrogative Pronouns -Are words that have -Take the place of things. essentially the same Reflexive Pronouns -Who, whom, what, which, meaning, and they provide -Refer or reflect back to whose some variety in your word the subject. -Ex: Whose poster did you choices, helping the reader -myself, ourselves, vote for in Grade 9? to stay focused on the idea yourself, yourselves, being discussed. himself, herself, Coherence & Cohesion -Ex: Myths narrate sacred themselves, itself. Cohesion - refers to histories & explain sacred -Ex: Micha wasn’t acting connection within & origins. These traditional like herself this morning? between sentences. We narratives are, in short, a “tie” our words, phrases, set of beliefs that are a Relative Pronouns sentences, & paragraphs very real force in the lives -Introduce relative clauses. together, to create a text of the people who tell -That, who, whom, whose, w/ clear & logical ideas. them. which, whoever, whomever, whichever. Cohesive Writing - refers 3.Pronouns -Ex: Micha made a to the connection of your -This, that, these, those, mistake which could’ve ideas both at the sentence he, she, it, they, & we are been avoided. level & the paragraph useful pronouns for level. referring back to Demonstrative Pronouns something previously -Take the place of things Coherence - means that all mentioned. Be sure, -This, that, these, those ideas in a paragraph flow however, that what you are -Ex: Whatever THAT is, smoothly from one referring to is clear. isn’t Larah. sentence to the text. Ex: When scientific experiments do not work out as expected, they are -Is able to rehearse or -It is essential to be sure of often considered failures practice prior to delivering the kind of people you will until some other scientist the speech. be speaking to. tries them again. Those -Knowing your audience that work out better the will help you plan the second time around are appropriate content, the ones that promise the language, & techniques to most rewards. use.
4.Transitional Words 4.Plan ahead of time.
-There are many words in -Cramming will reflect on English that cue our reader Impromptu Speech the way you speak & to relationships between -The speaker is given w/ behave in front of the sentences, joining little or no time to prepare. audience. sentences together. -No chance to research -Ex: however, therefore, in about it or even make an 5.Use non-verbal cues. addition, also, but outline as a guide. -The right amount of moreover, again, besides, -one must be able to fully gestures at the right time & then, in addition to, gather their thoughts. are key elements of public compared with, in -focus on the issue or topic speaking as these comparison with, similarly, at hand. movements help convey again, likewise, -maintain composure. ideas more clearly. nevertheless, instead, -Establish eye contact w/ granted, certainly, it may Techniques in Public your audience. be the case, on the, Speaking: contrary, etc. 1.Know your purpose. 6.Remain calm. -Being sure on the -Don’t show signs of Speech purpose of your speech is nervousness. -To deliver or communicate synonymous to knowing -Maintain your composure. information in front of a live where to focus your audience. discussion. 7.Practice. -Usually done in a formal -It may be as basic as to -Practice is a major setting or as part of a inform, persuade, or component of planning. formal event. inspire. -Through constant -Conveys purposefully practice, one may be able which aims to inform, 2.Be familiar w/ your topic. to identify areas that can influence, or entertain a -The best way to do this is be improved. large group of audience. to research. -When you are sure of anyways…. Prepared Speech every piece of information -The speaker is given the you are presenting, you topic beforehand. will be more confident. -Has time to research about the topic. 3.Know your audience.