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Literary Criticism Formalism & collection of symbols,

- Is the comparison, deconstruction are placed images, characters, &


analysis, interpretation, under it because they deal motifs that evoke basically
&/or evaluation of works of primarily with the text & not the same response in all
literature. It is essentially w/ any of the outside people which seem to bind
an opinion, supported by considerations such as the them regardless of culture
evidence, relating to the author, the real world, & race worldwide.
theme, style, setting, or audience, or other
historical, or political literature. Psychological criticism
context. attempts to explain the
Deconstructionists are also behavioral underpinnings
Helps us in three ways: subject text to careful, of the characters within the
1.It helps us understand formal analysis; however, selection, analyzing the
what is essential about the they reach an opposite actions & under any of the
text. conclusion: there is no identifiable neuroses,
2.it allows us to see the meaning in language. whether a psychological
relationship between disorder is evident among
author, reader, and texts. Historical approach relies them.
3.It enhances the heavily on the author & his
enjoyment of our reading world. In the historical view Marxist criticism concerns
of literary work. it is important to the analysis of the clash of
understand his intent & to opposing social classes in
FUNCTIONS OF make sense of his work. society, namely; the ruling
LITERARY CRITICISM: class (bourgeoisie) & the
1.To analyze, study, Inter-textual approach is working class (proletariat)
evaluate works of concerned w/ comparing as it shaped the events
literature. the work in question to that transpired in the story.
2.To form general other literature, to get a
principles for the broader picture. Feminist criticism concerns
examination of works of w/ the woman’s role in
literature. Reader-response is society as portrayed
concerned w/ how the through texts. It typically
work is viewed by the analyzes the lights of
audience. In this approach, women as depicted in the
the reader creates story.
meaning, not the author or
the work. Pronouns
-Personal
Mimetic criticism seeks to -Possessive
The Text is placed in the see how well a work -Reflexive
center because all accords w/ the real world. -Relative
approaches must deal with -Demonstrative
it. Archetypal criticism
assumes that there is a
Personal Pronouns Indefinite Pronouns Cohesive Devices:
-Take the place of nouns. -Take the place of 1.Repetition of a Key
-I, me, us, we, you, he, unspecified nouns. term or Phrase.
him, she, her, it, them, -Another, all, any, anybody, -This helps focus on your
they. anyone, anything, both, ideas & keep your readers
-Ex: Leanne would’ve each, either, enough, on track.
been the perfect role for everybody, everyone, -Ex: The problem w/
Gaston, but she isn’t a everything, few, fewer, contemporary art is that it
man. less, little, many, more, is not easily understood by
most, much, neither, none, most people.
Possessive Pronouns nothing, one, other, others, Contemporary art is
-Take the place of several, some, somebody, deliberately abstract, &
possessive nouns. someone, something such. that means it leaves the
-My, mine, ours, your, -Ex: Leanne heard viewer wondering what
yours, his ,her, hers, their, something from the other she is looking at.
theirs, its. room…
-Ex: Larah was great in her 2.Synonyms
performance. Interrogative Pronouns -Are words that have
-Take the place of things. essentially the same
Reflexive Pronouns -Who, whom, what, which, meaning, and they provide
-Refer or reflect back to whose some variety in your word
the subject. -Ex: Whose poster did you choices, helping the reader
-myself, ourselves, vote for in Grade 9? to stay focused on the idea
yourself, yourselves, being discussed.
himself, herself, Coherence & Cohesion -Ex: Myths narrate sacred
themselves, itself. Cohesion - refers to histories & explain sacred
-Ex: Micha wasn’t acting connection within & origins. These traditional
like herself this morning? between sentences. We narratives are, in short, a
“tie” our words, phrases, set of beliefs that are a
Relative Pronouns sentences, & paragraphs very real force in the lives
-Introduce relative clauses. together, to create a text of the people who tell
-That, who, whom, whose, w/ clear & logical ideas. them.
which, whoever,
whomever, whichever. Cohesive Writing - refers 3.Pronouns
-Ex: Micha made a to the connection of your -This, that, these, those,
mistake which could’ve ideas both at the sentence he, she, it, they, & we are
been avoided. level & the paragraph useful pronouns for
level. referring back to
Demonstrative Pronouns something previously
-Take the place of things Coherence - means that all mentioned. Be sure,
-This, that, these, those ideas in a paragraph flow however, that what you are
-Ex: Whatever THAT is, smoothly from one referring to is clear.
isn’t Larah. sentence to the text. Ex: When scientific
experiments do not work
out as expected, they are -Is able to rehearse or -It is essential to be sure of
often considered failures practice prior to delivering the kind of people you will
until some other scientist the speech. be speaking to.
tries them again. Those -Knowing your audience
that work out better the will help you plan the
second time around are appropriate content,
the ones that promise the language, & techniques to
most rewards. use.

4.Transitional Words 4.Plan ahead of time.


-There are many words in -Cramming will reflect on
English that cue our reader Impromptu Speech the way you speak &
to relationships between -The speaker is given w/ behave in front of the
sentences, joining little or no time to prepare. audience.
sentences together. -No chance to research
-Ex: however, therefore, in about it or even make an 5.Use non-verbal cues.
addition, also, but outline as a guide. -The right amount of
moreover, again, besides, -one must be able to fully gestures at the right time
& then, in addition to, gather their thoughts. are key elements of public
compared with, in -focus on the issue or topic speaking as these
comparison with, similarly, at hand. movements help convey
again, likewise, -maintain composure. ideas more clearly.
nevertheless, instead, -Establish eye contact w/
granted, certainly, it may Techniques in Public your audience.
be the case, on the, Speaking:
contrary, etc. 1.Know your purpose. 6.Remain calm.
-Being sure on the -Don’t show signs of
Speech purpose of your speech is nervousness.
-To deliver or communicate synonymous to knowing -Maintain your composure.
information in front of a live where to focus your
audience. discussion. 7.Practice.
-Usually done in a formal -It may be as basic as to -Practice is a major
setting or as part of a inform, persuade, or component of planning.
formal event. inspire. -Through constant
-Conveys purposefully practice, one may be able
which aims to inform, 2.Be familiar w/ your topic. to identify areas that can
influence, or entertain a -The best way to do this is be improved.
large group of audience. to research.
-When you are sure of anyways….
Prepared Speech every piece of information
-The speaker is given the you are presenting, you
topic beforehand. will be more confident.
-Has time to research
about the topic. 3.Know your audience.

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