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Arts Q1-M1
Arts Q1-M1
Arts Q1-M1
9
Arts
Quarter 1, Wk.1 - Module 1
Western Classical Art Traditions
Instructions: To know how much you have learned from the discussion,
fill in the box with the characteristics and functions that would best describe the
artworks in every period or era. Complete the table and follow the format below.
PRE-HISTORIC ERA (Note: make a separate table for Paintings, Sculptures and Architecture)
Paintings were found inside the caves and believed to be their way of
communicating each other. It may also be for religious or for ceremonial purposes PERIOD / ERA CHARACTERISTICS FUNCTIONS
and more of an artefact of the archaeological evidence than a true picture of ANCIENT ART:
human’s first created art. Pre-historic drawing showed animals that were usually
correct in proportion. Pre-Historic
Sculptures were believed to be a product or result of natural erosion and
not of human artistry according to archaeologists. Materials used in sculptures Egyptian
vary according to region and locality while carving may have mythological or
religious significance. CLASSICAL ART:
Architectures from the early age developed a form based on Megaliths
(a big rock) from the Greek word lithos (stone) and megas (big). Although these Greek
structures that survived from prehistory might not be what we would normally
think of as architecture, but these buildings still inspire awe today, through the Roman
mysteries of their meaning, the intricacy or scale of their design, or the ingenuity
of their construction.
Architectures from this period included two new devices such as pointed ANCIENT EGYPT
arch which enabled builders to construct much higher ceiling vaults and stone
vaulting hauled on a network of stone ribs which were supported by piers and Paintings were believed to make the deceased life place pleasant giving
clustered pillars. These elements together formed a structurally and aesthetically importance of life after death and the preservation of the knowledge of the past.
integrated system or style which made the primary engineering innovation and Most paintings were stylized, symbolic and shows profile view of an animal or a
design component of Gothic architecture. person with themes that included the journey of the deceased gods to the
What’s More underworld. The main colours used in this period were red, black, blue, gold and
ACTIVITY 2. “GUESS THAT TRIPLE THREAT!!” green derived from mineral pigments that can withstand strong sunlight without
fading.
Instructions: Given the descriptions and characteristics of artworks from the Sculptures were believed to have symbolic elements such as forms,
different periods on “What Is It”, analyse and identify which period does the three hieroglyphics, relative size, location, materials, colour, actions and gestures were
photos represent and briefly answer the questions below. widely used. Their tombs required the most extensive use of sculpture.
Characteristics includes; symbolism to represent the gods where composite
creature with animal heads on human body, relief compositions were arranged in
horizontal lines to record an event or represent an action, most of the time the
gods were shown larger than humans. The kings are larger than the followers and
the dead larger than the living, empty spaces were filled with figures or
hieroglyphics and all individual components were all brought to the plane of
representation and laid out like writing.
Architectures were developed during the pre-dynastic period of 4,000 BC.
Characteristics of Egyptian Architecture includes; thick sloping walls with few
openings to obtain stability, exterior and interior walls along with the columns
and piers were covered with hieroglyphics and pictorial frescoes with carvings
painted in brilliant colours, ornamentations were symbolic like scarab (sacred
beetle), solar disk, vulture and common motifs such as palm leaves, buds, lotus
flower and papyrus plants and temples were aligned with astronomically
significant events with precise measurements like solstices (sun appears to stand
still on the first day of winter) and equinox (a time or date when day and night are
of equal length).
CLASSICAL GREEK
Paintings during this period were most commonly found in vases, panels
and tomb. They depict natural figures with dynamic compositions and reveal a
grasp of linear perspective and naturalistic representation. Most of the subjects
were battle scenes, mythological figures and everyday scenes. Most common
methods of Greek painting are Fresco or water based painting and Encaustic or clerestory to bring light in from high windows. Byzantine’s advancement in
wax based painting. developing the dome created a new style in global architecture.
Sculptures were tensed and stiff and their bodies were hidden within
enfolding robes or draping during the early times but it had finally evolved and ROMANESQUE ERA
showed all the points of human anatomy and proportion after three centuries of Paintings have remarkable variety of artistic traditions where largely
experiments. placed mosaics on the walls of the churches that follow a strict frontal pose with
Architectures showed temples consisting of a central shrine or room in modelling and treatment of faces that follow Byzantine convention while the
an aisle surrounded by rows and columns. These buildings were designed in one refreshingly decorative feeling came from southern French styles. It showed
of three architectural style or orders; Doric, Ionic and Corinthian. Mozarabic influence (Arabize influence) through elongated oval faces, large
staring and fierce eyes, long noses and figures against flat coloured bands with
ROMAN ERA heavy outlining.
Paintings were mostly copied or imitated from Hellenic Greek paintings. Sculptures were pieces of reliquaries, altar frontals, crucifixes and
Fresco technique was used in brightly coloured backgrounds, division of the wall devotional images. Small individual works of art were generally made of costly
into a multiple rectangular areas (tic-tac-toe design) and multi-point perspective materials for royal and aristocratic patrons. Lightweight devotional images were
as well as a tropme-l’-oeil effect. Roman painting have a wide variety of subjects usually carried during processions both inside and outside the churches.
including animals, everyday life, still life, mythological subjects, portraits and Architectures from this period showed doorways of Romanesque
landscapes (main innovation of Roman painting from Greek painting). churches that were often grand sculpted portals or door openings. Wood or metal
Sculptures were made of monumental terra-cotta. They did not attempt doors were surrounded by elaborate stone sculptures arranged in zones to fit
to compete with the free standing Greek works of history and mythology but architectural elements. Many castles were built during this period but were
rather produced reliefs in the Great Roman triumphal columns with continuous greatly outnumbered by the churches. Romanesque style in England was
narrative reliefs around. traditionally referred to as Norman architecture.
Architectures from this era were sturdy stone structures both for use
and to perpetuate their glory. The emperors erected huge halls and arenas for GOTHIC ERA
public games, baths and procession with gigantic arches of stones, bricks and Paintings have been confined in the illumination of manuscript pages and
concrete or with barrel vaults. the paintings of frescoes on the walls of the churches were of cosmopolitan style
in elegant and sophisticated manner. Subjects of their paintings usually depict
BYZANTINE PERIOD popular legends and love stories with patterns like mille fleur or thousand flowers
Paintings were lively styles which had been invented in Greek and Rome showed influence which may have been due to the Crusades. Stained glass
but this time for Christian subjects. By the 11 th century, the Greek and Oriental windows were created to transform the vast stone interiors with warm colours to
styles seem to blend together in splendid, imposing images which ornamented instruct Christian in their faith.
the churches in large and small forms. Sculptures had a greater freedom of style. They no longer lay closely
Sculptures were religious, everyday life scenes and motifs from nature. Animals against the wall but begun to project outward. Figures were given their own
were used as symbols such as doves, deer, and peafowl while some had acrostic particular attitudes instead of being set into particular patterns but were more
signs that contained a great theological intent or significance. lively and realistic at the same time.
Architectures from this period had a lot in common with the early
Christian architecture where mosaic decoration was perfected as was the use of