1.

INTERIOR

Interior photography is the practice of taking photos of indoor

spaces—from rooms to pieces of furniture. Knowing how to
shoot an interior is essential for a wide number of fields,
including real estate photography, architectural photography,
and interior design photography.

What Equipment Do You Need for Interior

Photography?
 1. Camera. Digital cameras, especially mirrorless cameras and DSLRs,
provide freedom in experimentation with lenses and lots of control in manual
mode for camera settings like exposure, shutter speed, focal length, and
ISO. For the casual or beginner architecture photographer, a DSLR camera
will provide all the necessary modes and settings you need to shoot interior
images. Smartphones are capable of taking surprisingly good interior photos
as well, when paired with manual camera apps.
 2. Tripod. Whether you’re using a heavy telephoto lens or need help
keeping a room’s lines matched up in your viewfinder, a tripod will steady
your camera and lead to crisper, sharper final images.
 3. Flash. For interior shoots, equip your camera with a flash attachment to
get brighter, more vivid images. You can also expand your kit to include
speed lights, bounces, and shoot-through umbrellas for even more lighting
help.
 4. Standard camera lens. A standard zoom lens or prime lens will suffice for
capturing detail shots in interior close-ups. A wide-angle lens can help you
photograph an entire room all at once—especially useful if you’re in real
estate photography.

4 Tips for Shooting Interiors

Ready to begin your journey as an interior photographer? Here are a few
photography tips to help you out during your next photo shoot:
1. 1. Turn off the lights. Photography is all about light. It may seem
counterintuitive to turn off the lights in a room before you shoot, but artificial
interior lighting is the least flattering type of light in a photograph. It can
throw off your white balance, cast distracting shadows, and make the room
look dim and uninviting. Instead of artificial light, focus on bringing as much
natural light into the space  as you can—open the doors, draw back the
 curtains, open the blinds. Supplemental lighting—like a flash—can help
brighten up the space as you shoot.
2. 2. Pay attention to the lines. While nature is characterized by organic lines
and wide-open spaces, interior photography is full of horizontal and vertical
lines in tight spaces. If the lines in your interior photo are slightly off-kilter
(for instance, the corner of the room is at a slight angle), this will disrupt the
balance of your photo and distract viewers from the composition. When
shooting an interior space (and when photo editing in post-production), make
sure that the lines of walls, lamps, and windows look straight and balanced.
3. 3. Tidy up. Nothing’s more distracting in an interior photo than untidiness.
While interior design often incorporates artful and carefully placed clutter, a
room full of junk is going to look unappealing. Think like an interior designer ,
and spend a bit of time styling a room before you start: unplug and remove
tangles of electrical cords, hide things like remotes and shoes, and take the
time to dust furniture, walls, countertops, and window frames to make sure
the room looks its best.
4. 4. Be creative with the space. Sometimes, the room you’re trying to shoot is
simply too small to adequately capture in a photo. When you find yourself in
this situation, try capturing the shot from an adjoining hallway or room that
offers a different perspective. Photographing with these details in mind
provides an additional layer of complexity and interest to interior
photography.

2. EXTERIOR ORIENTATION

The exterior orientation aims to define the position and rotation of the
camera at the instant of exposure. In photogrammetry, three fundamental
conditions are frequently used to compute the exterior orientation
parameters. These conditions are known as collinearity, coplanarity and
coangularity conditions. All the solutions based on the conditions
mentioned so far, use point coordinates as input data.

Several methods can be applied to determine the parameters of the

orientation of single photo.

If we consider the orientation of a single image, the topological and

geometrical characteristics of the imaged scene are used with the
measurements in the image to determine the orientation parameters. These
characteristics are considered as scene constraints (e.g.
perpendicularity, parallelism, co-planarity). The relationship between
camera space and object space is given by the perspective projection model
of the camera.
The method presented in this paper implements genetic evolution
algorithms for determining exterior orientation parameters in aerial and
terrestrial photogrammetry. Good results are achieved which are
comparable to the well-known methods.