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  • El Triste: Sebastian

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    Antonio Alexander Campos
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    This document contains a musical composition consisting of musical notation and symbols. It includes measures of music with staffs containing notes, rhythms, dynamics, and other musical markings. The piece is titled "Sebastian El Triste" and contains instructions such as "Yao Bideo" and "D.S. al Coda".

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    5854896-0cba0a5858f6ab82c6f113b62c0de006.pdf

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    This document contains a musical composition consisting of musical notation and symbols. It includes measures of music with staffs containing notes, rhythms, dynamics, and other musical markings. The piece is titled "Sebastian El Triste" and contains instructions such as "Yao Bideo" and "D.S. al Coda".

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    21 views1 page

    El Triste: Sebastian

    Uploaded by

    Antonio Alexander Campos
    This document contains a musical composition consisting of musical notation and symbols. It includes measures of music with staffs containing notes, rhythms, dynamics, and other musical markings. The piece is titled "Sebastian El Triste" and contains instructions such as "Yao Bideo" and "D.S. al Coda".

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Sebastian El

    Triste

       
    Yao Bideo

                                       
       

     = 110


          
                           

              
     
    21

               

                                       
    38

     
                                               
    50 1. 2.

                        

                          
       
    68

                         
                         
      
    79

                         
                      
    
    87 D.S. al Coda

        
                 
                  
                                    
     
    94

     
          
       
    106

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