Medium Funk q = 133

dId IT
John Scofield
1st x: guitar tacet

    
[A] guitarx: (sounds
3rd keyboard solo begins

     
as written)
 
            
   

    
{k`b`d`} A‹7(4) F7“/A A‹7(4)
     
        
  
        


    
      
            

[b_a_s_s_ _w_/_ _k_e_y_b_o_a_r_d_]

        
  
         
  
A‹7(4) F7“/A A¨/B¨
       
   
    
               
                       

    
            
 
          
A¨/B¨ C¨/B¨
         
      
                     
              
  


   


     
E7“ C©7(#9) C/D

  
        
    
         
            
            
  
Transcribed by Ville V. (2011)
   
2
3 3
     

   
     
 
C/D B¨7(b5) F/G
       
    
   
                                    
  

    
{1`s`t` `x`:` `g`u`i`t`a`r` `e`n`t`e`r`s`}
till cue
               
          
   
[p_l_a_y_ _t_o_ _e_n_d_ _k_e_y_b_o_a_r_d_ _s_o_l_o_]

   
F/G BØ B¨9(b5) F D2/F© F/G A‹7(4)

 
    
     
  
   

 
  
           

     
               

       
[b] GUITAR SOLO

on cue (after kbd solo)

   
                 
F D2/F© F/G                    
C‹7(4) A¨7“/C
 
       
   

                        
 
  

  

[c] {o`n` `c`u`e` `-` `g`u`i`t`a`r` `s`o`l`o` `c`o`n`t`i`n`u`e`s`}

                
C‹7 A¨7“/C C‹7 A¨7“/C
   

                
B/C© D/C© F/G E7(#9)
   
 3

        
E¨/F D¨9(b5)
 

D.S. al Coda
       
       
        

A¨/B¨ DØ D¨9(b5) A¨9 F/A A¨/B¨ A‹7(4)

         
       
 

 {g`t`r` `&` `d`r`.` `f`i`l`l`}

 
 
   
  
F D2/F© F/G C‹7(4)
 

  
      
 
 


      
  

Guitar is written as it sounds, that is, an octave lower than in standard guitar notation.