A Kamen Rider Inspired RPG

from Cave of Monsters Games

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 Game Design, Writing and Layout by Tim Batiuk and Sam Kusek

Cover, Playbook and Gear Art by Dave Baker

Logo Design by Matthew Schuff

Special thanks to Brandon Sichiling, Riley Hopkins, John Sitton, Carl Nellis, Carmen Askerneese, Matthew Schuff, Zach Link, Vincent Kukua, Stephanie
Gerk and Sandra Lanz.

This game text is copyright © 2020 by Cave of Monsters Games. All rights reserved. Permission is granted to copy and distribute any portion of this text
to facilitate play of the game, but not to alter or resell this content in so doing.

Illustrations are copyright by their creators and used by permission.

This publication is a work of fiction in that it contains fictional characters and enables readers to create their own original fictional content. However,
real-world people and entities are mentioned in passing. This publication has not been prepared, approved or licensed by any existing person or entity,
and there is no affiliation between any mentioned and Cave of Monsters Games. Any resemblance of a fictional character presented here to a real-world
person, living or dead, is purely coincidental.

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 INTRODUCTION WHAT DO I NEED TO PLAY?

For those of you who are unfamiliar with Henshin!, Story Gaming and Toku- While the game is built with 6 characters in mind, this type of game
satsu in general… generally runs best when 3-5 players are present at the table.

• Story Games are a collaborative style of game that focuses primarily After you’ve gotten your group together, make sure you download the
on roleplaying and does not require a board or game pieces. necessary playbooks (from caveofmonstersgames.com), draw out an
area to be your shared token pool, in addition to a blank version of your
• Tokusatsu is a Japanese term for live action film or television drama countdown clock, gather some small items, like cards or stones that
that makes heavy use of special effects. There are several types of can be used as tokens and you’ll be good to go!
shows that fall into this category, however, almost all generally depict
colorful heroes fighting monsters. If you are the Narrator for this and future sessions, turn to the Narrat-
ing Rider section for more details on the sections you’ll need to prep
• Henshin! is a story game that pays homage to a sub genre of Tokusatsu
for, like Game Clocks, Gear Cards and more!
called Super Sentai, which follows a team of brightly colored heroes as
they fight monsters all while trying to manage their day to day lives.
Choosing a Playbook
• Rider Konchu is story game that pays homage to another sub genre
called Kamen Rider, which is similar to Super Sentai except for the fact In Rider Konchu, each playbook is representative of tropes and types
that the heroes are not on a team together. Instead, they are often of roles that are seen in the genre, which includes good guys, bad guys
competing for their own goals and ideals throughout a season. and some folks who are a bit of both.
Like Henshin!, Rider Konchu is not meant to recreate any existing Tokusat-
To prevent any specific playbook from being prescriptive, we’ll refer
su series or provide players with a tactical experience...the game is about
to them simply as a Character(s). When selecting a Character to play,
telling an interesting story together!
start by reviewing the italicized flavor text at the beginning of each
If you haven’t played Henshin! before, the system relies heavily on col- playbook; we’ve provided those on the next page to give you a good
laboration, a bit of improv and simple mechanics to move the story along. idea of what your Character stands for!
Heroes can take two different kinds of turns: Heavy Turns, which execute
dynamic actions, spending a token and Light Turns, which give your Char-
acter a token for taking some kind of risk. Tokens are managed individually
to simulate the trials & tribulations one goes through, which fuels person-
al growth. This growth is guided by an individual driving principle or Task
your Character is striving to achieve which will ultimately serve the greater
good of the team. This all happens over the course of several scenes, where
players take Turns & gain Tokens, which make up an Episode. The game
is also built to support single session play and for longer campaigns (5-10
sessions).

With Rider Konchu, we’ve changed some of the core mechanics & added
brand new ones to encourage players to compete with & against each
other rather than always act as a team. Keep that in mind as you read
through this book.

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 The Playbooks
The Rider
Generally, the Rider is the hero of the series, often going through their
own journey of self discovery with a passion for protecting others. You
should play this if you like to solve problems with your fists and be the
center of attention.
The Rival
The Rival on the other hand, is a competing hero to the Rider, working
towards a common goal but by their own means. You should play this if
you like to create a scene, steal the spotlight and talk shit.
The Rogue
Someone who had a previous connection to the world or the Rider that
was recently shattered. This character is all about crawling back up the
food chain and taking back what’s theirs. You should play this if you like
spoiling someone else’s fun, making a mess and taking revenge.
The Best Friend
The Best Friend is generally connected to the Rider (and oftentimes
the Rival as well) and is the grounding force of a series. They bring out
the best in everyone around them. You should play this if you like being
the voice of reason, putting yourself in harm’s way to prove a point and
being everyone’s favorite.
The Reporter
This playbook is for those who want to uncover the truth about what
is really going on, no matter the cost. You should play this if you like
solving problems with your words and charming your way in and out of
situations.
The Hacker
No one really knows who the Hacker is, where they come from or what
they really want but the Hacker knows all about them and their dirty lit-
tle secrets... You should play this if you like spreading information & lies
around and pointing people to clues they may have otherwise missed.
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Choosing and creating a character
It is important to note that some of the playbooks are not ideal for pilot
campaigns or one shots, specifically. This applies primarily to the Rogue
and Hacker playbooks, as both offer a more unique approach to storytelling
and are often linked to other playbooks, that may or may not already be in
play.
First, take a look at the Name, Looks and Connection options.
Names and Looks will help describe your Character. The Connection is
your chance to work with the Narrator to create an NPC character, to give
more context as to your role in the world.
Then peruse the list of Bonds & Turns:
• Bonds are your Character’s north star. They are set at the beginning of
each session as something your Character should be driving towards,
either with or against another player or NPC. For more details on how
those work and how to properly set them, jump to the Bonds section of
the Game Overview.
• Turns engage the mechanics of the game with tokens, allowing your
Character to take action during scenes. Some Turns earn you tokens,
some cost you tokens, and some don’t involve tokens at all but instead
provide you with a possible action if you are feeling stuck.
Finally, there is a section where you’ll be able to describe items your char-
acter has, like a suit of armor, transformation device and transport. The
descriptions of these are all purely for the sake of adding a bit of flair to your
character and breathing more life into them.
Keep in mind that storytelling is a collaborative process, so you don’t have
to have everything figured out right away.
Leave some comfortable gaps in your Character concept to be filled in by
your teammates, the narrator’s story and the unexpected plot points that
can come up during an episode!
The best way to accomplish this, is by having everyone at the table adopt-
ing a “Yes...And” attitude towards the story. When someone in a scene
states something, say “Yes” to the idea! Accept this as a part of the fiction
and use the “And” part of this approach to build on the reality that has been
set. This is a cornerstone of improvisation and helps to build an accepting
and encouraging gaming environment, for both the Narrator and the Play-
ers.
 Game Overview
As mentioned in the introduction, Rider Konchu is about encouraging
players to pursue individual bonds and you’ll find that each one of the
mechanics supports that. Below we’ve outlined what each one does and
how they’ll work together over the course of play.
Turns & Tokens
Turns tie the game together and fuel all other mechanics, by having
the player explicitly state what they intend to have their Character do
in a scene. Tokens are the currency that is used to make Turns happen
and can be made up of any collection of small, physical objects that are
exchanged during play.
Players exchange (add or take) Tokens from a Shared Pool, which is
represented by a space that is accessible to all players at all times, not
individually on their sheets. An episode starts with zero tokens in the
pool and Tokens are only added by the Narrator or a Player when a ap-
propriate Turn is made.
There are three types of Turns:
• Heavy Turns
• Regular Turns
• Light Turns
As a player, it’s important to know that while all playbooks use Regu-
lar Turns the same way (they can be used at any time), there are key
differences in how Heavy and Light Turns work across two distinctive
groups of playbooks that we’re calling Support and Rider.
Support playbooks add tokens to the pool, using their Heavy Turns
and take using their Light Turns. The turns were structured this way to
help keep that Character in the spotlight, allow them to uncover infor-
mation and ultimately guide the plot in their favor.
For example, using the Heavy Turn, “Save someone’s skin, at your own
expense”, the Best Friend could turn the tide of battle & add a token
all in one turn but at the cost of their own health or safety (which the
Narrator or another player could take advantage of).
Similarly, the Reporter could take the Light Turn “Stumble upon an
unlikely, perfect clue”, getting them the information that they need to drive
their goals but at the cost of an accessible token.
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Rider playbooks, however, do the opposite. Their Heavy Turns do not add
tokens to the pool, instead they take them and do things like transform
into an armored state and take on immediate threats! These playbooks
can add to the pool using their Light Turns, which provide more social
options for play. For example, the Rider could take the Light Turn “Put your
foot in your mouth”, which could lead to scenes putting them in hot water
with other players or an adversary!
Another thing to note, if you are playing a Rider playbook, is that these
Characters use Belts to transform! If you choose to take the Heavy Turn,
“Transform into your armored state!”, be sure to act out what the transfor-
mation looks like! Belts come in all shapes & sizes and can use many differ-
ent components like levers, cards and cranks to make the transformation
happen; so use your imagination, as there will be a small section for you to
describe it!
Finally, all playbooks can use Special Turns and Gear (more on this in the
Gear section) at the cost of 3 tokens for each use. Mechanically, these
represent a defining point or tonal shift in the action of the episode. For ex-
ample, the Rogue can “poison something of importance” like another player
or NPC while the Hacker could use a piece of Gear to double the amount of
Tokens added during a scene or break someone’s transformation.
Bonds
Bonds represent the feelings, thoughts, and shared history that tie
you & the other players together. Each bond is represented by a simple
statement that relates your Character to another player Character, by filling
in the blank. Your sheet gives you a few to start with, along with space to
create your own.
Resolving Bonds
At the end of each session, all players retierate the bond they were work-
ing towards and vote on who they think resolved theirs during play (players
cannot vote for themselves). A bond can be considered resolved when it
no longer describes how you relate to the other person. The player with the
most votes, wins and resolves that bond, taking a raise & choosing another
bond next episode. Players who did not win carry their bonds to the next
session.
New Bonds
You select a new bond from the list or write a new one whenever you
resolve your current one, however it must be with a new Character. You
cannot choose the last Character you resolved a bond with.
 Gear
One trope that you see in more recent Kamen Rider shows is the collec-
tion of trinkets. These are used to boost the Characters strength by in-
troducing new weapons and armor and are often sought after by many
other characters, making them an ideal storytelling device.
In Rider Konchu, Gear is obtained by a Character resolving a Bond and
selecting “Draw a Gear. Read the card description to the other play-
ers”. as an option for their raise.
When that happens, the Narrator presents the player with a number of
cards and the player draws one at random. Whatever you get is your
Gear! Players read their Gear card aloud and present a short scene to
show how this new item fits into your character’s story.
For example, if the Rider obtains the Soviet 25-Rouble Commer-
morative Coin, maybe it’s something they find outside of their apart-
ment building and give it a good flip, not realizing what ability they just
kicked off; or maybe the Reporter is handed the Aloe Vera plant by a
strange hand coming out of their computer!
Finally, give some thought to a change in appearance when you decide
to use it in play. Does this add a new weapon to your armor, person or
transport? Is there a color change or new transformation sequence?
Does this meld with any existing equipment you might have? Whatever
it is, have fun with it!
Gear cards can do anything from providing opportunities to add or sub-
tract tokens from the shared pool, to changing the direction of scenes
or episodes! Refer to the Gear table in this book for more details, but
keep in mind that each Gear costs 3 tokens, so use them wisely!
Another thing to keep in mind is that the distribution and collection
of Gear also helps create narrative structure and a “win condition”.
The player with the most gear at the end will attain a final form and this
doesn’t only apply to Rider characters. Support characters can attain a
final form as well!
Gear is carried over from session to session, staying with the orig-
inal owner (unless it is narratively lost or stolen through a turn). Gear
should not return to the pile after a session ends if you are playing
multiple sessions.
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Because there is a limited set of Gear (10 items) that has been created
for this game, and the idea is the Characters are competing to obtain
it, this can be used to dictate an episode count. The more Gear you
include, the longer your campaign or season will run.
For example, if you are only going to be playing 1 session, we’d suggest
that the Narrator randomly distribute Gear to each player prior
to play, so it can be incorporated into the story and used as a Special
Turn.
Regardless of how much Gear is used, when the last piece is distribut-
ed, the game should start entering the last session. The player with
the most gear will be the player who can attain a final form, allowing
them to overpower any other threats and move the story in whatever
direction they choose (within reason), making them obstensibly the
winner.
Raises
During an episode of Rider Konchu, players are encouraged to focus on a
specific Bond, which is associated with another player or NPC, from their
playbook, as a way to help guide their development. At the end of an epi-
sode, players vote on which Character best resolved their Bond...and that
Character receives a Raise, which offers some choices for growth moving
forward.
In Rider Konchu, each Character has three types of raises:
• Gain of a piece of Gear.
• Switch out your playbook for another open playbook.
• Retire your Character and create a new one.
This first Raise is purely mechanical and a way to add some new excite-
ment to the game, as well as advance the story.
The second Raise serves to explore a shift in the Character’s arc, repre-
sented by their history & relationships remaining but in a new mechanical
capacity. Maybe the Rival gave up their powers, the Rogue’s belt was de-
stroyed or the Reporter found a belt of their own! The Character wouldn’t
fundamentally change, but instead inherit a new playbook & purpose in the
story!
Lastly, the third Raise, a Character may simply retire altogether, making
way for another Character. Any available playbook could be chosen for this
Raise.
 R IDER K ONCHU RPG — RIDER PLAYBOOKS

RIDER
Special Turns
Take 3 tokens from the pool to...
THE
• Alter your weapon to eliminate a threat.
The hero of the series, on a journey of self discovery with a passion for • Take another Player’s Gear and equip it.
protecting others.
Describe how this changes your form.
You should play this if you like to solve problems with your fists and be the Heavy Turns
center of attention.
Take 1 token from the pool to…
Choose a Name • Transform into your armored state!
• Face down danger without hesitation.
• Tai • Talk smack to someone more powerful
• Ajax than you.
• Walden
• Rand Regular Turns
• Something heroic You may always...
• Try to prove yourself to another.
Choose a Look • Take action, leaving yourself vulnerable.
• Rugged face • React by taking temporary cover.
• Eager face Light Turns
• Defiant face Add 1 token to the pool to...
• Warm face
• Put your foot in your mouth.
• Clear eyes
• Fail to react and suffer the conse-
quences.
• Resolved eyes
• Direct eyes
• Ask someone, “Why do people trust
in me?”
• Bright eyes

• Tattered wear
• Dusty wear Bonds
• Muted wear Fill in at least one with the name of another
• Broken in wear player or NPC or write your own...
• __________ is in constant danger. I
Choose a must keep them safe.
Connection • I have vital information I need to get to
• An old karate coach ____________
• The local grocer • I took something from ___________
• A local gang leader and they want it back.

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 R IDER K ONCHU RPG — RIDER PLAYBOOKS

RIVAL
Special Turns
Take 3 tokens from the pool to...
THE
• Pull radioactive material out of something
A competing hero to the Rider, working towards a common goal but by or someone.
their own means.
• Take another Player’s Gear and equip it. De-
You should play this if you like to create a scene & steal the spotlight. scribe how this changes your form.
Heavy Turns
Take 1 token from the pool to…
Choose a Name
• Transform into your armored state!
• Phaedra • Remain totally dependable
• Godric under pressure.
• Jomei • Do what’s best for someone
• Oran when they wouldn’t agree.
• Something hopeful
Regular Turns
Choose a Look You may always...
• Bright face • Try to boost another player’s
• Serious face morale.
• Friendly face • Take action, leaving yourself vulnerable.
• Stoic face • React by taking temporary cover.
Light Turns
• Shining eyes Add 1 token to the pool to...
• Pointed eyes
• Harsh eyes
• Humiliate someone, in a public way.
• Austere eyes
• Fail to react and miss something
important.
• Loud wear
• Ask someone, “How can I be the
best?
• Fashionable wear
• Poised wear
• Asymmetrical wear
Bonds
Choose a Fill in at least one with the name of
Connection another player or NPC or write your own...
• An affluent parent • I have vital information I need to get to
• A city councilor ____________
• A trusted peer • I have sworn to protect ___________
and will do what is needed.
• ____________ knows incriminating
evidence about me and must be silenced.

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 R IDER K ONCHU RPG — RIDER PLAYBOOKS

ROGUE
Special Turns
Take 3 tokens from the pool to...
THE
• Poison something of importance.
This character is all about crawling back up the food chain and taking it all • Take another Player’s Gear and equip it.
back.
Describe how this changes your form.
You should play this if you like spoiling someone else’s fun, making a mess Heavy Turns
and taking revenge.
Take 1 token from the pool to…
Choose a Name • Transform into your armored state!
• Shake off a beating like it’s nothing.
• Allistar • Convince someone to do things your way.
• Diederik
• Michael Regular Turns
• Jesh You may always...
• Something proud • Remind someone of the real task at
hand.
Choose a Look • Take action, leaving yourself vulnera-
• Stubborn face ble.
• Guarded face • React by taking temporary cover.
• Loyal face Light Turns
• Tough face Add 1 token to the pool to...

• Unreliable eyes
• Insult someone’s intelligence.
Make a show of it.
• Cold eyes
• Knowing eyes
• Overexert yourself & suffer the
consequences.
• Disgruntled eyes
• Ask someone, “What will you
• Formal wear sacrifice, for what you want?”
• Casual wear
• Pristine wear
• Erratic wear Bonds
Fill in at least one with the name of another
Choose a player or NPC or write your own...
Connection • I have vital information I need to get to
• An eccentric professor ____________
• A member of local security • I propose a deal with __________ to
force work for me.
• A loan shark • _________ does not trust me, but I will
make them see my ways.

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 R IDER KONCHU RPG — SUPPORT PLAYBOOKS

THE BEST FRIEND

The grounding force of a series. You bring out the best in everyone around Special Turns
them.
Take 3 tokens from the pool to...
You should play this if you like being the voice of reason, being right all the • Deescalate a situation. Calm people’s nerves.
time and being everyone’s favorite. • Take another Player’s Gear and equip it. Describe how this
changes your form.
Choose a Name
Heavy Turns
• Leilani Add 1 token to the pool to…
• Fleur
• Sorrel • Save someone’s skin, at your own expense.
• Ren • Confide in someone. Tell them a secret.
• Something floral • Ask someone, “what pain are you holding onto?”
Regular Turns
Choose a Look You may always...
• Excitable face • Be there for someone.
• Welcoming face • Take action, leaving yourself vulnerable.
• Relaxed face • React by taking temporary cover.
• Forgiving face Light Turns
Take 1 token from the pool to...
• Warm eyes
• Curious eyes • Strike at the heart of a problem.
• Open eyes • Demand attention! Right now!
• Worried eyes • Give one of your Gear to a Rider of your choice.

• Comfort wear
• Active wear
• Bold wear
• Innovative wear Bonds
Fill in at least one with the name of another player or NPC or write
Choose a your own...
Connection • ____________ does not understand how things work
• A softhearted boss here, so I will show them.
• A headstrong sibling • I’ve pledged to help ___________ and will do whatever
• A local doctor I can.
• _____________ knows something about my past and
is using it against me.

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 R IDER KONCHU RPG — SUPPORT PLAYBOOKS

THE REPORTER
For those who want to uncover the truth about what is really going on, no
matter the cost. Special Turns
Take 3 tokens from the pool to...
You should play this if you like solving problems with your words and
charming your way in & out of situations. • Blackmail someone who matters.
• Take another Player’s Gear and equip it. Describe how this
Choose a Name changes your form.

• Quinn Heavy Turns

• Laurel Add 1 token to the pool to…
• Frances • Piss off the wrong person, at the wrong time.
• Kim • Let your fists do the talking.
• Some- • Ask someone, “what am I not seeing?”
thing
familiar Regular Turns
You may always...
Choose a Look • Try to bring people together with a wisecrack.
• Take action, leaving yourself vulnerable.
• Offbeat face • React by taking temporary cover.
• Distant face
• Friendly face Light Turns
• Youthful face Take 1 token from the pool to...
• Stumble upon an unlikely, perfect clue.
• Generous eyes, • Save yourself. Throw someone under the bus.
• Uncommon eyes
• Thoughtful eyes
• Give one of your Gear to a Rider of your choice.
• Kind eyes

• Rugged wear
• Offical wear
• Distinctive wear Bonds
• Floral wear Fill in at least one with the name of another player or NPC or write
your own...
Choose a • I’m digging up dirt on ____________
Connection • I stole something from ___________ and they want it
• Prominent museum curator back.
• A gang member • ___________ has info I need and I’ll do whatever it
• A firm but fair boss takes to get it.

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 R IDER KONCHU RPG — SUPPORT PLAYBOOKS

THE HACKER
No one really knows who or what you are but you know all about them and Special Turns
their dirty little secrets...
Take 3 tokens from the pool to...
You should play this if you like creating mystery & secrets amongst players • Prevent or break a Rider’s tranformation.
and pointing people to clues they may have otherwise missed.
• Take another Player’s Gear and equip it. Describe how this
changes your form.
Choose a Name
Heavy Turns
• The Gr8 Wyrm Add 1 token to the pool to…
• Code Contra
• DotNet • Construct something dangerous.
• Faux Modem • Interrupt someone’s plan & steer them in the wrong direction.
• Something coded • Ask someone, “what do you really think of me?”
Regular Turns
Choose a Look You may always...
• Shrouded face • Try to pinpont an enemy’s weakness.
• Maimed face, • Take action, leaving yourself vulnerable.
• Sharp face • React by taking temporary cover.
• Calm face Light Turns
Take 1 token from the pool to...
• Piercing eyes
• Tired eyes • Appear suddenly & reveal an unknown truth.
• Anxious eyes • Take advantage of someone’s mistake.
• Impatient eyes • Give one of your Gear to a Rider of your choice.

• Ceremonial wear
• Academic wear
• Unassuming wear
• High fashion Bonds
wear
Fill in at least one with the name of another player or NPC or write
your own...
Choose a • I have helped __________ before. They owe me for it
Connection and its time to pay up.
• A cunning rival hacker • ________ does not trust me, but I will make them see my
• A nightclub owner ways.
• A chief scientist • ___________ will play an important role in the events to
come. I must tell them!

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 Narrating Rider
How to Narrate
The role of the Narrator is broadly modeled after that of a director. The
Narrator doesn’t necessarily call all of the shots or force the action, as
they are dependent on the talent of their actors, the Players, to make
the episode shine. However, the Narrator can set up, guide, and redirect
Players to make sure everything that they are doing translates into a
satisfying story.
This section delves into how a Narrator can do that, by walking you
through steps to:
• Use Narrator Turns to respond to players & manage combat.
• Structure the flow of a season using Gear.
• Set Stakes & Consequences and track the action using the Count-
down Clock.
• Includes sample Monsters and a guide for creating memorable ones
of your own.
Taking Turns
When the Narrator begins an episode, they should consider using scenes
that are “spotlights” to direct attention to a specific player or group that
may have established a relationship in the previous episode. These can be
set up entirely by a player, or the Narrator can prompt them.
During these spotlights, the Narrator should encourage players to trigger
a Turn from their Player sheet during a scene, either by prompting them to
react to something or interpreting how they act as a Turn.
When a player takes a Turn, the Narrator considers their own Narrator Turns
as a response. For example, when a Rider takes the Heavy Turn, “Trans-
form into your armored state!”, the Narrator can respond with the Turn,
“Remind a player of what’s at stake.”
This mechanic is called a “Turn” because it reinforces the idea that every-
one gets the chance to take a turn, helping to create a natural flow of play.
A player’s Turn is responded to by the Narrator’s Turn, who then can shift
the focus to another player. This keeps the action moving, keeps players
listening and engaged and keeps conflicts from feeling too drawn out.
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In general, to keep scenes short and to the point, we encourage Narrators
to listen and/or prompt 1-2 turns per player, in whatever order makes nar-
rative sense. Once you’ve gone around the table a few times, start to wrap
the scene up and ask if viewers see anything else before a scene closes and
suggest that unresolved conflicts get revisited later.
Managing the Episode
Setting Stakes & Consequences
At the start of a session, prior to any players starting the scenes, it is the
job of the narrator to set up the core problem or focus of the episode,
which for the purpose of this game we are calling a Stake.
A Stake should be focused on the world around the Characters, engaging
some well known NPCs or established locations. Please note Stakes are
not meant to provide specific instructions for players to follow or an es-
tablished set of steps they need to complete...this is a prompt to get the
action started and allow for them to creatively approach their problem
solving.
For example, maybe a royal family within the city is holding a coronation
ceremony for their beloved child and there is news of a never before seen
piece of Gear being shown or there have been reports of monsters com-
ing out of the mines, attacking the tenement buildings just outside, where
players may have Connections.
In addition to creating a Stake, take some time to think about what could
happen if this problem isn’t solved during the session or if the players
choose not to engage in the scenario. This is the Consequence of that
Stake.
For example, any area of town could become uninhabitable due to an over-
flow of monsters players failed to stop or the piece of Gear that everyone
was after, is mysteriously stolen by an NPC making it inaccessible to the
players for a time.
Whatever you come up with, be prepared to run a small scene at the start
of your session, similar to a “cold open” that clearly sets up the Stake, let-
ting players know what is happening in the world around them...
 Clocks & Clock Management
Now you are probably wondering, how do we get from setting up the
Stake and know when the Consequence happens? Well, with every
Stake & Consequence, comes a countdown clock.
A countdown clock is a narrative tool that serves to remind you and
help track your Stakes intentions, direction, changes, and ultimately,
the results of the episode.
When you create a Stake, if you have a vision of its future & its conse-
quence, give it a countdown clock with the following segments:
Around the clock, mark down some beats that could happen:
• For segements 3 & 6, encourage the players to explore the world.
Where do we see the players and with who?
• Before 9:00, what was presented in the Stake is happening, but the
Consequence can be changed or prevented. Where do people need
to be? What steps need to be taken?
• Between 9:00 and 12:00, the Consequence is inevitable, but there’s
still time to reduce the damage. What turns do people need to take?
• At 12:00, the Consequence comes into full swing and the episode
begins to wrap up. What happens and who does it impact?
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For the most part, list beats that are beyond the players’ Characters’ con-
trol: NPCs’ decisions and actions, the movement or actions of a monster,
conditions of a landscape or other set piece, off-screen relations between
rival companies etc. If you choose to list something within the players’
Characters’ control, always be sure to start it with an “if,” statement, either
implied or explicit: “if the Reporter infiltrates the meeting,” not “the Re-
porter infiltrates the meeting.” Again, this is not about prepping future
scenes you want to lead Players into. This is about building and preparing
your environment. Finally, keep in mind that you can add beats whenever
during a session, as things come up. They don’t all have to be down when
the story starts.
Countdown clocks are meant to be both descriptive and prescriptive. De-
scriptive: when something you’ve listed happens, advance the clock to that
point. Prescriptive: when you advance the clock otherwise, it causes the
things you’ve listed. Furthermore, countdown clocks can be derailed: when
something happens that changes beats you’ve written down making them
obsolete, just scribble them out.
Lastly, make sure that a blank version of the clock is present for the players
to see, next to the shared token pool. Be sure that both versions (the clock
with your storybeats and the blank version) are updated at the same time
during play.
Episode Flow
After the Stakes have been set, have your players introduce where their
Characters are and what Bond they are going to be working towards. Pay
attention to if and how the Bonds align with the stakes you’ve set. This can
help you determine when your clock moves ahead or not. This can be done
in short vignettes, setting the stage for future scene ideas or following up
on the events of a previous episode. If the Bond incorporates another play-
er, encourage the two to do a scene together!
Midway through an episode, the Narrator should find that all players have
added and taken tokens as a result of their Turns and a monster, or some
other kind of threat, has been announced, even if only offscreen. Now,
check in as a group about a particular Bond a player is working toward or
a Turn someone wants to use. This flags content that the table can help
make happen in interesting and challenging ways.
During the remaining episode, the Narrator addresses the conflicts on the
table (including the monster) and helps players hit interesting Turns that
haven’t seen play, especially transformations & Characters stealing gear.
 As soon as the action is dying down during the final moments, the
Narrator should shift focus to a round of final spotlight scenes before
cutting to credits. Remember, this may be the last time viewers see this
Character in the episode!
Once play is over, players reflect and unpack as they review a relevant
Bond they worked toward. Without too formal of a process, everyone
decides as a group on one Player that did so in an especially engaging
way, and that player can select a Raise. Sometimes the chosen Raise
is consistent with what the Character did during the episode, mean-
ing the Raise already took effect, or perhaps the effect of the Raise is
instead revealed in a special post-credits scene. Or, if the group will be
playing again, this Raise can be set up at the start of the next episode
Notes on Combat
At its heart, Rider Konchu is a story game, not a combat simulator. The
storytelling style & narrative beats of tokusatsu inspired the game, and
Rider’s mechanics work to drive satisfying personal arcs and conflicts.
And yet, when a fight breaks out in the game (and believe us, it will),
players may look to some alternate set of rules to dictate how combat
works—after all, had they been engaging with social mechanics earlier,
they would now use battle mechanics, right? Or is combat as story-driv-
en as the rest of gameplay?
Think Cinematic
Like the structure of an episode, action should be short, impactful and
set the stage for interesting social scenes.
When the Narrator helps set up a scene with physical conflict, they
should always be guided by what or who might be on the line. This could
include hitting a Character’s Bond, involving a Connection, threatening
an external story element, or, simply, needing to help another player
out. When the story is at a fever pitch, every one of those could be in-
volved.
Not only do the players have personal investment in the conflict, but
hopefully the foes involved do too. They should clearly telegraph their
motivation for resorting to fighting. And if the antagonists have some
fun defining features, they quickly become characters that the players
love to hate and look forward to seeing reappear later.
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For example, say a piece of gear has appeared suddenly on the scene and
the Narrator knows that Rival and Rider are both interested in taking it for
their own. With this in mind, the Narrator could open with a “birds eye view
shot” describing in great detail what surrounds the Gear, allowing for the
Rival and Rider to more comfortably find their footing in the scene. In gen-
eral, it helps to use a vocabulary (closeups, low angle, crossfade, smash cut)
that stresses the show part of this game.
Lastly, cinematic combat should draw to a close before the fighting gets
drawn out. If every player has played a Turn or two and no major story
threads are left dangling, the Narrator should then find a quick, satisfying
way to wrap up the fight. Not every battle is to the death, after all—maybe
the foe gets away, or presents the heroes with a difficult decision, or be-
comes captured, or makes a sympathetic appeal. All of these options are
fun because they set up the potential for more interesting story elements
down the road.
Combat Spotlights
While the draw of combat is fast-paced action among a diverse cast in a
dynamic environment, managing all of these imaginary elements can be
particularly difficult in the theater of the mind. In fact, it rarely hurts to
sketch a brief map and throw down some tokens just to orient Characters
around a space. Keep in mind, the purpose of this isn’t to track their move-
ment or measure distance...everything should be “one narrative conve-
nience away”. So any way to manage equal participation from everyone at
the table is appreciated when the action is at a fever pitch.
Rather than expecting Turns and player interactions to flow naturally, the
Narrator can lock in some shared spotlight management by simply prompt-
ing players in order around the table. Sometimes players not in the imme-
diate action are on a slightly different timeline than the player preceding
them, which is okay, and sometimes a player is unexpectedly reacting to
what the previous player just did, throwing plans out the window!
When the Narrator goes around the table, it’s helpful to provide a short
prompt to set up each player. This can involve reminding the player to work
toward a Turn if it naturally fits the action, since it’s especially satisfying
to see tokens fly during combat. Or the simplest prompt is, “What do we
see you doing now?” The Narrator responds appropriately to each player’s
response, keeping the action dynamic and changing.
This fixed spotlight management is convenient for pacing combat, since
once the Narrator has gone around the table twice, the battle is probably
ready to wrap up. Remember, short, impactful, and setting the stage
for later.
 Turns to Drive Action Sample Monsters

Beyond setting up a scene with stakes and managing the spotlight, the
Narrator has another tool to help escalate and resolve action: their own
Turns. More so than usual, the Narrator Turns and Monster Turns are an *
especially effective way to respond to players during combat, especial-
Grimy Gold Ghoul
ly when players trigger Turns of their own.
Glittering as they glide, this creeper of the night will spook you
For example, if the Rival’s take a token to enact the Heavy Turn, “Do
into submission if you aren’t careful!
what’s best for someone when they wouldn’t agree.” the Narrator can re-
spond with their own Light Turn, “Put a player on the spot.” creating some Heavy Turn: Curse someone into believing they are covered in
narrative tension. snakes & spiders.
In general, it’s best to keep that dynamic in mind. Respond to Heavy with Regular Turn: Take off and soar through the air!
Regular or Light turns and to Light with Heavy or Regular turns.
Light Turn: Gets tongue tied easily, making it hard to curse.
*
Making a Monster
Armor-a-Dillo
A tokusatsu series is only as good as its monsters, right? Monsters in
these series tend to be inspired by commonplace or well known ideas, Like treads on a tank, this monster can roll up to any scene,
sometimes multiple ones mashed up in unexpected ways. looking to cause some serious destruction!
Below is a quick guide for putting together monsters, complete with Heavy Turn: Roll yourself into a ball and bowl someone over.
turns just like the Player, to help move the action along.
Regular Turn: Try to dig & hide underground.
List an example of one metal: gold, silver, lead, steel, mercury and
one form descriptor: creature, machine, weapon and one flavor de- Light Turn: Trip and fall, making it impossible to get up.
scriptor: creepy, greedy, tough.
tough. Then, ask players to describe aspects
*
of each example. Use these to synthesize a new, unique monster.
Copper Card Shark
Then, write a series of turns for that monster including:
This sleek schemer has only one thing on their mind...taking a
• A Heavy Turn describing how it is effective or dangerous.
bite outta your gear!
• A Regular Turn describing what it does reliably (Punching, Hiding,
Heavy Turn: Trick someone into giving you an object they have.
Escaping).
Regular Turn: Scare someone with a bite!
• A Light Turn describing a possible weakpoint or when it fails to act.
Light Turn: Has a sensitive snout. Can’t handle sour smells.

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 NARRATOR
THE
First Session Checklist
• Read aloud all flavor text to your players-
before having them choose one.
• Once selected, have players fill out Name,
Look & Connection.
• Once the books are filled out, have Char-
acters introduce themselves. Ask ques-
tions during introductions.
• After introductions, ask players to create
a Bond with another character.
• Explain Turns and how Riders & Support
playbooks differ.
• Designate a space, accesible to all play-
ers, for them to add & take tokens during
the course of play.
• If you are playing a one shot or with
a smaller group, you may want to
establish some common ground prior
to play. This can be done by creating
common connections between play-
ers so players can more easily share
scenes together, have everyone start
in the same area so they set the similar
goals, establish some previous scenes
and history and/or place the team in a
mid-season episode.
Creating Monsters
• List examples for a Metal, a Form and a
Flavor that will give them personality.
• Then, ask players to describe aspects of
each example. Use these to synthesize a
new, unique monster.
• Write a Heavy Turn describing how it is
effective or dangerous.
• Write a Regular Turn describing what it
does reliably.
• Write a Light Turn describing when it
reveals a flaw or fails to act.
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Special Turn
As fiction dictates, the Narrator may write a
new Turn for some/all Players on a notecard
and then remove it when appropriate.
Heavy Turns
After a player’s Light Turn, you may...
• Incapacitate an active player
• Pull back on an attack for now.
• Withdraw a threat now, with or without
their objective having been met.
• Make things worse...give someone a rea-
son for vengeance.
• Enact the last step in a plan. Move the
clock forward.
Regular Turns
You may always...
• Separate players, temporarily.
• Announce a new threat.
• Direct unwanted attention to the players.
• Use someone’s power against them.
• Put another player or NPC in a compromis-
ing situation
Light Turns
After a player’s Heavy Turn, you may...
• Reveal a threat or monster off-screen.
• Remind a player what’s at stake.
• Offer an opportunity with a choice or cost.
• Put a player on the spot.
• Alter the landscape.
Before Play
• If an established Playbook will not be
present, ask, “Will we see them...
and what might they be doing?”
• If it feels right, ask, “Will we be have...
a spotlight this episode?” If so, instruct
that player to read aloud their Bonds.
• Imagine a new location in the community.
• Imagine a new or evolved monster.
During Play
• Spotlight the Colors alone and together.
• Frame tight scenes that drive the
episode.
• Play your Turns to highlight a Character’s
weaknesses and showcase their strengths.
• Don’t forget to use your monster’s Turns,
too.
• Wrap up the conflict with a promise of
more.
After Play
• Request character vignettes before cut-
ting to credits.
• Ask players to review Bonds and vote on
who grinded up against these the most.
That character takes a Raise at the
fictionally appropriate moment.
• If a player chooses to gain a piece of Gear,
shuffle and present the cards. Have the
player read the card aloud.
• Plan how a Connection could become de-
veloped or resolved.
• Plan which new Playbooks could be
introduced soon.
• Make notes about everything!
 THE CLOCK Setting Stakes & Consequences
At the start of a session, prior to any players
starting the scenes, it is the job of the Nar-
rator to set up the core problem or focus of
the episode, which for the purpose of this
game we are calling a Stake.  This is a narrative tool, used only by the Nar-
A Stake should be focused on the world
around the Characters, engaging well known
NPCs or established locations.
Please note Stakes are not meant to provide
specific instructions for players to follow
or an established set of steps they need
to complete...this is a prompt to get the
action started and allow for them to cre-
atively approach their problem solving.
Additionally, think about what could happen
if this problem isn’t solved during the ses-
sion or if the players choose not to engage
in the scenario. This is the Consequence.    •
Stake: Whatever you come up with, be prepared to
run a small scene at the top of your session,
similar to a “cold open” that clearly sets up
the Stake, letting players know what is hap-
pening in the world around them.     changed or prevented.
Consequence:
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Clock Management
Now, how do we get from setting up the Stake
and know when the Consequence happens?
Well, with every Stake & Consequence, comes a
countdown clock.
rator, that serves to help track your Stakes
intentions, direction, changes, and ultimately,
the results of the episode.
When you create a Stake, if you have a vision of
its future & its consequence, give it a count-
down clock with the following segments:
-----
For segements 3 & 6, encourage the players to
explore the world. To prompt scenes, go round
the table and ask:
• Where do we see you and with who?
What have you heard about?
• Are you driving towards any particular goal?
At 9:00, what was presented in the Stake
is happening, but the Consequence can be
• Where do people need to be?
• What steps need to be taken?
Between 9:00 and 12:00, the Consequence is
inevitable, but there’s still time to reduce the
damage.
• What turns do people need to take?
At 12:00, the Consequence comes into full
swing and the episode begins to wrap up.
• What happens and who does it impact?
 THE SETTING
The City of Contra Costa, once impoverished,
has opened its door up to a larg tech company,
TXC who has invested their endless funds &
resources into reinvigorating the city, providing
stable jobs, education and community. This
introduction of this new group has left the city
divided...quite literally.
On the eastern end of Contra Costa, TXC
has brought with it about an excavation plan,
opening up half of the city in an effort to mine
precious metals used for computer manufac-
turing. There are many citizens who still live in
this area, in increasingly dilapidated and dan-
gerous buildings.
The other half of the city, the west end, has
boomed with new money, with industries like
Real Estate, Transportation & Energy, seem-
ingly being taken control of by nouveau riche
families overnight. With their newfound wealth,
these families stop at nothing to compete
against one another for public favor.
Amidst all this change and upheaval, strange
creatures, referred by the locals as Heavy Met-
als, started cropping up all over town, attack-
ing citizens & destroying property.
As corruption and monsters run rampant, some
individuals, each with their own methods and
motives for doing so, have risen, some who
call themselves Riders, with the power to take
down Heavy Metals and others to help spread
information & support to those who need it.
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TXC’s Plan:
TXC sets up a tech startup in Contra Costa
after discovering there is a rich source of min-
erals under the town, that can be used for the
advancement of technology by way of hu-
man experimentation. The ultimate goal is to
create a race of humans capable of longer term
space travel & ability to withstand the harsh
climates of other worlds, to conquer them.
To help mask their true intentions and dis-
tract the public, TXC created alliances with
five local powerful families, to augment their
existing businesses and provide them means
of working together to further the future of the
mining. The families were also provided with
Heavy Metals, as a means of testing the human
transformation process and providing a way for
them to undermine & sabotage one another.
Controlling families
• The Digger Family - Gold: (Controls Nat-
ural gas) Pure opulence, showy but not
strong, most interested in flaunting their
prestige with galas. Competitor is Cobalt.
• The Smirnov Family- Palladium: (Con-
trols Petrochemicals) Exquisite, trust-
worthy, manages successful public
relations and is held in high standing by
the community. Competitor is Copper.
• The Gambrel Family - Copper: (Con-
trols Construction) Adaptable, reliable,
ubiquitous, products can be found in any
home. Competitor is Gold.
• The Liu Family - Cobalt: (Controls Real
estate) Crafty, artistic, durable, runs
medical technology and building proj-
ects. Competitor is Neodymium.
• The Mosander Family - Neodymium:
(Controls Distribution) Proud, staunch,
and grounded, access to vehicles, gen-
erators, and low-grade EMP transmitters.
Competitor is Palladium.
Sample Stakes:
• Monsters wreak havoc in the Pits, causing
an outcry to shut down several tenements
for the benefit of the families.
• Preparations for a gala to crown the Rival
as the ‘hero’ to save the city start but the
players catch wind that a rival family is
sending in goons to sabotage it!
• TXC unveils wearables for the civilians
free of cost, which seem to be linked to an
increase in monster transformations.
• Rumors abound of inexplicable happenings
and cave-ins in the Pit as miners return
with strange afflictions.
• A massive chemical spill rapidly mutates
civilians, threatening both the families and
the rest of the communities.
Sample Consequences
• The five families squabble to take down
each other, using their monsters to take
down each other’s resources without re-
gard for the civilian’s safety.
• Monsters are found mysteriously defeated
with a poisoned, scorched earth in their
wake...(meant to introduce the Rogue if
they are not already in play.)
• The heads of each family grow more bold
as they transform into more powerful
monsters.
• Local gangs utilize monster transforma-
tions as part of power grab in the Pits.
• A force of monsters enact TXC’s secret
plan to blast Contra Costa into space with
the goal of mining the next planet.
 Gear The Flow of Gear in Play:
Gear is obtained by a Character fulfilling a Bond and selecting “Draw a
Gear. Read the card description to the other players.” as an option for
their raise. When that happens, the Narrator presents the player with
a number of cards and the player draws one at random. Whatever you
get is your Gear!

Players read their Gear card aloud when drawn and present a short
scene to show how the Character has changed. It is important to note 1. Player takes Gear as a Raise.
that Gear is supposed to be a flashy and exciting part of the game,
mirroring the transformation trinket collection aspect of the genre.
When a player receives a piece of Gear, they should be encouraged to
2. Narrator shuffles and presents the Gear Cards.
provide a vivid description.
3. Player reads card aloud and places it facing up
Another thing to keep in mind is that the distribution and collection of on their sheet.
Gear also helps create narrative structure and a “win condition”. The
player with the most Gear at the end will attain a final form. It’s also 4. Repeat this flow x the # of Gear, until all pieces
important to note that this is doesn’t only apply to Rider characters...
Support characters can attain a final form as well. have been taken.

Gear is carried over from session to session, staying with the origi- 5. The player with the most Gear after it has all
nal owner (unless it is narratively lost or stolen through a turn). Gear been distributed, attains a final form.
should not return to the pile after a session ends, if you are playing
multiple sessions. 6. The game ends next session.
Because there is a limited set of Gear (10 items) that has been created
for this game and the idea is the Characters are competing to obtain
it, this can be used to dictate an episode count. The more Gear you
include, the longer your campaign or season will run.

For example, if you are only going to be playing 1 session, we’d sug-
gest that the Narrator randomly distribute Gear to each player prior to
play, so it can be incorporated.

Regardless of how much Gear is used, when the last piece is distribut-
ed, the game should start entering its last session. The player with the
most gear will be the player who can attain a final form, allowing them
to overpower any other threats and move the story in whatever direc-
tion they choose (within reason), making them ostensibly the winner.

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 Gear Table
What is it? What can it do? When can I or should I use this?

A Early 20th century leather book, with gold leaf You can create a coating or shield on a person Activates When? At anytime during a scene.
ornamentation. to prevent them from being affected by acid or a
monster attack. Duration: Lasts for One scene.

A Soviet 25-rouble commemorative coin
A Copper Civil War trumpet
When a threat appears, you can take the danger-
ous compounds and reduce them to non-lethal
elements
From the ground, you can produce a series of cop-
per cables that can be used to restrict someone’s
movements throughout scenes.
Activates When? When you or someone close by is
attacked.
Duration: Negates 1 attack. Scene continues.
Activates When? At anytime during a scene.
Duration: Lasts for One scene.

A Smalt (a deeply colored, blue glass bottle)
A 1930s Ribbon Microphone
Break someone’s transformation. Describe what
happens
Select two or more player characters. Set up the
next scene for them, including location, time and
any supporting characters. The next scene opens
on that.
Activates When? At anytime during a scene.
Duration: Negates 1 transformation. Scene contin-
ues.
Activates When? At anytime during a scene.
Duration: None. Move immediately to the next
scene.

An Aloe Vera Plant Restore someone or something to its original state. Activates When? At anytime during a scene.
Describe what happens.
Duration: Lasts for One scene.

A set of Charcoal Pencils When used, any turns that add tokens to the pool
are doubled for the duration of the scene.
A Thurible When another player calls out a heavy or light turn,
you can activate this card to negate the use of or
addition of a token.
Activates When? At anytime during a scene.
Duration: Lasts for One scene.
Activates When? When a player calls out a Heavy
or Light turn. Your choice on who, which turn and
when.

Duration: Lasts for One scene.

An antique bug sprayer Remove all tokens out of the shared pool, leaving
it empty. Wrap up the current scene and you start
the next scene.
A Vintage Brass Water Jug Draw back one counter on the clock. Wrap up the
current scene and you start the next scene.
Activates When? At anytime during a scene.
Duration: None. Move immediately to the next
scene.
Activates When? At anytime during a scene.
Duration: None. Move immediately to the next
scene.

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 Monster Table
Metal Form Flavor

Iron Lion Flirtatious

Lead Vacuum Cleaner Neat & Tidy

Aluminum Washing Machine Obsessed with Junk Food

Uranium A Swordfish Competitive

Zinc A Bazooka Disciplined

Sodium A Toy Plane Greedy

Tin A Bookcase Vain

Silver Centipede Constantly making jokes

Lithium A Skeleton Has multiple personalities

Gold Movie Camera Timid

Bismuth A Smartphone Insatiable hunger

Cobalt Eagle Enraged

Calcium Bulldozer Obsessed with Explosions

Potassium A Barbecue Grill Just wants to find love

Plutonium Jackhammer Depressed

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