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    Interstellar Main Theme PDF

    Uploaded by

    Mariana ASMR Torres
    The document describes the musical notation for the main theme of the film Interstellar, arranged by Hans Zimmer. It shows 104 measures of music notation including the time signature, key signatures, notes, and other musical elements like dynamics. The piece moves between keys like F major, G major, and A minor.

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    Interstellar Main Theme PDF

    Uploaded by

    Mariana ASMR Torres
    17 views3 pages
    The document describes the musical notation for the main theme of the film Interstellar, arranged by Hans Zimmer. It shows 104 measures of music notation including the time signature, key signatures, notes, and other musical elements like dynamics. The piece moves between keys like F major, G major, and A minor.

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    Interstellar__Main_Theme.pdf

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    The document describes the musical notation for the main theme of the film Interstellar, arranged by Hans Zimmer. It shows 104 measures of music notation including the time signature, key signatures, notes, and other musical elements like dynamics. The piece moves between keys like F major, G major, and A minor.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    17 views3 pages

    Interstellar Main Theme PDF

    Uploaded by

    Mariana ASMR Torres
    The document describes the musical notation for the main theme of the film Interstellar, arranged by Hans Zimmer. It shows 104 measures of music notation including the time signature, key signatures, notes, and other musical elements like dynamics. The piece moves between keys like F major, G major, and A minor.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Interstellar

    - Main theme
    Arrangement by The Theorist
    Hans Zimmer

                            
    = 104

         
    

                            
    5


         

      

                            
    9

    
       
    
     
        

           
         
    13 FMaj7 G6 Am

              
      
    dolce

      

          
        
    18
    G6 FMaj7

              
         
         
    2

       
         
    G6

      
    23 G6 Am

                
          

              
           
    29 FMaj7 G6 Am

              
    

         

           
              

    34
    G6 FMaj7 G6

                
          

                 
          
    40 Am FMaj7
    G6

             

           
    
                
          
    46 G6 Am


           
          

    Em
    = 192

       
                 

    Am

         
    51 3 3 3 3
    G6


       
    

        
      
       
    3

            
                        
      
    G6sus2
    3 3 3 3 3 3 3 3 3 3 3 3
    55
    F

     

    3 3 3 3

     
    crescendo

     
      

                         


        
    G6 Am
    59 F9

        
    3 3 3 3 3 3 3 3 3 3 3 3


    3 3 3 3

       


                            
                
    Em


    G6sus2
    63

        
    

    
    3 3 3 3 3 3 3 3 3 3 3 3

        

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