This document provides an overview of topics to be covered in preparation for live audio mixing using analog mixers. Some of the key topics include: learning how to mix live on an analog mixer; understanding the law of equalization from an analog 1/3 octave perspective; microphone positioning and types for different instruments; blending and harmonizing various rhythm instruments; basic monitoring rules; different types of physical monitors for performers; proper cabling and patching; understanding noise gates and compression/release; removing excess sound pressure levels; frequency response reading and calibration; mastering equalization using RTA methods; setting up the front-of-house area; setting up and compressing frontal monitors; blending rhythm section monitors; setting up two-way drum
This document provides an overview of topics to be covered in preparation for live audio mixing using analog mixers. Some of the key topics include: learning how to mix live on an analog mixer; understanding the law of equalization from an analog 1/3 octave perspective; microphone positioning and types for different instruments; blending and harmonizing various rhythm instruments; basic monitoring rules; different types of physical monitors for performers; proper cabling and patching; understanding noise gates and compression/release; removing excess sound pressure levels; frequency response reading and calibration; mastering equalization using RTA methods; setting up the front-of-house area; setting up and compressing frontal monitors; blending rhythm section monitors; setting up two-way drum
This document provides an overview of topics to be covered in preparation for live audio mixing using analog mixers. Some of the key topics include: learning how to mix live on an analog mixer; understanding the law of equalization from an analog 1/3 octave perspective; microphone positioning and types for different instruments; blending and harmonizing various rhythm instruments; basic monitoring rules; different types of physical monitors for performers; proper cabling and patching; understanding noise gates and compression/release; removing excess sound pressure levels; frequency response reading and calibration; mastering equalization using RTA methods; setting up the front-of-house area; setting up and compressing frontal monitors; blending rhythm section monitors; setting up two-way drum
BASIC BUT POWERFUL TOOLS FOR WHAT YOU WILL LEARN IN PREPARATION TO DIGITALLIVE
AUDIO ENGINEERING MIXING.
ANALOG INTRODUCTION LEARN HOW TO DO AND MIX LIVE ON A ANALOG MIXER MIXING KNOW THE LAW OF EQUALIZATION FROM AN ANALOG 1/3 OCTAVE EQUALIZATION MIC IN SYSTEM LEARN HOW TO POSITION AND LEARN WHAT KIND OF MICROPHONES ARE DEDICATED TO THE INSTRUMENT DEFINITION OF RHYTHM SECTION ACCESS THE INTERNAL PART OF BLENDING AND HARMONIZING ALL TYPES OF RHYTHM INSTRUMENT MONITORING BASIC MONITORING RULES DEFINITION OF DIFFERENT TYPES OF ADDRESSING ALL PHYSICAL MONITORS DEDICATED TO THE MONITORS PERFORMER CABLING AND PROPER PATCHING PROPER CABLING AND HANDLING DEFINITION OF NOISE GATE AND UNDERSTANDING OFU ADIO SECURITY AND PROCESSING COM[PRESION RELEASE SPL CUT OFF HOW AND LEARN TO REMOVE EXCESS SPL FREQUENCY RESPONSE READING AND RELATED TO EQUALIZATION CALIBRATION FREQUENCY CUT OFF OFFMASTERING LEARN AND MASTER THE LAW OF EQUALIZATION WITH EQUALIZATION COMPLETELY WITH RTA METHOD FOH BUILDING AND UNDERSTANDING FOCUSING ON TARGETING ALL CLEAR PATHS AND CROSS PATHS FRONTAL MONITORS SETTING UP LEARNING UP COMPRESSING IP GATING UP LOADING EFX RHYTHM SECTION MONITORS BLENDING THE INSTRUMENT ADDRESS TO THE PLAYERS DRUM MONITORS LOW FREQUENCY MONITORS HOW TO SETUP 2 WAY SYSTEM PASSIVE MONITOR SIDE FILL MONITORS DEFINITION OF FILLERS SERVING AS LONG TROW MONITORS EAR MONITOR MIXING LEARN HOW TO HANDLE LEARN HOW TO MIXDOWN OF ALL REQUIRED PPL PFL VOCAL WIRED MICROPHONES INTRODUCTION TO ALL STANDARD BRANDAND HANDLING WIRELESS MICROPHONES OF ALL INTRODUCTION TO ALL STANDARD BRANDAND HANDLING TYPES