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Cowan, Gladius Gallicus: Celtic Swords For Italic Warriors
Cowan, Gladius Gallicus: Celtic Swords For Italic Warriors
Cowan, Gladius Gallicus: Celtic Swords For Italic Warriors
GLADIUS
GALLICUS
“They fought fiercely with their swords against pikes,
reckless of their lives and thinking only of wounding
and slaying, while caring nothing for what they suf-
fered.” So wrote Plutarch more than four centuries af-
ter the great battle between the Roman Republic and
Pyrrhus of Epirus at Asculum in 279 BC (Life of Pyrrhus
21.6). What kind of swords did the legionaries, and their
central Italian allies, use in this famous engagement?
By Ross Cowan
T
(Above) Xiphos or Italic-type
sword (c. 71.5 cm), and rem- hacking their way through the sword was adopted and manufactured from
nants of its wood, iron, ivory long pikes (sarissae) of the the early sixth century BC. For the purpos-
and bronze scabbard, of the
Epirote phalangites can be ac- es of our discussion, a better name for this
6th century BC. From Falis-
cepted as authentic. Plutarch’s weapon is the ‘Italic sword’.
can Capena. After Monu-
menti Antichi 16 (1906), 403. account, after all, was derived, either di- The Italic sword, with its distinctive
©Public domain
rectly or indirectly, from contemporary scabbard featuring an oversized peltate or
sources: Hieronymus of Cardia, the mem- semicircular chape, appears in some detail
oirs of King Pyrrhus (ibid. 21.8), and Prox- on one type of the aes signatum (bronze
enus, the court historian (cf. Dionysius of currency bar) used by the Romans from c.
An Italic-type sword and
Halicarnassus, Roman Antiquities 20.10.2). 280 BC (the start of the Pyrrhic War) until
scabbard as depicted on the
front and rear of a Roman But can the style of sword be established? the middle of the century. The Italic sword
aes signatum currency bar is prominent elsewhere in central Italian
of c. 280-250 BC. The Italic sword art, most strikingly in the weapons friezes
© Trustees of the British Museum Plutarch’s Greek text uses the generic term and the combat and mythological scenes of
xiphoi, ‘swords’. For the modern student of Etruscan tombs of the later fourth and early
ancient warfare, xiphos brings to mind a third centuries BC. For example, sheathed
specific weapon: the Greek ‘hoplite sword’ Italic swords are depicted hanging from pegs
of the Archaic and Classical eras, with a in the Giglioli Tomb at Tarquinia and the
cruciform hilt section and a waisted blade Tomb of the Reliefs at Caere. In the François
that swelled towards the point. It is famil- Tomb at Vulci, the erstwhile captors of the
iar from numerous depictions on Attic Etruscan hero Mastarna and his companions
and other painted Greek pottery, but are shown being slaughtered by thrusts of
the finest examples of actual weapons Italic swords. So forceful is the thrust to the
come from central Italy (e.g. Cam- right armpit of one warrior that the sword