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Thought

Contagion
Simulation Theory 7 Matthew Bellamy

  = 140 
A

 
Violin I  
 

     

 
Violin II

 
 

Viola

   
 

Violoncello
                                 

5         
     
  

          


                


             
   

               
              

9    
 
B


  
   

                     

 

                       


arranged by B. Idler
13                     
2

   

    

    
  
               
            
 
    
17 
    
     
 
 

     
      
 

                      
              


    
21    

 
     
   

           
 

                             
       
      
25    
C 



                       
    

 

                       

arranged by B. Idler
29                    
3

    

   

                        

 

             
             
 


D


           
33

  

              
               

   

   

               

39

          


          
               
    

         
  

arranged by B. Idler
44
4

      
   
3

      3
3

  
   
3

            
          
  
 
                

48  
     
E


    
 
     
    
      
 
  
                     
       

52       
   
     
  

    
       
  
                                    
56              

F


    
                  

            

 

                       

   

arranged by B. Idler
60      
5

        
          

      

 
                    

63       
     

   
 
  

           
       
      


  

                               

  
67  
  
  

     
  

   
        

 
 
                                  

arranged by B. Idler
    
71
6

   
G

          
 

 
          
    
           
  
    
        
  
   
    
   
             
 

77
         
           


        

           
   
           
  


        
         

81       

   
 

        

                     
         

       
                       

  
       
          
      

arranged by B. Idler
85        
7

   
  
        
                    
        
        
           
     
      
  
                    
    
     
89                      

      
               
               

  
                                   
 

                      
               
  
93                         

          
               
             


  
                          
 
       
 

                    
       
        
97   
    
 
  
  
          

       
                  

                
 
                      

                

arranged by B. Idler
101       
8

  
    
          

  
        
                          
  
          
             
             
105   
    

 
    

          

                      

 

                      
              

109        

 
    
          

                     
 
 

                      
              
 


113



   
 
 

arranged by B. Idler
Violin I Thought Contagion
Simulation Theory 7 Matthew Bellamy

        
A

       
    
 = 140

 
 

                    
B

 
9

      

            
16

    

             
C


24

 
  
D

         
32

     

    
             
40


     
 
      
E

    
47 3

 
3

              
   
55
F


           

       

61

         

  
G


    
68


arranged by B. Idler
2

  
76

                

             
       
     
81

   
                     
  
88

       
                     
  
92

    
            
      
96

            
    
 
105

arranged by B. Idler
Violin II Thought Contagion
Simulation Theory 7 Matthew Bellamy


A

                   
B


 = 140


             

 

  
17


C

               
         
25



D


29

               


40 

                  
         
           
E

 
47 3 3

  
      
 
F

            
54

 

        
          
     
59

       
           

63

    

   

 
G


70

 
          

arranged by B. Idler
2


77

   
                


               
81

    
       

       
                              
84

       
                  
                 
88

           
                      
    
           
93

     
                 
98

        

            

104

   
 
       
110

arranged by B. Idler
Viola Thought Contagion
Simulation Theory 7 Matthew Bellamy
A

    
    
 = 140

         
 


                
B

         
7

     

                    

11


                             
22
C

                   
D


32


   

                      

39

    

             
              
E


46

                       
54
F

                              

63

               

         
G


72

   

arranged by B. Idler
                
2

 
                         
79

   


                                   
  
84


  
                     
              
89


  
                                   
93


  
                                   
97


  
                     
              
101


                                
  
105

                      
110

arranged by B. Idler
Violoncello Thought Contagion
Simulation Theory 7 Matthew Bellamy


A

  
     
 = 140

            

     
                 
4


    
B

           
7

       

 
            
10

      

  
            
13

     

 
                       
16


   
                
19

          

 
         
      
22

         

 
C

      
      
25

      

 
                  
28

arranged by B. Idler

2


D

        
31

          


        
   
35

  

        
     
41



 
 
E

         
46

              
 
         
      
50

         
  
                 
53

        
 

F

       
             
56

 

  
           
59

      

 
            
62

      

 

                 
65

        
 

 
                        
68

 

arranged by B. Idler
3

    
G

   
                
71

        
        
                     
     
77

  
 

 
         
84

               

  
                 
89

        
 
 
                        
92



  
 
                
95

          

 
         
      
98

         

  
                 
101

        


 
                        
104



 
 
                
107

         

 
            
      
110

       

arranged by B. Idler

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