7 Qo Volume IIi | ( | ( ( [ | [ { | i | { | KP oN oO ow Volume ITPREFACE ‘The Real Book is the answer to the fake book. It is an alternative to the plethora of poorly designed, illegible, inaccurate, badly edited volumes which abound on the market today. The Real Book is extremely accurate, neat, and is designed, above all, for practical use. Every effort has been made to make it enjoyable to play. Here are some of the primary features: 1. FORMAT a. The book is professionally copied and meticulously checked for accuracy in melody, harmony, and rhythms. b. Form within each tune, including both phrases and larger sections, is clearly delineated and placed in obvious visual arrangement. ©. All two-page tunes open to face one another. d. Most standard-type tunes remain true to their original harmonies with little or no reharmonization. The exceptions include a handful of jazz interpreta- tions of popular songs and Broadway showtunes, as well as some modifications using modern notation and variation among turnarounds. 2. SELECTION OF TUNES AND EDITING a. Major jazz composers of the last 60 years are highlighted, with special attention given to the 1960s and 1970s. . While some commonly played tunes are absent from the book, many of the classics are here, including bop standards and a fine selection of Duke Bllington masterpieces. See Real Book volumes 1 and 3 for more tunes. ¢. Many of the included arrangements represent the work of the jazz giants of the last 40 years — Miles, Coltrane, Shorter, Hancock, Rollins, Silver, and Monk, as well as a variety of newer artists. d. A variety of recordings and alternate editions were consulted to create the most accurate and user-friendly representations of the tunes, whether used in a combo setting or as a solo artist. 3. SOURCE REFERENCE a. The composer(s) of every tune is listed. b. Every song presented in the Real Book is now fully licensed for use. Second Edition ‘This new edition contains tunes that are re-arranged, re-transcribed and most importantly, licensed, so that you may study and play these works more accu- rately and legally. Enjoy!ABLUTION ADAM'S APPLE. ALL ALONE (LEFT ALONE)... : (ALL OF A SUDDEN) MY HEART SINGS....16 ALTO ITIS ssossrenee ANOTHER STAR APRIL SKIES ARE YOU HAVIN’ ANY FUN? 2 ASK ME NOW ........ : BB AT THE MAMBO INN ee AVALON oe RB ‘AZURE 26 B BA-LUE BOLIVAR BA-LUES-ARE (BOLIVAR BLURS) ar BABY, IT’S COLD OUTSIDE ce BB, BAGS AND TRANE : BAGS’ GROOVE BALI HA ‘A BALLAD BALTIMORE ORIOLE BARBADOS .. BARBARA... BASIN STREET BLUES... BE-BOP : BETTER LEAVE IT ALONZ....... BEYOND THE SEA... BIG P BILL'S HIT TUNE BILLIN'S BLUES (1 LOVE MY MAN)... Sms pommel one BIRD FEATHERS BIRK’S WORKS... THE BIRTH OF THE BLUES BLACK AND TAN FANTASY......c-css0 BLAME IT ON MY YOUTE......... 81 BLUES FOR WOOD...... BLUES IN THE CLOSET . BLUES MARCH.......... BOHEMIA AFTER DARK 63 BOOKER’S WALTZ -cccccsssenn BOUNCING WITH BUD... BRIAN'S SONG BRIGHT BOY. BRILLIANT CORNERS: BUDO BUNKO BUSTER RIDES AGAIN BYE BYE BLACKBIRD. c CJA BLUES vssssstesses CANDY an CANTELOPE ISLAND CARAVAN CAST YOUR FATE TO TEE WIND ‘CLOSE YOUR EYES COLD DUCK TIME COME RAIN OR COME SHINE . COMIN’ HOM BABY. ‘THE COOKER COOL BLUES© Cont. THE CORE .... COUSIN MARY... CRAZEOLOGY CREPUSCULE GRISS CROSS CROSSCURRENT D DANCE OF THE INFIDELS .. DAT DERE ‘ DAY BY DAY.. DEWEY SQUARE DEXTER RIDES AGAIN DIDW'T WE. DINAE .. DINDI DO I LOVE YOU BECAUSE ‘YOU'RE BEAUTIFUL? 108 DO NOTHIN’ TILL YOU HEAR FROM ME... 107 DO YOU KNOW WHAT IT MEANS TO MISS ‘NEW ORLEANS. = 108 DON'T EXPLAIN eee 108 DOWN FOR DOUBLE “110 DOKY .... 11 THE DRIVE sz DUFF .. 118 E EARLY AUTUMN... ss 14 EOLYPSO....... soc LB EINBAHNSTRASSE ceveeervneneee 1B ELORA : uu? EMANCIPATION BLUES ... lB. EPILOGUE sesseenseneeee 8 ESTATE. 120 EVERYTHING I HAVE 18 YOURS EVE OF THE HURRICANE EZZ-TEBTIC ‘1g4 FARMER'S TRUST FEELS SO GOOD .. FEVER .... ee 52ND STREET THEME... FILTHY MoNASTY........ FIRST TRIP...... FIVE BROTHERS FIVE SPOT AFTER DARK, ‘A FLOWER IS A LOVESOME THING FLY ME TO THE MOON aS 1 = BY gals OF Me gals atahgh PER eee EES f epyright © 1946 (meneeed 1995) by Ensign Mase Corporation[ ens F7 ain? eaten enn eal ‘47 Dp? Biaphiea Ss4 4 67 7 Fe D7 gt e- pT = ye =] — pa edi et gym? get palit hoi pb? SSS J gAvS es pemit Eas AT p7 Saray qGT cl 7 4 BAe abadeh 7 A\ TD ‘TS ~Duyer &. Nevsoi = ple? ps 0-7 CHT eT GT CTCF? Coot a : $ pe ey yw "ep G:C G7 7 [ae] SS} Poy FeO? . ae : | cee t - ms 7 , ia F7 Bem? pT C7 fer - ch , o- _ — = pt 67 Ca ea a ey wey _ — - epee fe tot SS —Qunree] . (exes) pet eT pen? 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