Professional Documents
Culture Documents
Lalon Shah
Lalon Shah
community • So, he returned to Siraj Sain and was inducted by him and
came to be known as Lalon Shah Faqir. He married a
Muslim woman and set up his ashram in the village of
Chheuriya to compose and practise his songs. He had a
considerable number of followers who included both
Hindus and Muslims.
• Lalon did not receive any formal education but he
had extensive knowledge of Hindu and Muslim
Universal religious traditions. He composed about two
thousands spiritual songs The contents of his
songs, though composed in simple words, speak of
spiritual songs his deeper understanding of the meaning of
human life and the philosophy of equality and
non-communalism.
• Lalon's songs were created in a rural context, but
the message these songs conveyed was universal
in nature. Therefore he gained popularity not only
among ordinary countrymen, but also among the
educated urban people. It is this universal message
which made Lalon's song spread far and wide but
also last through the centuries. This is why Lalon
had influence not only on his great contemporary,
the poet Rabindranath Tagore, but also on many
creative minds of today's Bangladesh.
• There are no written copies of Lalons songs,
Work:
Lalon left no written copies of his songs,
which were transmitted orally and only later
transcribed by his followers. Also, most of
his followers could not read or write either,
so few of his songs are found in written
form. Rabindranath Tagore published some
of the Lalon song in the monthly Prabasi
magazine of Kolkata.
Work
• Among his most popular songs are:
• • Shob Loke KoyLalon Ki JatShongshare,
• • KhacharBhitorOchinPakhikyamneashejaay,
• • JatGeloJatGelo Bole,
• • Dekhna Mon JhokmariayDuniyadari,
• • Pare LoyeJaoAmai,
• • Milon Hobe Koto Dine,
• • Ar Amare Marishne Ma,
• • Tin PagolerHolo Mela
• • Dhonno Dhonno Boli Tare
Works
• The songs of Lalon aim at an indescribable reality beyond realism. He was observant of
social conditions and his songs spoke of day-to-day problems in simple yet moving
language. His philosophy was expressed orally, as well as through songs and musical
compositions using folk instruments that could be made from materials available at
home; the ektara (one-string musical instrument) and the duggi (drum).
• Songs of Lalon were mainly confined to the Baul sects. After the independence of
Bangladesh, they reached the urban people through established singers. Many of them
started using instruments other than the ektara and baya. Some started using classical
bases for a polished presentation to appeal to the senses of the urban masses.
According to Farida Parveen, a renowned Lalon singer, the pronunciation of the words
was also refined in order to make their meanings clearer, whereas the Bauls'
pronunciations are likely to have local influence.
• In 1963, a mausoleum and research centre
was built at the site of his shrine in Kushtia,