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Dwyer Twelve Etudes For Guitar PDF Free
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Benjamin Dwyer
Twelve Études for Guitar
(2008)
Benjamin Dwyer
Twelve Études for Guitar
(2008)
Book I: Dedicated to John Buckley
Étude No. 1: Relentless 2:44
Étude No. 2: After Britten 3:05
Étude No. 3: Très animé 1:13
Book II: Dedicated to Marion Hyland
Étude No. 4: Red 2:45
Étude No. 5: After Lorca 4:37
Étude No. 6: African Print 3:37
Book III: Dedicated to Timothy Walker
Étude No. 7: Punctus contra punctum 3:46
Étude No. 8: Penticus 4:18
Étude No. 9: Goblin 2:05
Book IV: Dedicated to Fabio Zanon
Étude No. 10: Why Not Mr. Buckley? 3:05
Étude No. 11: Allegro energico 3:39
Étude No. 12: Improvimemoriam Berio 5:25
Etude No. 1
'Relentless'
Benjamin Dwyer
Fast
Guitar
f sempre
V
6
1. 2.
5 sfz sfz
VII
11
4 2
sfz sfz
mf legato
14
1
4 sfz
3
17
mf legato
4 2
I 2
2
20
1
mp p mp mf
f
22
I 1 1
p p mf f
mf f p
p mf
IV
2
IV
25 2 III 32
2
mf mf
p
p mp
mp ff
28
p p f
f mf
f p mf
2
4 3
pont. 3
30
p f
ff sfz
4
32
3
sfz sfz
(pont.) _ _ _ _ _ _ _ _ _ _ _ _ _ nat.
34
mp
36
pp f
4
40
2 5
sfz
45
mf legato
49
sfz
mf legato
53
mp p mp mf
sfffz
56
p f
mf p mf
f p p mf
59
p mf
mf p mp mf
p ff
3
62
p mp
f p mf f p ff
f p mf
rasg.
65
molto cresc.
fff ffff sfffffz
1 2
4
4 4 2
3
2 V
68 4 3
p
3 3 1 2
sempre ff 2
3
72 2
V
75
3 4
3
sfz sfz sfz
VII
77
3 3
4
sfz sfz sfz
pont. nat.
9
79
sfffz ffff 5
sffffz
4
Etude No. 2
'After Britten'
a little freely
Benjamin Dwyer
q = 60
f
Guitar poco
f ppp
2
f ppp
3
p i m p
3 ff
4
4
mosso q = 140
6
XII 1
XII
mp 2 f
mp mf
12
a tempo
vib.
3
pp
f rit.
mf
3
p
5
1 2
17 4
3 2 1
mf mp
3
3 3 3 3 3 3
mf 3 3 3 3 3
3 4
mp
2
24
4
4 2
4 3 2 2
mf mp mf
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 1 1
4
dolce
32 4
1 2
mp pp mf pp f
3 3 3 3 3 3 3
3
2 1 13
3 3 3 3 3 3 3
f
39 II II
4 2
3 2
mp
1
2 3 2
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3
mp 4 3
1
47 resonating
pont. _ _ _ _ _ _ nat.
3
secretly 3 1 3
p f
3 3 3 3 3
3 3 3 3
ff mp
53
mp mf p
3 3 3 3 3
6
4 1
cresc. - - - poco - - e - - - - poco 2
3 4 4
58
3
3 3 3 3 3 3 3
ff fff
sub. mp
3 4
3 4 3 4 3
1 2
4
4 4 4
65 1 1
1
2 2 4 2
3 3 3 3 3 3 3 3
4 3
2 1
73
4
mp
f
3 3 3 3 3 3 3 3
81
3 3 3 3 3 3
3
87
3
3 3 3 3
pp
Etude No. 3 7
'Tres anime'
e = 260 tres anime
4 4 Benjamin Dwyer
2 2
Guitar
3 2 1 3 1 1 3 2 1
3 1 1
f
4
4 4 II
5
1 2
3 2 1 3 2
2
3 1 1 4 3 2
4
9
poco rit.
13 1 4
1
1
3 2 2
4 2 p
2 3 4 2 2 2
8
a tempo
17
f
4
4
4
21
1
4
1 2 3 1 2 3 1 2 3
3 2 3 2 1
poco rit.
a tempo
25
4 2 31
3 f
3 2 1 4 3 2 1
2 1 4 2 1 4
mp
29
4 3
3 2
3 2
9
33
3 1
1
4 2 1 1
2 2
2 2 2 4 2 3 1 2 3
3
3
37 3
3 3
2
2
2
2
2
1 2
2 1
1
2
ff 1
3
42 3
3 2 1
2
2
46
1 03 1
2
mp p
9
Etude No. 4
'Red'
Benjamin Dwyer
nat. 4 34
q = ca. 60 freely
2
pont.
Guitar
ff 1
pm pm pm pm p
f mp 5
mf
3
pont.
1
2 1 II
nat.
5
5 3
f mf p
4 4 4 2 sfz
mp f
p
etc.
accelerate evenly _ _ _ _ _ _ _ _ _ _ _ _ _
5
9
3 3
3
1
3
p mp cresc. fff sub. ppp
p m i
11
3 3 3 3 3 3 3 3 3 3 3 3
12 3 1 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
4
pp
14 3 3 3 3 3 3 3 3 3 3
cresc.
15 3 2 3 3 3 3 3 3 3
p cresc. ff
sub. pont.
3 3 3 3 3 3 3 3 3 3 3 3 3 2 3 3 3 3 3 3 3 3 3
16
4
sub. p mf
p a m i
18
mf
10
move towards molto pont. over the three repeat bars (molto pont. third repeat bar)
cresc. over the three repeat bars (ffff)
19
X3
f cresc.
left hand only
3
sfz
gently bubbling
nat. C3
2
1
pont.
20
1
sub. mp
f
sfz
nat. 3
4 1 2
pont.
21
mp
f
sfz
nat. 1
2
22 pont.
mp
f sfz
nat. 2 3
23
pont.
p
f
sfz
nat.
3 3 3 3 3
a m i nat.
2
pont. 3 3
2 1 3
24 pont. 3 3
3
3
14
mp
mf sfz
f sempre ff
3
3 3 3 3
3 3 3 3
26
3
3
3
3
3
3
3 3 3 3
29 3 3 3
3
3 3 3
11
ord. _ _ _ _ _ _ _ _ towards _ _ _ _ _ pont.
3 3 3 3 3 3 3 3 3 3 3
32
mp ff
sfz
ord. 2
1 1 4 4 2 2
3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
33
mp 3
1
4
sfz
24 1 1 4 1
3 3 34 3 3 3 3 3 3 3 1
3 3 3 3 3 3 3 3 3 3 3 3
35
4
1 4
2
4
3
decresc.
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
38 3 3
4
3
p p
sub. f sub. f
3
3
3
42 3 3 3 3 3 3 3 3 3 3
sub. f
3 3 3
p
** E harmonic note should be stopped
very broadly
when the A harmonic is played
IX IX
(* slur optional)
**
e = 62
45
*
ff
ff ff
ff ff
sfffz sfffz
sfffz
*** pull string suddenly towards
machine head to sharpen pitch
molto vibrato (a niente)
***
48
subito
sfffz sfffz
12
Etude No. 5
'After Lorca'
Benjamin Dwyer
accel. evenly _
3
4 2 3 4
1 2 1
e = 94
3
3 1 2 3
Guitar
3 2 pp
mf
mf
ff mp 2 3
mf 1
accel. evenly _ _ _ _
6
poco a tempo
accel. evenly _ _ _ _
XII
7
pp
3 3 6
1 mp
f mp ff
VII p
mf mp
poco rall. a tempo
1 4
4 1
13 3 3
p
cresc. mf
mp
mf mp p mf f
mf
III
quasi una cadenza
4
19
3 2
4
2 2 mp
5
4 3 mf mp f ff p
f
allarg.
22
3 3
gliss.
f 3 ff
p mf p cresc.
13
a tempo
4 4 4 III 4 I
25
2 4
5 4
1
5
2
2
2
1 2
3 2
1 2 3 5
1 3 2 3
p
2
2
2
28 2
1 3 4
6 1
f
4 5
1 4 1 4
1 2 2 3 3 4
VII VIII
43
3
4 2
2 41 1
3 2 1 3 3 1 1
31 4 1 4
3
3 ff
2 7
6 4 1
13 4 3
7 mf
ff mp f
1
4 4 2 1 3
1 2
4
33
f IX
sub. p f
4 2
1
3
4 2
4
4 2 4 2 1 3
35
3 6
ff fff
14
4VII
sonorous
3
1
2 1 4 1 4 3 2
3 2
IV
1
3
37
3
3
3
3 V 3 4
2 4 1 1 2 4 3 2
sub. pp 5 1 2 4 mf 3
p
nat. _ _ towards _ _ _ _ _ _ pont. _ _ _ _ _ _ nat.
p rasg.
40
1 34
2
f ff fff mp
mf
IX
VI
IX
43
f
mp
2
45 1
2 1
4 3 4 3 4 4 2
1 1 5
5 7 6
poco rit. _ _ _ _ _ _ a tempo
_ _ _ _ _ _ _ _ nat. _ _ _ towards _ _ _ _ _ _
5
46
0
4 3 3 4 2 5
_ _ _ _ _ pont. _ _ _ _ _ _ molto pont.
senza rit.
49
3
3
3 pp
3
Etude No. 6 15
'African print'
Benjamin Dwyer
Note: for the section of the score without bars or bar numbers, accidentals
right hand
apply to notes or groups of notes and notes or groups connected with a tie.
Normal rules apply to the section with bars and bar numbers.
q = 80 ca.
Guitar
4
left hand
f f pp
f
f pp
XIX
f
f
pp
f
i
6
sffz
6
sffz
4 32 1 p f p
6 6 6 6 6
6 6 6 6 6
pp sfz ppp
f
f
f
16
ppp ff ppp
pp
3rd. finger of left hand remains firmly on note A. Right-hand finger ' i' slaps onto fret
(sixth string) at D sharp and keeps that note resonating. While note is resonating,
bend the sixth string with left hand thereby altering the pitch of the D sharp note.
When the note is at its highest distorted pitch release right hand finger (but plucking)
to resonate the original (left-hand) A pitch which should be higher, due to the bent string.
Then, with left-hand fingers, return string to the original pitch.
rall.
a tempo
i
[ ]
3
sffz
sffz
[ ]
[ ] [ ]
sffz
ff
rall.
ppp start slowly _ then accel.
ppp
mf
start slowly _ then accel.
gliss.
(etc.)
(etc.)
ff
a niente mf
gliss. start slowly _ then accel.
sim.
(etc.) mf
ff a niente
VII
IX
sim.
gliss.
(etc.)
ff
17
IX
e = 240 ca.
off chords throughout
gliss.
left hand slurs both on and
[ ] []
p pp ppp ff sempre
Place the flesh of finger ' i' on the sixth string at the point where the rosette is closest
to the bridge. Bounce the ' i' finger towards the fretboard moving smoothly while plucking
with the thumb nail. The result should be a type of muffled and chopped glissando which
pluck strings also picks up some harmonics. The same procedure is used (twice) later on strings 5 & 1 (* & **) .
beyond the nut Here, the plucking is articulated with the ' a' finger.
2
i
sfz
sfz
f
Right hand ' i' finger slaps down rapidly on fretboard (sixth string) to
resonate written notes. It also plucks off to make the open E note resonate.
However, the predominant notes should be the higher-pitched ones.
sfz
*
sfz
sfz
sfz
sfz
18
**
sfz
2
sfz
XVI
XVI
XIX
XIX XII Dal
XII
X5
sfz sfz
sfz
X5
X4
f
Gliss. back and forth on the 2nd. finger only
X4
2 etc.
f
lunga
senza rall.
19
Etude No. 7
Benjamin Dwyer
'Punctus contra punctum'
1 a 4 4 2
q = 40 ca.
suave
Guitar
mf a m
3
i
pppp mp
i 2
1
a
i i
3
1
1
1 1
1
2 1
m (m)
m
4
4 4 4
4
4 2 4
2 2
4 4 4
6 4
1
4
2 1 1 1 2 1 1
mf f mf f
(m) i i m m
0
1
4
2 VII
1
9 4 4
4i 3 2
mf f
f m mf
1
4
3 2
11
a
1 1
3 2
4 4 3 2
4
m i f mf
20
4
a
3
4
14
i 3
3 2 3 3 2
i
4
4
4 4 3
p 3
f
m m m a ff
4 4 a
3
4
2
4
3
16
p
i
mp
2
f
i i
4 4 3
19
f
mf f
ff
i a i
2
23 4
III 1
2
mf 3
I
4 3 2 1 3 2 1 3 1 1 0
3 1
2 3 2 3 4
mp p mp
mf
4 4
4
4 2 4
a
3
4 2 2 m 2
3
1 4
25
1 2 2 i
mp
2 2 3
2 3 2
4 1 3 0
1
f sub. p
21
27
1 3 2 0 2 4 1 0 3 2 1 3 0 4 1 4 4 2 1 2 1 0 0
4 3 2 1
mf mp
a
1 4 4
29 a1 1 4 0
m0 1 1
a
m
vib. 4
4 4 3 2 f1
1 1 1 1 mf
p 1
p
p mf
2 3
3
p 2
p
f
1 1 0 a 1 4 4 4 4
31 4
m 4 4 a
0 f p mf 0 3 4
3 2
32 i
mf f p
4 1
33
f ff p
3 a
IX
2
2 2
VII
a 4
1 3
36
i
1
sfz
sfz
i m
mp
2 1
4 ord. 3
39
mf
3
2
1
1
mp
4 4
p
22
IV
2
2
1
43 3
2 2
1 1 p
1
p
f
47
2
m
mf 1
sfz 3
i 2 i
p mf
4 2
1
50 2
1
2
f
f
3 2
52
4
ff 1 fff
fff
55
3 2 1 3 2 2 3 1 4 2 1 3 2 4 00 1 23
mf
4
4 4
57
mp
p
60
mf ppp a niente
23
Etude No. 8
'Penticus'
Benjamin Dwyer
C VII XII
e = 66
I
2 VI
XII 4
2 1
Guitar
4
4 1 3 2 3
mp 2 3 3
4
4
1
1
6 XII
2
1
4
4
4 2 4
2 2 2 mf 4 1
mf mp
1 XII
2 3
1 2
11 4 4
1
32 0 3 4 3
cresc.
4
2 4 1
2
2
14 3 3 1
f
3 1
3 f 2 p
sub. mp
f sub. mp
I 3
e = 84 Movido
43 4
20 3 3 3 3
3 3 2
2
4
41 4 3 1 4
4 3
3 cresc.
2
X
3
XIX
6
3
4 1
3 2
24
2
p
3 3
f sub. pp
a tempo
allarg.
6 7 5 2 2 3 4 4 2 4
1 2 3 3 1 2 0 XII
3
3 4
27
2
3
4 4
1
ff sub. p
24
0
3
29 1 4 2 4
1 3
2 3
2 0
4
3 3 3
2 4 3 1 3 1 3 1 mf cresc.
3 1 2 2 0 2 4 2 4 4 4
3
0 3 poco accel.
3 4
4
7
32 4
3
2
1
1
3 2
1 3
1 2
1 3
ff f
1 3 f
a tempo
4 3 molto
1legato
6 4
34 1 1
7
1 4 2 0 1 4 0 2 4
2 6
6
3
6
2 4
6 6 13 6 7 4 2
sub. p mf
mp
3
4 1 9
broadly
4
IX X
VII
6 7
2 3 7 4 3 4 2 4 3 1 4
2
VI
VI
0
3
3 4
36 6 7
2 4 3
mf
3
2
2
sub. p 7
2
3 mf
f
poco acell. _ _ _ _ _ _ _ _ _ pont.
_ _ _ _ _ _
2
0 4 IV 4
7 4 7 4 4
2 0
27
38
1
3 7
1
cresc.
ff
a tempo
ord.
warm and resonant
40
molto legato
molto pont.
2
2
mf sub. p
sffz
poco
25
ord.
a tempo
molto
42
legato
2
2
sub. p 3
mf
pochissimo
poco rit.
3
44
4 0 4 2
mp
9 5 6 f
1 3
pochissimo
poco rit.
46 a tempo
3
3
5 6 6 6
f
mp
a tempo
I poco pont.
3
48
5 5
5 6 6
mp 2 4 6 5 5 5
51
3
3
3 3
poco rall.
53
3
3 3
3
3
3 3 3
ppp
26
Etude No. 9
'Goblin'
Benjamin Dwyer
Presto e = 240
Guitar
ff p mp mf
Place flesh of left hand fingers over strings 1, 2 & 3
at 19th fret . With pressure maintained on strings,
move hand erratically over rosette and back down
over fretboard towards nut, all the time plucking
2
with the right hand fingers a rapid and irregular arpeggio.. molto vib.
6
6
p sfz 6 sffz sub. ff
mf
10
2
2
sfz p f p mf mf
2nd. finger of left hand slaps forcefully onto
A flat note. Maintain sound and rapidly gliss.
frenzied
finger across 2nd.string (back and forth)
with a gradual movement towards the nut.
14
3
0 3
2
3 3 3 3 2
sub. p ff mf
disappears! reappears!
18 4 1 2 3 0
4 1 0 2 3 0 3 1 2 3 2 3 0
4 1
4 3 4 1 1 4
ppp pp molto
4
23 p i m a
fff
p i m a etc.
mf mp
VII V
damp strings (sotto voce)
29
pont.
40 0
pp
ppp
p
misterioso
35
nat. 0
003 4 10 2 3
39 2 3
4 1
4 1 3
0 4 1 0 3
mf
sub. mp 1 2 2 2
p
27
4 with growing intensity 4
crescendo
3 1
42 3
2 2
3
1 .
gl
iss
sfz
4 1
2
4 3 2 2 2
a tempo
3
2 with energysubito
1 4
0 1 4 4 4
45
4 1 3 21 4 0
mp 2 3
1 3
sfz mp ff f
mf
1
14 1 4
4
50
4
1 0 0
mp mf
mp molto cresc. fff
54
(gliss. by pulling the 5th. string
vertically and horizontally towards
4
the neck of the instrument)
poco allarg.
lunga
57
3
slow
gliss.
a tempo
62 3
2 1
pizz.
mf mp
Pluck all strings behind
the nut with left hand
molto pont.
(pont.) exagerated
66
ord.
3 p ima
molto vib.
sfffffz
.
sub. fff f sffffz
(sec.)
28
Etude No. 10
'Why Not Mr. Buckley?'
sim. 1 4 sim.
q = 120 ca. Benjamin Dwyer
p i etc.
sim.
Guitar
pppp p
6 1
1 4 1 14
VII
molto vib. asim.
tempo
8
XII
2 2
a niente ppp
sub. f
11 1 4 sim. 2 1 3
1
2 I 1 4 1 1
3 1 3
sim.
sim.
mp
sub. ppp sub. ppp mp
f
14 sim.
etc.
p
molto vib. a tempo
17
sim.
ppp ppp
mp sub. ppp f
sub. f sub. f ff
21 sim. sim. poco
f
p mp f mp p
ff
VII
XII
26 VII XII
ff
sub.f
a niente
f
29
3 3 3 3 3
p cresc.
f
29
32
1
ff
4
36
1
2
1
sim. sim.
40 1 1
2 2
p 4
i m etc.
42
1
s.
gl
molto ff
i s s . gli
s
sffz sub. mp
sffz
45 sotto voce 0 4 2
2
2 1 2 0 2 1 1 2 1
3 1 3
3
mp 3 3 3
3
p
1 3 1 2
4 12 4
49 120
3
3
poco cresc. f mf
3 1 3
1
54
poco cresc. ff cresc.
58
molto f sempre cresc.
30
X3
p p p p
61
fff
ff
X3
65
X3
p etc. cresc. over repeats
ffff
rasg.
gliss. with real energy
68
ff sempre
sfffffz
Place left hand fingers over the fretboard
depressing the strings somewhat, gliss.
hand when imstructed
71
gliss.
sfffz
4
73
2
sffz
etc.
76
gliss.
sfffz
78 4
1 2
a 5 m i
p i ma
p
31
81
sffz
sfffz
5
84
5
5 5
5
88
sfffz
93
gliss.
gliss.
sfffz sfffz
96
gliss.
sfffz
(played with the back of the 'm'
fingernail in a rock strumming style)
98 X3
sub. pp
rasg.
101
fff ffff
(right hand finger nail scrapes 6th.
string from bridge to fret board
creating loud scraping sound &
ending in a Bartok pizz.)
104
gliss. gliss.
sffffz
sfffffz fff
f sffz
32 Etude No. 11
'Allegero energico'
q = 180
Benjamin Dwyer
pizz. ord.
Guitar
mp
3
1
10
mf
14
23
1
mp
VIII VII
18 4
30
2
mf
Hit all six strings firmly with
Strings dampened but the right hand over the rosette
gradually released to but strong enough for the strings
secure full sonority to bounce off the fret board
VI VII - - - - - - -
VIII IX VI
V
III IV
II
I - -
22
4
f f
sub. p
- - - - - - - - - - - - - - - - -
28
0
0
ff
33
mp sffz
36
sffz
ff
33
3
VI VII
3
II IV V V VI V VII
VI
38 I II III IV
2 2
mp cresc.
f mp
ff f mp
48
(sim. ossia)
a
p pp i m
rhythmic
f
mp
i
sfz sffz
(The 2nd. & 3rd. finger of left hand
2
slap down on the 5th. string to produce
a pitched but percussive sound)
i
p i ma
X5
5
52 3
3
pp
i
sfz sfffz 1 1
4 sub. mp
ossia
X5
3
(sim. ossia)
mp
X5
4
0
X5
2 sub. f
mf
sub. f sub. f sffz
mp
rhythmic
a
(sim. ossia)
m
i p
61 i 2
4
3
ff
mf
X4
63
ff
3 3 3 3
34
0 3 041 4 2 4
1 3
65 0 2 2 13 2 0
0 X4 3
1 2 2 3
3 1 3 1
mp cresc. mf
2 4 4
2 1 4 4 4 2 1
2
71
1 3
2 1 1 1 3 3 3 2
2 3
3
f
4
2 4
2
2
78 4
1 2
1 2
3
2
2
ff
i etc.
p mp
m
82
0 etc. mp f
mp mf
mf
24 4
p m
i
1
88 1 3
4
mf 3 mp
3
mf
4
93
2 2
f f
97
f
35
2 4 1 II
100 1
3
2 3
3
mp
107
3
2
ff
113
mp
f 2 2 3 2
ff
119
mf
cresc. - - - - - - - - - - - poco - - -
125
- - - - - - - - - e - - - - - - poco - -
Quasi glissando - - - - -
rasg.
129
.
glis s
ff
sfffz
liss.
133
(Quasi glissando) - - - - - - - - - - - - - - - - - - - - - - - -
g
-
138
ff
(muffled)
with flesh of thumb Bartok
pizz.
p
sffz
sfffz
Stagger the chord by rapidly
shaking the chord shape across
(ord.) m (rapido)
one fret and back
gliss.
141
.
gliss
sffz
sfz sffz
36
hammer
Bartok on d
144 pizz.
ord.
mf
sffz f
IX
X
VIII
149
ff
VI
VII
V
cresc.
154
sub.
sfffz sub. p
157
f
161
ffff mp
a tempo
166 molto pont.
X4
ord.
ffff sffffz
sub. mf (sempre)
senza decresc.
senza rit.
169
Etude No. 12 37
Improvimemoriam Berio
Note: accidentals apply to
notes or groups of notes Benjamin Dwyer
and notes or groups
connected with a tie.
q = 65 a m i
3
3 3 3 3 3 3 3 3 3
sffz
Guitar pp f
3 34
(left hand only)
2
2
2 f
ff sffz
4
VI
2
3
1
2
6 3 23 1 3 4
f
mp
pont.
p a pm i m i p m i p
5 5 5 5 5 5 5
3
f sfz
pp
VII
VII
2
f f
etc.
nat.
2
4 1 3
3 3 3 3 6
4 4 4
2 2
IV p ff mp f
1
ff
3 3 3 3 m a
2 4
3 3 3 3 m i
3 3
am i p
5
gliss.
(p)
m
mp ff sffz
p p i m a p p p i m a
p
2
6 3
4
1
1
pp sfffz pp
sfffz
38
somewhat neurotically
4 senza rit.
7
0
2
f ppp
3 4 4 2 4
2
8 3
2 4
3 3 3 3 3 3 3 3 3 1
p sffz fff 3 1
2 2
f
1 1
(left hand only)
f
2 2
ff sffz
3 2 p i m a 3
2
9
1
6 2 6
gliss. gliss.
3 gliss.
1 2
4 f
mp sub. mp mf
4
23 1 4
1
2 1 1
10 04 3 3
3
3 3 3 3
3 3 3 6
f 2 2
p mf f p f p f
mp
nat.
m pi
p 2
sec.
11 aggitated 4
2
2 2
pont. p ima
0
1 3 4
1 mp
mp ff
sub. ff sfz
1 2 3 14
2 3 1 4
6 6 6
2 3 1 4 i m a m i
12
(p)
cresc. f
mf molto
with great energy
6 6 6 6
6 6
6
13
32 3 2
fff p a m i 2 sub. pp
14
2 3 2
3
gliss.
2
sfffffz
f f
39
6 6 6
6 6 6 6
15
2
sub. pp f
sub. pp molto
16
ffff decresc. mp
meno e = 69 ca.
a
m i p i m a
5 4
17 rit.
1 9
2
mf pppp mp ff
18
pp f
14:8 mf mp
mp ff
a mi a mi
piu mosso e = 76
3 1 4 2
1
19
2
4
f
3
p pp sub. ff f p pp mp mf
meno
XX
1
3
left hand only, gliss.
1
pont.
without plucking
13
1
vib.
20 mosso
.
gliss
3 mp
pppp sfz mp mf f sfz mf
0
hesitant at first,
a tempo
clouded
then impetuously
nat. 0 3 0
3 1 p i etc.
3 poco rit.
21
4
3 1
accel. pi ppp
sfz
mf
poco accel.
p a p m i
22 p i p i 5 5 5 5 5
40
with renewed energy
23 5 5 5 5
3 3 3 3 3 3 3 3 3
ff sffz sffz
2
mp f
(left hand only)
2
fff sffz
f
3
1 2
2
24
3 3
6
ff 1
i
pp
sfz a m
mp f
s.
IV poco
3 glis
pizz. ord. 2
3 3 3 3
25
revving!
1 gliss.
1 4
f sffz fff ff
sffz
3 3 3 3
3 3 3 3
27 6 3 3
f
mp
mp
Bartok
pizz.
2 3 1 3 2 0 3 2 3 3 1 3
ord.
molto vib.
28
bend note sharp and return to pitch
gliss.
0
ff a m i
sffz p f
3
1 molto molto
3
3
5
sec.
29 XII vib. pont.
4 2
gliss.
3 f sfz
fff mp mf sfz
(sec.)
towards _ _ _ _ _ _ ord. 6 6
6 6
30
mp
3 2
f mp ppp a m i 1
sffz pp ff
ff
m pizz.
gliss.
Bartok
ord.
5
31
gliss.
fff
3 1
f sfz
pp sfffz sfz sfffz mp
41
(right hand: place back of thumb nail
over strings 1,2 & 3 and gliss. while
using 'm' finger to provide tremolo)
sfz
gl iss.
Left hand only
quasi gliss.
sfz
32
1
scrape 'm' finger nail on and parallel
gliss.
m
sfz
sfz
to E string to create a scratching sound (left hand: gliss. & trill
mf
simultaneously)
p i m a
very aggitated
33
6
3
f ff
mp
p i m a
IX
0
XII
5
34
5 6
fff
6 sffz fff
sffz mp sffz
etc.
4 4
35
3 3 3 3 3 3
3 3
2
p cresc.
36
3 1 3 etc.
s. ss.
2
etc.
glis gli
1
2
ffff 1
ffff
1
sffz sffz
rasg.
4
2
3
37
fff fff molto cresc. 3 3
sub. mp sffffz fffff sffffz
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