44- Appendix Full Range Scales Hof In All Twelve Major Key Signatures DiAFull Range Chromatic Appendix - 45 SS S-¢ BE pheFrench Horn Fingering Chart Many players prefer to use the Bbitor (rigger when they reach second line Gf and continue to we it throughout the upper register. © cf bb D> Dp eb E F ro fo 1230128 Ti2et3, 123023 Ti2e2 co oD D Dp E F HG T23012e2 | T12e1 «Open 6 op ab A a ooh B c ‘ 2 ba 2 2 TopenseTierOpen | T2307 2028 |Tiz6Topenet2| — Tied 1202 “Fopen o Open (Qvhien more than one fingering i shown the fists the most common) vecconienciaaanea yammeeaaananractsctsns:snaneneiscceco actu ecnalinsareaced aemeiemmacine meetinT Warm-Up, 5 Scales, Arpeggios, Thirds, and Technical Studies 16. Concert B> (Your F) Major Seale 9 Arpeesio Thirds = —— — =| = ce E 7 a! * a a ow si Technical Study 17. Concert B (Your F4) Major Seale Thirds Technical Study 18. Concert C (Your G) Major Seale Thirds Technical Seudy —THabits of a Successful Musician - Horn (Scales, Arpeggios, Thirds, and Technical Studies Continued) 19. Concert Db (Your Ab) ‘Major Scale 9 Arpeggio ee o 21. Concert Eb (Your Bb) Major Seale oe Thirds aa Technical Study1 Warm-Up 7 Gcales, Arpeggios, Thirds, and echnical Studies Concinved) 22. Concert E (Your B) Major Scale Technical Study 23. Concert F (Your C) p_Major ScaleHabits of a Successful Musician - Hom, Gcales, Arpeggios, Thirds, and Technical Studies Continued) 25. Concert G (Your D) Major Seale Arpesaio Thirds pt Technical Study = 2s 26. Concert Ab (Your Eb) Major Scale 27. Concert A (Your FE) Major Seaie tt\\ Joe Berryman Rhythm Patterns (double note value) wat Ld pete sett TT aeLO iyi: J su tt TI swt OO J, at Oyo. ae SE ee set 1 owt OO we ae Ow weet tl Te Ts ag CO weLHtlOt 3, w?etli OO, w+ iM Ot wett il ii 14 1 awit tt fT: atti 1 22nt7t 1 Td get Ot lg TOLL watt] bd ge lt I ave t—_bl t Fi zo¢—--—_ bt 1 J J df gen bt dy) pb son CL $d, FT), ,sae OE eg douDd bbs bd ss 3 Tue qe a ald. sg ed sent _tJ DJ J dd. sre ttt Fo sent Oy bd get OO, GS. oe Oe ate tl hI ge LOL, apn dot FS gs ggg Dd De gl axetil avtttitipil —— aati td oe FI DAD lg Jl —3— axttttJJi7 son——_t_14_I Sy ste soe dd PT oly gol +) A. gg Fe Pe ed ed see IIT selitJJa OJ ae 3 J ARI sore PL TTI got owt tl TTI | get TIJoe Berryman Rhythm Patterns 1a A) 6. 34] FS sweet i Fi) mt FT owt we Tb wos. Ss, 154) OS re ES se RL bd eat FTI J} axetti. f11 104-274 FTI Sd ae) AF wt FSS A tent FI FT aa) rd 194-4} Jar.) ante) FI qt be Er 2012) J) oe oe. i, 234+ Jo FT bh, osn SSI, pre I 2on- J) 5 J. ano Tb 2o4-2 1) FT, oe FS a 304d 9 42 sai hoy Tit san SO) ss FP A ag St seo Rt tk, gg sa) A sant a, soe ORE a CS awl a 424 | a a ar oe, ae I A ee St aed I ae COS ep SS Sh sow TS) steed J oI sexta), seo AS ae Se 55+ cho bd 4 se+2—F ru, dt sett, Fs pee ee, soe I eo OS set I, oe I, eyScale and Chord Related Theory A.scale is a series of single notes which ascend or descend in a stepwise manner within the range of an octave. Because scales are arranged in a stepwise manner, the note names will always be in alphabetical order. ‘The notes within scales have a specific whole step/half step intervalic relationship with each other. C natural minor scale dower the 3rd, 6th, and ‘Tih scale degrees a half step). C major scale (half steps are between scale degrees mena: Www wwe 3-4 and 7-8). € OS ¥ AG re Soup 2 3 8 8 6 oF Intevatss WooOW OR ow ow ow # [ee es ee C harmonic minor scale (ower the 3rd and CD E FG A B C | Stsstessssnaisen. SealeDegrees1 234 AS 6 7 8 merase Kw wR wren A ‘Tonic Dominarit Lean Tone cDBEGA BC Suenos! oP 8 4 8 ee . ‘Augmented & Diminished C melodic minor scale (ascending lower the 3d and descending lower the 7th 6th, | : and Srdseale degrees alfstep) " Intervals from C re A Ara Ar cDEPFGABC BRAG FE BDC sure? 2 4 Ss eT RP eS eT Intervals of the C major scale: Major 2nd Major 3rd Perfect 4th Perfect Sth Majoréth_ Major 7th Perfect Octave C major triad (three note chord) in root position and inversions. Root Postion Hist Inversion Second Inversion B= rom Bottom From stom; from Botom: : oti hide rao ed L___fe : asic chord es constructed from C: Essential Vocabulary: ve Major Miner Diminished Interval - the distance between two notes Half Step - the closest interval between two notes = Whole Step - an interval of two half steps Augmented Sus ‘Third - the distance of two adjacent lines or two adjacent spaces Scale Degree - a note's classification according to its position in the scale Tonic - the first note of a scale, the "key-note" from which the scale takes its name Dominant - the fifth scale degree, chords built on this note are “dominant” and normally resolve to the tonic Leading Tone - the seventh scale degree, itis one half step below tonic and its tendency is to “lead or rise to the tonicScale and Chord Related Theory Asscale is a series of single notes which ascend or descend in a stepwise manner within the range of an octave. Because scales are arranged in a stepwise manner, the note names will always be in alphabetical order. ‘The notes within scales have a specific whole step/half step intervalic relationship with each other. C natural minor scale (lower the 3rd, 6, and 7th seale degrees & half step). j I ees Inteats: Ww wwe C major scale (alts are between sale eg Agar Ar a: cDEFGA BC Inevatss Wow ow w ow # mor Arora A __| Charmonic minor scale dower she sane CDE EG A BC | sixteseersa pattste senedenes IX 2 034 45 6 7 8 sets RK et Tonic Dominarit ——_Leadirg Tone cDERFGABC a & Diminishe C melodic minor scale ascending ower the 3rd and descending lower the 7th cin, | Augmented & Diminished ad Sed sels degrees» lf step) f Augoented 4th Impais W w wg ‘een Aa aa Aa Cc DEF oa Dirsinished sth Intervals of the C major scale: ssi Major 2nd Major 3rd ‘Perfect dth Perfect Sth Major 6th Major 7th Perfect Octave Augmented 5th Minor Tatervals from C PEAS] minordog | C major triad (three note chord) in 00t position and inversions. Root Postion ‘ist Inversion ——_ Second Inversion & joinor ard sao 6th Tae : rom Bottom: From Bottom: rom Rottom SS non root tied thats eoot fifth root thd L_______| Basic chord types constructed from C: Essential Vocabulary: Essential Vocabular sae Min Diminished — Interval - the distance between two notes Half Step - the closest interval between two notes Whole Step -an interval of two half steps ‘Augmented sus ‘Third - the distance of two adjacent lines or two adjacent spaces Scale Degree -a note's classification according to its position in the scale ‘Tonic - the first note of a scale, the "key-note" from which the scale takes its name Dominant - the fifth scale degree, chords built on this note are “dominant” and normally resolve to the tonic Leading Tone - the seventh scale degree, itis one half step below tonic and its tendency is to "lead!" or rise to the tonic W32BNKey Signature / Scale Knowledge Study Guide Order of the Flats: Bb Eb Ab Db Gb Cb Fb (BEAD — Greatest Common Factor) Order of the Sharps: Fi CH G# D# AR E# BH (Backwards from the flats / Fat Cows Go Dancing After Eating Breakfast) KEY NAME nese Name of Flats/Sharps Scale Tones / Notes c 0 - CDEFGABC F ib Bb FGABDCDEF Bb 2b’s Bb, Eb Bb CDEbFGABb Eb 3b’s Bb, Eb, Ab EbFG Ab BbCD Eb Ab 4b’s Bb, Eb, Ab, Db ‘Ab Bb CDbEbF G Ab | Db 5b’s Bb, Eb, Ab, Db, Gb Db Eb F Gb Ab Bb C Db | | Gb 6b’s Bb, Eb, Ab, Db, Gb, Cb Gb Ab Bb Cb Db Eb F Gb ~ i Sn G 1# Fit GABCDEFHG | D 2#'s Fat, CH DEFEGABCHD A 3H’s Fit, CH, G# ABCHDEFEGHA E | 4#’s Fit, Ct, Git, Dit EFHGHABCHDHE —t B | OS#’s Fit, Cit, Git, Dit, At BC#D#E FH G#AHB 1 You can start on any note and go up by % steps. 4 Steps also occur between B-C and E-F T ¢ | C#/Db i | Di/Eb | E | F | Fa/Gb G | Sa/Ab] ry ]anvee] B