Professional Documents
Culture Documents
God of Small Things 1
God of Small Things 1
Estha:
weight of past traumas. He is haunted by disturbing
events within his family, which shape his quiet nature.
Estha's deep bond with his twin sister, Rahel, serves as a
source of comfort and resilience in the face of tragedy and
the complexities of their lives.
- His silence becomes a metaphor for the silenced voices
within society, reflecting the oppressive nature of power
structures and the fear that stifles individual expression.
“Estha’s silence was never awkward. Never intrusive. Never
noisy. A barely noticeable quietening.” (Roy; pp. 6)
Estha, a sensitive and introspective boy, carries the weight of past traumas. He is haunted by disturbing
events within his family, which shape his quiet nature. Estha's deep bond with his twin sister, Rahel,
serves as a source of comfort and resilience in the face of tragedy and the complexities of their lives.
Pappachi and Mammachi: Pappachi and Mammachi, the grandparents of Estha and Rahel, symbolize the
strict adherence to societal norms. Their authoritative presence influences the family dynamics,
reinforcing the social hierarchy and stifling individuality. Pappachi's abusive tendencies and Mammachi's
passive demeanor contribute to the oppressive atmosphere that shapes the lives of the younger
generation.
Ammu: Ammu is a complex character who embodies the contradictions and limitations of postcolonial
India. On the one hand, she is a strong and independent woman who defies societal expectations and
seeks fulfillment outside of marriage and motherhood. On the other hand, she is constrained by the
social and cultural norms of her community and ultimately pays a heavy price for her transgressions. As
one example of her struggle against these limitations, Roy writes, "Ammu had fought all her life to be
independent. To be free. And to be loved. But love and freedom had not been compatible with each
other."
Velutha: Velutha is another character who embodies the tensions and conflicts of postcolonial India. As a
member of the "untouchable" Dalit community, he is marginalized and oppressed by the dominant
upper-caste society. At the same time, he is also portrayed as a strong and capable individual who defies
his lowly social status and asserts his dignity and worth. In one scene, Roy writes, "Velutha was standing
in the river, his feet buried in the sandy bottom. He was bare-chested, his lungi clinging wetly to his legs.
He looked like a god."
Baby Kochamma: Baby Kochamma is a character who embodies the legacy of colonialism and its impact
on Indian society. As a member of the Anglo-Indian community, she has internalized the values and
prejudices of the colonial ruling class, and she uses these to maintain her power and privilege within the
family. At the same time, she is also portrayed as a tragic figure who is unable to escape the limitations
of her own identity. As Roy writes, "Baby Kochamma's heart was a dark horror show of grief, misery, and
woe. But she had to smile for the sake of the foreigners."
Overall, the characterization in "The God of Small Things" reflects the complex and often conflicting
realities of postcolonial India. Through the portrayal of characters like Ammu, Velutha, and Baby
Kochamma, the novel explores the themes of identity, power, and oppression, and shows how these are
shaped by historical and cultural forces.