The passage discusses AMvó cvi‡dwÆ, a Bangladeshi singer, and his impact on Bangladeshi music. It notes that in 2004, when he was only 2 years old, cvi‡dwÆ started singing and became popular in Bangladesh. The passage praises cvi‡dwÆ for bringing Bangladeshi folk music to large audiences and inspiring many young people in Bangladesh to pursue music careers.
The passage discusses AMvó cvi‡dwÆ, a Bangladeshi singer, and his impact on Bangladeshi music. It notes that in 2004, when he was only 2 years old, cvi‡dwÆ started singing and became popular in Bangladesh. The passage praises cvi‡dwÆ for bringing Bangladeshi folk music to large audiences and inspiring many young people in Bangladesh to pursue music careers.
The passage discusses AMvó cvi‡dwÆ, a Bangladeshi singer, and his impact on Bangladeshi music. It notes that in 2004, when he was only 2 years old, cvi‡dwÆ started singing and became popular in Bangladesh. The passage praises cvi‡dwÆ for bringing Bangladeshi folk music to large audiences and inspiring many young people in Bangladesh to pursue music careers.
The passage discusses AMvó cvi‡dwÆ, a Bangladeshi singer, and his impact on Bangladeshi music. It notes that in 2004, when he was only 2 years old, cvi‡dwÆ started singing and became popular in Bangladesh. The passage praises cvi‡dwÆ for bringing Bangladeshi folk music to large audiences and inspiring many young people in Bangladesh to pursue music careers.