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    Weaving and casting have long been practiced in Azatheria, with myths of miracle men and warrior witches telling of men transforming materials through these arts. While the origins are unclear, most advances occurred after the first Truthseeker was fabricated. In the Suemerian Empire, most families had at least one weaver or caster, and demonic bindings were commonly used before Spiritism rose to prominence. The contributions of Kaelum the kindly to expanding weave-casting implements was significant, though the Order of Spiritism tried to obscure his work. There are two fundamental principles to the art - legitimacy, requiring independent starting materials, and valminity, necessitating materials of equal value be transformed.

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    Weaving and casting have long been practiced in Azatheria, with myths of miracle men and warrior witches telling of men transforming materials through these arts. While the origins are unclear, most advances occurred after the first Truthseeker was fabricated. In the Suemerian Empire, most families had at least one weaver or caster, and demonic bindings were commonly used before Spiritism rose to prominence. The contributions of Kaelum the kindly to expanding weave-casting implements was significant, though the Order of Spiritism tried to obscure his work. There are two fundamental principles to the art - legitimacy, requiring independent starting materials, and valminity, necessitating materials of equal value be transformed.

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    History and Lore of Weave-Casting

    Uploaded by

    song flames
    Weaving and casting have long been practiced in Azatheria, with myths of miracle men and warrior witches telling of men transforming materials through these arts. While the origins are unclear, most advances occurred after the first Truthseeker was fabricated. In the Suemerian Empire, most families had at least one weaver or caster, and demonic bindings were commonly used before Spiritism rose to prominence. The contributions of Kaelum the kindly to expanding weave-casting implements was significant, though the Order of Spiritism tried to obscure his work. There are two fundamental principles to the art - legitimacy, requiring independent starting materials, and valminity, necessitating materials of equal value be transformed.

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    © All Rights Reserved
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    Weaving and casting have been a part of Azatheria for as long as history has been recorded.

    Myths and
    legends of miraclemen and warrior witches are spread across the continent as scattered as the peoples
    themselves. These tales of men turning sticks to steel form the basis of religious beliefs in most densely
    populated areas. While historians do not agree on when men first discovered how to weave-cast, there is
    no denying that most of the advancements to the art occurred after the first Truthseeker was fabricated.

    At the height of the Suemerian Empire, everyone had at least one weaver or caster in their immediate
    family. There were no laws like those of today that limit weave-casting to nobles and the military. Before
    Spiritism became as widespread as it is today, most weave-caster institutions were not shy about
    exploring the utility of demon-bonds during fabrication. Most weavers these days would gasp at the
    suggestion and yet the first Truthseekers and Truthkeepers were all sealed with demon blood.

    No account of weave-caster history would be complete without mention of Kaelum the kindly. Despite
    the best efforts of the Order of Spiritism to obscure his contributions, anyone with any knowledge of
    Zinthari or Azatherian history will tell you it is no coincidence that his lifetime overlaps with the most
    rapid explosion of new weave-casting implements. There is no telling how much more he could have
    contributed to the art had he not been executed at the behest of the first Venetrum governor after the
    fall of Suemeria.

    There are only two main principles to the art of weave-casting. The third is simply the combination of the
    two fundamental laws of legitimacy and valminity. Legitimacy simply means that the tools used for any
    fabrication or transformation in weaving and casting respectively must exist independent of each other.
    Valminity requires that the two media being fabricated or transformed must be of at least equal value to
    the person carrying out the process. Famously it is said that ‘You can not weave silver from shit’.

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