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  • Bass Sax Solo

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    el
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    This document provides sheet music for a bass saxophone solo composed by Leo P. The solo is notated using musical notation symbols over 21 lines of staff. It features technical elements such as triplets, grace notes, and slurs. The piece explores the bass saxophone's range and capabilities through fast runs and complex rhythmic phrasing.

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    Original Title

    BASS_SAX_SOLO

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    This document provides sheet music for a bass saxophone solo composed by Leo P. The solo is notated using musical notation symbols over 21 lines of staff. It features technical elements such as triplets, grace notes, and slurs. The piece explores the bass saxophone's range and capabilities through fast runs and complex rhythmic phrasing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    18 views2 pages

    Bass Sax Solo

    Uploaded by

    el
    This document provides sheet music for a bass saxophone solo composed by Leo P. The solo is notated using musical notation symbols over 21 lines of staff. It features technical elements such as triplets, grace notes, and slurs. The piece explores the bass saxophone's range and capabilities through fast runs and complex rhythmic phrasing.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    BASS SAX SOLO

    By Leo P


    transcribed by Alejandro Portela

              

                    
       
     = 88

       
    sax hitting

      
             
    the ground

           
        
       
    3

       

     
     

     
        
           
     
               
        
    6

      
     
          
                       
    3 3

       
    10 3 3


    3 3

                            
       
    13

                          
            
             
    15 3

                      
    3 3


    3 3


     
    17

                   
    3 3 3 3 3 3

     
      
    18

         
    3 3 3 3

           
            
     
    19

                   3
    3 3 3 3
    3 3

         
                
      
    21

    
    3 3
    2

                                         
    24 3 3

      

     
                                   
     
             
    27

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