Roar

of the Jungle Dragon

Theme of Yharon's Second Phase
composed by DM DOKURO
freely arranged by unnamed boi
(remade because my first arrangement of this track was really bad)

(art drawn by 00-Inanis)

composed by DM DOKURO
freely arranged by unnamed boi

Roar of the Jungle Dragon

Theme of Yharon's Second Phase

         

Majestic.

            

      
( = c. 62 - 64)

       
(woa that's a lotta chords)

  
               
         
 ( )
*)

 
1 1



 loco 5  5  5 5
4
 5 2

vb
1 5
*) play both of these two notes with the thumb


 
          
Twice as fast. ( = )

       
        
5


6 The


3 2
1


          
 

  

      
cresc.

       
() somewhat lightly

 5  1 1
5 5    because j a z z)
(yes i put a-naturals
  loco
vb
against the a-flats

(introducing new
i figured out how


                     
e ne my as cen ded be yond your con trol; Or

         
10

   
                                 
        
(please don't give youself carpal tunnel)


 
2

               
was that all your in ten tion? They have

                      
14

                                 
          
     
 

                    
ma naged to de mo lish wha te ver we made, but you're

    
18

           

                                  
                  

 
        
fai ling to com pre hend. If they

                     
5

     
22

    
5 1 2


                           


    
( )


     
   loco
vb
(fr man don't play t
probably going to g

                                     
can, they will ea si ly but cher you whole, while you're blin ded by


                       
26

                             
                     

                              
your de pres sion. I have got ten to the


         
31

 
                     
 
 

         
  
 
                        

point where I'm just too a fraid that you're go ing to 3

                            
35

                                     
              

                     
 
meet your end. My


                
39 2 5 2 5

    
1 3 1 4

  
            


       
         
 
 (AAAAAAAAAA) (ok now you really have to
very quickly calm down...)

Tempo I. ( = )

           
   
screams e cho out through the fi re, and your

  
      
    
44 5


5 5


5


       

3 3 4 3 3 4

   
2



2 2

     
1 2 2 1 1

         
**) 1 2


1

     
1

    1 1 5 1 1
5 5
5 **) you may optionally play these "bell notes" with r.h. instead of l.h. as written

   
             
        
ri val dares stand in my way. Yes,

    
  
48 5 5


5


5

      
   
           
       
cresc.

       

5
5
3
1 2 1  5
3  5  1
1
5

         
      
this is a hard ship most di re, and one

       

52

  
     
  
         
       


     
      
 5 1 5
 1
 1 5 1
 1 3 5
 vb
1 1
       
  
day you will heed what I say.


4

      
56


in time

       

!

            


          
          
            
          (silence!)
       
1 3 5 1

vb
1
loco

TWICE AS FAST AGAIN AAAA ( = )

     
THIS IS MY MES SAGE TO MY MAS

      
       
    
59

  
***)  
           


    
       
1(2)

       
3(5)

      loco     

5 2 1 1 1

vb
5 5 5 4(5)
3


***) fingering numbers in parentheses are alternate fingerings
(TIME TO POP OFF)

  
    
STER: THIS IS A FIGHT YOU

        
5

        

65 5
1 1 2
1 5

 
       
      
(obligatory runs xd)

     
            
 (mmm quartal          
harmony very yummy)

 
             
  
CAN NOT WIN.

      
 
70 4
1 2 5 1 2 1

     
             
1 1

            

          
        
 
I THINK THAT PAST YOUR GREAT DI 5

        
75

 
     
                 
              

                  

SAS TERS, (kapustin concerto 4 moment) THEIR VIC TO RY STIRS
va

                 
loco
80 5 5


1 2 1 1 3 2



    
   
3

     
            
           

      

          
va


BE LOW YOUR SKIN.

     
85 5 5


1 2 3 1 2 3 5

   
       

         
         
     
 

        
(yeah i think i really like quartal harmony)

     

   
IF YOU PRO CEED, I WILL


     
      
loco

  


 
5


90
3

    

              
               
 
   vb  loco    

       ****)

  
NOT BLAME YOU.

            

5


95 2
1 3 2

 
      
3 5

   
5

      
  
 
 
         
****) these polyrhythms doesn't have to be played accurately, ju
       
  
I WILL MOVE FORTH AND WIN YOUR

   
    
6

  
 
99

  
    
       
          
     
     1 3
        

    va         

        
WAR. BUT

    
       
loco


5
104 3 3
3

 5 
            
5 3 3


3 5

       

   3
    
5

             

IF I SHOULD DIE BE FORE YOU CON TI NUE,

          
   
 
107

   
 
     
             
  

   
          
  5
3     5 3

       

       
YOU SHALL HAVE


HEARD


va

         
 
loco


5 5


113 4 5 5
2 4 4

3
1 1

  
      
3 5 3

  
5

  
       
            

   va

       
DY

    
MY FI NAL

 
loco

 
117 5 5
3 5 3 3

     
          
3 5

      
     
5

  

   

         
 
      
          
ING ROAR. 7

      
  
122

       
      

 

  


        
cresc.

               
very heavily

      
         

             

      

         
                  
()

   
129

    
                
       
  
   
             
             vb
    

   
        
               
134

          

                
                   
  loco     
vb
  

     
                        
  
138

         
              
           
             
        
      
   

              
  

 
            
 
           
        


143

      
           
                       
                           
()     
       

           
    
  
8

   
       
     
148

 
  
    


                      
                            
 
5 1 1

vb
5

    
loco

        


     
         
       
       
153

        
    
 
           
                   
        
1 4(3) 1
5 5 1

       


                


      
157 5


1

   
in time 1 1

   
5

     
             
       (oh boi guitar solo time

 
this is an epic moment
(no pedal (very very epic very!!!))
here!)

(bring out

 top voice)        
Tempo I. ( = )

            
(bring out the top voice again sta

    
5 4 (bring out the lower

 
     
4 5(4)

 
162 3 4 3
voice starting here)

 
2 1 2 1


(l.h. played quite forcefully)
          


 
1 1

 
            
3 2 2 1
1


         
vb
loco
     
9

                
3 5

    
5 3 5 3


    
5 3 5


 
3 3(4) 4(5) 3 1 1 2
167 1 4 2 1 1 2 2


2(3)


2 3 1 1 2


4 2 2

1

          
         
2


(lmao fingering numbers go brrrr)

            
    

         
                        
5 5


4 4 5

   
4 4

        
2 1 5 3


171 1 2 5 4 3 3 2


2


2 1 1 2 2 1


 
           
               

          
   

  
          
   
       
5(4)


2

 
4

         
3 5 3 3 1 2 1 3 2(1)
176 4 2
1 3 1 3
1 2 2 2 1 2 1 1 1

           

         
       

  
   vb
loco

  
                          
          
            
180



          
          

    
     
          
        
10

         
184

      
      
       
  

 3
              
                
             
3

       
186

       
   
 
6 6 6 6 6

     


    

 
          
                       
gradually becomes more and more heavy, but don't slow off!

       
     
189

 
   
    
         
             
           
vb

(this repeat is optional!)

    
      








 
194 slow off, heavily.



                


      
( )


          

  
    
1 1


          
 loco   
   

5

vb




203


  




