SUNSHINE ON LEITH A Musical by STEPHEN GREENHORN Featuring the songs of THE PROCLAIMERS Musical arrangements by David Shrubsole PIANO / VOCAL SCORE MUSIC THEATRE INTERNATIONAL ———— EuropeSUNSHINE ON LEITH Cast of Characters PRINCIP, DAVY ALLY RAB JEAN uz YVONNE, EILIDH OTHER ROLES SARGE BUSKER, DOCTOR, BARISTA, JOGGER BARMAN, TRAINING INSTRUCTOR TRAINEES (MOIRA, KAREN, CARL) PUB PALS (INNES, ANDY, 2 FEMALE CUSTOMERS) WEDDING SINGER DOCTOR HOSPITAL STAFF: SECURITY GUARD, CLEANER, RECEPTIONIST, WOMAN CELEBRITY CHEF HAZEL (JEAN'S FRIEND) + TWO CLEANERS YOUNG RAB / YOUNG JEAN ENSEMBLE SOLDIERS, PEOPLE OF EDINBURGH, DRINKERS, TRAINEES, FOOTBALL FANS, WEDDING GUESTS, etc.Ba, da, ul Ma, 12, la. Musical Numbers ACT ONE Sky Takes The Soul (Davy, Ally, Ensemble im On My Way (Davy, Ally, Ensemble). ‘The Part That Really Matters (Ensemble)... Morningside (Ensemble)... 2033 Over And Done With (Barman, Liz, Yvonne, Ally, Davy, Ensemble) .-senrnrownner 36 Piano In Pub (Instrumental) : 151 Misty Blue (Davy, Yvonne, Barman, Barmatd, People in Pub). 52 Trolley Ballet (Instrumental). Trolley Ballet Exit (instrumental) veers Throw The "" Away (Davy, Ally, Karen, Ensemble) . Better Days (Busker) ... 79 Make My Heart Fly (Davy, Ally, Yvonne, Liz, Ensemble) .. 83 Let's Get Married (Davy, Ally, Innes, Andy, 2 Female Customers, Ensemble) .n--nos-wn92 Simple Things (Wedding Singer, Ensemble)... 20 105 Dance With Me (Instrumental) . 109 Ob Jean (Rab, Pals, Ensemble) = 110 After The Fight (Instrumental) .vsvionsnorsenenoens 128 129 Hate My Love (Jean, Yvonne, Davy, Ally, Ensemble).ACT TWO 14. 15. 1a. 16. 7. 18. 19. 20. 20a. a. 22. Life With You (Rab, Ally, Davy) sense 148, Then | Met You (Davy, Yvonne, Ensemble) Hospital Transition (Ensemble)... 158 What Do You Do? (Liz, Quartet, Ensemble) ....rssrveso 161 172 Should Have Been Loved (Hazel, Jean, Cleaners, Male Ensemble). Sunshine On Leith lean, Ensemble) Hospital Transition 2 (Ensemble)... Letter From America (Liz, Davy, Ally, Ensemble) Let's Get You Home (Instrumental)... 2214 500 Miles (Company) «.» 215 Curtain Call (Company) - (Optional).Orchestration Notes Sunshine On Leith was performed at Leeds Playhouse with the following band: Musical Director playing keyboards and percussion (tambourine, ankle bells, cajon used instead of piano stool) Guitar Steel String Acoustic, 12 String Acoustic, Electric, Lap Steel Bass Electric and Upright Drums we used V-Drums, as the player was onstage and visible Violin & Mandolin Viola Cello ‘At various moments, five members of the cast also played guitars. For the Shopping Trolley Ballet we had alto sax & trumpet, and for Life With You we had trumpet, alto and tenor sax. The Barman and Busker played guitars and accompanied themselves. If there are no onstage guitars available, it is recommended that a second guitar is added to the band. Hence the additional part available called “Onstage Guitar”. It is not a problem if you have no brass; the strings parts cover the same lines, but the parts for trumpet, alto sax and tenor sax are provided. The show felt midway between a gig and a theatre piece. All of the band were onstage, in costume, and often moved around so that the audience couldn't tell the difference between cast and band The keyboard lived in a piano-like shell on a small moveable truck. Scenes 15-17 were underscored by recorded background music, as if hearing a piper busking on Princes Street, kitsch recorded music on Jenners' shop floor, or muzak in the lift. The Barman improvised the football commentary, with a sound effect, behind which we were taken to The Persevere in Scene 18. Scenes 23-25 have no scene change music to warm or comfort the atmosphere. Scene 28 — In Waterstones we used Vivaldi’s “Four Seasons” as piped muzak. This crescendoed for the scene change and then was left playing quietly on Hazel's portable radio on her cleaning trolley, which she switched off in the scene. Scenes 32-33, 34-35, 35-36, 36-39 ~ there is no music here, Enjoy! David ShrubsoleSUNSHINE ON LEITH Book by Msc and tyes by Stephen Greenhorn ACT ONE The Proclaimers No 1 - Sky Takes The Soul Agig, casting a spell J= 126 The barman (if he plays guitar) and MD start the show and, one by one, the full company {minus.Davy & Ally), some with guitars, join the gig. VAMP tamb' cont’ (Thumb low A) 5 Foot stamp continue until igure B ass gen (Thumb low G) ‘Music © Copyright by Wamer Musie Publishing ‘except Hate My Love For You, life With You, Should Have Been Loved © Copyright by Chrysalis Muste Publishing UNAUTHORISED REPRODUCTION OF THIS COPYRIGHT MATERIAL IS ILLEGAL‘Sunshine On leith - No 1 ~Sky Takes The Soul Guitars continue Vin, Via ick dea Voice 19 Quiet but intense 22 o Se aa could be to day. when the sky takes the soul the earth takes the clay. t could be 10 - day. when the sky lakes the soul the earth takes the clay. ht ea a aSunshine On Leth - No 1 - Sky Takes The Soul a Bo e—ee <2 ‘or it couldbe to-day when the sky takes the soul or It couldbe to-day when the sky takes the soul the 3 sa ‘earth takes the clay.. ‘earth takes the clay.. 2 7S‘Sunshine On Leith - No 1 ~ Sky Takes The Soul Full incantation fly 34 ‘and a half - tonne bomb. in theback of the truck. and a half - tonne bomb. in theback of the truck. 4 ash O A ash A » BD ‘could be to-mor-row— (rit could be to-day When the sty takes thesouL_—___ the could be to-mor-tow— or it could be to-day when the sky takes thesoul_—___ the cearth takes the clay. ort could be to-day when the ‘earth takes the clay. could be to-mor-row for it could be to - day. oY ASunshine On Leith - No 1 - Sky Takes The Soul 5 fl 4 sky takes the soul the earth takes the clay. Feel the towel ‘eause its [Company] p 46 =~ with sorrow from the tears. ‘we'll shed to = mor -row.—6 Sunshine On Leth - No 1 Sky Takes The Soul 49 (Dawa Alhy) Ror RF fT FF RF eI a cor it could be to-day. It could be to morrow — for it could be to-day—Sunshine On Leith - No 1 ~Sky Takes The Soul 7 55, sly takes the soul the earth takes the clay.. could be to-morcow_— sky takes the soul the earth takes the clay 4 assy 6 4 Ash 58 could be to-day when the sky takes the soul the earth takes theclay.. could be to-day when the sky takes the soul. the earth takes theclay.. A Asis 4 4 A a) SARGE ‘Aight, you know the drill, I want everyone alert. Everyone alive. Understand? 61M) ee DAW e AL aes gene oe‘Sunshine On Leith - No 1 “Sky Takes The Soul fl oo, Beal Hits. tomorow say it willbe ‘ay it will be gen down on myknees i'm down on P down on myknees tm down on P down on —-myknees tim dowa on A sesSunshine On Leith - No 1 ~ Sky Takes The Soul gates Il my knees 'm down on my knees I rmy knees 'm down on ass 76 my knees tm my knees down on my knees im — down on my knees 'm down on my knees!'m down on my knees 'm 6 ges [) piano And tt could be to-morrow ‘And it could be to-mor -row—10 Sunshine On leith - No 1 ~ Sky Takes The Sout va DAVY: Vehicle approaching! could be to-day — the earth takes the clay. could be to-day the earth takes the clay S mezzo piano al, Ls couldbe —to-mor - row for it could be couldbe —to-mor- row or it couldbe A Asis ASunshine On Leith - No 1 ~ Sky Tikes The Soul n 43. (DAVY signals to the oncoming vehicle to stop.) takes the clay. takes the clay. Asst 5 forte DAVY: He's not stopping! a SARGE: Stand tot takes the clay. les te soul asso og2 Sunshine On leith - No T ~ Sky Takes The Soul (They prepare to fire.) full throttle or it could be to-mor ~ tow or it could be as A (he song is cutoff na hail of gunfire.) ExplosionNo 2 - I'm On My Way ALLY : It involves your sister, Voice Swung) — J= 126 (ay) "i [Upright Pano) ‘mon my way from pd 3 4 mis-er-y to hap-pi-ness to day. im on my way— from mis-er-y to hap-pi-ness to - day trrrecerr trerterr ceereerer4 10, and years from now and years from now 1 re-ceiveup yon - der re-ceiveup yon - der Sunshine On teith - No 2 -'m On My Way He's on his way to what hewantsfromthis world V'm on my way to what I want from this [LX Compressed clean country tone (Svat PU mi] world helll make it to the next world and ev-try-thing IM make it to the next and evrything is whatshe gave to you the day youwan - dered. is whatshe gave to me the day I wan - dered.Sunshine On Leith - No 2 I'm On My Way o Voice 19, AUD Bl Jeez-oh, more liket We took a right took a right turming yes-ter ~ daySunshine On leith - No 2-1" On My Way 16 Wetook a right We took a right tum-ing yes-ter day. “= Wetook a right We took a right turing yes-ter day yeah [+ 2 more voices (Doctor / Barista) yeah. yeah | took a road brought me yeah. yeah 1 took a road brought me’ brought me brought me| took the train | took the train | took the train 1 took the train find the one ooked find the one looked find the one looked Sunshine On Leith - No 2- I'm On My Way ” streetsthat 1 could walk 1 walk the streets | walk the streets | walk the streets 11 climb the stairs that leadme to her front door. for Ul climb the stairs that |leadme to her front door. for MI climb the stairs that leadme to her front’ door.18 ‘Sunshine On leith - No 2 I'm On My Way And Anda a7, |D) Sunshine On Leith - No 2-l'm On My Way 19 ALLY : I don't need her to drop everything! DAVY: Hey! ae ‘VAMP - out any bar with piano lick sitting on top of the world. — sitting on top of the world. — sit-ting on top of the world top of the world — Voice [Daw] You'll do yourbest to do the best you VE do. my best, MM do my best to do the best L_—20 ‘Sunshine On Leith - No 2 'm On My Way do my best to do the best 1 a-ha Yeah I'll do do my best to do the best 1 do his best to do the best he do his best to do the best he (not Davy) To keep my feet To. keep my feet To keep my feet To keep my feetjump - int Sunshine On Leith = No 2-1'm On My Way the ground the ground jump - in’ jump - in! jump in’ through my jump = in’ through my jump - in’ through my jump - in’ through my To (ot Ally) a2 ‘Sunshine On Leith - No 2-1'm On My Way past and not the pre when you get taught a les past and not the pre ‘tolearn when you get taught ales past and when|you get taught ales past and when you get taught ales ALLY : Here we go Pilrig Steet. The dividing line. Bye-bye Edinburgh, DAVY : Hello, sunny Leith! o [VAMP out any bar with piano fick) —_[E) I'm on my way V'm on my waySunshine On Leith - No 2- I'm On My Way B mis-er~ y to hap-pi-ness to mis-er - y to hap-pi-ness to mis-er=y to hap-pi-ness to mis-er - y to hap-pi-ness to ~ day. mis-er-y to hap-pi-ness to - day. mis-er-y to hap-pi-ness to} day. ess 10 = doy?24 and. years from now and years from now and years from now and years from now ‘Sunshine On lelth - No 2 "'m On My Way 'm_on my way im on my way to the next ‘want from this, want from this want from this, and ey-'y- thing and ev'ry thing and ev='ty- thing and ev y= thingSunshine On Leith - No 2 <'m On My Way receiveup yon is what she gave reccelveup yon is what she gave receiveup yon is what she gave re-celveup yon is what she gave don't want. 5 don't want. don't want. me the day 1 me the day 1 ime the day 1 me the day 1 2526 88 ‘Sunshine On Leith - No 2 -'m On My Way sit -ting sit-ting sit-ting of the world, [G| mp gradual cresc. 'm on my way from |mis-er - y to hap-pi-ness to I'm on my way from mis-er = y to hap-pi-ness toSunshine On Leith - No 2-1'm On My Way 7 I'm on my way Vm on my way SS mis-er=y to hap-pi-ness to | day. mis-er = y to hap-pi-ness Vm on my way . ” Applause - no pause — ess. tm |sit-ting on top of the world. y to hap -pi Y to hap-pi-ness. I'm sit-ting on top of the world28 “Sunshine On Leith - No 2 I'm On My Way DAVY : This walking builds wh p cay mal ALLY : Central Bar! ALLY : Are you thinking what 'm thinking? “oo Fade and stop on cue 10229 No 3 - The Part That Really Matters JEAN : Rab, stick the kettle on, ‘Swung 2 Cy emiaem) e Oo/hui (Oo / hum. Fhe30 Sunshine On Lelth- No 3 ~The Part That Really Matters LIZ : That's my bus. Gotta go. See you later. 10 + The AB. The A.B. C.— of _ hearts, poco rail, “4Sunshine On Leith - No 3 -The Part That Really Matters u RAB : You're back now. In one piece. Thats the main thing, 19 Freely accel back to tempo v ig i The A. B.C. of hearts The A. B,C. of hearts. ” ? The ALB. CW of hearts. —32 Sunshine On Leith - No 3 ~The Part That Really Matters poco rall.33 No 3a - Morningside LIZ : | just thought he worked in a laboratory! ‘On The Way - Swung J = 132 Steel str=ad lib, muted swung rhythms cont A ize STOP ON CUE"And she's English wo 0 A ct Fem o34 25, Sunshine On Leith - No 3a - Morningside [ALLY :f she's a pain wel think of something All ight? 56,78 Entrance into pub Bah bow bow bow ba bah bow bow ba-o A ct Fein o S| Full Pub Stride a ba-o bow bow ct 32 Bah bow bow bow babah bow bow ba-o ba A a Fen o ba Bah bow bow bow ba A cf do ba bah bow bow ba-o ba Fon 9 UnderscoreSunshine On Leith - No 3a ~ Morningside 35 ut on: YVONNE : Okay. Let's do it. 4 yy Fn 9 A ct Fem © [vAMe| 42 Fall again poco rall. maa A ct SF Full Pub Stride Segue as one to No 436 No 4 - Over And Done With » and conducts the voices like Puck. ly. Ensemble sing under Barman dialogue. ‘The Barman pays guitar Gia He addreses the audience di ba Bah bow bow bow ba c E bow ba bah bow bow ba-o F Bah bow bow c — Ans bah bow bow ba-o ba Bah bow Aun F ¢ doo Bah bow bow baw ba bah bow Am ¢ ESunshine On Leith - No 4- Over And Done With a bah bow bow. ba-o ba Bah bow bow bow ba bah bow bow. ba-o Aw, F ¢ E A, iz Bah bow bow bow ba bah bow c E Aa, bah bow bow. bao ba Bah bow bow bow ba bah bow bow. ba-o ba Ana F ¢ E co F38 19 ‘Sunshine On leith - No 4 - Over And Done With BARMAN : Nostalgia anc! Memories of Childhood Vamp] This is the sto - ry of our first teacher Shetland made her jump-ers and the ¢ E Am F c E Sy Dev-il_ mad her feat-ures. Threw up her hands when our mum said our names ————————— Oo that right ¢ e Ama. FSunshine On Leith - No 4 - Over And Done With 39 all her sto - ries with —slan’ = der - ous claims. Day] Ws 0 = verand done with, itso ver and done with, _— Ws 0 = ver and done with, its o- ver and done with. E 3 — 0 ~ verand done with, it's 0 —3— = ver and done with, it's40 Sunshine On Leith - No 4 - Over And Done With 33, 3 Ws 0 = ver anddone with, its 0 + ver its 0 = ver —— Ws 0 - ver and done with, its 0 - ver ils 0 - ver 35, E Ws @ - ver and done with, let me hear ya 3 © = ver and done with, let me hear ya Am 37, BARMAN : Embarrassing Sexual Anecdotes!Sunshine On Leith - No 4 - Over And Done With a 39 straight} ight}, ee This Is a sto - ty of los - ing my vir-gin 1 held my breath and the bed Peo-ple, I'm mak - ing no claims to no mys ‘tySunshine On Leith - No 4 = Over And Done With 42, ‘a7| ty. [Pub + Wonne & Uz] rs ver and done with, its | 0 ~ ver and (Al Ws 0 + ——l over and ver and done with, it's E fu al © = ver and done with, it's 0 a ‘and = ver and done with, it's E Ama Oo +e —s © = ver and done with, —— = ver and done with, done— with, done with. F done with. F‘Sunshine On Leith - No 4 Over And Done With B 53 iS Ws 0 - ver and done with, —i—— Ws 0 ~ ver and done with, ag Mee not. say-ing these e - vents. did-n't touch ourlives in a- ny Ah. 1 enor let‘Sunshine On Leith - No 4 - Over And Done With 61, —3— did - nit make the — im-pres-sion that some peo - pleSunshine On leith - No 4 - Over And Done With 45 63 __ Slower but not sentimental BARMAN : Unexpected Display of Genuine Emotion [E| Colla voce verse This is a ty of watch - in’ a man. dy-in' c ‘An, F gentle rol 69 3 a: 2. Sub-ject's un-pop-u-lar but | don't feel like ly-in' When I thinkof it now. c E Aan ¢ E46 ‘Sunshine On leith - No 4- Over And Done With 7, rs. eI a ced like @ sin-ner 1 just washed my hands and 1 went for _my din - ner. c e Ain F Am F Yonne nods. Davy looks Yvonne in the eye. Empathy. [G] A tempo a 75 (Bay) fa You washed your hands and you walked off? I's 0 ~ ver and donewith, it's a eS a 0 - ver and done with, 3 © ver and done with, it's —s— = ver and done with, it's ESunshine On Leith - No 4 - Over And Done With ae (ulrb] It's 0 = ver and done with, 3 = ver and done with, E o-ver and done with yeah. [Women] [Group 8 3s Is 0 - ver and donewith,let me | hear ya let me hearya It's Barman & Men ‘Group 8 = it’s ovver Is 0 = ver and donewith,let me hearya let _me hearya its F & An. Fan] Sunshine On Leith - No 4 - Over And Done With 24, [Women Grow] She's o- ver, she's o-ver she's... she's. 0 - ver She's o- ver, she's o- ver She's o- ver, she's o- ver she's... she's. 0 - ver She's o- ver, she's o- ver — o-ver, it's 0- ver, it’ o-verand done. over, is o- ver, it's | = i's o-verand done. with Iso ver, is 0 ver, it's. Ann F ¢ E 87, ot she's o.ushe's o-ver It's o-ver It's o-ver it's. over it's 0- ver it's o-ver oI os ou she's o-ver Ws o-ver It's o-ver it's 0- ver, it's 0- ver it's o-ver 2 3 she's o- ver, its o-ver it's o-ver it's os co-ver and done with It's a om __ over and done with It's o-ver it's over, it's. o- ver, t's. over it's o-ver it's Aa F ¢ é Amn. FSunshine On Leith - No 4 Over And Done With 2 ver, —— ver, it's over, it's cos over, it's "Time please" 92, —— Ws 0 ~ veranddone with, it's ver and done with, —3— Ws 0 ~ veranddone with, it's50 Sunshine On Leith - No 4 = Over And Done With ‘As they leave the pub... 94 8; = Ws over and donewith, i (= ver and done with, let_me —3— —3— Is over anddonewith, i's o-ver it's o-ver W's o- ver and donewith, let_ me mY oy ral. = hear ya let _me hear ya It’s 0 ver and done with, t's 0 }- ver and done. with. —3— hear ya let me hear ya It's over and done with, its 0 ~ ver and done. with aN Segue to No 4a51 No 4a - Piano in pub - pre-Misty Blue ‘The world of the pub remains gently alive beneath Blackford Hill scene, ‘Music plays under dialogue. Freely Ped. throughout Fade out YVONNE: There were others. Enough fo detect a pattern52 No 5 - Misty Blue DAVY = know what you mean. Gently with rubato J = 92 re o cm FID thw ‘above our sta ~ tion Thoughts are mel-an--cho-ly and we Figs 8b When the ins -pi - ra-tion is & Cm them pass We tend to view this na-tion through the con - den - sa thon FI c Cm, f a When the sing-er sol-emn was @ (very much in background) When the sing-er — sol-emn was @ $Sunshine On Leith - No 5 - Misty Blue 53 “4 When he brushed his ha - ir bon - nie lad = die When he brushed his ha - ir Cm Frgusa & 16 a Then he could have dan - dered Then he could have dan - dered and he Cu FUC & Oo could have shown you hills Tike could have shown you - en hills tke Cm fl Frsue54 Sunshine On Leith = No 5 ~ Misty Blue Slightly slower - in tempo love and af -fec - tion love and af - fec - tion FIsusnye love and af -fec - tion still re = sist? still re = sist? 27 Dictated What the hell is wrong with you we got eyes of-omis - ty blue. Fre.Sunshine On Leith - No 5~ Misty Blue 55 All the things you want to do ev ~ er want - ed All the things 1 want to do ev = er want - ed a ee ee ES ‘As thelad-die grew. and he looked a - round hit At the thugs and ra-pists in their »36 ex} tell = ing him to ad tell - Ing him to tell - ing him to Cm FI6uD Sunshine On Leith - No 5 Misty Blue Loud - er beat the thy-thm of his blood sim.Sunshine On leith - No 5- Misty Blue 37 Love and af - fec 44 Dictated What the hell is wrong with yout58 ‘Sunshine On Lelth - No 5 - Misty Blue 46 Bl 4a FC NGFI/C 895/0 FIED NG. Or? NG FI/C. NC. Thought - less com - pe - ti- tion like a home - made fre oe arson co Cm. Makes us fix our vi-sion on a cer - tain fate What's the use in win-ning all the Cm FCSunshine On leith - No 5 - Misty Blue 59) world's cre = a - tion Cm Fr af = fee FrsusH/0,60 Sunshine On telth - No 5 - musty Bue Love and af -fec arr Love and af - fec Love and af -fec Wve got eyes of mis - ty blue What the hell is wrong with you? OmSunshine On Leith - No 5 ~ Misty Blue 6 All the things you want to do love and af - fec - tion love and af - fec - tion2 Sunshine On leith - No 5 Misty Blue Love and af-fec-tion Love and af-fec-tion heart still AIT the things | want to do are faa a All the things 1 want to do are all ev - er want - ed ere tf? Direct SegueNo 6 - Trolley Ballet (Through Him) ‘Shopping trolies swirl in and out of Asda, ‘Music plays under dialogue, swung J= 154 Drum solo |)64 Sunshine On Leith - No 4 Trolley Ballet‘Sunshine On Leith - No 4 -Trolley Ballot 65 No 6a - Trolley Ballet Exit AB Youve got her eves EILIDH : Thanks a66 No 7 - Throw The R Away ALLY : For God's sake! ‘Men and women constantly at odds until b. 73, when they unite agains the outside world. Driving J= 170 fb TS - =f en Sey et 5 Ab a7 0) opevs2 ‘Ob DpsusD a He's been_ since you said his ac - cent was o Ohm let ring‘Sunshine On Leith - No 7 -Throw The RAway 67 2 os bad. He's worn a frown this Cal - e-don -ian, ob Ce You're just gon-na have to learn to hes two voices You're just gon-na have to leam to hes - i- tate ay ob Dyeua 19, make sure your words on their Sax-on eats don't grate, But 1 would-n't know a_sing-le make sure your words on their Sax-on ears don't grate, ob BS 468 ‘Sunshine On leith - No 7 -Throw The RAway if 1 flat-tened all the vowels and 1 threw the R-a-way. flat-tened all the vowels Cl] con their green and_pleas-ant land.— pleas-ant land Ohm Ab I 2 (ad) How dare you show face when your dic - tion 8. How dare you show face obSunshine On Leith - No 7 -Throw The R Away 6 You're just gon-na have to learn to hes - I tate (weight metody) You're just gon-na have to learn to hes ~ i - tate a ob opsus2, make sure your words on their Sax-on ears don't grate, But 1 wouldn't know a. sing-le make sure your words on their Sax-on eats don't grate. But 1 wouldn't know a. sing-le ob ES Ab Ab if 1 flat-tened all the vowels and I threwthe R- a-way. if 1 flat-tened all the vowels and 1 threwthe R_ a-way. ob ee a‘Sunshine On leith - No 7 -Throw The R Away Bridge a Gall You say that if we wantto get ahead the lang-uage we use should be left for dead, You say that if we wantto get ahead the language we use should be left for dead, a? ob Obi OS It does = n't the ear. That's. a pi-ty, that's api ~ please ___ ——— tdoes - n't please_______ the ear. That's a pity, that's a pi - ® i wo & 49, It seems they're still full of John_Bull Al = though they tell It like a leg pull Al = though they tell it like a leg pull It seems they're still full of John_Bull ar ob bmSunshine On leith - No 7 -Throw The R Away a 53 (al You just. re - fuse solo - bring out ‘Oh what can | to be un-der-stood by you. & Dhan a oy —3 pe Per - haps. forsome money you could talk like a bee drip - pin’ ms 3 os you could talk like a bee drip - pin’ oes ob ‘Obi72 Sunshine On leith - No 7 -Throw The R Away gon-na have to learn to hes ~i- tate ‘gon-na have to lean to hes - i-tate ob oysven make sureourwords on those Sax-on ears don't grate. But you would-n't know a sing-le make sureourwords on those Sax-on ears don't grate. ‘But you would-n't know a sing-le Ob es tb a . Tf you flattened all the vowels and you threw the R a-way. wordto say if you flat-tened all the vowels and you threw the R- a-way. Oh open, ob be aSunshine On Leth-No 7 Throw The R Away 2 [E] suddenly united 73 They say that if we wantto get ahead the lang-uage we _use should be left for dead. we wantto get achead the lang-uage we use should be left for dead. ob Ohm ‘They say that if o wr the ear, Oh dear, oh dear now Oh dear, oh dear_now It does = n't = Al ~ though they tell it like a leg. pull Ik seems they're still full of John Bull still full of John Bull ‘Ohm Al = though they tell it like a leg pull It seems they're ab a7 o74 Sunshine On leith - No 7 -Throw The RAway They just. re ~ fuse———— We're ‘eight melody) They just re - fuse a FF (iret bore gon-na have to learn to sure our words gon-na have to learn to hes -|-tate sure our words gon-na have to learn to on thelr gon-na have to learn to sure our words‘Sunshine On leith - No 7 -Throw The RAway 75 Sax-on ears don't grate. would-n't know a Sax-on ears don't grate, would-n't know a sing-le Sax-on ears don't grate. sing le (diferent to before) Sax-on ears don't grate. would-n't know a sing -le bs a flat-tened all the vowels and we threw the flat-tened all the vowels flat-tened all the vowels and we threw the flat-tened all the vowels flat-tened all the vowels and we |threw the flat-tened all the vowels flat-tened all the vowels and we threw the / flat-tened all. the vowels ob Eb ob76 101 Sunshine On Leith - No 7 - Throw The RAway flat-tened all the vowels flat-tened all the vowels flat-tened all the vowels flat-tened all the vowels ob ALLY : Alsitair Boyd, How can |help yout" threw the threw the "Scene closer" Lyrics correct - against the outside world105 108 ‘Sunshine On Leith - No 7- Throw The RAway 7 gon-na have to learn to gon-na have to learn to ‘gon-na have to learn to gon-na have to learn to Sax-on ears don't grate Saxon ears don't grate. Sax-on ears don't grate. (aiferentio before) ‘Saxon ears don't grate. bs ay (diferent to before) hes -i-tate sure our words sure our words hes - i tate sure our words single wouldn't know a sing-le would-n'tknow a single would-n't know a78 flat-tened all the vowels fiat-tened all_the vowels, flat-tened all_the vowels flat-tened all_the vowels o Sunshine On Leith - No 7-Throw The RAway and we threw the and we threw the and we |threw the and we threw the bs flat-tened all flat-tened all ob JEAN : Christine?79 No 8 - Better Days JEAN : Fifty shades of shite just think out foud to - night then il, o/s ¢ os know what to do Five years ov/Fe 4 felt c It the same. and then it changed and I was lovin’ you 7 ove80 Sunshine On leith - No 8 Better Days Ist time - ALLY : You're awful quiet... 2nd time -YVONNE : Nice restaurant Bet-ter days for sure, Viola PLAY 2nd TIME ALLY :'ve been thinking about the same kind of suf.Sunshine On Leith - No 8 Better Days at Via 1st time only 24. YWONNE : Well, technically, I'm not really bitten either be with me while de-cades tun us 0 ¢2 Sunshine On Leith - No 8 - Better Days 38, both much love that lasts. a whole— life_through. We could live in Fife or out in ¢ 07 4 ¢ ovr ‘Any ~ where as long as t'm with you. Em a ovFe ALLY : So what do you think “ 48 LIZ Who wouldn't want that?No 9 - Make My Heart Fly ‘YVONNE shoul go. Last bus Light Swing J = 142 A UZ: You don’t have to wait, you know. 25 ALLY : [know.ea ‘Sunshine On Leith - No 9 - Make My Heart Fy 30, and make my — heart fly. 7 ASunshine On Leith - No9- Make My Heart Fly a5 “a nev -er seem to know the — time. when you're with —me__ with me, ney - er seem to know the — time. when you're o E a Dy You can tell it to the birds__ Wl tell the bees Please don't go__ You can tell it to the birds tell Please don't go 9 53 ing by and make my heart fly. stay ~ ing by stay and make my heart—_ fly. Alet me Sunshine On Leith - No 9 - Make My Heart Fly in = side your door. ASunshine On Leith - No 9 - Make My Heart Fly a7 ~ 2 orrr nev-er seem to know the time when you're with me__ nev-er seem to know the time. 79 3 You can tell it to the birds Ml tell the bees. Please don't go— u ial 7 is You can tell it to the birds I'll tell the bees. Please don't go88. ‘Sunshine On Leith - No 9- Make My Heart Fly and make omy —_heart_, [E| Underscore 2 LIZ : Right that's me. — fy —___ oseen ee A vel soloSunshine On Lelth - No 9 - Make My Heart Fly to 101 DAVY : Five and a half, Final offer. 105 [F] Voice back in nev-er seem to know the time when you're with me You can tell it to the time when you're with me You can tell it to the nev-er seem to know the lYou can tell_it You can tell it90 ‘Sunshine On Leith - No 9 - Make My Heart Fly bl tell Vl tell make my heart. fly. make my heart. fly, make my heart fy.Sunshine On Leith - No 9 - Make My Heart Fly a Band out (only strings) EILIDH : Am | late? Sorry. 121 Molto ral92 No 10 - Let's Get Married DAVY : Come on, man. You've got to dress it up a wee bit. W:How A ow INNES : Work up to it. 276 ‘ANDY : Buikl up a bit of momentum. go - ing to-geth-er— too_ long to be vague when there's ¢ 9 some thing to ¢ So VIL say it straight out ¢ 9Sunshine On Leith - No 10- Let's Get Married 93 15, i mar - ried want to stay with you v / Let's get and grey with you.‘Sunshine On Leith - No 10 - Let's Get Martied ~ tied, Us] Hold hands when we walk mar - ried... hey! Let's get married. asta 24 oth - er peo - ple in the park.Sunshine On Leith - No 10- Let's Get Married 95 (2 Female Customers 26, broke each ottver's heart__ But_we ain’ oth = er But we ain't oth - er 4 29 sowe'lldo things. our way we're gon-na be o = things. our way 0Sunshine On Lelth - No 10 Let's Get Married 96 » Dl =~ We're tead-y ing the knot___ mar Let's get‘Sunshine On Leith No 10 Let's Get Married 97 = ings_we've Let's get 5 _— a We can make each oth - er hap - py Or___we can make each 0 - ther blue Let'sget98. Sunshine On Leith - No 10- Let's Get Married (ones) 40 b be aN Ws. just a piece of pa~per— but it says L__. love mar - tied 4 2 El NU Nl be theone who's _ by. your side Yeah and I'll be _theone iad ; ll be theone who's. by—your side Yeah and I'l o c 4 oSunshine On Leith - No 10- Let's Get Married co $5, meet 2 wo-man and you'll100 Sunshine On Lelth - No 10 Let's Get Married ask her and she says "Yes" ask her and she says reo ‘yes on her and she says i srafzad so ad st EF 1 love you and want to staywith you mar = Hed Let's get 9ST mar = Wed Let's get‘Sunshine On Leith - No 10 Let's Get Married ut grow old and grey with you, in the park. Let's get102 ‘Sunshine On Leith - No 10- Let's Get Married 37, ES —-s ‘AL = right you can get_a cat just as long. as it___barks,___ mar ~ ried For the 2 mar ~ ried For the 4 good times, For the days. z wrong, For the when we can dono ‘good times, For the days_______ 4 _ wy bad times For the movments when we thinkwe can't go of > bad times For the mo-ments when we thinkwe can't goon. adnSunshine On Leith - No 10- Let's Get Married fam - ily For the lives of the child - ren that we planned of the child - ren that we planned 65 C-mon dar-lin! —_please— take my please take my C-mon dar-lin’ —please_— take my pplease__takemy hand, C-mon dar-lin’ C-mon dar-lin' —_please__ takemy hand, C-mon dar-lin! _please_— takemy108 Sunshine On Lelth - No 10> Let's Get Married C-mondarlin' —_please__ takemy hand. -C-mon dar-lin' please take my Comondar-lin! please takemy hand. C-mon dar-lin’ please takemy please take my hand. (C-mon dar-lin’ please take my hand.105 No 11 - Simple Things “The party is set up in a dreamy way. The Wedding Singer moves through the space and by the final basin postion ina naturalistic way to fish her song. The party applaud her Simply J= 140 we are sim-ple things Oh simple things andall the joy it rings P wavs DD106 Sunshine On Leith - No 11 = Simple Things 7, 3 sim -ple things. 3 178 fer rush-ing a spring a spring. a. spring 2 simple thing | 2 simple thing. ——3— sim-ple thingSunshine On Leith - No 11 - Simple Things 107 co ° Inallour stiv - i and our. thun - der. 2 voices max on top) thun - der‘Sunshine On leith - No 11 - Simple Things 108 37, ns. are sim-ple things 3 sim-ple things I gas are sim-ple things Wd Sim - ple things ————— ed Segue after applauseNo 11a - Dance With Me Segue after applause Slowly # bh ob 21/8) Cn? FT Cn? £7 e Pe ‘Cut on cue as Rab takes the mic 6 Cm? F7 Bh 9 Gm C7 OF peace Cuu ae % &110 No 12 - Oh Jean RAB : And I'm happy to say she's wom it proudly ever since. oA A AesD avs 7 Verse 1d nev = er been luck y with girls, 1 cons fess, don't o D/A sim strum knowwho's to blamefor my lack of suc- cess. ‘Cause e-ven with ones up the 0 back ay a bus ——_therewas al-ways the risk slap inthe puss A 0Sunshine On Leith - No 12 - Oh Jean a 25. [B) Drums & Kit join let me get lucky let me get lucky let me get lucky112 let me let me 4 Verse met you it ‘Sunshine On leith - No 12 -Oh Jean get get luck-y lackey did cross my mind A The next time 1 saw you theretime, {ourth time fourth time Sunshine On Leith - No 12 - Oh Jean 113 The third time saw you | thought that lL (Eemateral) p thought that 1 2 thought that A knew that 1 would,Sunshine On Leith - No 12- Oh Jean m4‘Sunshine On Leith - No 12 - Oh Jean 115 Jet me get luck-y let_me get fuck-y Jet _me get luck-y love her, love hey,___ love her. love hei love her. A116 ‘Sunshine On Leith - No 12 - Oh Jean love her, L love her, I— Love het, | love her, 1— for ev-erhe — wants you for good, So he's gon-na__treat you the ASunshine On Leith -No 12- Oh Jean 117 95, For yoursoul and bo = dy my— heats gon ~ na should. vin way that he > bo - dy my For | yoursoul and heart's gon - na and bo - dy my— heats gon - na A For your soul 100 eveen af - ter the day that 'm_ laid inthe ev-en | af - ter the [day that I'm laid inthe eveen after the day that I'm. laid inthe ground, ‘Cause 0rr) Sunshine On Leith - No 12 ~ Oh ean 105 [G] Chorus let me getSunshine On Leith - No 12» Oh Jean 19 116 let me get 121 [H] Bridge Love hen 1 Jove he, L_— Love her, 1 love her, love her, love her,‘Sunshine On Lelth - No 12 - Oh Jean 120 129Sunshine On Leith - No 12 -Oh Jean 121 133 Love hey, 1 love her, 1 love her, 1 love her, L_— es Love hes 1 love her, 1 [Hove her..." 7p love her, love her, love het, L_.__love. love her, |—ra ‘Sunshine On lelth - No 12 = Oh Jean love he, L_— _ love. ove he, | love her, love hey, L__ Jean 48 love he, L_— love her, 1 153.) "Oh Jean" Jean, oh Jean You let me get _ luck y__with love her, love her, love her love. love her, love her, L_— on A “Sunshine On Leith - No 12 Oh Jean 123, 159 love her | love he, L love her, L__ o/A A 164 luck-y— with Bet love he, L_ love her, |_._love, love her, 1 a orn [kK] "Stow motion" 169 Jean starts to head to the bar. Love her, Love her, Love her, Love her, Love her, Love her, ova a aSunshine On Lelth - No 12 Oh Jean 124 180 705 [L] “And 1 love"Sunshine On Lelth - No 12 Oh Jean 425 190 195 Love her, o/h126 Sunshine On Lelth - No 12 -Oh Jean +20) [MJ *Strings pound int [IN] furiously Rab seos Jean with leter but is trapped in the dance 217 o/h a ”Sunshine On Leith - No 12 + Oh Jean 127 [O] Possessedttt! 233 O/A A cy 238 oA o/A A rall128 No 12a - After the Fight Slowly - end of night ecm eae ro) e/8) Cowl FT Gut #7 5 fb Cw FB ° Gm cr F fade through scene change 9 o & Cu? f & &129 No 13 - Hate My Love JEAN :Thity years, Rab. Thity years of what? ‘Ageressive as hell!!!! And then some... J= 136 ' & 8/0 wre bo & to [A] Verse T lovethe taste of booze _____ but | & & Se Yeah, 1 hate my love for you.— lhate my love for you130 ‘Sunshine On Lelth = No 13 - Hate My Love sing-ing a boy. & e hate my love for youl hate my love for 2 hate. my love for you Aysv5% cy worse than drink, you're worse thancrack, for you. they should bring hang - ing back and hang - ing back hang - ing back 8Sunshine On Leith - No 13 = Hate My Love 131 the one tostring you up. 44 [D] Return ché. as it be - gins,132 Sunshine On Leith - No 13 - Hate My Love DAVY : YWwonne! Please. Watt 41 E] UnderscoreSunshine On Leith - No 13 - Hate My Love 133 | hate my love for you ~, ~ Hate my love for yo late my love for you. Prep gia Hate my love for you Hate my love for you ¢ ¢ 53 [HI Sung bridge tell your ma 'd_tell your pa. But you. —don't_come from Ed - inburgh And Ed = Inburgh Fd ~ inburgh134 ‘Sunshine On leith - No 13» Hate My Love can't_send you back where you be - long —______ I ikethe you're stand - ing— in Just your high. stand] - ing“Sunshine On Lelth - No 13 Hate My Love 135 s ES hate my love for you_Yeah_ 1 hate my love for you — hate my love for you. Yeah | |hate my love for you! gi la 3 a) hate my love for you Yeah | hate my love for you. c e LIZ: You can't just do that, Ally! 69 [I] Underscore 2 (5 bars) ALLY :You were supposed to say yes!136, Sunshine On Leith - No 13 = Hate My Love 74, (J Sung bridge worse than drink, you're worse than crack, for you they should bring hang - ing back worse than drink, you're | worse than crack, for | you they should bring |hang - ing back worse than drink, you're worse than crack, for you. they should bring hang - ing back oush fu? 9 I should be the one tostring you up. Ishould be the fone tostring you up. £ 1 should be tostring you up. 58H) Aw? and and andSunshine On Lelth - No 13 - Hate My Love 137 as it be-gins as it bedgins af] as it be-gins 4 Of Yeah 1 hate my love for you______Well_ 1 {1 tenor on top) <<, hate my love for you Yeah 1 fhate my love for you. Well 1 iit. es geile hate my love for you Yeah_ 1 hate my love for you___ Well 1 c c138 Sunshine On leith - No 13 - Hate My Love SS)‘Sunshine On Leith - No 13 - Hate My Love 139 [L| Exit playost 96, End of Act One140 ACT TWO No 14 - Life With You swung J = 70 [VAMP - STOP ON CUE! ‘5 YVONNE: Hi this is wonne. DAVY because. (sop) the uth is..1- Beep a a young-er man.Sunshine On Leith - No 14 = Life With You “Wt Aly] Rab (Bl a 1 did-n't need a thing, | was strong as a - ny-thing, L__ viewed sol-i - 20) But since | met_you I'm — dis - taught. (Cast Tambourine r You wandered in and now I'm caught142 ‘Sunshine On Lelth - No 14 - Life With You 33, 1 nev-er thought 1 would. see Some-one so tu-ly good Some ~ 1 nev-er thought 1 would. see = one who's so ev = ‘ty - thing I'm Davy Rab & All| 1 wanna spend my life with you cfSunshine On Leith - No 14 = Life With You 143 [Davy Aly Rab 45, Don'twantto live v 1 can't con - celve F/A s7 D] Baw] =] ay) But what if, what if, what if144 ‘Sunshine On Leith - No 14 - fe With You If it's not perfect _then it's 65, [bw] But ev-'y care Ill take 1 won't forsake To dwell be - side whatyou've 73 |E| Bridge Ev -'y-time_ 1 think a - bout_ you F 1 think 1 can't five without.Sunshine On Leith - No 14 Life With You 145 —you l'lltell you some-thing 1am noth-ing with-out. you gee sh ¢ I wan-na spend my life. with you a (Davy Aly 86 Rab Don't want to five v I can't con - ceive F/A F4 Om 2 a of the years Teft in me.146 ‘Sunshine On Lelth - No 4 tife With You 1 wanna spend my life with you.— -y 103 Don'twant to live— 107 —_ 1 can't con - ceive left in me without — you in our of the years F/A OmSunshine On Leith - No 14 Life With You 147 n3 [Hl a home, Without you in. our home. ¢ F148 No 15 - Then | Met You LIZ; Okay then... Fine. DAVY stay in contol J 106 + tambourine F 4 % fea] 4 SAFETY’ Voice 2 ‘Thought that 'd_ be hap-py going to be so hap-py living fe a-lone and 8 > never sharing an -y = thing Bs ‘Thought that L_. was fin-ished thought that |___ was com-plete F g thought that 1 was whole in - stead of be - ing half of something, &‘Sunshine On leith - No 15~Then I Met You 149 17 [B] [oane) ‘Thought that was grow-ing Grow -ing old - der wis-er Un -der-stand-ing why this [an) Grow «ing old ~ der wis-er Un - der-stand-ing why this 4 LJ Thought that L__. was grow-ing F world held noth - ing for world held noth - ing for Thought that L_ was destined Des-tined to be noth-ing Des-tined to be noth-ing in this world and then 1 met you. Des-tined to be noth-ing Des-tined to be noth-ing in this world and then 1 met you. 4 C7150 Sunshine On leith - No 15 Then I Met You Chorus a OF 4 DAVY : Not with me, [VAMP Thought that life had failed me, Thought my prayers were use - lessSunshine On telth - No 15 Then | Met You 151 ‘Thought that you would nev - er give the chance for me to love you. Ed 41, (ome) Thought the book. was writ-ten Thought the game. had end - ed Thought the book. was writ-ten ‘Thought the game. had end - ed ‘Thought the song was sung And | could nev - er sing a - noth - er Thought the song was sung And could nev - er sing a - noth - er152 ‘Sunshine On Leith - No 15 -Then 1 Met You Thought my faith was mis -placed ‘Thought my back was bro - ken Thought my faith was mis -placed Thought my back was bro ~ ken by a weight that by a welght that 49 We'vearrived Vthought 1 knew. this ct - ty Thought | knew alla bout it thought 1 knew. this ci - tySunshine On leith - No 15~Then I Met You 153 ‘And then one night 1 went to Mom ing - side and you were wait - ing. ‘And then one night 1 went to. Mom ing - side and you were wait - ing.154 ‘Sunshine On Leith - No 15 -Then I Met You 1 [G) tnstrumental 73 [Hl Thought that 'd__be hap-py going to be so hap-py liv -ing life alone and ‘Thought that I'd be hap-py going to be 80 hap-py living life alone andSunshine On Leth -No 15 ~Then I Met You 155 — nev-er shar-ing any ~ thing. | Thought that | was in-ished | thought that | was com-plete a. wa nnev-er shar-ing an-y thing. Thought that L__wasfin-ished thought that |___ was com-plete F 4 thought that 1_ was whole in - |stead of be - ing half of | some-thing. thought that L__ was whole in - stead of be = ing half of something. Thought that was grow - ing Grow=ing old ~ Thought that 1 was grow - ing156 Un = der = stand - ing why this Un = der - stand - ing why this Thought that Thought that des Des-tined to be noth = ing Des-tined to be noth ~ ing ‘Sunshine On Leith - No 15 -Then I Met You world held noth = Ing for my —spi~ rt = world held noth - ing for my spi= rit in this world and then 1 met you. in this world and thenSunshine On leith - No 15~Then I Met You 157 93 ral,58 No 15a - Hospital Transition JEAN : Its great news, Lizzie, Well done nf Vel & Gtr 3 Ensemble Bom bom - ba bom Bom bom - ba bom ba_bom - ba Bom bom - ba bom ba bom - ba‘Sunshine On leith - No 15a - Hospital Tansition 159 Bom bom - ba bom ba bom - ba Bom bom - ba bom ba bom-ba Bom bom - ba bom ba. bom - ba Bom bom - ba bom ba bom - ba160 ‘Sunshine On Leith - No 15a ~ Hospital Tansition161 No 16 - What Do You Do? LIZ: Yeah. Tomorrow. J=72 E e 4 che? Yeah, 1 know you're right see it Im your fierce eyes__ E @ me, I've nev - er thought straight since the day 1 had the first doubt. A er‘Sunshine On lelth - No 16 - What Do You Do? 162 Yeah, 1 knowyou're right and il back you to a point & 8 ney-er be con-strained by—— A 7, Spent too long on this road look-ing for the ans - wers— ‘Spent too long on this road— looking for the ans - wers— é ev“Sunshine On leith - No 16 -What Do You Do? 163 19 pov-er ty and fail - ure— ‘Ave-n'twhatl'm af = ter pov-er=ty and fail - ure Are-nitwhatltm af - ter 1 A qe? paint - ed *Fight" on fac - tries but they closed the fac-try down pal_— paint - ed *Fight*on fac - tries. but they closed the fac-try down pal E 8 find out where the heart's. gone— gon-na find out where the nerve's gone. find out where the heart's gone_ gon-na_ find out where the nerve's gone.164 “Sunshine On Leith - No 16 - What Do You Do? 25, Whatdo you Whatdo you cra-cy— fails Whatdo you cra- cy fails 7 What do you do_ when the rest. What do you do. when the rest| What do you do when the rest. A‘Sunshine On Leith - No 16 What Do You Do? 165 — can'tsee_ it's true? Dad votes the Scots. way Just like my Moth = et Dad votes the Scots way Dad votes the Scots way Just ke my Moth - er E e7 Sunshine On Leith - No 16 What Do You Do? 35, ta F The South al -ways takes Just ike -ma— broth - er South al -ways takes Just like ma broth - er South al -ways takes Just like ma broth - er A yor ile er rrext time they might vote Aye and so might the oth ~ ers next time they might vote 50 might the oth - ers next time they might vote Aye and so. might the oth = ers__ E 8‘Sunshine On Leith - No 16-What Do You Dot 167 Cer Cre Geter opr time's run-ning out, pal "Cause wee giv-ing. up. in num ~ bers time's run-ning out, pal ‘Cause we're |glv-ing up in num ~ bers— time's run-ning out, pal ‘Cause we're giv-ing up in num ~ bers__ an) (lemons ar] — What do you do = cra-ey's_ all through .> RF Whatdo you do when de-mo} - cra-ey's— all through Whatdo you do = cra-cy's— all through E168 Sunshine On Leith - No 16 -What Do You Do? What do you do when mi-nor- What do you do. when mi-nor-| What do you do A = ty means your.‘Sunshine On Leith - No 16 - What Do You Do? 169 FF] instrumental 49 Slide Gir What do you do cacy falls cra~ cy fails yor What do you do cra cy— fails. you170 Sunshine On Lelth - No 16 - What Do You Do? What do. you What do you when mi-nor] = i= ty means. your What do you do‘Sunshine On Leith - No 16 -What Do You Do? i" ral1 No 17 - Should Have Been Loved HAZEL: ... a bit of bloody gratitude. Driving drum solo J = 154 (closed hi hat) Voice messed a - round told to get your feet back on the {ground When you should have been loved loved. loved__you should have been lovedSunshine On lelth- No 17 Should Have Been Loved 3 You've been.tipped off writ-ten off writ-ten off — an act of kindness made you soft when you should have been loved loved. ————— you should have been loved.174 ‘Sunshine On Leith - No 17- Should Fave Been Loved Bridge (10 bar) 2 ‘cos theydon't know. you like we. ‘cos theydon't know. — you like we‘Sunshine On Leith - No 17 ~ Should Fave Been Loved 175 You've put up Been times when youhave had ¢ - ough But you should have been loved you should have been.176 Sunshine On Leith - No 17 - Should Have Been Loved 41 Go And an - y - thing new Got treated like a jump-er in a queue When you should have been loved you should have been — lovedSunshine On leith - No 17 - Should Mave Been Loved "7 [E] Bridge (10 bar)Sunshine On leith - No 17 - Should Have Been Loved 178Sunshine On Leith -No 17 » Should Have Been Loved 13 61 [B) Ha2s1 someon. Gt yourfaceon G (Hazel Cleaner ——~ Should have been loved You should have been loved. 6 "5 <—— Should have been loved you should have been loved. 6 JEAN : You're right. t's up to me.180 Sunshine On Leith - No 17- Should Have Been Loved 2 ——. Should have been loved You should have been loved. Should have been loved you should have been [H] Bridge (10 bar)‘Sunshine On Leith - No 17 - Should Have Been Loved 181 theydon't know you theydon't know| you182 Sunshine On Leith - No 17 - Should Have Been Loved 86 fl to get my feet back on ground When 1 should have been loved Rab enters the space and passes through the action - split screen [J] Suddenly filmic - stow motion of subp — loved. loved loved. lovedSunshine On Leith - No 17 - Should! Have Been toved 183 loved. loved foved.—loved_ 9K] Mementer Rab clutches his chest loved loved. 3— = could be to - mor - row Or it could be to - day184 Sunshine On Leith - No 17 - Should Have Been Loved 102 105 You should have been — loved_ takes the clay.Sunshine On Leith - No 17- Should Have Been Loved 185 107 [L] Second time (men) Should have been loved 3—4 — 109 Should have been loved — You should have been loved. — should have been loved You should have been loved. a should have been loved186 Sunshine On leith - No 17 Should Have Been Loved et Should have been loved You should have_been 13 You should have been loved. — Should have been loved you should have been lovedSunshine On Leith - No 17 « Should Have Been Loved 187 115 {M] Third time (men) You should have been loved. Should have been loved You should have been loved. ar el oes You should have been loved. —_* Should have been loved should have been loved —__ eal ——188 Sunshine On Leith - No 17 - Should Have Been toved 119 You should have been loved. Should have been loved You should have been loved, wr You should have been loved. Se Should have been loved you should have been lovedSunshine On leith - No 17 ~ Should Have Been Loved 189 [N] Fourth time (men) - full groove back in f 123 You should have been f—3— could be to - 125 You should have been loved. —" Should have been loved you should have been loved aan ce the190 Sunshine On leith - No 17 - Should Mave Been Loved 127 You should have been loved. Should have been loved You should have been loved. 129 You should have been — Should have been loved you should have been loved _—__131 Sunshine On Leith - No 17 - Should Have Been Loved it LIZ: What's happening? How is he? a] Or itcould be to - day ———192 No 18 - Sunshine On Leith JEAN : That's when | decided that | was gonnae hold onto you. Slow swing 1=76 My heat was bro- ken, We start to see mouners 9 arriving for a funeralSunshine On Leith - No 18 Sunshine On Leith 193 heart. was bro - ken, My heat was bro- ken, My heart was bro - ken, 4 Ema 17, + gents yOu claimedit, yOu touched it, you saved it claimedit, touched it, yOu saved it ” 2 ‘more mouners gather my. tears, my tears are dry - ing194 ‘Sunshine On Leith - No 18 - Sunshine On Leith » DB My tears are dry - ing My tears are dry - ing — 6 33 and kind -ness made tears clear blind - ness. beaut-y. only 2 voices on A my beaut-y__Sunshine On Leith - No 18- Sunshine On Leith 195 > earth, While 'm_— worth my room on______ this this earth, 4 Ym — worth my room on. 4 While the chief put will be. with you e While the chief put with you. ML thank him for his work sun shine. on 9196 Sunshine On Leith - No 18 - Sunshine On Leith and my_ birth, Se birth ie yeah yeah yeah 155 _[E] Young Rab dances with Jean to comfort her at her father's funeral‘Sunshine On Leith - No 18 - Sunshine On Leith 1ae n G hea was bro - ken, — My heat was My My heart was bro - ken My heart was bro - ken, 7 [Hl My heart was bro - ken, My heart was _ bro - ke, My. heart was bro - ken, My heart was bro - ken, you Em g —____198 Sunshine On Leith -No 18 - Sunshine On Leith 83 saw it, only 2 voices on A you claimed it, you touched it, you saved it__ saw it, 4 you claimed it, you touched it, you saved it__ a v i > While fm — worth {additional sop tine) room on this earth, J While 'm worth my room on this-_earth,_ Em? a o 4 E oS LS with you While the chief Cl While the chief A‘Sunshine On Leith - No 18 - Sunshine On Leith 199 sun -shine____ on FL thank him sun - shine. on o tor (gentle sound of Rab's respirator) your birth and my birth $6200 No 19 - Hospital Transition 2 YWONNE :! think itis. {think it matters. Slower than before J = 76 U Bom bom -babom — ba bom -ba Bom bom-ba bom Bom bom - ba bom ba bom-ba ba bom - baSunshine On Lelth - No 19 - Hospital Transition 2 201 Bom bom - ba bom Bom bom - ba bom ba bom - ba RAB : Lizzie, Thank God. ba bom-ba Bom bom-ba bom ba bom-ba202 No 20 - Letter From America RAB: Goodnight. Freely J= 92 5 ate a ™P 3° When you Vocal go will you send back a let-ter_ from A= mer-i- cal Take a Bm, € ME = 13 imal IS es lookup. the rail trackSunshine On Leith - No 20-Letter From America 203 eve nine gatniale all the blood that flowed a - way, blood that flowed a - way to the sec-ond chance.204 Sunshine On Leith - No 20. Letter From America 23 <_# %{__? won-der how it got on when it reached the prom - ised land. [Women in pub primary vocal reached the pro - mised__ cn When you mI 27, —s. tft PE FR 80. will you send back a vis ca? Take a 31 m3 I A+ fF frerrr oe ee Ben E ME =Sunshine On Leith - No 20-Letter From America 205 We looked a the 0 - cean Bys a We looked at the 6 ~ cean tied hard to i-mag-ine the way you felt the day they sailed from West - er Ross to No - va Sco - tia way you felt the day they sailed from Wester Ross 10 No - va Sco - tla We should have held you we shouldhave told you but you We should have held you we shouldhave told you but you206 Sunshine On Leith - No 20 Letter From America <_F — know our sense of tim-ing we —al-ways wait too long, know our sense of tim-ing e 0a tee 45, a —_ttf gr Pf Fer 20. will you send back. a let-ter from A « mer fm E WE = (Sight ted 49 —s—, I —s— T r—# Ff lookup the rail - track from Mi-a-mi to Can-a - da,Sunshine On leith - No 20- Letter From America 207 = Suth er - fand_ no more Lewis no Fem E 59, —3— Lew = is no more ns, Suth er-land_ no more Lew - is no more Faun 3208 Sunshine On Leith - No 20 Letter From America Suth er-land_ no more ‘Suth er-land__ no more Fon € We see men ina diferent pub - 67 peshaps' diferent time 1380s alSunshine On leith No 20- Letter From America 209 I 2 go will you send back a let-ter_ from 9 A= mer~i- cat Take a 7 2220 Chm 8 8/F4 3 $ s lookup the rail - track ftom Mi-a-mi to Can-a - da Chm 8 FA 8 (Dany enters - perhaps backon Blackford il) 79, — —3— 8: 1 won-der my blood will you ev = er re- tum e ess — help us kick the life back in-to a dy ~ ing mu - tual friend fun210 Sunshine On Leith - No 20 Letter From America 83 (al 3— Do we not love her Do we not say we love her? Do we have to roam the world to prove how much o FA on fF? F tro = 20. will you |send back a |let-ter from A-|mer-i-ca? Take a — 3 ¢ 2 310 will you send back a let-ter from == A- merci- ca? Take a Chm FA 8 a/FhSunshine On Leith » No 20 Letter From America on 3 rrr rail ~ track from | Mi - a = mi 3 + rail ~ track from Mi a - mi Chin »ge2 = —— Bath-gate no more Lin-wood no more, Gm Ff 8 ft 8 crescendo poco a poco Loch-a-ber no |more Suth er-land__ 10 3 —3— Ir - vine no more. Bathgate no more Lin wood no more, Gio 8 F/B Gin Fay212 Sunshine On Leith - No 20- Letter From America 103 —3— a Skye no | more Loch a - ber no —— Meth -il no more Ir-vine_no more. 8 478 Gh 8 106 —3— Sutherland no |more ms. Lin-wood no more, Meth -il no more Irvine no more. Gis #48 8 FH/8 Gin HB = more— Loch a- ber 0. {more Suth er-land_ no. fmore lew - is no —— —— TT -& Bath - gate no more Linwood no more, 8 Fas GiB 8Sunshine On Leith - No 20- Letter From America 213 m2 —~ 3. Suther-land_ 0 Irvine no more. Bath - gate no more Gh Fes214 No 20a - Let's Get You Home JEAN ; Come on. Let's get you home. Slow swing J=76 0 4 YVONNE : What do you want? 4215 No 21 - 500 Miles DAVY : It's the future, isn't it. We don't know anything really. YVONNE: We do now. Very colla voce - more push than pull NOT SLOW Colla voce 4 know I'm gon-na be, 'm gon-na be the one_ who wakes up next to you. Whenl go out, well, | know I'm gonna be,— I'mgonna be216 ‘Sunshine On Leth - No 21 - 500 Miles VAMP) — the one_ who goes a-long with you. 12 Voice get drunk, 3 — the one who a a gon-na be I'm gon-na_ be— a gets drunk next to you. hey 1 know I'm gon-na be I'm gon-na_ be— 3 2‘Sunshine On Leith - No 21 -500 Miles ns ha - ver -ing to you gon-na be, 3 — the one_ who's work-ing hard for you218 Sunshine On Leith - No 21 - 500 Miles gon-na bem gon-na be gon-na be, 'm_gon-na_ be — the one__ who comes back home to me,Sunshine On Leith - No 21 ~500 Miles 29 34 Ywonne| the one who's grow-ing old with — the one who's growing old with 36 [D] trical 1 would walk five hun - dred miles and | would walk five hun - dred more, just to 1 would walk five hun -dred miles and would walk five hun - dred more, just to om 1 would walk five hun - dred miles and would walk five hun - dred more, just t0 Oo oF we ———_ i>220 Sunshine On Leith - No 21-500 Miles 40 who. walked a thou-sand miles at your door. be the one who. walked a thou-sand miles to fall_ down at _your door. who. walked a thou-sand miles to fall down at your door. be the one oF 6 e = Sombre - but not slower 44 (ai know fm gon-na be 'm_ gonna beSunshine On Leith - No 21-500 Miles am 50 the one who lone - ly with-out you. ‘And when tm ® know 'm gon-na dream_ I'm gonna dream — a-bout. the time 1 had. with you, 4 ® oO222 Sunshine On Leith - No 21 - 500 Miles 57, be, know Yim gon-na Vim gon-na be the one who's think -ing a 4 we And when | come home gon-na be, I'm gon-na be a ontop) — the one who comes back home to you. I'm gon - naSunshine On Leith - No 21-500 Miles 23 os Fall eae, be the one who's com-ing home be the one who's com-ing home. We are back in the Dockers Club preparing for a surprise party. ‘he lights are out. 67 [F) Guitar solo - the familiar groove.224 Sunshine On Leith - No 21 - 500 Miles UGHTS ON. SURPRISE 76, [G) Surprise Party Chorus 20, ma wouldwalk five hun-dred miles and L___ wouldwalk five hundred more, just 10 | wouldwalk five fhun-dred miles and would walk five hundred more, just to would walk five hundred more, just to hun -dred miles and 1 # 8 1 wouldwalk five &Sunshine On Leith - No 21 -500 Miles Be walked a thousand miles to fall. down at your door. Da-la-la-la be the one who. |walked a thousand | miles to fall_ down 2.2 es walked a thousand miles to fall down a (H] Datalalada Da-la-la-la = da Da-la-la-lan - da da da226 Sunshine On Leth - No 21 - 500 Miles dun did-dle un did-dle un did-dle ah da da Da-la- la - lan dun did-dle un did-dle un did-dle ah dada Da-la-la-lan = da Da-la-la-lan - da Da-la-la-lan - da da da dun diddle un diddle un diddle ah da da dun diddle un diddle un diddle ah dadaSunshine On Leith - No 21 ~ 500 Miles 27 well, 1 know I'm gon=na_ be, fi Ja well, 1 know I'm gon-na be, Im gon-na be — the one who's work - ing hard for os — the one who's work -ing hard for a 8 101 ‘comes for the work | do I'll pass al - fi J? for the work 1 do I'll pass al ~228 Sunshine On Leith - No 21-500 Miles 103 105 come home oh, 1 know t'm gon-na be, I'm gon-na_ be fo gf fei come home—_When you come home, oh, 1 know I'm gon-na be, I'm gon-na_ be cy 107 — the one_— who comes back home to you. iT — the one who comes back home to you. A 8 eB‘Sunshine On Leth - No 21 ~ 500 Miles 229 well, 1 know I'm gon-na Zi if? well, 1 know I'm gon -na im gon-na be — the one who's grow - ing old with ers — the one__ who's grow - ing old with A 8230 113 7 ‘Sunshine On Leith -No 21 - 500 Miles (I) Chorus 1 wouldwalk five hundred miles and L_ would walk five hun - dred more, just to 1 wouldwalk five |hun-dred miles and would walk five fhun-dred more, just to 1 wouldwalk five hun-dred miles and 1 would walk five hun-dred more, just to e & # > be the one who. walked a thou-sand miles to fall down at your door. Da-la-la-la~ be the one who. |walked a thou-sand |miles to fall down | at your door a z zd be the one who. walked a thou-sand miles to fall down at your door. Dala-la-ta~ é ® 6Sunshine On Leith - No 21 - 500 Miles a 121 |K] Dalalalada Dada-la-la - da da da da dundid-dleun did-dleun did-dleah da Dala-la-lan - da dada da dundid-dleun diddieun diddleah da ® 124 Da-la-fa-lan Da-la-la-la Da-la-la-lan - da wy dun did-dle un did-dle_un Da-la- la - la~ dun did-dle un did-dle un did-dle ah dada # 6232 129 Dalalalada 2 Da-la-la-la 131 dun did-dle un did-dle un dun did-dle un did-dle un & 133 da Da-la-la-lan - Sunshine On Leith - No 21 - 500 Miles da Da-la-la-la- Da-la-la-lan - da da da did-dle ah da da Da-la = la - lan- did-dle ah da da 6 Da-la-la-lan - da Da-la-la-lan - da da daSunshine On Leith - No 21 ~500 Miles 135 dun did-dle un did-dle un did-dle ah dada dun did-dle un did-dle un did-dle ah da da ® 6 a [Hand Claps | wouldwalk five hun-dred miles and 1 would walk five | wouldwalk five |hun-dred miles and 1 would walk. five 1 would walk five hun-dred miles and 1___ would walk five 233 hun -dred more, just to lhun -dred more, just to hhun-dred more, just 10234 at 144 at your door. at your door. Sunshine On Leith - No 21 - 500 Miles walked a thou - sand miles to walked a thou - sand [miles to walked a thou - sand miles to And | wouldwalk five hun - dred miles and And || 1 wouldwalk five hun - dred miles and And I wouldwalk five hun - dred miles and €‘Sunshine On Leith - No 21 - 500 Miles 235 > would walk five hun - dred more, just to be would walk five [hun - dred more, just to would walk five hun - dred more, just. to & ‘Molto rall 131 as a ie walked a thou-sand miles to walked a thou-sand | miles to walked a thou-sand miles to ®236 No 22 - Life With You - Curtain Call ‘swung 4 =70 q 6 fosembi with you spend my life with you oy Don't want to Don't want to v237 ‘Sunshine On leith - No 22 - Life With You - Curtain Call 2 Bl SS spend my life with you. ~ 1 wan-na | wan-na spend my life with you.— 8b cr238 Sunshine On Leith - No 22 - Life With You - Curtain Call, Don't want to 30, 1 can't con - ceive left in me. ofthe years ' can't con ceive of the years_ left in. me_ i £Sunshine On Leith - No 22 Life With You - Curtain Call 239 Without