Thirty

- Two Etudes

for

CLARINET

by

C. ROSE
(1830-1903)
        
2

      
32 Études - 2.1

1.       
Andante cantabile  = 55

     


          
    
               
    
5

         
3

 



               
                  
           
10

               
    
   

      

15

3
  3
dim.
3


                   rit.

                  

 
20

  
dim.

 
                            
         
Tempo I  = 55


25

   
    
    

       
a tempo

      
       
30 rit.

dolce

                  
        
           
33

  
            
      
38

17015_32 Published MCMXIII by Carl Fischer N.Y.

2.   
        
32 Études - 2.1 3

    
        
Allegro  = 152 (Respirations ajoutées)

    



              
          
5

  

    
      
          
     
  
10

 
 


      
               
 
15

     

 
       
             
20

        

        
      
   
     
    
25

          
          
      
30




         
                
    
35

 
  

        
                
      
40

       
           
           

45

  
                 
              
50

17015_32 Published MCMXIII by Carl Fischer N.Y.

    
4

3.           
32 Études - 2.1

       cresc.  
Andante sostenuto  = 60

 
 

                   
           
5

 3 dim.  

3

                       
            
(>)


10

 (>) (>)  


     
 

               
     
           
    
14


  rit.  

                         
             
18 a tempo


cresc.

                               
 
 


         
22

3 3 3 3 3 3


                
     
         
25

      

     
               
   
30

  large      

        rit.
                    
      
 
34

     


        
     
           
 
37


  
3

  
  3


17015_32 Published MCMXIII by Carl Fischer N.Y.

 
                                            
32 Études - 2.1 5

4.   
Allegro  = 120

         


                          
 
4

 
 
                                   
7


 
          
 
10

   
 
                  
                      
13

   
                              

16

  
     

               

  
        
19


   
                           
22



                              
   

25


       
       
29

  
                               
32

           
           

 
    
35

       


  
          
 
40



17015_32 Published MCMXIII by Carl Fischer N.Y.

     
6

    
32 Études - 2.1

5.              
Adagio

      
con espress.

 
                          
    

5

cresc.  

        
          
 
                         
10

 
poco cresc.

    
                     
   
15


 

         3 3  

               
        

20 3 3

 cresc.

           

          
                       
 
3 3
25 3
3

  

               
dim.

                

  
  
       
29

 


                    
       
  
34 bien soutenu

      
3 3 3 3

           

             

      
         
39

 
         
3 3 3 3 cresc.

                    
        
44

(cresc.)  poco dim.  dolce

 


             

      
  
48

 

17015_32 Published MCMXIII by Carl Fischer N.Y.

  Allegro  = 120 
           
               
7

   
32 Études - 2.1

6.        

         
                   


         
5

    
             
       
                         
10

                 
               
    
   
15

  
                   
         
21

     
  
                                
        
26

 
   

         
    
                
     
32

    
                     
             
      
37


                 
        
               
42

             
          
        
    
 
47


        
         
           
53


            
              
             
                 
58

              
       
                     
63

 
17015_32 Published MCMXIII by Carl Fischer N.Y.
         
7.                           
8 32 Études - 2.1

 
Allegretto


 

                    
 
                     
  
6


   

         
                      
            
13

   
                       


       


    
12

           
 
19

                   


                   
    
27

          


                       
 
                 
    

34

   Tempo I 
                 
 
        
            
 = 80

  
39

lent   

                                        
rit. 

        
45

                    


        
           

51

                



cresc.

                
       
 
      
56

 


               
   
                

      
61

              
  
    


   
    

     
67

      
 subito
17015_32 Published MCMXIII by Carl Fischer N.Y.
  Allegro  
8.                           
32 Études - 2.1 9

              

                       


   
                        
    
6

 
    
                    

 
              
         
12

        
                       
           
18

 
      
                  
         
     
24

                    

   
       
      
30

   
    
   
   
                          
        
36

  
                                        
         
42

 
   
                                       
         
48


                       
   
                     
54


                   
    
                        
60

                 
    
                      
 
67

                
 
               
              
73

 
17015_32 Published MCMXIII by Carl Fischer N.Y.
      
   
10 32 Études - 2.1

9.                   
Moderato assai  = 108

               


 
       
   
4

   
                             
  
8

                   


     
   
13

          
          
    
    
16


 



                       
20


                  
  
3


3 


3 3

         
24

           
3 3

 
         
3

   
3

 
28


            
dolce

               
  
32

             
 
       
 
36


        
                    
40

          
                
 
3 3


43

 
           
 
   
  

47


17015_32 Published MCMXIII by Carl Fischer N.Y.
        
11

     
32 Études - 2.1

              
Allegro  = 110

 
10.

                             
       
 
4


  
                                     
      
7


                          
                               
10

   
    
            
       
     
 


  
13


                    
          
16

       


          
        
20

                  
         
      
24

       

  


  


   
                 
28

  
                  a tempo  = 110  
  
cresc.

                
 
31


     
 rit.

   
(cresc.)

    
       


    

34

   

           
   
37

     
 
        
         
              
40

17015_32 Published MCMXIII by Carl Fischer N.Y.

      
   
     
12


32 Études - 2.1

  
Larghetto  = 46

11.
 con duolo  

            
  
 
4

cresc.

                      
   
  
7




    


                

      
  
  
9

 



      3                               
très large


3

    
12

 
   3 3

   
dim.




           
    

15

            



(dim.)

     
dim. 

        
 
20

         
dim.  

           

 
         
 

25

  

cresc.    cresc.

         
 

        
      
30

   

  
                 
 

 
 cresc.  
35

   
 

          
  
  
39

 et large. dim. 
morendo

17015_32 Published MCMXIII by Carl Fischer N.Y.

    
         
32 Études - 2.1 13

        
Allegro moderato  = 108


     

12.

     


       
          
3

       
   
                             
5

   
            
       
            
8

         
               

     

     
11

      
            
                 
14

              
    
   
       
17

    

             
     
                 
20


             
                 
         
23

 
              
 
                 
  
26

                
            
      
29

  
   
       
     
32

    
  
  
              
   
34

  
17015_32 Published MCMXIII by Carl Fischer N.Y.
                       3   3      
   
14

   
32 Études - 2.1


Adagio non troppo  = 66

13.

   3   3                                
3 3

  
 espress.

  
6

                         
       
         
11

  

       
                 
          
16

 
         


        
        

   
22

      
 



                                       





28 très doux

                         
rit.

   
        
33

    3   3                             
3 3 3

   
  
37 3

 cresc. 3 3 3  
poco


       
          
41

    

         
 sostenuto

         

47

     
   


               
        

 
53




  
          
          
    
58

         
morendo
17015_32 Published MCMXIII by Carl Fischer N.Y.
  

                 
                  
32 Études - 2.1 15


 Tempo di Polacca  = 80


14.

           
()

            
                   
5

   
                               
          
9

 
                  
   

  
         
14

  

          


      


  
18

         
 
   



     
   

  
         
21

  
   
    
 


                    

           
 
25

  


     

             

       

29

  

             
        
  
       
33

  
                


           
 
     
40

                     
 


     
     
44


   


                     
          

  
48

      


    
                  
 

52

cresc.

17015_32 Published MCMXIII by Carl Fischer N.Y.

         
             
16


32 Études - 2.1

     
Adagio  = 66

   
15.


                    
 con espressione

                  
 
6

   
                  

  
    
   
 
12

   

 
  
             
 rit. 

            
        
13


     
   poco più moto 


              
   

  
       
19

  
  
   


           
 
         

27

   

                    
 


cresc. 

      
    
33

   
 



  
dolce

    
dim. rit.

16.       
                 
           
Allegretto  = 120


  
                           
()

        
6

   

                                    
               
12

 
              
                            
18

  
         
        
  
                     


   
 
24

 
                 
 
         
          
  
30

17015_32 Published MCMXIII by Carl Fischer N.Y.

                                         
17

    
32 Études - 2.1

    
36


              
                       
         
42

                  

  
            
 
Adagio cantabile  = 60


17.


                
        
() dolce

 

   
4

          
          



cresc.

  
 
 
      
  
8

          
      


                 
 
cresc.

     
       
 cresc. 

 
11

             
 3 3

   
dim. 3 3

  
  
      

15

   a tempo     3
 

 
 

                      
    

3


3

 poco             
20 3 3
3

 
  3   3
                  3  3
               
   
           
24

                   
3 3

            


     
6 rit.


6

      
27

  
6


6

 
  a tempo       
  
6 6

         
   
dim. 6


     

29

 

 
                                
 3

 

33

      
    
 3 3 3

      
3

       
 
37

  dolce

17015_32 Published MCMXIII by Carl Fischer N.Y.

          
                      
18 32 Études - 2.1
Allegro vivace   = 120

18.    
   
                              


          
      
4


          
               
        
9

 

                                                            
    
meno mosso  = 112


14

                           
                  



19

                              
    

    
Tempo I   = 120

  
23


    



                
  
28

   
                       
           
  
32

 
     
                                 



    
38

    


 
                       
     
   
42

 
           
                                 
  

46

                    
                       
      
50

                       
           
   
54


17015_32 Published MCMXIII by Carl Fischer N.Y.
          
 
       
32 Études - 2.1 19

 
Adagio  = 66

19.   

        
dolce espress cresc.

     
      

    

4

  
                  

  


      
9

cresc.      
           
     


 
14





                         
            
   
18

  
    
3 3 3 3

      
3


3

  
3


3

    

    
22 molto risoluto

 





    

      
    
            
     
27

      
espress e

         


 
         
31


   
 

  
 dim. 

         
   
   
35

      

 


                         
           
38

  
  
        


       
  
40



sempre 

 
     
  
42


       rit.

17015_32 Published MCMXIII by Carl Fischer N.Y.

                      
                 
20 32 Études - 2.1

 
Allegro vivace  = 180
20.

         
 
   
       
   
        
             
6

              
   
                  
          

12

              
                         
19

                  
                     
25

                                
      
31


    
                  
       
37

    

             
                
   
43

   
        
               
      
   
49

 
  
                
        

        
55

   
                           
         
61

     
                                
68

           
                
   
74

17015_32 Published MCMXIII by Carl Fischer N.Y.

              
           

32 Études - 2.1 21

 
Andante cantabile  = 76

21.
   
      
() dolce

  

    
        

4

               
           
7


 
        


         

        
10


 
           
   
              
    
          
13

 
cresc.   



  

  
dim.

       
16

    
         
      
3

          
         
17

 
 


            

       


      
21

        3  3
      

       
      
     
  
23

 cresc. 

     
     
dim.

    
*slur coming from nowhere

  
*slur to nowhere

  
to E in orginal


26 in original

           


 
() dolce

  
     
   
     
30

               
dim.


             
       
33


più lento rit.

17015_32 Published MCMXIII by Carl Fischer N.Y.

               
                
22 32 Études - 2.1

   
Allegro moderato  = 108
staccato
22.

       
                  
() (count eight)

                   
   
3

    
       
               
        
            
6

                
                  
                 
   
9

 

                           

              
       
 
12

                   

                      
         
15

     
                    
                          
18

              
                                      
21


    
              
24

           
              
  
               
27

          

   
 
    
  
      
                
  
 
 
   
          
   
 
30

                       
        

           
33

 
              
     

36

              
17015_32 Published MCMXIII by Carl Fischer N.Y.
      
       
       
32 Études - 2.1 23

23.     
         
3


3
Andante con moto  = 76

     
   


        



                
5

     
          


         
  

3 3

  
Adagio  = 66


9

   
  

        
() dolce 

   
3

      
3


12

 
   
cresc.

        


    
      
15

 
    


      


 


              
18


           
          
  
 
22

            
        
3 3  


 dim.

     
  
25

       
     


    
3 3 3

     
3

     
3 3


 
27

 
              
        
  
29

 
  

                         


    
dim.

 
32

 
                          
 rit. e dim. 


3 3 

  
35

  
         
dim. cresc.

   
   
38

molto allargando e cresc.   

3
dim. 3

17015_32 Published MCMXIII by Carl Fischer N.Y.

         
            
24 32 Études - 2.1

      
Allegro moderato  = 120
24.

         
()

                          
4

                    
               
8


                
     
       
 
12


                               
 
17

      
                          
 
21

         
   
   
   
   
  

  
 
25

                

 
  
    
29

                            
     
33

             
  
               

37

           
   
                 
41

   
         
         

45

17015_32 Published MCMXIII by Carl Fischer N.Y.

              
    
25

  
32 Études - 2.1

     
Andante con moto


25.


   
                
              
5

 

                 
           
10


          
    
         
        
15

  
  

                  
     
         a tempo
     
  
   
   
rit.

 
19

           
                    
         
24

             
        
        
  
29 3

3 

      
                             

    
    
35

 


     
cresc.

              
                        
41

       
                    

46

  


17015_32 Published MCMXIII by Carl Fischer N.Y.

   
               
             
26

    
32 Études - 2.1

         
Allegro furioso  = 120

      
26.

               


   
  
                                    
4

 
                  
   
                       
7

   
   
    
                   
                 
10

 
          

                  
             
13

  
   
               
    
16

              
   
                      
                
19


                              


      
              


22

                         
     
           
         
25


    
          
                    
28

      

                         
                  
31

    

          
             
    
           
34

17015_32 Published MCMXIII by Carl Fischer N.Y.

  Andante  = 76
27


32 Études - 2.1

           
  
27.
()

      
                     
4

     
cresc.

                       
7

        
                      
10

              
   
  
       
13

          
        
rit.

   
16
a tempo

   
                    
19


         
       
22

cresc.   


       
        
26

  
  

rit.

         

29
a tempo

   




       
           
33

cresc.


 
                
36


3 3 3 3

 
17015_32 Published MCMXIII by Carl Fischer N.Y.
            
   
28 32 Études - 2.1

      
Allegro  = 120

    
28.

                 
      
()

       
    
5

                      
          
10

    
                  
    
15

                
             

20

                
             

25

     
       
        
 
 
30

 
        
        
    
  
35

                       
    
  
39

   
      
   
 
      
    
44

   
              
       
     
49

                     
   
54

               
        
 
 
58

 
17015_32 Published MCMXIII by Carl Fischer N.Y.
                         
32 Études - 2.1 29

  
Andante   = 80

29.   
 cresc.

                      
                
 
5

dim.  

                
                       
* end of leggato

 
   
10 not in original

 cresc.

                             
         
15


            
                        
19

 e sostenuto

           
       
            
24

  poco meno

    
  
          
        

     
28

    dolce

             
         
             

31


                  
       
        
33 Tempo I   = 80



   

              



  
* end of leggato

  
    
not in original
37

   
                 
    
  
    
       
41 #

   
dim.  dim.

17015_32 Published MCMXIII by Carl Fischer N.Y.

            
       
30

   
32 Études - 2.1

   

Allegretto  = 98


       

30.
() sempre staccato

             

   


    
                            
          
4

      

            
 
   
  
         

   
   
               
9

                   
                                   
  
14

  
   
          

                          
          

19

                                 


                 
 
24

           
      
         

         
      
        
29

        
 
  
      
   
                               
   
34

                 
                    

  
       
      
39

                      
  
   

   
             
    
 
44

   
  
                        
           
           
49

   

17015_32 Published MCMXIII by Carl Fischer N.Y.

          
      
31

 
32 Études - 2.1

     
Adagio  = 66

31.

     
() con espressione

              
           
             
5 3

                    
3 3

              
                 
8

       
3 3

         

        
 
11

dim. 

           
           

  
 
14

     

 

    


      
    
               
      
18




 
                    

           

 
21

dim.


                  
    
            
25


      

      
      



        
    
29

espress   

     
    
   

   
 


32

dolce

        


           
          
35

17015_32 Published MCMXIII by Carl Fischer N.Y.

                
32 32 Études - 2.1

  
                      
Allegro moderato  = 112

32.  

               
       
()


                              
4

               
               
     
8

    
 
                                          
   
12

 
                                 
 
 
     
16

 
                    


            
          
20

 

3

                     
              
  
3 3

 
24

  
                        
                 

           

28

                                             

32

    
                                               
    
36

          
      
                   
40

                           
  
       
43

             
                          
 
46

17015_32 Published MCMXIII by Carl Fischer N.Y.