by Edgard Allan Poe

Read the title. Do you know what it means? If not, use a dictonary to
Before reading search the words.

You may notice some higlighted words during your reading. Pay speciall attention to them
because you will need them to do some activities.

Vocabulary
The thousand injuries of Fortunato I had borne as I best could, but when he Here you can find some
help. The words in green
ventured upon insult, I vowed revenge. You, who so well know the nature of are verbs and the words
in blue are nouns.
my soul, will not suppose, however, that I gave utterance to a threat. At
length I would be avenged; this was a point definitely settled—but the very
Vow: to make a
definitiveness with which it was resolved, precluded the idea of risk. I must determined
not only punish, but punish with impunity. A wrong is unredressed when decision or
promise to do
retribution overtakes its redresser. It is equally unredressed when the
something
avenger fails to make himself felt as such to him who has done the wrong.
Redress: to put
right a wrong or
It must be understood that neither by word nor deed had I given Fortunato
give payment for
cause to doubt my good will. I continued, as was my wont, to smile in his a wrong that has
face, and he did not perceive that my smile now was at the thought of his been done.
immolation.
Deed: an
intentional act,
He had a weak point—this Fortunato—although in other regards he was a especially a very
man to be respected and even feared. He prided himself on his bad or very good
one.
connoisseurship in wine. Few Italians have the true virtuoso spirit. For the
most part their enthusiasm is adopted to suit the time and opportunity—to Connoisseur: a
practise imposture upon the British and Austrian millionaires. In painting and person who
knows a lot about
gemmary, Fortunato, like his countrymen, was a quack—but in the matter of
and enjoys one of
old wines he was sincere. In this respect I did not differ from him materially: I the arts, or food,
was skillful in the Italian vintages myself, and bought largely whenever I drink, etc. and
can judge quality
could.
and skill in that
subject
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered
my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore
motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap
and bells. I was so pleased to see him, that I thought I should never have done wringing his hand.

I said to him—"My dear Fortunato, you are luckily met. How remarkably well you are looking to-day! But
I have received a pipe of what passes for Amontillado, and I have my doubts."
"How?" said he. "Amontillado? A pipe? Impossible! And in the middle of the carnival!"

"I have my doubts," I replied; "and I was silly enough to pay the full
Amontillado price without consulting you in the matter. You were not to be
Dusk: the time
found, and I was fearful of losing a bargain." before night when
it is not yet dark.
"Amontillado!"
"I have my doubts." Motley: The
costume of a
"Amontillado!"
court jester.
"And I must satisfy them."
Wring: to hold
"Amontillado!"
something tightly
"As you are engaged, I am on my way to Luchesi. If any one has a critical with both hands
and twist it by
turn, it is he. He will tell me—"
turning your
"Luchesi cannot tell Amontillado from Sherry." hands in opposite
directions.
"And yet some fools will have it that his taste is a match for your own."
"Come, let us go." Bargain:
something on
"Whither?"
sale at a lower
"To your vaults." price than its true
value.
"My friend, no; I will not impose upon your good nature. I perceive you
have an engagement. Luchesi—" Sherry: a type of
strong wine from
"I have no engagement;—come."
southern Spain
"My friend, no. It is not the engagement, but the severe cold with which I that is a pale
yellow or brown
perceive you are afflicted. The vaults are insufferably damp. They are
colour,
encrusted with nitre." sometimes drunk
before a meal.
"Let us go, nevertheless. The cold is merely nothing. Amontillado! You
have been imposed upon. And as for Luchesi, he cannot distinguish Nitre: a white,
gray, or colorless
Sherry from Amontillado."
mineral,
consisting of
potassium nitrate.
Thus speaking, Fortunato possessed himself of my arm. Putting on a mask of black silk, and drawing
a roquelaire closely about my person, I suffered him to hurry me to my palazzo.
There were no attendants at home; they had absconded to make merry in honour of the time. I had
told them that I should not return until the morning, and had given them explicit orders not to stir from
the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one
and all, as soon as my back was turned.

I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several
suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase,
requesting him to be cautious as he followed. We came at length to the foot of the descent, and stood
together on the damp ground of the catacombs of the Montresors.
The gait of my friend was unsteady, and the bells upon his cap jingled as he strode.

I took from their sconces two flambeaux = I took

Roquelaire: French: from their wall brackets two lighted torches.
a man’s knee-length
cloak, popular during Flambeaux: A lighted torch, a large ornamental
the 18th century. candlestick.
"The pipe," said he. Gleam: to produce
"It is farther on," said I; "but observe the white web-work which gleams or reflect a small,
from these cavern walls." bright light.

He turned towards me, and looked into my eyes with two filmy orbs that
Orbs: something in
distilled the rheum of intoxication. the shape of a ball.
In this case, the
"Nitre?" he asked, at length.
eyes.
"Nitre," I replied. "How long have you had that cough?"
Rheum: Rum / a
"Ugh! ugh! ugh!—ugh! ugh! ugh!—ugh! ugh! ugh!—ugh! ugh! ugh!—ugh! strong alcoholic drink
made from the juice
ugh! of the sugar cane
plant.
ugh!"

My poor friend found it impossible to reply for many minutes.

"It is nothing," he said, at last.

"Come," I said, with decision, "we will go back; your health is precious.

You are rich, respected, admired, beloved; you are happy, as once I was.

You are a man to be missed. For me it is no matter. We will go back; you

will be ill, and I cannot be responsible. Besides, there is Luchesi—"

"Enough," he said; "the cough is a mere nothing; it will not kill me. I shall
Medoc: a red wine
not die of a cough."
from the Bordeaux
"True—true," I replied; "and, indeed, I had no intention of alarming you region of France.
unnecessarily—but you should use all proper caution. A draught of this
Azure: the bright
Medoc willdefend us from the damps." blue colour of the sky
on a clear day.
Here I knocked off the neck of a bottle which I drew from a long row of its
Moss: a very small,
fellows that lay upon the mould. green or yellow plant
that grows especially
in wet earth or on
"Drink," I said, presenting him the wine.
rocks, walls, and tree
He raised it to his lips with a leer. He paused and nodded to me familiarly, trunks.
while his bells jingled.
"I drink," he said, "to the buried that repose around us." NOTICE THAT

"And I to your long life." The boldfaced word

'arms' in this case
He again took my arm, and we proceeded. refers to the Coat of
Arms which is the
"These vaults," he said, "are extensive." principal part of a
system of hereditary
"The Montresors," I replied, "were a great and numerous family." symbols dating back
to early medieval
"I forget your arms."
Europe, used
"A huge human foot d'or, in a field azure; the foot crushes a serpent primarily to establish
identity in battle.
rampant whose fangs are imbedded in the heel." Arms evolved to
denote family
"And the motto?" descent, adoption,
alliance, property
"Nemo me impune lacessit." ownership, and,
eventually,
"Good!" he said.
profession.
The wine sparkled in his eyes and the bells jingled. My own fancy grew

warm with the Medoc. We had passed through walls of piled bones, with

casks and puncheons intermingling, into the inmost recesses of

catacombs. I paused again, and this time I made bold to seize Fortunato

by an arm above the elbow.

The latin phrase
"The nitre!" I said; "see, it increases. It hangs like moss upon the vaults.
'Nemo me impune
We are below the river's bed. The drops of moisture trickle among the laccessit' means 'no
one injures me with
bones. Come, we will go back ere it is too late. Your cough—" impunity.
"It is nothing," he said; "let us go on. But first, another draught of the
Medoc."
I broke and reached him a flagon of De Grave. He emptied it at a breath. De Grave: a red
His eyes flashed with a fierce light. He laughed and threw the bottle wine from the
upwards with a gesticulation I did not understand. Bordeaux region of
France.

I looked at him in surprise. He repeated the movement—a grotesque one.

Mason:
"You do not comprehend?" he said. 1. a person who cuts
stone and use it to
"Not I," I replied. build.
2. a Freemason, a
"Then you are not of the brotherhood." member of a social
organization with
"How?"
secret rituals and
signs
"You are not of the masons."

"Yes, yes," I said; "yes, yes."

"You? Impossible! A mason?"

NOTICE THAT
"A mason," I replied.
Montressor is a
"A sign," he said, "a sign." mason, since he
performs masonry by
"It is this," I answered, producing a trowel from beneath the folds of building things, such
my roquelaire. as walls.

"You jest," he exclaimed, recoiling a few paces. "But let us proceed to the
Fortunato is a
Amontillado." Mason, one of a
group or brotherhood
"Be it so," I said, replacing the tool beneath the cloak and again offering known as The
him my arm. He leaned upon it heavily. We continued our route in search Masons, kind of like
a fraternity group.
of the Amontillado.

We passed through a range of low arches, descended, passed on, and

descending again, arrived at a deep crypt, in which the foulness of the air
caused our flambeaux rather to glow than flame.

At the most remote end of the crypt there appeared another less
spacious. Its walls had been lined with human remains, piled to the vault
overhead, in the fashion of the great catacombs of Paris. Three sides of
Masonic symbol
this interior crypt were still ornamented in this manner. From the fourth
side the bones had been thrown down, and lay promiscuously upon the
earth, forming at one point a mound of some size. Within the wall thus
exposed by the displacing of the bones, we perceived a still interior recess, in depth about four feet in
width three, in height six or seven. It seemed to have been constructed for no especial use within
itself,but formed merely the interval between two of the colossal supports of the roof of the catacombs,
and was backed by one of their circumscribing walls of solid granite.

It was in vain that Fortunato, uplifting his dull torch, endeavoured to pry into the depth of the recess. Its
termination the feeble light did not enable us to see.
"Proceed," I said; "herein is the Amontillado. As for Luchesi—"

"He is an ignoramus," interrupted my friend, as he stepped unsteadily forward, while I followed

immediately at his heels. In an instant he had reached the extremity of the niche, and finding his

progress arrested by the rock, stood stupidly bewildered.

A moment more and I had fettered him to the granite. In its surface were
two iron staples, distant from each other about two feet, horizontally. Granite: a very hard,
grey, pink, or black
rock, used for
From one of these depended a short chain, from the other a padlock. building
Throwing the links about his waist, it was but the work of a few seconds to
Ingnoramus: a
secure it. He was too much astounded to resist. person who knows
nothing.

Withdrawing the key I stepped back from the recess.

Niche: an area or
"Pass your hand," I said, "over the wall; you cannot help feeling the nitre. position that is
Indeed, it is very damp. Once more let me implore you to return. No? exactly suitable for a
small group of the
Then I must positively leave you. But I must first render you all the little same type.
attentions in my power."
Padlock: a small
metal lock with a U-
"The Amontillado!" ejaculated my friend, not yet recovered from his shaped bar.
astonishment.

"True," I replied; "the Amontillado."

As I said these words I busied myself among the pile of bones of which I
have before spoken. Throwing them aside, I soon uncovered a quantity of
building stone and mortar. With these materials and with the aid of my
trowel, I began vigorously to wall up the entrance of the niche.
I had scarcely laid the first tier of the masonry when I discovered that the
intoxication of Fortunato had in a great measure worn off. The earliest indication I had of this was a
low moaning cry from the depth of the recess. It was not the cry of a drunken man. There was then
a long and obstinate silence. I laid the second tier, and the third, and the fourth; and then I heard
the furious vibrations of the chain.

The noise lasted for several minutes, during which, that I might hearken to it with the more
satisfaction, I ceased my labours and sat down upon the bones. When at last the clanking
subsided, I resumed the trowel, and finished without interruption the fifth, the sixth, and the seventh
tier. The wall was now nearly upon a level with my breast. I again paused, and holding the
flambeaux over the mason-work, threw a few feeble rays upon the figure within.

A succession of loud and shrill screams, bursting suddenly from the throat of the chained form,
seemed to thrust me violently back. For a brief moment I hesitated—I trembled. Unsheathing my
rapier, I began to grope with it about the recess; but the thought of an instant reassured me. I
placed my hand upon the solid fabric of the catacombs, and felt satisfied. I reapproached the wall; I
replied to the yells of him who clamoured. I re-echoed—I aided—I surpassed them in volume and in
strength. I did this, and the clamourer grew still. It was now midnight, and my task was drawing to a
close. I had completed the eighth, the ninth, and the tenth tier. I had finished a portion of the last
and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its
weight; I placed it partially in its destined position. But now there came from out the niche a low
laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in
recognizing as that of the noble Fortunato. The voice said— "Ha! ha! ha!—he! he! he!—a very good
joke indeed—an excellent jest. We shall have many a rich laugh about it at the palazzo—he! he! he!—
over our wine—he! he! he!"

"The Amontillado!" I said.

"He! he! he!—he! he! he!—yes, the Amontillado. But is it not getting late? Will not they be awaiting us
at the palazzo, the Lady Fortunato and the rest? Let us be gone."
"Yes," I said, "let us be gone."

"For the love of God, Montresor!"

"Yes," I said, "for the love of God!"

But to these words I hearkened in vain for a reply. I grew impatient. I called aloud—

"Fortunato!"

No answer. I called again—

"Fortunato—"
No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in
reply only a jingling of the bells. My heart grew sick on account of the dampness of the catacombs. I
hastened to make an end of my labour. I forced the last stone into its position; I plastered it up. Against
the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has
disturbed them. In pace requiescat!

The latin phrase In pace requiescat! means 'Rest in peace'.

Find the underlined words and write them in the box below. Then, using a dictionary
search for their meaning and for at least 2 synonyms.
The previous words are verbs to set a mood of horror. For example: 'they had absconded
to make merry in honor of the time'.

Now that you know the meaning of the words, choose 4 words and 2 of the synonyms
and create your own horror story using past simple. Use the space given.

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Remember that:

We use the past tense to talk about:

something that happened once in the past:

I met my wife in 1983.
We went to Spain for our holidays.

something that happened several times in the past:

When I was a boy, I walked a mile to school every day.
They always enjoyed visiting their friends.

something that was true for some time in the past:

I lived abroad for ten years.
She played a lot of tennis when she was younger.

For regular verbs we add -ed : Irregular verbs change:

- play played - meet met

- enjoy enjoyed - take took

In groups of 3 or 4 students, read the questions. Then discuss and answer. You may
need go back to text in order to answer them.

1. What are the names of the two main characters in the story?
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2. What is the cask of Amontillado?
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 1. Why does one of the characters seek revenge against the other?
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2. What preparations had Montressor made for his revenge?
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3. Why does the main character makes sure that Fortunato drinks a lot of wine?
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4. What does the narrator actually do to Fortunato?
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In this second part of the reading comprehension, you must work with same group that
in the first activity. Each question is about the topics below. Disscuss them with your
group, summed up your conclusions, and write them in the space given
- Revenge
-Irony

1. If you were Montressor, how would you have sought revenge?

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 1. ___
2. Is revenge ever justified?
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3. Describe how revenge made you feel.
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4. Where is irony seen in the text? Choose 2 ironic devices.
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5. Why is irony so important in this story?
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If you have trouble finding the ironic devices, you

can do a little online research.
 In the same previous groups, write a short prequel of the story. Use the prompts given to
guide your writing. The extension is between 1 or 2 pages.
Your prequel must include:
1. First person narrator. You must choose between Montressor or Fortunato.
2. A suitable setting.
3. Must be written in past simple.
4. A cover page.

You will have 2 whole classes to do this task.

Use this space to brainstorm your ideas

Main character description:

Setting:
Cover page. You can draw, paste a picture, create a collage, among others.
Use the box below to write your title

Use this space to write your story