Piano

For Good
Idina Menzel & Kristin Chenoweth Lyrics and Music by


Stephen Schwatrz

   
A Wicked Soundtrack

          
Out Of Oz - Wicked Studio Sessions

       
 = 80

    
     
D♭

   
        
              
  
  


        



 
     
 
  
    



B

 
6

     
          
       



                
              
    
12






         
              
    
   


     
 
           

            
             
 
16
C

     
             
  

           
          
2

              
20

      
           
      
  



    
     
  
 
  
                  
   
  
23

   
             
        


     
    
rit.


          
      
               
D


28

   

         
     
a tempo

           
  


  
                      
32

         
                
       


   
       
          
 
  
       
35

   
              
         
 




                   
           
          
38

  
                 
           
 

 
3

        

 
E

        
41

   
           
            
         
      


 
             
   
 
  
 
       

44

  
  
     
   
 

        
    
  


   
                
         
  
47

    
                 
             


 
          
F

            

51

                
       
   
              
    


 
          
               
54

      
    
          

  
      


      
            
        
57

        
    rit.  
             
a tempo

 
       

       
4

     
               
G

       
60

 
       
      
        
     
     



              

                  
63

    
      
        
     
   
 


       
       
          
    
67


   


  

     
               
  




         
                
   


   
71

     





    
                  
  
rit.

  






         
     
H

      
75

  
      
        
     
   
rit.

  
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