Continuance 2023

You might also like

Download as pdf
Download as pdf
You are on page 1of 38
INSTRUMENTATION Conductor IstFlute 2nd Flute Oboe Bassoon 1stBs Clarinet 2nd &: Clarinet 3rd Bs Clarinet B+ Bass Clarinet IstEs Alto Saxophone 2nd E+ Alto Saxophone 8: Tenor Saxophone Es Baritone Saxophone 1st + Trumpet 2nd & Trumpet 3rd Bs Trumpet PROGRAM NOTES Continuance by Michael Kamuf starts with intensity and quickly the mood changes and is filled wi variety and excitement! NOTES TO THE CONDUCTOR Continuance By Michael Kamuf Ist F Hom 2nd F Horn ‘st Trombone 2nd Trombone 3rd Trombone Baritone Bass Clef Baritone Treble Clef Tuba Malet Percussion (Chies/Bels Xylophone) Percussion | (Snare Drur/MaréTree/H-Hat Gmbals, Bass rum) 7 Percussion 2 (Suspended Cymbalichina mba! Triangle, Gong/Shaker/Temple Blocks! Crash Cymbals) 2 Timpani GRADE 3.5 worto paRTs Avable for download rom torn atredcom/worldpart Alto Clarinet IstHorn in E 2nd Horn in E> 1st Trombone in Bb Treble Clef 2nd Trombone in B Treble Clef 3rd Trombone in & Treble Clef Ist Trombone in Bi Bass Clef 2nd Trombone in B+ Bass Clef 3rd Trombone in B Bass Clef Baritone in Bs Bass Clef Tuba in E> Bass Clef Tuba in E> Treble Clef Tuba in Bs Bass Clef Tuba in Bs Treble Clef String Bass drama, This piece is full of When | started gathering ideas for this piece, I settled on the themes of the opening slow section, and, as | worked out the orchestration ofthis passage, | began adding notes and changing rhythms and tempo. These variations of the opening themes become the new themes of the two faster sections of the piece. Once | had the first fast passage completed, Iknew these ideas would reappear final portion of the work Since the fast sections are aggressive and abit sinister, Iset out to create a contrasting ballad section (in a major key) that would separate these sections and allow for expressive playing from the ensem- ble. My wife came up with the ttle, Continuance, for the piece, and itis 2 fitting ttle since the opening themes continually morph and reappear. hope you enjoy studying and performing this piece as much as l enjoyed composing it! ret Performance PLUS —Michael Kamut FULL SCORE Duration - 5:30 Oboe Bs Clarinets Saxophones Saxophone Es Baritone Sstophione Trombones Euphonium Tuba Mater Fercutsion Timpani 495858 Continuance By Michael Kamuf (ASCAP) Hauntingly = 72 ir Z With intensity! J = 156 per ie (©2022 BELWIN-MILS PUBLISHING CORP (ASCAP) vision of ALFRED MUSIC “) FisJPic. on, cs A.saxes. TSax, Tons. Fuph. Mit Pers Pers Pers. 2 495858 visti. on sn ch RCL 7 A.Sanes, Tse, Bar Sax Tp ‘Thas. Eph. Tuba Mit Pere Pere. Pere. ‘Timp. 495858 6 FisJPic. on, cs Asus } 1S Bar, Sax Tt. Tons. Eph. ‘Tuba Mit Pers Pere. ‘Timp. 495858 (ia +e rit, ristic. on on 3 1 AcSaxes. Sax. 1 Tp 1 Mas. 2 1 Tn. 7 up. “Ta Pere. Pere.2 ‘Timp. 495858 ” " » » atempo FisJPic. on, on RCL A.Saxes TSax, Bar. Sax ‘Tp Tons. Euph. ‘Tuba Mit Pers, Pere. Timp. 495858 FisJPic. on, cs na A. Sunes. 1 1 Sax. Bar, Sax Tt. Tons. Eph. ‘Tuba Pers. 2 Timp. 495858 FisJPic. on, cu A.Sanes. Sax. Bar. Sax t With intensity! J = 156 t Tp. ‘Tons. Euph. ‘Tuba Pere. Pers. 2 Timp. 495858 FisJPic. on, x Bar, Sax Tp. Ths. Euph. ‘Tuba Mit Pere. Pere. ‘Timp. 495858 ristic. on cs Asante} 1 Sax Thas. ups. Tuba Mit Pere Pere. ‘Timp. 495858 ” ” » » FisJPic. on, cs 1 AcSaxes. Sax. ‘Tp ' Hos. 2 1 ‘Tons. 2| Euph. Pere. Pere. Timp. 495858 on, cs A. Saxes. 3 Sax Bar, Sax ‘Tp. ‘Tons. Eph. ‘Tuba Pere. 495858 FisJPic. on, cs A.Saxes. } Sax. Bar, Sax ‘Tp ‘Tons. Euph. Pers. Pere. 2 495858 e vf 6 ristic. on cs 1 AcSaxes. ‘Tp ‘Tons. Euph. Mut Pers Pere. Pere. 2 Timp. 495858 ristic. on cs 1 AcSaxes. 1 ‘Tp ' Hos. 2 1 2 i Euph. Pers. Pere. 2 Timp. 495858 s » ® ristic. on cs A.Saxes. 3 Sax Bar. Sax 1 2 j 1 Hos. 2 1 Tons. 3 Tuba Pers Pere. 2 Timp. 495858 5 Expressively 4 FisJPic. on, cu. Ro. Assanes } Sax. Expressively 4 ‘Tp. ‘Tons. Euph. ‘Tuba Mit Pere Pere. ‘Timp. 495858 6 on, cs AcSaxes. ‘Tp ‘Tons. Euph. Mut Pers Pere. Pere. 2 Timp. 495858 ° n n n atempo on, Ro. Assanes } > ‘tempo Th. ‘Tons. Pups. ‘Tuba Pere. Pers.2 Timp. 495858 rit, atempo atempo on, cs AcSaxes. ‘Tp ‘Tons. Euph. Mut Pers Pere. Pere. 2 Timp. 495858 FisJPic. on, sn us Bc Asaaes J Sax Bar Se, Tp. ‘Tons. Raph. ‘Tuba Pere. Pers. 495838 * a af ® “ rit, With intensity FisJPic. on, A.Sanes, TS Bar. Sax With intensity! J= 156 Tp ns. Fuph. Tuba Pere. Pers. 2 495858 FisJPic. on, cs Saxe ‘Tp ‘Tons. Euph. Mut Pers Pere. Pere. 2 Timp. 495858 » » ” 2 26 visitic. } on, cs AcSaxes. Sax. ‘Tp ‘Tons. Euph. Mut Pers Pere. ‘Timp. 495858 FisJPic. on, cs Rol A.Saxes. 1. Sax. Bar. Sax pts. ‘Tons. Eph. ‘Tuba Mit. Pers Pere. ‘Timp. 495858 FisJPic. on, cs Saxe TS Bar. Sax ‘Thas. Tuba Mit Pere Pere. ‘Timp. 495858 0 wi FisJPic. on, cs AcSaxes 3 Sax. ‘Tp ‘Thas. Euph. Tuba Mit Pers Timp. 495858 Ws ws cs i 30 FisJPic. on, x na A.Saxes. 1 TS Bar. Sax ‘Thas. Euph. Pere. Pers.2 495858 i 0 in ” ristic. on cs 1 AcSaxes. ‘Tp ‘Tons. Euph. Mut Pers Pere. Pere. 2 Timp. 495858 m ™ ts 1 2 risitic. } cu AcSaxes. Tse, Bar, Sax ‘Tp Euph. ‘Tuba Mit Pere. Pere. Pers. 2 Timp. 495858 visti. on, sn 1 ch | 3 RCL 1 A.Saxes. $ Sax. Bar, Sa 1 Tp. 2 1 Eph. ‘Tuba Mit Pers, Pere. cm Pere. 2 imp. 495858 ™ m a a ristic. on cs 1 AcSaxes. 1 ‘Tp ' Hos. 2 1 ‘Tons. 2| Eup, Mut Pers Pere. Pere. 2 Timp. 495858 1 os FisJPic. on, cs na Asa. 1 se Bar, Sax ‘Tp. Tons. Euph. Tuba Pere. Pers.2 ‘Timp. 495858 w ue ry 36 FisJPic. on, cs Saxe ‘Tp ‘Tons. Euph. Mut Pers Pere. Pere. 2 Timp. 495858 FisJPic. on, cs Rol Saxe} 1 Sax. Bar. Sax pts. ‘Ths. Eph. Tuba Mit Pere Pere. Pers. 2 495858 Da mo as 6 wt 38 FisJPic. on, cs Asus} Bar. Sax Tp ns. Euph. Tuba Mit. Pers Pers. ‘Timp. 495858

You might also like