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  • Tramontozzi - Kouss MVT 2 D Minor - DB

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    Adrian Aranda
    4 views1 page
    The document appears to be a musical score containing musical notation symbols. It includes staffs with notes, rhythmic values, dynamics, tempo markings, and other musical instructions over 10 pages. The score has a title of "Andante" and indicates it should be played at a moderate speed.

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    Tramontozzi - Kouss Mvt 2 D Minor_DB

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    The document appears to be a musical score containing musical notation symbols. It includes staffs with notes, rhythmic values, dynamics, tempo markings, and other musical instructions over 10 pages. The score has a title of "Andante" and indicates it should be played at a moderate speed.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    4 views1 page

    Tramontozzi - Kouss MVT 2 D Minor - DB

    Uploaded by

    Adrian Aranda
    The document appears to be a musical score containing musical notation symbols. It includes staffs with notes, rhythmic values, dynamics, tempo markings, and other musical instructions over 10 pages. The score has a title of "Andante" and indicates it should be played at a moderate speed.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Generated for #1712 Carlos Adrián Aranda Ortiz caarandao@live.

    com

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       
    II
         
           
    Andante


            
                  
         

    10

           
                 
       

          

    18

             
      

               
     

       
    26

     
      
         
    
                                   


    
    34

         
             

                   
     
     
     
    38

    

           
           
     
      

               
    42 3


    rit.

       
                     

            
    a tempo
    47 rit.


               
       
     

     
    piú vivo

       
     
    57 a tempo

                

         

     

    67

                  


            
     

       

    77

          
         
             
     

     
    86


     
                       
    

           
    94

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