Title: "As Above, So Below: A Haunting and Atmospheric Found-Footage Thriller"

Rating: 3.5/5 stars

"As Above, So Below" is a 2014 found-footage horror film directed by John Erick
Dowdle. The film combines elements of psychological horror and adventure as it takes
the audience on a harrowing journey through the catacombs beneath Paris. While it may
not break new ground in the found-footage genre, "As Above, So Below" effectively
builds tension, delivers some chilling moments, and explores intriguing themes.

The film follows Scarlett Marlowe, played by Perdita Weeks, an ambitious and
determined archaeologist who ventures into the Paris catacombs in search of the
philosopher's stone. Along with a small team of explorers, she descends into the
claustrophobic tunnels, facing supernatural encounters and confronting her own
personal demons as the line between reality and nightmare begins to blur.

One of the film's strengths is its atmospheric setting. The catacombs beneath Paris
provide a chilling backdrop that adds a sense of unease and dread throughout the story.
The tight spaces, labyrinthine tunnels, and haunting echoes enhance the feeling of
isolation and vulnerability, heightening the suspense and creating an immersive
experience for the audience.

The found-footage approach adds a sense of realism to the film and immerses viewers
in the characters' perspectives. The use of handheld cameras and documentary-style
filming techniques contribute to the feeling of being part of the exploration team,
sharing their fears and anxieties. While the found-footage format can be divisive, "As
Above, So Below" utilizes it effectively to enhance the sense of immediacy and danger.

Perdita Weeks delivers a strong performance as Scarlett Marlowe, portraying a

determined and resilient character. She conveys the complexities of Scarlett's
motivations and personal demons, grounding the film in an emotional core. The rest of
the ensemble cast also delivers solid performances, capturing the escalating tension
and fear as the characters face supernatural horrors and their own psychological
traumas.

The film explores themes of guilt, redemption, and the consequences of delving into
forbidden knowledge. While the execution of these themes is not always as developed
as one might hope, they add depth to the narrative and give the film a slightly deeper
layer than typical found-footage horror fare.

However, "As Above, So Below" is not without its flaws. The found-footage style can be
disorienting at times, and the shaky camera work may be off-putting for some viewers.
Additionally, the plot can feel convoluted, especially in its final act, with some elements
left unexplained or unresolved. The film relies on jump scares and predictable horror
tropes, which may disappoint those seeking a more nuanced and original horror
experience.

In conclusion, "As Above, So Below" is an atmospheric and chilling found-footage horror

film that effectively utilizes its setting and creates a sense of dread. Perdita Weeks
delivers a compelling performance, and the exploration of psychological themes adds
depth to the narrative. While it may not offer groundbreaking storytelling or fully
capitalize on its intriguing premise, the film still manages to deliver suspenseful
moments and an eerie atmosphere that will appeal to fans of the horror genre.