This document defines and provides examples of 10 common figures of speech: simile, metaphor, onomatopoeia, personification, apostrophe, hyperbole, synecdoche, metonymy, oxymoron, and paradox. A simile explicitly compares two unlike things using "like" or "as". A metaphor implicitly compares two unlike things. Onomatopoeia uses words that imitate sounds. Personification gives human qualities to non-human things. Apostrophe addresses absent people or things. Hyperbole exaggerates for emphasis. Synecdoche uses a part to represent the whole. Metonymy substitutes an attribute for the thing. An oxymoron combines contradictory terms. A paradox seems
This document defines and provides examples of 10 common figures of speech: simile, metaphor, onomatopoeia, personification, apostrophe, hyperbole, synecdoche, metonymy, oxymoron, and paradox. A simile explicitly compares two unlike things using "like" or "as". A metaphor implicitly compares two unlike things. Onomatopoeia uses words that imitate sounds. Personification gives human qualities to non-human things. Apostrophe addresses absent people or things. Hyperbole exaggerates for emphasis. Synecdoche uses a part to represent the whole. Metonymy substitutes an attribute for the thing. An oxymoron combines contradictory terms. A paradox seems
This document defines and provides examples of 10 common figures of speech: simile, metaphor, onomatopoeia, personification, apostrophe, hyperbole, synecdoche, metonymy, oxymoron, and paradox. A simile explicitly compares two unlike things using "like" or "as". A metaphor implicitly compares two unlike things. Onomatopoeia uses words that imitate sounds. Personification gives human qualities to non-human things. Apostrophe addresses absent people or things. Hyperbole exaggerates for emphasis. Synecdoche uses a part to represent the whole. Metonymy substitutes an attribute for the thing. An oxymoron combines contradictory terms. A paradox seems
1. Simile – a stated comparison (formed with “like” or “as” between two
fundamentally dissimilar things that have certain qualities in common. Example: “Does it dry up like a raisin in the sun?” – Langston Hughes, “Harlem” 2. Metaphor – an implied comparison between two unlike things that have something in common. Example: “Hope is the thing with feathers – That perches in the soul –” - Emily Dickinson, “Hope is the Thing with Feathers” 3. Onomatopoeia – uses words that imitate sounds associated with objects or actions. Example: “The crooked skirt swinging, whack by whack by whack.” - James Joyce, “Ulysses” 4. Personification – endows human qualities or abilities to inanimate objects or abstraction. Example: “Ah, William, we’re wary of the weather,” said the sunflowers shining with dew. – William Blake, “Two Sunflowers Move in the Yellow Room” 5. Apostrophe – is addressing an absent person or thing that is an abstract, inanimate, or inexistent character. Example: “Death be not proud, though some have called thee.” - John Donne, “Death Be Not Proud” 6. Hyperbole – a figure of speech which contains an exaggeration for emphasis. Example: “To make enough noise to wake the dead.” – R. Davies, “What’s Bred in the Bone” 7. Synecdoche – a figure of speech in which the part stands for the whole, and thus something else is understood within the thing mentioned. Example: “Give us this day out daily bread” *Bread stands for the meals taken each day. 8. Metonymy – a figure of speech in which the name of an attribute or a thing is substituted for the thing itself. Example: “Friends, Romans, countrymen, lend me your ears.” – William Shakespeare, “Julius Caesar” *Lend me your ears = to pay attention; to listen 9. Oxymoron – a figure of speech which combines incongruous and apparently contradictory words and meanings for a special effect. Example: “Here’s much to do with hate, but more with love. Why then, O brawling love! O loving hate! O anything! of nothing first create! O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms!” - William Shakespeare, “Romeo and Juliet” 10. Paradox – a statement which seems on its face to be logically contradictory or absurd yet turns out to be interpretable in a way that makes sense. Example: “One short sleep past, we wake eternally And death shall be no more; Death, thou shalt die.” - John Donne, “Death Be Not Proud”