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8

Physical Education
Quarter 4 – Module 4a:
Folk Dances

NegOr_Q4_MAPEH8_Module4a_v2
MAPEH – Grade 8
Alternative Delivery Mode
Quarter 4 – Module 4a: Folk Dances: Sakuting, Binislakan, Pangalay, Sua-Ku-Sua
Second Edition, 2022

Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.

Published by the Department of Education


Secretary: Leonor Magtolis Briones
Undersecretary: Diosdado M. San Antonio

Development Team of the Module


Writer: Shalane Marie T. Macahig
Editors: Rowena Z. Ambata , Mary Rose G. Acupanda
Reviewer: Bethel- Anne S. Parco, Ian John Emmanuel T. Tubio
Illustrator:
Layout Artist:
Management Team: Senen Priscillo P. Paulin, CESO V Jenith C. Cabajon
Joelyza M. Arcilla, EdD Rosela R. Abiera
Marcelo K. Palispis, EdD Maricel S. Rasid
Nilita L. Ragay, EdD Elmar L. Cabrera
Dan P. Alar, EdD

Printed in the Philippines by ________________________

Department of Education –Region VII Schools Division of Negros Oriental

Office Address: Kagawasan Avenue, Daro, Dumaguete City, Negros Oriental


Tele #: (035) 225 2376 / 541 1117
E-mail Address: negros.oriental@deped.gov.ph

2
Introductory Message
This Self-Learning Module (SLM) is prepared so that you, our dear
learners, can continue your studies and learn while at home.
Activities, questions, directions, exercises, and discussions are
carefully stated for you to understand each lesson.
Each SLM is composed of different parts. Each part shall guide
you step-by-step as you discover and understand the lesson
prepared for you.
Pre-tests are provided to measure your prior knowledge on lessons
in each SLM. This will tell you if you need to proceed on completing
this module or if you need to ask your facilitator or your teacher’s
assistance for better understanding of the lesson. At the end of
each module, you need to answer the post-test to self-check your
learning. Answer keys are provided for each activity and test. We
trust that you will be honest in using these.
In addition to the material in the main text, Notes to the Teacher
are also provided to our facilitators and parents for strategies and
reminders on how they can best help you on your home-based
learning.
Please use this module with care. Do not put unnecessary marks
on any part of this SLM. Use a separate sheet of paper in answering
the exercises and tests. And read the instructions carefully before
performing each task.
If you have any questions in using this SLM or any difficulty in
answering the tasks in this module, do not hesitate to consult your
teacher or facilitator.
Thank you.

1
i
A folkdance is a dance developed by people that reflect the life of the
people in that certain country or region. Not all ethnic dances are folk
dances. For example, ritual dances or dances of ritual origin are not
considered to be folk dances.

Ritual dances are usually called "Religious dances" because of their


purpose. The terms "ethnic" and "traditional" are used when it is required to
emphasize the cultural roots of the dance. In this sense, nearly all folk
dances are ethnic ones.

If some dances, such as polka, cross ethnic boundaries and even


cross the boundary between "folk" and "ballroom d (Sales n.d.)ance", ethnic
differences are often considerable enough to mention.

1 NegOr_Q4_MAPEH8_Module4a_v2
What I Know

Multiple Choice: Read and answer each question. Write the letter of your answers
in your P.E Notebook.

1. This is a dance of the ethnic people living in the western side of the
Cordilleras way back before the coming of the Americans to our country.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua

2. ________ (also known as Daling-Daling or Mengalai in Sabah) is the


traditional “fingernail” dance of the Tausūg people of the Sulu Archipelago and
Sabah.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua

3. The Tausug of Sulu, Southern Philippines, though known as fearsome


warriors are also better known as sturdy seafarers and hardy farmers.Their
courtship dance is called________.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua

4. Lingayen in Pangasinan means having to look backward and upward. It was


derived from “Li-King-Tung”, a Chinese word given to the name Lingayen, the
capital of Pangasinan.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua

5. Who is the dance researcher of Sakuting?


A. Francisca Reyes Aquino C. Ramon A. Obusan
B. Dr. Jose P. Rizal D. Both A and B

2 NegOr_Q4_MAPEH8_Module4a_v2
What’s In

To check your familiarity to dances with Asian influence, here are some basic
ideas or concepts which will lead you to answer questions relative to performing
these regional and national dances.

Identify and classify the pictures shown. Choose from the words inside the box
below. Write your answers in your P.E notebook.

BINISLAKAN SUA-KU-SUA PANGALAY SAKUTING TIKLOS


TINIKLING

1. 2. 3.

4. 5.

3 NegOr_Q4_MAPEH8_Module4a_v2
What’s New

TERMS TO REMEMBER: Rearrange the jumbled letter to form a word related to


Dances. Do it in your P.E notebook.
1.Emphasis on a beat, usually but not always, the first beat of the measure
(ECTCAN) _ _ _ _ _
2.A process in which members of one cultural group adopt the beliefs and
behaviours of another group (CNOIARUTLUCAT) _ _ _ _ _ _ _ _ _ _ _ _ _
3.The totality of socially transmitted behavior patterns, arts, beliefs, institutions, and
all other products of human work and thought (TEULUCR) _ _ _ _ _ _ _
4. A form of dance developed by a group of people that reflects the traditional life of
the people of a certain country or region (ECADN KOFL) _ _ _ _ _ _ _ _ _
5.The condition of being fit and healthy throughout life.
(SETIFNS GNEFILOL) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

What is It

Folk Dance
a form of dance developed
by a group of people that
reflects the traditional life of
the people of a certain
country or region.

Philippine folk dances speak so much about the heartbeat of our people for they
tell about our customs, ideas, beliefs, superstitions, and events of daily living in a
certain community. Just by looking at the costumes, props, and implements of a
certain group or tribe would tell you of the origin of the dance. The kind of music being
used readily also tells about the influences brought by trade and settlement of our
neighboring countries such as China, Malaysia, Indonesia, Burma, Cambodia,
Thailand and Japan to name a few. Truly evident is the effect of acculturation in the
4 NegOr_Q4_MAPEH8_Module4a_v2
country as manifested by the kinds of costumes, props, music, and dance steps that
are used and integrated into some of our regional and national folk dances.

Study these dances carefully and imbibe in you their importance to the
development of cultural values.

BINISLAKAN
(Lingayen)

Dance Country of
Researcher Influence
China
Francisca
Reyes Aquino Ethno-linguistic
Group
Pangasinense
Meaning
With the use
Dance Culture
of sticks
Christian Lowland
Place of
Classification
Origin
Social Dance
Pangasinan

5 NegOr_Q4_MAPEH8_Module4a_v2
Background:

Lingayen in Pangasinan means having to look backward and upward. It was


derived from “Li-King-Tung”, a Chinese word given to the name Lingayen, the capital
of Pangasinan, by the Chinese settlers of this place a long time ago. The barrio folks
who lived at Almazin, a small place between barrio Pangasinan (Pulong) and Maniboc
danced this to commemorate the stay of Limahong, a Chinese pirate who built his
kingdom here.

SUA-KU-SUA

Country of
Dance Influence
Researcher China, Malaysia
Ramon A. and Indonesia
Obusan
Dance Culture
Lowland Muslim
(Coastal) Meaning
Ethno-
Classification My Pomelo
linguistic
Courtship Dance Tree
Group
Tausug Place of
Origin
Jolo, Sulu

6 NegOr_Q4_MAPEH8_Module4a_v2
Background/Context:

The Tausug of Sulu, Southern Philippines, though known as fearsome warriors


are also better known as sturdy seafarers and hardy farmers. Extensive orchards are
planted with coconuts and pomelos and fields with staples like rice and root crops.

PANGALAY

Ethno-
Meaning linguistic
Dance
Finger nail Group
Researcher
Place of Origin Tausug
Francisca
Reyes Aquino Sulu

Dance Culture Country of


Lowland Muslim Influence
(Coastal) Thailand, Malaysia,
Classification Burma, Cambodia
Social Dance and Indonesia

7 NegOr_Q4_MAPEH8_Module4a_v2
Background/Context:
Pangalay (also known as Daling-Daling or Mengalai in Sabah) is the
traditional “fingernail” dance of the Tausūg people of the Sulu Archipelago and Sabah.
This dance is the most distinctively Asian of all the Southern Philippine dances
because dancers must have dexterity and flexibility of the shoulders, elbows, and
wrists – movements that strongly resemble those of “kontaw silat,” a martial art
common in the Malay Archipelago. The Pangalay is performed mainly during weddings
or other festive events. The male equivalent of the Pangalay is the Pangasik and
features more martial movements, while a pangalay that features both a male and
female dancer is called Pangiluk.

SAKUTING

Dance Classification Country of


Researcher Recreational Influence
Francisca Dance China
Reyes Aquino and Social
Dance

Place of Origin Meaning


Abra and Ilocos Refers to
Norte rhythmic sticks

8 NegOr_Q4_MAPEH8_Module4a_v2
Background/Context:

This is a dance of the ethnic people living in the western side of the
Cordilleras way back before the coming of the Americans to our country.
“Sakuting“ is an ethnic term which refers to the rhythmic sticks producing the
accompaniment for the dance.

What’s More

NAME IT!
In your P.E notebook copy the table as shown and fill it with the needed information.
Name of Place of Origin Dance Influenced by
Dance Classification what Asian
Country?

Binislakan

Pangalay

Sua-Ku-Sua

Sakuting

What I Have Learned

I have learned that ________________ ________________ ______.

I have realized that ________________ _________________ _____.

I will apply _____________ _________________ _______________.

9 NegOr_Q4_MAPEH8_Module4a_v2
What I Can Do

Read and answer the question. Write your answer in your P.E notebook.
❖ As a citizen of the Philippines, how are you going to promote our different
folkdances in other countries?

Assessment

Multiple Choice: Read and answer each question. Write the letter of your answers
in your P.E Notebook.

1. This is a dance of the ethnic people living in the western side of the
Cordilleras way back before the coming of the Americans to our country.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua
2. ________ (also known as Daling-Daling or Mengalai in Sabah) is the
traditional “fingernail” dance of the Tausūg people of the Sulu Archipelago and
Sabah.
A. Binislakan C. Sakuting
B.Pangalay D. Sua-Ku-Sua

3. The Tausug of Sulu, Southern Philippines, though known as fearsome


warriors are also better known as sturdy seafarers and hardy farmers.Their
courtship dance is called _________.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua
4. Lingayen in Pangasinan means having to look backward and upward. It was
derived from “Li-King-Tung”, a Chinese word given to the name Lingayen, the
capital of Pangasinan.
A. Binislakan C. Sakuting
B. Pangalay D. Sua-Ku-Sua
5. Who is the dance researcher of Sakuting?
A. Francisca Reyes Aquino C. Ramon A. Obusan
B. Dr. Jose P. Rizal D. Both a and b

10 NegOr_Q4_MAPEH8_Module4a_v2
NegOr_Q4_MAPEH8_Module4a_v2 11
Name of Dance Place of Origin Dance Influenced by what Asian
Classification Country?
Binislakan Pangasinan Social Dance China
Pangalay Sulu Social Dance Thailand, Malaysia, Burma,
Cambodia & Indonesia
Sua-Ku-Sua Jolo, Sulu Courtship Dance China, Malaysia & Indonesia
Sakuting Abra & Ilocos Recreational & China
Norte Social Dance
WHAT’S MORE
WHAT I HAVE LEARNED - Answers may vary.
WHAT I CAN DO - Answers may vary.
ADDITIONAL ACTIVITIES - Answers may vary.
WHAT’S NEW PRE-ASSESSMENT
WHAT’S IN
1. Accent 1. C
1. Tiklos
2. Acculturation 2. B
2. Binislakan
3. Culture 3. D
3. Sua-Ku-Sua
4. Folk Dance 4. C
4. Pangalay
5. Lifelong 5. A
5. Sakuting
Fitness
Answer Key
one do you like best and why?
❖ Among the 4 folkdances (Binislakan, Pangalay, Sua-Ku-Sua, Sakuting) which
Share your insight by answering this question. Do this in your P.E notebook.
Additional Activities
References
del Rosario, Rochelle. 2014. YouTube.com. March 1.
https://www.youtube.com/watch?app=desktop&v=MhaVItpwbt8.

Gonzales, Aliah Faye. 2015. Prezi. January 17. https://prezi.com/24wmqam-tz8k/philippine-folk-


dances-with-asian-influence/.

John, John. 2016. SlideShare. December 7. https://www.slideshare.net/JohnDalman1/arts-and-


crafts-of-mindanao/.

RMHA11. 2019. https://rmhalife.wordpress.com. August 13.


https://rmhalife.wordpress.com/2019/08/13/physical-education-grade-8-q4/.

Sales, Mina. n.d. "Pinterest." www.pinterest.ph. Accessed January 13, 2022.


https://www.pinterest.ph/pin/536843218078785469/.

12 NegOr_Q4_MAPEH8_Module4a_v2
For inquiries or feedback, please write or call:

Department of Education – Schools Division of Negros Oriental


Kagawasan, Avenue, Daro, Dumaguete City, Negros Oriental

Tel #: (035) 225 2376 / 541 1117


Email Address: negros.oriental@deped.gov.ph
Website: lrmds.depednodis.net

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