E.S.M.

Z - Análisis Musical
A Media Luz


Estudiante: Nicolás Ramos
Carlos Cesar Lenzy
& Edgardo Donato

     
                                
Tema B
Tempo di Tango
 D A7 A7 D

    
instrumental

        
 = 58

 m. 1
I V V I

             

           
   






Idea basica

 
 
                      
C.A.P

 
D

  
D A7 A7

  
6

   
I V V I Canto


              


        
    




Repeticion de idea basica

Tema A Cambio al modo frigio

Dm

   
A7 A7/C♯

              
mod. 1
Dm Gm V V
I


10 a 13 10 IV

 
I

             

              
     



Idea Basica
Presentación


              
Dm

   
D♯ A7/E C♯5♯

  
Dm bII A /E A7 A7

    
mod. 2 14 I

 
V


cadencia autentica modal
14 a 17 I V V V

       

    
         
      
m.2

 
    
Idea contrastante

Presentación
 

2

             
 Dm

 
A7/C♯

     
mod. 3 18 A7 A7
18 a 21 V V V I

        
            
Dm

    
I

    


Idea contrastante
Presentación

 
           
D7/F♯

 
Gm Dm

     
mod. 4 22 V/IV F♯dim IV A7
22 a 25 IIIm7b5 Mixolidio V I

 
               
 
  
   
A7/C♯

    
V

   



Idea basica variada


Presentación

                            

mod. 5 A7
V A7/C♯ D


26 a 29 26 Dm  Dm

    
I semicadencia frigia desc.
I V I


          
    
    
  Idea cadencial   


Presentación

  
Tema B regreso al modo jónico

                            

D A7 A7 D
30

    
I V V V

                
        
 






Idea Basica

  
Continuación

                           
D A7 C.A.P D D.S.

    
A7

 
34


I


V I
V

      




 
 
     
     
 





Repeticion de idea basica

Continuación