Professional Documents
Culture Documents
Balthasar
Balthasar
(Herder & Herder) This is one of the best secondary sources I have encounted on the
work of Hans Urs von Balthasar and the only treatment of his ethics currently in print.
Steck does an excellent job of explicating the ethics of von Balthasar through a thorough
study of his major writings. Steck deals at length with both 'The Glory of the Lord' and
'Theo-Drama', showing how von Balthasar's ethics emerge from his distinctive aesthetic
and theo-drama orientation.
Garth Hallet correctly observes that a moral theory "need not be useful to be valid." The
moral theory proposed by Balthasar is not primarily a method for ascertaining the good,
but rather a description and explanation of the nature of Christian conduct. And so it is
not a mortal blow to Balthasar's theory to acknowledge that it does not easily produce
clear answers to the perplexing ethical situations that confront the human agent. Indeed,
that could be its strength. The temptation might be to simplify Balthasar's ethics by
pruning the vertical and focusing one's discernment energies entirely on the horizontal
(interpreted, perhaps, through biblical themes and imagery), but that is not von
Balthasar's path.
Here Steck argues we can make a helpful parallel between von Balthasar's approach to
Scripture and contemporary scholarship on the topic, on the one hand, and his approach
to the moral life and the different philosophical and theological reflections on it, on the
other. Von Balthasar's advocacy for a contemplative approach to Scripture applies as well
to the ethical encounter and for a similar reason. The issue at stake in both the ethical
encounter and scriptural mediation is the covenantal approach of God, which cannot be
frozen into any earthly form. Our contemplation of God, both in Scripture and in the
moral horizon before us, will always include a receptive "hearing," because "what is
beheld is the free and infinite Person who, from the depths of his freedom, can give
himself in a way that is ever new, unsusceptible and unpredictable." Further, Balthasar's
ambivalence toward biblical scholarship can be extended to the field of ethics. Balthasar
believed contemporary biblical scholarship contributes to our knowledge of revelation,
but its use must be subordinated to its ultimate purpose: to help us see the whole organic
form of Scripture. Similarly in regard to ethics, we can say that good, practical insight
can be gained from breaking down and studying the various component elements of the
particular moral situation. We should gather and clarify the facts, figure out what values
and goods are at stake, look to the consequences of the action, weigh different
possibilities, and so on. Balthasar can initially allow a wide expanse of methological plu-
ralism in ethics as well as in Scripture, Steck argues. The many forms of ethical decision
making available to us (consequentialism, utilitarianism, natural law, adherence to
biblical injunctions, etc.) can all assist the Christian's discernment. Yet these remain
assistants in any discernment process; they yield only "signposts" on the way to the final
answer. The ultimate object of discernment is not simply the collection of all these
considerations but the form of Christ that does, or can be allowed to appear in the
contingent circumstances of the ethical situation. What Balthasar, following Newman,
says about the perception of the Christ-form can be gently applied to ethical perception:
in order that we "see" what God wishes to reveal to us, God provides a "convergence of
the indicators" (TD2 132). We might call discernment so directed an aesthetic
"rationalism"; it is a creative and imaginative process drawing together in moral insight
the various (theological, empirical, affective, experiential) elements composing the sit-
uation. This discernment takes as its object a world whose meaning is transformed in
light of the divine economy and the laboring presence of the Spirit. Like the discernment
proposed by narrative ethicists, it will not have "the 'firmness' of some sciences, but it can
exhibit the rationality of a good story." We will be able to look into the thicket of relative
goods and values and perceive God's path open before us in a way that is both a seeing
and a hearing, an understanding and a trust.
The Christian moral life for Balthasar is first a matter of holiness, not heroism; of
contemplation, not self-sacrifice. Some might question Balthasar's ethics on account of
the fact that it presumes (and not just commends) a level of spiritual intensity rarely
found in the church. That is, the prayerfulness, divine intimacy, and spiritual wisdom
typically associated with the saints are not merely ideals of the Christian life. In
Balthasar's ethics, they act as operating principles without which his ethics will not
"work." While we might wish for more, Balthasar has some sympathy for the difficulty
facing the typical Christian in hearing God's call.
All our petty excuses—we simply can't do that kind of listening; we have no interest in it;
we are not suited to it on account of our particular character, talents, occupation, or the
multiplicity of our activities; our religious interests tend in a different direction; repeated
attempts have failed to produce any result—all these little objections, however correct
they may be in their limited way, do not affect the great fundamental fact that God, in
giving us faith, has also given us the ability to hear.
He also suggests that there is a pastoral danger for the church in holding the general body
of believers accountable to the same moral expectations appropriate to fully committed
members. But Balthasar, faithful to his theological aesthetics, begins not with the actual
state of Christian practice, but with the fullness of the Christ-form itself and the
possibility of human response illuminated by it. It is in this center of glory that our moral
lives find their full meaning. And that meaning is given in nothing less than the fact that
God wants us to share in divine glory by entering into the self-surrendering love of the
triune Godhead. The moral lives of all Christians, saints and sinners, are viewed through
this focal point; the "imperfect (the ethic for sinners) derives its inner form from the
perfect" (GL5 66). For most of us, the fullness is "distantly" eschatological, experienced
in privileged moments of grace only to be lost once again in the din of the world's voices.
But blessed by the Spirit's presence, those fleeting encounters can be enough to enkindle
Christian hope for the day of unwavering vision.
Steck argues that because God uses the forms of the world to address us and does so in a
way meaningful to us, Balthasar does have room for moral reasoning and tentative moral
norms. Nonetheless, Balthasar should allow more room for reason and could do so
without undermining his project. Balthasar rarely, if ever, reflects at any length on
difficult, concrete ethical situations." One can wonder if Balthasar's reluctance to ponder
particular ethical dilemmas contributes not only to the ambivalent status of moral
reasoning but also to the high and possibly excessive rhetoric with which he describes
Christian love. We can easily fail to notice the important role that moral reasoning plays
in helping us discern the good if we avoid perplexing and "messy" ethical situations.
Balthasar complains that as the Christian draws away from the ideal, the command to
love "disintegrates into a multiplicity of individual commandments that function
separately according to the situation we find ourselves in." And at another point, he tells
us:
The finite limits of human existence seem to be a permanent justification for the finite
limits of love—and since life as a whole cannot be explained in terms of love, love
withdraws into little islands of mutual sympathy: of eros, of friendship, of patriotism,
even a certain universal love based on the nature common to all men . . .
Oddly, Balthasar states this as a criticism of one view of Christian love and seems to
ignore the truth of the position: Christian love will always be a "compromised" love, not
sinful or un-Christlike, but qualified by the finite limits of human existence and our
incapacity to respond to all the needs before us. Our responses will sometimes lead to
someone getting hurt—someone we want to help, who "deserves" our help, and who in
an ideal world would receive our help. As Stanley Hauerwas states, "Our moral lives are
not made up of situations where asking the question of love always makes ethical
sense. . . . For the question is not 'to hurt or not to hurt,' but when to hurt with justice."
Choices have to be made, and sometimes at least, perhaps more often than Balthasar's
thought implies, Christians make those choices primarily, even solely, on a reasoned
consideration of the situation before them.
Balthasar's ethics, Steck argues, has resources to respond to this challenge without
undermining its systematic commitments. Steck indicates some of those resources in this
study. For example, we can say that Balthasar advances an aesthetic "rationalism"—not
so much discursive reasoning about the options at hand as a creative imagining of the sit-
uation in light of the considered goods and values at stake. In addition, there is a
reasoning that takes place within the Christian community, united through the ministry of
the church's leadership, as together the community discerns the Spirit's guidance. There is
room in Balthasar for moral reasoning, but because of the almost total lack of discussion
in Balthasar's works of concrete issues, it is difficult to know exactly how Balthasar
might understand moral reasoning or how great a role he would allow it.
Perhaps this is the complaint of one whose vision is too earthbound. Yet Steck argues
Balthasar's thought is committed to the idea that God approaches and seeks a response
even from those (many) whose eyes still see dimly. They (we!) too are invited up to the
stage, and their imperfect moral reasoning will help them know how to play their parts.
Balthasar's eschatology emphasizes the "already" and not so much the "not yet," and
perhaps this leads him to highlight the non-discursive (mystical) element of the Christian
moral knowing.
This imbalance, if indeed it is an imbalance, does not strike a serious blow against
Balthasar's ethical framework or his fundamental interpretation of the moral life. His
ethics is a profound and inspiring reading of the ethical life in the context of the Christian
surrender of faith. It also offers, I have tried to argue, a decidedly Catholic approach to
themes traditionally associated with other Christian communities, and thus can contribute
to the complex ecumenical discussion of the nature of the Christian life.
The theory of the Christian life that emerges in the above lacks the ordered tidiness
associated with good theories. There is no formula which draws the vertical and
horizontal together into a systematic relationship and which would then allow us to
progress straightforwardly from the intrahorizontal claims of our finite existence to a
claim about what the personal God of Jesus Christ is calling us to do in this moment. But
Balthasar's theological aesthetics proscribes just such a move. There can be no human
anticipation of God's appearing glory; nor can there be a neat closure to our grasp of it.
The principle applies to all the theological sciences. If we are right to inscribe the moral
life within the faith response, then the principle must likewise govern our ethical
reflections. The deeper justification, then, of the indeterminacy of the moral life is not
anthropological (i.e., the ethical uniqueness of the person) but theological. Christian
perception does not bring the God who irradiates our moral horizon into sharp "focus."
Like the rest of the theological sciences, ethics too must put aside the goal of gaining a
mastery of God's glory and approach the revealed mystery humbly and on bended knee.
Steck explores particularly well how von Balthasar's dynamic Trinitarianism shapes his
account of human action and ethics. He also does a good job of showing how von
Balthasar's theo-dramatic ethics is distinctly Christological and ecclesial, specific and yet
also has implications for the wider world that avoid the problems of some versions of
natural law theory and the like.
I am convinced that von Balthasar is becoming one of the most important figures in
contemporary theology, though true attention to his work has come far later than it
deserved. Steck provides an excellent guide to von Balthasar's ethical thought. The only
possible weakness is that Steck does not engage with the third volume of von Balthasar's
trilogy, the Theo-Logic in any sustained manner. This volume has only recently been
translated, which may account for this. I highly recommend this book for anyone
interested in ethics, and particulaly those interested in the theology of von Balthasar.
The Glory of the Lord: a Theological Aesthetics Volume 1: Seeing the Form () by
Hans Urs Von Balthasar (
(The Glory of the Lord a Theological Aesthetics Studies in Theological Style: Clerical
Styles: ) by Hans Balthasar
The Glory of the Lord a Theological Aesthetics, Volume III: Studies in
Theological Style: Lay Styles (Balthasar, Hans Urs Von//Glory of the
Lord) by Hans Urs Von Balthasar
Glory of the Lord: A Theological Aesthetics: The Realm of Metaphysics
in Antiquity (Balthasar, Hans Urs Von//Glory of the Lord) by Hans Urs Von
Balthasar
The Realm of Metaphysics in the Modern Age (Glory of the Lord: A
Theological Aesthetics, Volume 5) by Hans Urs Von Balthasar
The Glory of the Lord: A Theological Aesthetics: Theology : The Old
Covenant (Balthasar, Hans Urs Von//Glory of the Lord) by Hans Urs Von
Balthasar
The Glory of the Lord: A Theological Aesthetics: Theology : The New
Covenant (Balthasar, Hans Urs Von//Glory of the Lord) by Hans Urs Von
Balthasar