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    Night in Tunisia Tonalité Trompette

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    iwan nedelec
    1. The document is a musical score for "A Night in Tunisia" composed by Dizzy Gillespie. 2. The score contains notation for instruments including introductions, solos, and interludes over different chord progressions. 3. It concludes with a solo break and indications to repeat sections and return to the beginning.

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    Night in Tunisia Tonalité Trompette

    Uploaded by

    iwan nedelec
    5 views1 page
    1. The document is a musical score for "A Night in Tunisia" composed by Dizzy Gillespie. 2. The score contains notation for instruments including introductions, solos, and interludes over different chord progressions. 3. It concludes with a solo break and indications to repeat sections and return to the beginning.

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    Original Title

    Night In tunisia tonalité trompette

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    1. The document is a musical score for "A Night in Tunisia" composed by Dizzy Gillespie. 2. The score contains notation for instruments including introductions, solos, and interludes over different chord progressions. 3. It concludes with a solo break and indications to repeat sections and return to the beginning.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    5 views1 page

    Night in Tunisia Tonalité Trompette

    Uploaded by

    iwan nedelec
    1. The document is a musical score for "A Night in Tunisia" composed by Dizzy Gillespie. 2. The score contains notation for instruments including introductions, solos, and interludes over different chord progressions. 3. It concludes with a solo break and indications to repeat sections and return to the beginning.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 1

    A

    night in Tunisia
    Dizzy Gillespe / oui

       intro          
      
     = 100
             
     
    ad lib

       3   
             
           
    A

      
          
    3 3

               
    B

              
     
          
    8
    1. 2.

                             
            
    14

     
                      
    A


     
    20

       
    3 3 3

     
                                 
     
    25

      
    Interlude

     
                                      
    30

     

     
                                     
    Fine

       
    35

                    

    Solo Break
    40 FMaj7 E Ab7#9

    Solo Over AABA


    then D.S al Fine

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