Score

Lisboa Menina e Moça

           
       
Flute 1 

     
   
        
Flute 2
  

            
  
Jsax

       
Alto Sax               


                   
Tenor Sax  
  
             
Trumpet in B 
  

 Am   
Am Dm G

Acoustic Guitar                  

Electric Bass
   
   
          


 
                   


       
Piano
   

           
Glockenspiel


                                         
Percussion 1          

                               
Percussion 2          

© J. Machado
           
2 Lisboa Menina e Moça
     
6

Fl. 1 


              
 
Fl. 2

Js           

                
A. Sx.   

                 
T. Sx.  

        
6

B  Tpt.   
C F Dm E Am

                   
6

Ac.Gtr. 
   
E.B.
 

             

   
           
6

 
   
Pno.
      

 
6

Glk.         
6
                             
Perc. 1           

Perc. 2                               
                  
Lisboa Menina e Moça 3
    
11

Fl. 1 

      
Fl. 2         
      

             
  
Js

             
A. Sx.            


                     
T. Sx.   
 
            
11

B  Tpt.     
Dm G C F

                   
11

Ac.Gtr. 

      
           
E.B.


                

  
11

  
    
Pno.
     

   
11

Glk.       
11
                             
Perc. 1           

Perc. 2                              
 4
  
Lisboa Menina e Moça
    
              
16

Fl. 1 

 
                  
Fl. 2
 

   
            
    
Js

       
 
            
A. Sx.  
                       
T. Sx. 


      
      
16

B  Tpt.    

Dm E Am A7 Dm

                   
16

Ac.Gtr. 

 
E.B.
                 

         
    
16

     
    
  
Pno.
       

     
16

Glk.     
16
                     3   3           
           

Perc. 1


                      
3 3

Perc. 2    
 Lisboa Menina e Moça 5

     
                
21

Fl. 1  

                            
Fl. 2      

          
       
Js
         
                           
A. Sx.       
           
T. Sx.                    

  
             
21

B  Tpt.    
    
G C F Dm E

                   
21

Ac.Gtr. 
    
E.B.

                

 
              
21

   
          
  
Pno.
    

21

Glk.           
21
               
                
 
     
    
Perc. 1

          
Perc. 2          
 6 Lisboa Menina e Moça

         

       
       
26

Fl. 1 

                          
Fl. 2
 
 
                    
Js
          
                          
          
   
A. Sx.

         
                      
T. Sx.   

           
             
26

B  Tpt.    
  
Am A7 Dm G C

                   
26

Ac.Gtr. 
 
E.B.

               

  
               
26

  
            
     
Pno.
   

     
26

Glk.     
26
 3 3         
                        
  
Perc. 1

       
3 3

Perc. 2            
 Lisboa Menina e Moça 7

        
             
31

Fl. 1 

            
Fl. 2            

  
          
     
Js

            
A. Sx.          
  

           
T. Sx.               

 
       
31

B  Tpt.    
  
F Dm E Am

               
31

Ac.Gtr. 

 
E.B.
               


          
31

       
 

Pno.
     

 
31

Glk.       
31
                           3 3
          
               
  
Perc. 1

     
3 3

Perc. 2         