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    Pelangi Kasih

    Uploaded by

    Tabita Sabatini
    This document is a musical score titled "Pelangi Kasih". It contains 27 measures of music composed and arranged in 5/4 time. The score includes musical notation symbols like clefs, notes, rests, and dynamic markings across five staffs.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Pelangi Kasih

    Uploaded by

    Tabita Sabatini
    14 views2 pages
    This document is a musical score titled "Pelangi Kasih". It contains 27 measures of music composed and arranged in 5/4 time. The score includes musical notation symbols like clefs, notes, rests, and dynamic markings across five staffs.

    Original Description:

    Original Title

    pelangi kasih

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    This document is a musical score titled "Pelangi Kasih". It contains 27 measures of music composed and arranged in 5/4 time. The score includes musical notation symbols like clefs, notes, rests, and dynamic markings across five staffs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    14 views2 pages

    Pelangi Kasih

    Uploaded by

    Tabita Sabatini
    This document is a musical score titled "Pelangi Kasih". It contains 27 measures of music composed and arranged in 5/4 time. The score includes musical notation symbols like clefs, notes, rests, and dynamic markings across five staffs.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Pelangi

    Kasih


    Subtitle
    Composer / arranger

       
                  
         
           
          
     
              
      


       
                
         
     
    5


            
              
            


     
                    
            
    9

      
                              
     


      
                            
      
    13

           
         
         

        


                      
    17

     
                           
           


     
      
               
    21



              
       

        
    2

           
    25 rit.

     
                

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