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Types of Aerial Cameras
Types of Aerial Cameras
2. Reconnaissance camera
Aerial reconnaissance cameras are special, medium of large-format camera used
for photogrammetric survey or military purposes like reconnaissance or air combat
documentation. It is usually mounted under a remote-controlled aircraft model or
in a small rocket. Professional/military reconnaissance aerial cameras, especially of
the larger types, are usually mounted firmly into the plane’s airframe (vertically or
oblique) to ensure that image angles are consistent for the photo run. Smaller
cameras were used handheld, or fastened on machine gun mouths. Many aerial
reconnaissance cameras are of fixed a fixed focused (set on infinity) design, or
have lenses with ultra-wide angles (such as metrogo)
3. Strip camera
Strip aerial camera is a camera with a long focal length and wide-angle lens. It can
be used to capture images from above, or it can be used in conjunction with other
types of cameras to capture multiple perspectives at once. Photographs obtained
from strip aerial cameras are called strip aerial photographs.
This technique was first developed by French photographer Paul Ronis in 1910,
who used it to take photos from airplanes flying over Paris during World War I.
Since then, strip aerial photography has been used for both military purposes (such
as reconnaissance) and civilian applications like mapping land areas for
construction projects or real estate sales listings.
Setting Up the Camera for Strip Aerial Photography
When you’re setting up your camera, there are a few things to keep in mind. First,
make sure that it’s mounted securely on the drone. You don’t want it falling off
and crashing into something! Next, frame up your shot using the drone’s FPV (first
person view) system or by looking through its monitor–you can even use both at
once if you want.
Finally, focus on an object in the distance and adjust accordingly until everything
looks sharp and crisp before taking off!
To capture strips of aerial photographs, you need to have a clear idea of how the
images will be sequenced and overlap.
Sequencing: The most common method is to shoot one strip at a time, moving the
camera from side-to-side across your subject. This allows you to capture each strip
as it passes through your field of view (FOV). However, this can result in gaps
between individual strips where no photos are taken because they were shot at
different times or locations within your FOV; if this happens then there will be
holes in your final composite image.
Although multi-lens cameras are now a hot feature, they first hit the market quite a
while back, but weren't received with much excitement. The innovation debuted in
2011, with the HTC Evo 3D and LG Optimus 3D smartphones. As the product
names make obvious, the dual-lens design was developed to create 3D images that
could be viewed on 3D-compatible displays. However, with meager 2 megapixels
that made for a serious lack of sharpness, there was no way that these models
would change the market at the time. Fast-forward a few years, though, and multi-
lens camera system technology has evolved with a primary focus other than 3D
imaging.
Multi-lens cameras combine not only lenses of different types, but also with
different aperture values. A camera system can, then, cater to different situations,
adapting to the setting and the user's needs. The varying apertures of multi-lens
camera systems allow for more elements to fit into a shot and for sharper images,
even taken from afar, in low-light environments. Multi-lens cameras can also
create depth maps to enhance augmented reality experiences. Furthermore, the
images captured by each lens may be overlayed, making it possible to soften the
background without the need for post-processing (the popular bokeh effect, a
game-changer for selfie enthusiasts).
Multi-lens cameras bring about more market revenue and exciting features for
users. Still, manufacturers also face difficulties, as they must try to merge, for
example, a zoom lens, different sensors, and the slim design expected by
smartphone users (especially when it comes to flagship models). Were it not for
these obstacles, multi-lens smartphone cameras would likely be equipped with
even further-reaching optical zoom. Other challenges are the additional processing
power required by these advanced photography systems and the fact that lenses
and sensors must be perfectly synchronized to avoid motion blur.