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Critical Writing
This is to certify that the work contained in the critical writing entitled “ Realism Art and
Courbet ”, submitted by Soumya Ranjan Samal(Roll no.- 03BVA19058) for the award of
the degree of Bachelor’s Of Visual arts to the ,B.K. College of Art and Crafts,
Bhubaneswar, is a record of bonafide research works carried out by him under my direct
I considered that the writing has reached the standards and fulfil the requirements of
the rules and regulations relating to the nature of the degree. The contents embodied in
the thesis have not been submitted for the award of any other degree or diploma in this
Signature of Supervisor:
DECLARATION
I hereby declare that the critical writing entitled ‘ Realism art and Courbet ‘, submitted
for the degree of , bachelor’s of Visual arts , is my original piece of work . This work is
I certify that
a. The work contained in the thesis is original and has been done by myself under the
supervision of my supervisor.
b. The work has not been submitted to any other Institute for any degree or diploma.
c. I have conformed to the norms and guidelines given in the Ethical Code of Conduct of
the Institute.
d. Whenever I have used materials (data, theoretical analysis, and text) from other
sources, I have given due credit to them by citing them in the text of the writing and
e. Whenever I have quoted written materials from other sources and due credit is given
f. From the plagiarism test, it is found that the similarity index of whole thesis within
25% and single paper is less than 10 % as per the university guidelines.
I thank all who in one way or another contributed in the completion of this writing. First,
I am so grateful to the B.K. college of Art and Crafts , for this golden opportunity.
heartily thanks to my supervisor,Mr. Antaryami Das, who encouraged and directed me.
His challenges brought this work towards a completion. It is with his supervision that
this work came into existence. For any faults I take full responsibility.
I am also deeply thankful to my informants. Their names cannot be disclosed, but I want
to acknowledge and appreciate their help and transparency during my research. Their
The Realism art period was a stylistic and social movement that began in France in the
mid-nineteenth century. The Realism movement rejected the artistic approach of the
Romantic period that had preceded it, which glorified nature and heroic figures. Before
Realism, painting and sculpture had been concerned with rendering Biblical and
mythological figures that exalted the best of humanity. Human figures were presented
as Classical Greek ideals, with perfect bodies and beautiful, unblemished faces.
Realism artists, on the other hand, began to paint human subjects as they really existed
in all their flaws, suffering, and imperfections. They wanted to hold up “regular” people
as worthy of artistic representation. The Realism movement grew out of the 1848
Revolution in France that established people’s “ right to work” and focused on worker’s
CONTENTS
5. GUSTAVE COURBET
One speciality of this world is that every single thing is impermanent. Nothing is static or
permanent here. Everything changes with the flow of time. Simple we can say, in this
mortal world, whatever thing takes birth, that dies or everything has a start and end.
Therefore this principle also works in the field of art.
There was a time when human was living in forests and caves, and painting on the walls
of the caves, but now the total scenario is different, now human is living a life of
comfort, and while talking about art, he is experimenting with different mediums, and
techniques. This successful journey of art is possible because of the rising and falling of
various artistic periods. Every single art movement has its motive or philosophy.
Sometimes these art movements also give us a new perspective to see the world.
Many artists worked under many art movements, gave their best, and made those
successful. This is why today they are an example for us, and we call them master
artists.
Every single corner of this world has seen the rise and fall of many cultures and
civilizations, so as many art movements. So we can say art movements are an integral
part of human development and society.
period,
through a succession of various art movements. And following the same process,
Medieval art made its way towards Modern art. This particular section saw many vital
art movements, which brought a huge evolution in the field of art. Out of all those art
movements, the 'Realism' art movement is considered very important, which started
with a fresh vision and gave birth to further art movements.
This anti-Romantic development paved the way for Realism in art, which sought to
embrace the aims of modernism through reexamining and overthrowing traditional
values and beliefs within society. Within the mid-19th century, Realism focused on how
life was socially, economically, politically, and culturally arranged. This led to
unwavering and often horrible portrayals of life and its unpleasant but raw moments.
Many artists gave their outstanding contributions to the development of this
unique art movement, and some of those artists are Gustave Courbet, Jean-Francois
Millet, Ilya Repin and Adolf Menzel etc. Out of all these artists, the role of Gustave
Courbet is considered important and often he is considered the father of the realism art
movement.
During this movement, artists understood their role in society. They started capturing
the daily life of poor and lower middle-class people. They represented the extreme
realities of society. The hate for the higher class and aristocrats can be easily visible in
the works of this time's artists. Artists also depicted the scenario of their art studios.
Artists of this movement also ignored the classical style and rules as they ignored the
classical themes. The realism artists were anti-intellectual and anti-ideal because they
were not adding any imaginary touch to make their art or work look beautiful. As
everything starting from subject to technique was real, that's why this art movement is
known as the realism movement.
5. GUSTAVE COURBET:
Gustave Courbet was a famous painter of the realism period, who was born in 1819 in
Ornans, which is a place in between France and Switzerland. He was committed to only
depicting those subjects in his paintings, that he could see. He became a perfect
example of an independent artist. He was free from classical styles and subjects, so he
became a perfect inspiration for the artists of later art movements like Impressionism,
and Cubism.
In the year 1840, he went to Paris, and created copy work of famous works in the
louvre, along with that he got a job at the shop of an artist. Slowly slowly the effect of
naturalism evolved in his artworks, which were influenced by Caravaggio and other
Venetian artists. He mainly depicted landscapes, seascapes, still life, and portraits. Most
of the natural depictions or landscapes, he depicted, were the area near his hometown,
which was beautiful and mountainous.He had a strong hate for the high class and
religious authorities. Once he depicted a priest drinking wine in his painting which
He was also involved in the 1848 Revolution, and as a result, he had to bear a huge loss.
In the year 1871, he broke a commemorative pillar of Nepolian, and as a result, he was
The poor and general public became a priority in his works, rather than elite people.
Courbet removed the religious storytelling aspect (which means painting based on a
story), in full major, and represented the extreme realities of the society through art.
Imagination became a fully different thing from art during this period. Because of this
new change artists got a chance to observe the world more precisely.
Courbet represented rural figures with harsh bodies and dirty, clumsy clothes. He didn't
try to make them look ideal, which proved these works of Courbet are different from
works of classical and medieval artists. His drawings and his colour scheme became a
trend in the world of art. Even the Romantic painter Delacroix praised his style of work.
When his works were rejected by the jury of the academy, he organised his solo
exhibition and made a path for upcoming artists, which influenced artists like Degas,
Pissarro, Manet and others.Although he was very influential for many artists, still his
influence became limited for others. The reason behind this was, he mainly depicted
rural themes, which were difficult for city artists to connect with. Similarly, in terms of
techniques, Manet's experiments left him back behind. Courbet was also not interested
to teach his styles to new artists. After all this, still he became an influential artist in the
field of realism.
He believed that depicting rural life and the poor is the true responsibility of an artist. So
that society will realise how much struggle these people are doing to get their bread, to
whom they ignore.Courbet was anti-ideal and anti-intellectual. His works were always
there in Paris salon, and he also got the gold medal in 1849. His works were also
criticized in the international exhibition in France, in the year 1855, and 1867. He
organised his solo exhibition, rather than taking part in the exhibition. Which started a
trend of organising solo exhibitions among artists. All the above proves that Courbet
As we all know, Gustave Courbet only depicted realistic subject matter, so in almost all
of his paintings we can see the daily life of the poor and labourers, landscapes,
seascapes, still life, portraits and other events, which he witnessed. Some of his best
STONE BRAKERS:
The stone Breaker painting is one of the famous works of Gustave Courbet. He painted
this in 1849, which depicts two peasants, out of which one is a young man and another
one is an old man, who is shown breaking the rocks. The medium of the painting is Oil
on Canvas. This painting was first exhibited at the Paris salon of 1850.
In simple we can say, it's a painting of the daily life of labourers. Courbet didn't show
any faces in the painting, as he depicted the life and struggle of every poor labourer, so
he didn't show any individual's face. The dark rocky background also complements the
theme. The torn and dirty dresses represent the struggle life of the poor. This painting
was destroyed in world war ll, along with other 154 paintings.
This painting is a self-portrait of Gustave Courbet. The medium is Oil on Canvas. This
painting was produced during his Paris stay. During the 1840s Courbet produced many
copy works of Velasquez, Rembrandt and other artists. During this period he also
painted many portraits, which also comprised self-portraits. 'The desperate man' is one
among them, in which he has represented himself with a desperate expression. The use
The burial at Ornans is a painting of Gustave Courbet. It's an important work of his
career, which was made between 1844-1850. The painting represents the funeral
ceremony of Courbet's great uncle, in the year 1848, in his hometown. This painting got
an explosive reaction in 1850-1851, Paris salon, which gave instant fame to Gustave
Courbet. This is an oil painting made on canvas. He painted the real people of his
hometown, who were present there, rather than taking models for this. So the painting
is a super realistic presentation of that funeral event. This painting is a large work, which
is about 10feet×22feet. Although this painting represents a funeral scene, still no person
in the painting shows a sad expression, which became a reason for criticism.
THE PAINTER’S STUDIO:
This is also an important work of Gustave Courbet and the medium is Oil on Canvas. He
painted this in Ornans in 1855.In this painting, Courbet is shown sitting at the centre and
painting a landscape, while he shows himself turned aways from a nude model, which is
a symbol of academic art. We can see many people present on both sides. On his left
side people from various levels of society are present, who are the supporters of
Courbet.
As many interpretations of this painting are present, so it's considered as a mysterious
painting.