This document provides information on 6 submissions to the MPEJ Special Issue on Disrupting Surveillance. It lists the title, author(s) email, submission date, acceptance date, and full paper submission deadline for each submission. The submissions cover topics such as the relation between poor images and fragmented bodies in Meriem Bennani's art, burnout and resistance in the surveillance society, curating an exhibition on surveillance and identity, a performance methodology for surveillance art, speculative design in the South Side Speculations Project, and art and the colonial project of surveillance.
This document provides information on 6 submissions to the MPEJ Special Issue on Disrupting Surveillance. It lists the title, author(s) email, submission date, acceptance date, and full paper submission deadline for each submission. The submissions cover topics such as the relation between poor images and fragmented bodies in Meriem Bennani's art, burnout and resistance in the surveillance society, curating an exhibition on surveillance and identity, a performance methodology for surveillance art, speculative design in the South Side Speculations Project, and art and the colonial project of surveillance.
This document provides information on 6 submissions to the MPEJ Special Issue on Disrupting Surveillance. It lists the title, author(s) email, submission date, acceptance date, and full paper submission deadline for each submission. The submissions cover topics such as the relation between poor images and fragmented bodies in Meriem Bennani's art, burnout and resistance in the surveillance society, curating an exhibition on surveillance and identity, a performance methodology for surveillance art, speculative design in the South Side Speculations Project, and art and the colonial project of surveillance.
Title Author email Submission Acceptance Full PP Submission
Future, fragmented, free The relation of “poor images” and fragmented bodies in DS_005 Meriem Bennani’s Party on the CAPS Martin Bartelmus martin.bartelmus@hhu.de 18/02/2022 19/04/2022 20/07/2022 Burnout as Capital Asset and Mode of Resistance in the DS_011 Surveillance Society Paula Albuquerque paula.albuquerque@rietveldacademie.nl 15/03/2022 19/04/2022 30/07/2022 Activating reflection through curatorial practice in Face Value: Surveillance and Identity in the Age of Digital Face DS_020 Recognition. Rosa Wevers r.l.l.wevers@uu.nl 15/03/2022 19/04/2022 18/08/2022 Disruptive Exhibitionism: A Performance Methodology for Stéphanie McKnight (Stéfy) stefymcknight@cunet.carleton.ca DS_022 Surveillance Art Julia Chan julia.chan@protonmail.com 15/03/2022 19/04/2022 15/08/2022 Speculating Surveillant Futures Past: Black Speculative DS_025 Design in the South Side Speculations Project Gary Kafer gkafer@uchicago.edu 23/03/2022 19/04/2022 08/07/2022 “Surveillance Frontierism: Art and the colonial project of DS_031 surveillance” Susan Cahil susan.cahill@ucalgary.ca 14/03/2022 19/04/2022 20/07/2022